Los Angeles - Figurative Paintings

Presenting an outstanding Art Deco inspired painting by contemporary French artist Pierre DeMougins. "The Chestnut Vendor", is an original oil on canvas, signed, c.2004, offered f...

Belgian artist Miette Braive(1916-2000), was classically trained in Belgium, before moving to Paris to pursue her art career as first a student and then a contemporary of the famed F...

Jirayr Zorthian(1911-2004), went through two Turkish massacres before age eight. He left Turkey at age nine with his family and spent a year in Padua, Italy, waiting for his visa to...

The painting was inspired by feelings of loneliness and social distancing during the pandemic. The canvas is made to look like a cracked mirror with a jester in a red hat on the other side. The cracks spread from where the jester touched it with his wine glass. Life in the painting seems to be broken into many tiny pieces, where the central character is reflected holding his guitar, the only thing remaining after all love was drained out of his life. Quarantine reminds the viewer to cherish life in its fullness and the people that are dear to them. The painting is signed by the author and can be framed or unframed. It can decorate any corner of the room based on individual preference. The painting is signed on the back and on the front. The painting is framed. Unframed dimensions: 40" x 30" x 1.5” Framed dimensions 46" x 36" x 2" Sergiy Andreyev...

We are proud to present the original paintings of American artist Robert Branham(1926-2012.) Robert Branham was born in 1926, in Louisville, Kentucky. He attended the Art Institut...

Presenting an original oil on panel by American artist Robert McIntosh, c.1958. "Male Torso in Green", is an original oil on panel, signed,c.1958, a painting directly from the personal collection of...

"TRES MIL" Figurative Portrait Painting 24" x 20" inch by Isaac Pelayo Medium: oil and aerosol on wood ABOUT THE ARTIST: Isaac Pelayo is a head on crash collision between The Re...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s w...

PHILIPPE NOYER "AU BAR" WATERCOLOR, SIGNED FRANCE, C.1960S 25.5 X 19.5 INCHES Philippe Henri Noyer 1917-1985 Philippe Henri Noyer was born on June 28, 1917 in Lyons, France. After a traditional education at the elite Ecole des Roches, Noyer enrolled in the Ecole des Beaux Arts in Lyon. Next he moved to Paris, where he worked in decorative arts and advertising. It was during this time, he discovered his talent for oil painting, officially starting his painting career in 1943. That same year, Noyer met the famed Parisian art deal, Emmanuel David, who would promote his work and career. Noyer produced many portraits, for which he quickly gained an international reputation, but he also painted dream figures in rural or maritime settings, compositions that were classical in technique but surreal in concept. In 1947, Noyer held his first one-man show at the prestigious Drouant-David Gallery in Paris. In 1949 the gallery consigned twenty of Noyer’s paintings to an American art dealer who had agreed to organize an exhibition of them in the United States. However the American dealer sold the paintings at cost, in order cover a gambling debt, to Robert Goldstein...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vi...

Using the striking imagery that is abundant in the California landscape, queer artist Kory Alexander creates dreamy paintings that are flooded with vibrancy and movement. Kory consid...

Presenting a mid century mixed media painting by American artist Robert McIntosh, "Cubist Nude in Green:, an original oil and collage on panel, ...

Kar_Part is an LA native, mechanical engineer product designer turned street artist fueled by a growing frustration with socio-political, economic, and behavioral conditions. His latest series, 'Totem Dolls’ begun in 2020 features a collection of dubious billionaires, fellow artists, and iconic historical figures. Each piece highlights the multitude of layers that define us as people - from the outermost flesh layer (the existential skin sack), to the caricature representation of one's personality, to the core level, that which motivates or drives us. Using aerosols and stencils, all of Kar-Part’s artworks begin on the streets before expanding to limited and open edition works on canvas and wood panel. E-Tron Musk - Elon Musk...

A fine Italian 20th century oil on panel "Battipanni" (The Carpet Beaters) by Nino Caffè (1908-1975) depicting a group of Cardinals playing a...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s work is set apart using han...

YURI MARTINEZ RAMOS "LOVE FIRST PIPE" OIL ON CANVAS, SIGNED CUBAN-AMERICAN, C.2006 20 X 16 INCHES Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

Kar_Part is an LA native, mechanical engineer product designer turned street artist fueled by a growing frustration with socio-political, economic, and behavioral conditions. His l...

Kar_Part is an LA native, mechanical engineer product designer turned street artist fueled by a growing frustration with socio-political, economic, and behavioral conditions. His l...

Amy Smith is a self-educated contemporary artist. Born in New Jersey, she moved to Los Angeles where she found inspiration, mentors, and support in the Street Art community. In her...

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

PEDRO BARRIOS "CARDS" MIXED MEDIA, SIGNED CUBAN-AMERICAN, C.1980 23.5 X 19 INCHES Born in 1947 in Cuba, Pedro Barrios was a staff illustrator for Women’s Wear Daily and illustrat...

"PORTRAIT OF CHARLIE KELLER" ARTIST OIL ON PAPER C.1970 23 X 17.5 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides. After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores. His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City. In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular. After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him. He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner...

"LINDA" Abstract Painting 20" x 25.5" inch by Khoren Keshishyan Medium: Mixed Media on Board Khoren Keshishyan is a celebrated American-Armenian painter and artist whose unique ble...

"LUCA" Abstract Painting 11" x 14" inch by Khoren Keshishyan Medium: Mixed Media on Board Khoren Keshishyan is a celebrated American-Armenian painter and artist whose unique blend ...

"Y.SUBMARINE" Abstract Painting 20" x 25.5" inch by Khoren Keshishyan Medium: Mixed Media on Paper Khoren Keshishyan is a celebrated American-Armenian painter and artist whose uniq...

Israel Gonzalez Rivero Titled in Spanish, Huellas, in English Threads Mixed media on canvas, purchased from the artist in the 1990s. 54.75 x 27.5 Inches A painter, sculptor and designers. Cuba's national writers and artists union members Barcelona, member of Spain ACEA international association In 2005, member of Canada Montreal Artotheque Member of "The south" project organizing committee Model art representative Member of Cuba-Mexico "Yeti" project Born in 1964 in Cuba Manzanillo Art education: 1992-education certificate for art 1983-graduated from "Jose j. Tejada" college, Santiago, Cuba 1979-graduated from "Carlos Enriquez...

Lovely oil painting of elegant people at the Paris Opera. Nice original frame.

YURI MARTINEZ RAMOS "REST ME ON A CUCKOO CLOCK" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2020 48 X 36 INCHES I wrote these words for the ...

This is a gorgeous piece with multi layering of jewel-like colors and brushwork, creating a large scale atmospheric piece. The artist, Alexis Portilla, shows that his artistic virt...

Lorena is a spontaneous creator who continually challenges herself with fresh outbursts of expression in any medium that she approaches; oil on canvas, acrylic, drawing, woodblock ca...

LORENA VILLALOBOS "ENCOUNTER" OIL ON CANVAS, SIGNED COSTA RICA, DATED 2005 39 X 29 INCHES Lorena Villalobos Villalobos was born in Costa Rica in 1961. She studied Fine Arts at...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to create exuberance and energy in her images. Inspired by street art, Coulombe Bégin 's paintings range from the abstract to the surreal and employ a variety of techniques and materials. Her contemporary artworks draw inspiration from body image, the universally recognizable symbol of hearts, and the experience of humankind. She brings a sensitivity to her work that stems from her exploration of identity and the joy and happiness of existence. Coulombe-Bégin draws us into her internal world: exploring the soul and matter, conscience, and the modern universe. This original figurative pop art painting measures 40 inches square. The thickly textured paint is applied with tactile brushwork. It is wired and ready to hang. The sides of this artwork are painted black and it does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping are available. A certificate of authenticity issued by the art gallery is included. Coulombe-Bégin’s work portrays from colorful hearts to specific parts of the human body, especially large close-up portrayals of the mouth and eyes, which are depicted with great contrasts of color and chiaroscuro. These symbols are constructed with specific gestures and drippings in which Coulombe-Bégin expresses an abstract universe full of movement, symbolism, and eroticism. Born in Miami, Coulombe-Bégin grew up in Quebec City where she earned a Bachelor of Visual Arts in 2006 from Laval University. Starting very young, her parents focused a great deal on both the arts and athletics which helped her develop her own mode of expression. “I am particularly interested in the fragmented corporal shell, which I emphasize through spontaneous movement and vivid colors.” stated Coulombe-Bégin. “My experience with painting has led me to see things differently, to self-discovery and to great astonishment." Coulombe-Bégin's works have been exhibited and collected worldwide, including Canada, the United States, Europe, South America, and Australia. REPRESENTATION Artspace Warehouse, Los Angeles SOLO EXHIBITIONS 2023 Inspire moi, Galerie Iris, Baie-St-Paul 2021 Le Corps à Coeur, Galerie Corno X Beauchamp, Montréal 2019 Rêve moi, Centre Boréart, Granby, QC Feel Moi, Galerie Iris, Baie-St-Paul, QC 2017 Wildest Dreams, La nuit des Galeries, Québec Salon d’habitation d’automne, Qébec 2016 Salon d’habitation d’automne, Québec 2015 Polyphonie, Palais Montcalm, Québec 2012 Le feu à la bouche, SSS, Québec, QC 2011 Le Moulin La Lorraine, Lac Etchemin, QC 2010 Lunetterie du faubourg, Quebec Les futures Déesses désirées, Le Cercle, Quebec, QC Trafic d'organes, Clocher penché, Quebec, QC Corps et Corporalités, Studio Party...

Los Angeles street artist Gary John exploded onto the international art scene during the Art Basel Miami art fair in 2013. John’s playfully bold work quickly gained attention and he ...

YURI MARTINEZ RAMOS "THE FUNNY SIDE OF ME" OIL ON CANVAS, SIGNED CUBAN-AMERICAN, C.2005 20 X 16 INCHES This piece is a type of self-portrait where I try to show the ones around me, I also have a funny side. Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

Southern California native Courtney Simone seamlessly blends her passion for abstract art with the exploration of everyday beauty, resulting in exuberantly inspired abstract figurati...

"SHADOWS OF THE PAST" Oil Painting 30" x 24" inch by Khoren Keshishyan Khoren Keshishyan is a celebrated American-Armenian painter and artist whose unique blend of architectural sen...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is strongly influenced by his exper...

This painting is part of the artists continual attempt to address the issue of climate change. Lorena Villalobos is among only twenty-six Costa Rican artists listed under the headin...

Bay Area artist Michelle Fillmore found her love of oil painting at the University of Las Vegas, where she graduated with a BA in Painting and Drawing in 2015. Fillmore’s tightly con...

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunity in the United States. Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art symbolism to create a signature style with a soft and fun, yet edgy character. This one-of-a-kind acrylic painting on canvas measures 24 inches high by 18 inches wide. This artwork is not framed. This painting is signed by Brown on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and International shipping also available. A certificate of authenticity issued by the art gallery is included. Danny Brown uses his interest in fashion as well as his knowledge of color, design, and culture as inspiration for his paintings. The loss of friends to violence and incarceration, combined with the loss of a family member to gang violence pushed Brown to use art as a source of therapy and to project a positive inspiring image for his community. Brown’s art coalesces youth culture, art history, fashion and American consumerism and melds them all to create his unique style. Instantly relatable and recognizable, his cathartic paintings represent contemporary issues as well as a demographic that is traditionally underrepresented in fine art. His works speak to young Americans and inspire a whole new generation of art collectors and admirers. Since 2016, Daniel Brown has exhibited at MoMA PS1 in New York City, and various galleries in Los Angeles. REPRESENTATION Artspace Warehouse, Los Angeles, USA EDUCATION BFA Art Center College of Design, Pasadena EXHIBITIONS 2024 Artspace Warehouse, Los Angeles, CA Affordable Art Fair Austin, TX 2023 Artspace Warehouse, Los Angeles, CA 2022 Affordable Art Fair New York, NY 2021 From A to B and Back Again, Artspace Warehouse, Los Angeles, CA 2020 Marginal Activities, Artspace Warehouse, Los Angeles, CA 2019 Quiet Please...

YURI MARTINEZ RAMOS "REGGAETON ON 47TH STREET" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2008 48 X 36 INCHES "Reggaeton on 47th Street" is a homage to the Dominican wo...

"Spicy Asian Food" (FRAMED) Abstract Painting 72 x 48 in by Yoram Katz Medium: Used items, Enamel and Spray paint on Canvas Size framed: 73 x 49 in Recycling Series ABOUT THE ART...

"Devil is Busy, Talk to God" Painting 59" x 43" inch by Vera Kochubey Medium: Wall paint on canvas ATTENTION: please contact us if you want this painting to be shipped rolled to l...

Coulombe-Bégin's dynamic acrylic on canvas works seek to produce a metamorphic interpretation of the artist's inner identity. Her paintings make ample use of contrasting colors to create exuberance and energy in her images. Inspired by street art, Coulombe Bégin 's paintings range from the abstract to the surreal and employ a variety of techniques and materials. Her contemporary artworks draw inspiration from body image, the universally recognizable symbol of hearts, and the experience of humankind. She brings a sensitivity to her work that stems from her exploration of identity and the joy and happiness of existence. Coulombe-Bégin draws us into her internal world: exploring the soul and matter, conscience, and the modern universe. This original painting depicting a colorful butterfly on a silver background measures 24 inches square. The thickly textured butterfly is applied with tactile brushwork. It is wired and ready to hang. The sides of this artwork are painted black and it does not require framing. Convenient local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Coulombe-Bégin’s work portrays from colorful hearts to specific parts of the human body, especially large close-up portrayals of the mouth and eyes, which are depicted with great contrasts of color and chiaroscuro. These symbols are constructed with specific gestures and drippings in which Coulombe-Bégin expresses an abstract universe full of movement, symbolism, and eroticism. Born in Miami, Coulombe-Bégin grew up in Quebec City where she earned a Bachelor of Visual Arts in 2006 from Laval University. Starting very young, her parents focused a great deal on both the arts and athletics which helped her develop her own mode of expression. “I am particularly interested in the fragmented corporal shell, which I emphasize through spontaneous movement and vivid colors.” stated Coulombe-Bégin. “My experience with painting has led me to see things differently, to self-discovery and to great astonishment." Coulombe-Bégin's works have been exhibited and collected worldwide, including Canada, the United States, Europe, South America, and Australia. REPRESENTATION Artspace Warehouse, Los Angeles SOLO EXHIBITIONS 2023 Inspire moi, Galerie Iris, Baie-St-Paul 2021 Le Corps à Coeur, Galerie Corno X Beauchamp, Montréal 2019 Rêve moi, Centre Boréart, Granby, QC Feel Moi, Galerie Iris, Baie-St-Paul, QC 2017 Wildest Dreams, La nuit des Galeries, Québec Salon d’habitation d’automne, Qébec 2016 Salon d’habitation d’automne, Québec 2015 Polyphonie, Palais Montcalm, Québec 2012 Le feu à la bouche, SSS, Québec, QC 2011 Le Moulin La Lorraine, Lac Etchemin, QC 2010 Lunetterie du faubourg, Quebec Les futures Déesses désirées, Le Cercle, Quebec, QC Trafic d'organes, Clocher penché, Quebec, QC Corps et Corporalités, Studio Party Time, Quebec 2007 Mehurt Passus, performance et installation multimédia, Centre d'art Diagonale, Montreal, QC 2006 Traces corporelles, Marius-Barbeau Museum, StJoseph de Beauce, QC GROUP EXHIBITIONS 2023 Artspace Warehouse, Los Angeles, CA Affordable Art Fair, Arteria Gallery, Hong Kong 2022 Affordable Art Fair, Arteria Gallery, Singapore 2021 Affordable Art Fair, Artspace Warehouse, New York Affordable Art Fair, Arteria Gallery, Battersea, London 2019 Scope Art Show, Arteria Gallery, Miami Beach Le Luxart Art Gallery, Montreal Affordable Art Fair, Arteria Gallery, New York Riverdale Art Walk, Toronto Beauchamp Art Gallery, Quebec, Baie-St-Paul and Toronto 2018 Affordable Art Fair, Arteria Gallery, Hong Kong Art Market San Francisco, Arteria Gallery, California Art Palm Spring, Arteria Gallery, California Le Luxart Art Gallery, Montreal Riverdale Art Walk, Toronto 2017 Clio Art Fair, New York The Artist Project, Toronto Galerie d’art du Chateau Frontenac, Quebec 2016 Le Luxart Art Gallery, Montreal Galerie d’art du Chateau Frontenac, Quebec Riverdale Art Walk, Toronto 2015 Féminin Plurielle, Galerie Iris, Baie-St-Paul Beauchamp Art Gallery, Quebec, Baie-St-Paul and Toronto 2014 Take Over, See-me, Time Square New York Las Olas Fine Arts Gallery, Fort Lauderdale Iris Art Gallery, Baie-St-Paul Beauchamp Art Gallery, Quebec, Baie-St-Paul and Toronto 2013 Contemporary Masters, Las Vegas The Story of Creatives, See-Me, New York Factory Art...

YURI MARTINEZ RAMOS "CHECKMATE" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2017 53.25 X 41.5 INCHES "Checkmate" is that great end-finale, that surprised everyone because you basically were playing or getting ready for a totally different game. An unexpected move from the governments who always have a "card up their sleeve" to screw you. Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

Represented by George Billis Gallery, NYC & LA -- For decades, Wes Hempel has been committed to re-envisioning the depiction of masculinity in contemporary art. By setting psychologically acute portraits of modern-day men against backdrops appropriated from such disparate sources as neoclassical history...

YURI MARTINEZ RAMOS "PATCHES" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2012 40 X 30 INCHES Patches symbolize the destruction and erosion of Cuba. A ruined country stitched together by patches that blend the society like an old rag pant. The main buffoonery image depicts the old system, no more speech to play when you only have a broken instrument. Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

> > Painter George Melville Smith (1879-1979) Painter, illustrator born in Chicago. Smith began formal art studies at the School of the Art Institute of Chicago at the age of seventeen, after first studying as an architect's apprentice. In 1925-26 he studied in Paris under Andre Lhote, then worked as a painter in France, Spain, England and Italy. He exhibited at the Art Institute of Chicago four times during the 1930s, and was included in the Whitney Museum's 1933 exhibit which also featured Grant Wood...

Biography from the niece of the artist from during his lifetime. Paintings acquired from the artist.s estate. Max Turner 1925 - 2019 Max Lamar Turner Painter, Sculptor, Teacher and Author. Max Turner was born in Omaha, Nebraska on July 28, 1925. His father was Lance Howard Turner and his mother Mary Irene Turner. In 1927, his family moved to Bingham Canyon, Utah where Max's father extracted copper from a creek that he had diverted to pass through his garage. The town was located in a narrow canyon on the eastern face of the Oquirrh Mountains. In 1938, when Max was 13, his family moved to Midvale, Utah. After completing high school, Max went to work laying rail until he was inducted into the U.S. Navy to serve during W.W. II. There he took an aptitude test and was initially assigned to the medical corp., later transferring to the dental unit. Max was stationed at Port Hueneme, Ventura County, California through the end of the war. When he was discharged in 1946, he remained in Southern California, living in the Los Angeles area. He met a man named Larry Torres and they formed a partnership to do silk screen work primarily for the Colby Poster Printing Company. This lasted about 10 years until the Colby building caught fire and burned down. In 1958, Max began working for Slade Novelty company that made doll parts using a product called plastisol. A year later, Max began producing plastic parts through his own business. One day, a couple of kids brought in a shrunken skull they had made and asked Max if he could reproduce it. Max said he could and he looked around for a business to work with for this task. He ultimately decided he could create his own machine shop to make molds. As a result, Max purchased a lathe, drill press, grinder and other tools to create his own machine shop and went into business making molds. He built a clientele and in 1973, he moved his machine shop to Glendale, California. Painter, Sculptor, Teacher and Author: Max recalls the day when his interest in art took a new direction. He happened to be in a paint store to purchase some supplies when he saw a card posted on a wall that read, "Come paint with Connie Marlo". Max had been interested in art since his youth and he was frequently impressed with paintings displayed by local artists at various community events. Consequently, he decided to go to Connie's Saturday morning art class at a studio on North La Brea Avenue (between Sunset and Hollywood) in Los Angeles. But, as fate would have it, he immediately took a detour from this class when he found a piece of paper on the floor of the studio referencing another art class dealing with compositions, patterns, rhythms and color harmony. The instructor's name was Hal Reed, a former art student of the Russian/American Master, Nicolai Fechin. Hal owned the building (previously the Will Foster Studio) and had founded the Art League of Los Angeles. When Max found Hal, he asked Hal if he could join his class. Hal said "No, the class was full" but he said Max could monitor the class in the back of the classroom. Max took him up on the offer and began observing the weekly class. During the class, Hal told his students that they should practice what they were learning by going to "live model" classes. Max began attending these classes where he learned how to draw figures. After a few months, Hal and Max became good friends. Hal was so impressed with Max's work that he offered Max the opportunity to teach at another location that Hal was opening in the San Fernando Valley. Max accepted the offer and began teaching his own art class. For Max, it was a quick jump from learning to teaching. Max then found that several of his students had to commute to his art class from the west end of the "Valley". To better serve this group of students, Max decided to relocate to another studio in Calabasas. Max continued teaching, and at this time he was producing very impressive portraits, both oil paintings and charcoal drawings from live models (Max never worked from photos). Max demonstrated real talent, and the style of his drawings and paintings were being compared to those of Nicolai Fechin. And, like Fechin, Max also had an interest in sculpting. One day, Max decided to design and cast a bronze owl sculpture to put in his Calabasas Fine Art Gallery. Later, someone approached Max when he was at the foundry and asked him about his success selling the owl sculpture. The individual who asked this question was convinced that there was a broader market for these sculptures and he ordered a dozen of the owl sculptures from Max. This encouraged Max to do more castings. Some of the new castings were antique sculptures he found and reproduced. As this new business grew, he decided to establish his own foundry, employing up to 15 workers. The business continued for many years, up until the late 1990's when Max got tired of the foundry business and sold it. Max, who was now in his 70's, decided to move on to his next venture as an artist, dedicating himself to doing the actual sculpting of original art. He loved the creativity of sculpting and he had his sculptures cast at local foundries, ironically the same ones that used to be his competition. Max was now fully engaged in his new artistic direction and, over time, he produced a large body of work. He created very impressive sculptures, including about 100 full-size sculptures. He sold some of these to high-end clientele, the Foundry at SLS Las Vegas, and to Hollywood studios. Even though Max now seemed to be totally in his element, he somehow also found time to continue to teach painting classes at the California Art Institute in Westlake Village in Los Angeles. At the institute, he specialized in figure work. Max continued to draw, paint and teach, but he says he stopped sculpting when he turned 90. Max produced four books showcasing his drawings and paintings. The first is "Faces, The Drawings of Max Turner", copyright 2000, that showcases nearly 100 of his portrait drawings. Within the "Acknowledgements" section, he lists Hal Reed and Joseph Nordmann, two former students of Nicolai Fechin. In 2006, Max produced his second book titled "Figures and Faces", reflecting not only portraits but also figure drawings and paintings. It is a wonderful book of Max's work, but it is currently difficult to find. The third book is titled "Faces 2, The Paintings and Drawings of Max Turner", copyright 2009, which includes 75 portrait paintings and drawings. In the "Preface" of this book, Max describes growing up in a small and isolated mining town during the Great Depression. He states that as a kid, he had little exposure of any culture or view of what the rest of the world was like. His neighbor was the trash collector and Max would sometimes go through his truck looking for anything of value. Among other things, he found magazines like Cosmopolitan, Good Housekeeping and Red Book, with covers that frequently showed drawings or paintings of faces. Max states that these images were the very first source of inspiration for him. He says that he began looking more carefully at people's faces and if they had character, he would draw them. By drawing them, Max says that he was making them part of his world, his world of "Faces". In 2018, Max published his newest book showcasing his drawings and paintings. It is titled "Max Turner's Figure Sketches". This softbound book includes 76 pages and over 120 drawings and paintings. In the Introduction, Max explains "I have found that when approaching the figure, one should begin with the gesture. After having captured the essence or feeling of the pose, one can then proceed to build on it." The figure sketches in this wonderful book reflect a Master's work that consistently captures the "gesture"-showing the emotion, movement and expression. Two more books are on the horizon for Max, both dealing with his passion for sculpting. His first, "The Sculpture of Max Turner" is a compilation of his commercial and noncommercial pieces throughout his career. The second, "Terra Cotta Sculpture by Max Turner" is a complete collection of figures done at the California Art Institute. These much anticipated books should be out later in 2018. Max now considers himself primarily a sculptor. But others in the art world are more than impressed with his drawings and paintings as well. His portraits are often described as having a Fechin-esque appearance, referring to the style of Nicolai Fechin. When Max observed those first art classes given by Hal Reed, it should be noted that Hal had previously been a student of the Russian/American Master Nicolai Fechin in the early to mid-1950's. In fact, Hal was a student in the last art class that Fechin taught before he unexpectedly died in 1955. Hal was so strongly influenced by Fechin that he later produced two 30-minute art instruction videos as part his Art Video Productions wherein he specifically described Fechin techniques that he learned in Fechin's class. The Fechin style and techniques were in play when Max later met Hal. Over the years, many of Max's art students, art collectors, gallery owners, as well as the Director of the Monterey Museum of Art have commented on the Fechin-esque qualities of Max's wonderful charcoal drawings and paintings. So, while Max may consider himself primarily a sculptor, his drawings and paintings are also impressive and very much sought after. When Nicolai Fechin died in 1955, three of the nine students in his last art class became life-long friends. Max subsequently became friends with not only Hal Reed, but also with prior Fechin students Joseph Nordmann and Albert Londraville...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s w...

LORENA VILLALOBOS "DANCE" OIL ON CANVAS, SIGNED COSTA RICA, DATED 2005 39 X 29 INCHES Lorena Villalobos Villalobos was born in Costa Rica in 1961. She studied Fine Arts at t...

We are pleased to offer three works by this artist JANET SNITKOVSKY "HOLDING MASKS" 36 X 36 INCHES OIL PASTEL ON CANVAS Janet Snitkovsky Janet Snitkovsky was born in Chernyakhiv, Ukraine in 1934 and began doing art as a child, but her creativity was temporarily stopped by WWII. After the war, she began her artistic pursiut in high school and eventually enrolled in L’viv Art...

"IS IT NOT THE DANCE OF TRUTH" Oil Painting 78" x 68" inch by Charles Malinsky Signed by the artist Artwork ships rolled due to its size. ABOUT THE ARTIST: Charles Malinsky is a...

U.S. Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is strongly influenced by his exp...

U.S. Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is strongly influenced by his exp...

"PROFILE OF A WOMAN" OIL ON PANEL C.1960 PAINTED IN ITALY 16 X 12 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides. After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores. His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City. In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular. After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him. He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner...

Georgia-based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant paintings that celebra...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s work is set apart using han...