Items Similar to PROFILE OF A WOMAN
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Morton DimondsteinPROFILE OF A WOMAN
About the Item
"PROFILE OF A WOMAN"
OIL ON PANEL
C.1960
PAINTED IN ITALY
16 X 12 INCHES
Morton Dimondstein
1920-2000
At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides.
After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores.
His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City.
In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular.
After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him.
He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner.
In 1960 there was an exhibition of Dimonsteain and Martin Lubner at the Norton Simon Museum in Pasadena, California.
In 1960 Dimondstein and his family moved to Italy. During these Italian years (1960-1964) he began to sculpt, which proved to be a turning point in his career. While continuing to produce works in various print and paint media, Dimondstein devoted himself to developing his new form of expression. Sculpting in wax, he would then cast his nudes, semi-nudes, and allegorical figures in bronze. In the late sixties, Dimondstein began sculpting in wood and in polyester resin. He continued to paint, but no longer on canvas. Instead, he painted life-sized portraits using acrylic on paper with a “sure sense of composition...ability to exploit color as a formal device...and a free spirited feeling for improvisation” (Los Angeles Times, October 18, 1986).
Active as an artist until 1998, Dimondstein shunned artifice and gimmickry, never synthetically creating a style or embracing a fad. He took what he regarded as “the more difficult road...permitting my work to be shaped by changing ideas, the materials I use, the accidents of place and displacement....” Critics concurred that he eschewed “changing fads and fashions, evolving instead within the ongoing Modernist figurative tradition” (Los Angeles Times, 1986).
The road Dimondstein traveled from early on branched off in many directions, but each path took the same route, toward an art that attained the highest level of craft and workmanship, an art that sought solutions to its intrinsic concerns, and an art that, according to La Vita in 1961, conveyed an appreciation for “the human image...without esthetic excesses... always granting it its own sense of poetry, its rightful dimension, its dignified pathos.”
Whether stripped down to its most elemental and biologic forms or embedded in a life sized, richly detailed environment, the human image--and the human condition--was central to Dimondstein’s vision.
- Creator:
- Medium:
- Period:
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU391561023
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1972
1stDibs seller since 2011
383 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Los Angeles, CA
- Return PolicyThis item cannot be returned.
More From This SellerView All
- PORTRAIT OF ANHALT PORTRAIOTBy Morton DimondsteinLocated in Los Angeles, CA"PORTRAIT OF ANHALT PORTRAIOT" FILM MAKER OIL ON PAPER C.1970 17.5 X 22.5 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in ...Category
1970s Figurative Paintings
MaterialsOil, Rag Paper
- PORTRAIT OF CHARLIE KELLERBy Morton DimondsteinLocated in Los Angeles, CA"PORTRAIT OF CHARLIE KELLER" ARTIST OIL ON PAPER C.1970 23 X 17.5 INCHES Morton Dimondstein 1920-2000 At the age of seventeen Morton Dimondstein enrolled in the American Artists School and then the Art Students League in New York City, where he studied painting, drawing, and printmaking with Anton Refregier, Harry Sternberg, and Kimon Nicolaides. After serving in the 387th Field Artillery Battalion during World War II, Dimondstein continued his studies at the Otis Art Institute in Los Angeles. He was one of the first artists to produce serigraphic prints on the West Coast, marketing them as affordable art in galleries and retail stores. His prints and oil paintings garnered several awards during this post-war period, including an A.C.A. Gallery international competition for a one- man show in New York City. In 1951 he moved to Mexico, where he attended the Instituto Politécnico Nacional and studied art with José Gutiérrez and David Alfaro Siqueiros. During his three years in Mexico, Dimondstein worked as a staff artist and instructor in visual education for UNESCO and was a member of the Taller de Gráfica Popular. After moving back to Los Angeles, Dimondstein served as the art editor of the California Quarterly from 1953 to 1956. He briefly worked for the Saul Bass advertising firm where he designed books and book jackets, and collaborated on the ad campaigns for films such as William Wyler’s “The Big Country” and Otto Preminger’s “St. Joan.” Dimondstein received industry recognition for the images he created, but cranking out art for commercial ventures with strict deadlines was not for him. He chose to leave that world in favor of working as an independent artist and art teacher. Over the years he taught at the Kann Art Institute, the New School of Art, the University of Southern California in Los Angeles, and the School of Fine Art which he established with UCLA faculty member Martin Lubner...Category
1970s Figurative Paintings
MaterialsOil, Rag Paper
- Man with Yellow TieLocated in Los Angeles, CAALEXANDER KREISEL "MAN WITH YELLOW TIE" OIL ON CANVAS BOARD, SIGNED RUSSIAN-AMERICAN, C.1935 26 X 19.5 INCHES FRAMED 29.5 X 23.5 INCHES Alexander Krei...Category
1930s Expressionist Figurative Paintings
MaterialsCanvas, Oil
- SUENO PROFUNDOBy Sofia RuizLocated in Los Angeles, CASUENO PROFUNDO OIL AND ACRILIC ON CANVAS SIGNED, 2013 EXHIBITED MUSEO DEL BANCO CENTRAL DE COSTA RICA 43.25 X 35.5 INCHES Sofía Ruiz was born in 1982....Category
2010s Surrealist Figurative Paintings
MaterialsAcrylic, Canvas, Oil
- UNTITLEDBy Sofia RuizLocated in Los Angeles, CA"UNTITLED" OIL AND ACRILIC ON CANVAS SIGNED 35.5 X 27.5 INCHES Sofía Ruiz was born in 1982. What she expresses through her paintings has to do with whe...Category
2010s Surrealist Figurative Paintings
MaterialsCanvas, Oil, Acrylic
- MEJOR SOLASBy Sofia RuizLocated in Los Angeles, CA"MEJOR SOLAS" OIL AND ACRILIC ON CANVAS SIGNED AND DATED 2010 EXHIBITED MUSEO DEL BANCO CENTRAL DE COSTA RICA 47.5 X 59 INCHES Sofía Ruiz was born in ...Category
2010s Surrealist Figurative Paintings
MaterialsCanvas, Oil, Acrylic
You May Also Like
- "Locked Out" - A Face and a Figure in Acrylic on PaperLocated in Soquel, CA"Locked Out" - A Face and a Figure in Acrylic on Paper A bold figurative painting by California-based artist, Ricardo de Silva (Brazilian, 20th Century). A face and a figure have be...Category
1980s Abstract Impressionist Figurative Paintings
MaterialsCotton, Acrylic, Rag Paper
- Woman with a Bull by African Ameriican Artist Bai, Contemporary Art on PaperBy Bai (Carl Karni-Bain)Located in New york, NYWoman with a Bull, 2023 by contemporary African American artist Bai (Carl Karni-Bain), is a 30 x 22in acrylic, oil pastel, and ballpoint pen figurative painting on etching paper. Th...Category
2010s Contemporary Figurative Paintings
MaterialsAcrylic, Ballpoint Pen, Oil Pastel, Rag Paper
- The Black Indian Chief by African American Artist Bai, Contemporary Art on PaperBy Bai (Carl Karni-Bain)Located in New york, NYThe Black Indian Chief, 2024 by contemporary African American artist Bai (Carl Karni-Bain), is a 30 x 22in acrylic, oil pastel, and ballpoint pen portrait painting on etching paper. ...Category
2010s Contemporary Figurative Paintings
MaterialsOil Pastel, Acrylic, Rag Paper, Ballpoint Pen
- Katya (Lying Down), Mixed media on Pergamenata parchmentBy Howard TangyeLocated in London, GBHoward Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...Category
2010s Contemporary Figurative Paintings
MaterialsPaint, Paper, Parchment Paper, Chalk, Charcoal, Crayon, Oil Crayon, Oil ...
- Tom & Richard (Stripes, through Zoom), Mixed media on ochre parchmentBy Howard TangyeLocated in London, GBHoward Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, including 16 years as head of BA Wom...Category
2010s Contemporary Portrait Paintings
MaterialsPaint, Paper, Parchment Paper, Charcoal, Crayon, Oil Crayon, Oil Pastel,...
- Andrew (Lying Down, Hand Behind Head), Mixed media on Pergamenata parchmentBy Howard TangyeLocated in London, GBHoward Tangye (b.1948, Australia) has been an influential force in fashion for decades. Lecturing at London’s Central Saint Martins for 35 years, includi...Category
2010s Contemporary Figurative Paintings
MaterialsPaste, Gesso, Paint, Paper, Parchment Paper, Charcoal, Crayon, Oil Crayo...
Recently Viewed
View AllMore Ways To Browse
Back Of Woman
Back Of A Woman
A Vision In Vintage
Vintage Woman Image
Vintage Woman Images
Woman Book
Woman With Book
Woman With A Book
Vintage Working Woman
Woman In Field
Mexican Woman
Woman Back Oil
Bronze Profile
Woman Profile
Profile Of Woman
Man And Woman Figures
Man And Woman Oil Painting
Mexican Woman Painting