Maine - Art

Spruance, Benton (American 1904-1967). SUBWAY SHIFT - THE SECOND FRONT. Fine and Looney 223. Lithograph, 1943. Fine and Looney cite two editions, one of 35 and one of 30, this being ...

Barnet, Will. GLADYS. Szoke 38. Lithograph, 1936. Edition of 10. Signed, dated and titled in ink, and stamped "Federal Art Project/NYC WPA. 14 1/2 x 10 inches, 370 x 253 mm. Scarce. ...

Marshall, Jim. JIMI HENDRIX AND BRIAN JONES, MONTEREY POP FESTIVAL. Photograph, 1967, printed later. Gelatin Silver print on glossy paper. Inscribed "4058...

Woman as seen from the foot of the bed :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Sign...

Johns, Jasper (American, born 1930). ALE CANS (I). Wesleyan 202. Lithograph from two plates (blue background, black image), 1975. Edition of 41 plus 11 Artist's Proofs. Signed in pen...

Johns, Joan. STERLING HARBOUR. Etching, not dated, but probably 1950s-60s. titled, inscribed "Artist's Proof," and signed in pencil. Printed on heavy wove paper. 19 1/4 x 23 5/8 inch...

William Dennis was a landscape painter based in Nottingham, England. Known for his impressionistic, pastoral landscape paintings, Dennis painted mostly in oil, capturing the rural sc...

One day at the studio I was feeling kind of poor so I designed and painted a "gold machine"! I've tried to make it work but maybe you'll have better luck. :: Painting :: Contemporar...

Meryon, Charles. LE STRYGE. D.23, S.27. Etching, 1853. 6 3/4 x 5 1/4 inches; 171 x 130 mm., with wide margins. Schneiderman's Seventh, Delteil's Sixth state (of 10), or possibly an i...

Bell, Cecil C. SELF PORTRAIT. Drypoint with pencil highlights, 1931. 16 X 12 inches. Titled and signed in pencil, and with Bell's drystamp in the margin, lower left. In excellent con...

composition 19 21.0 x 72.0 x 3.0, 20.0 lbs Wood Founder's stamp Artist's Commentary: "Wood wall sculpture. This piece is based on a style I made for the Health Partners' Behavioral Science Building in St. Paul, MN. I work with wood like a painter works with oils and a sculptor with stone. From a distance, lines, shapes, contours and shadows are easily seen but when you move from side to side, the change in perspective alters the image like the features of a face when it turns. If a light source moves, shadows in the piece move with it like the sun moving across a landscape. As you approach the piece, shallow contours appear like swells on a lake and intricate patterns emerge. You can't help but touch the smooth flowing surface to feel the highly finished solid wood. The furniture grade modified tung oil allows that. It also makes my art easy to clean if necessary. The lines and shapes in my art are the natural colors of solid wood joined along curves. No inlays, veneers, dyes or stains are used." About the Artist: Marc Lamm is a self-taught wood-artist who has been art since 1973. In 1996, he began developing techniques which he uses in his art. In 2011, he began making wood-wall-sculptures and has pieces in Mayo...

Jules, Mervyn (American 1912-1994). NOAH'S ARK. Color screenprint, not dated, but mid-20th Century. Signed in the matrix and in pencil in the margin, and also, with Jules's copyright...

Oil on panel, signed lower left. New England artist Grant Hacking was born and raised in South Africa and resided there until the age of twenty-five so he still experiences great pl...

Soyer, Raphael. THE TEAM. Lithograph with hand coloring, 1932 (Cole 23). 14 3/4" x 11." Edition of 25 published by Asociated American Artists, NY. A unique, or one of a few colored b...

Painter and etcher Sears Gallagher was born in Boston in 1869. Gallagher studied in Boston with Samuel Peter Rolt Triscott in the 1880s as well as at the Parisian Académie Julian in ...

Born in Paris, France in 1873, artist Auguste Grass-Mick apprenticed under lithography engraver Auguste Lemoine, the Dangler brothers and painter Georges Lavergne. A patron of Paris's cabarets, Le Chat...

Nikolai Matsedonsky was born in 1911. He was a Soviet Avant-garde painter, graphic artist and sculptor. He was known primarily for his stage and costume designs. After graduating ...

fan 19 48.0 x 35.0 x 3.0, 17.0 lbs Wood Founder's stamp Artist's Commentary: "Wood wall sculpture. 48 inches wide. I work with wood like a painter works with oils and a sculptor with stone. From a distance, lines, shapes, contours and shadows are easily seen but when you move from side to side, the change in perspective alters the image like the features of a face when it turns. If a light source moves, shadows in the piece move with it like the sun moving across a landscape. As you approach the piece, shallow contours appear like swells on a lake and intricate patterns emerge. You can't help but touch the smooth flowing surface to feel the highly finished solid wood. The furniture grade modified tung oil allows that. It also makes my art easy to clean if necessary. The lines and shapes in my art are the natural colors of solid wood joined along curves. No inlays, veneers, dyes or stains are used." About the Artist: Marc Lamm is a self-taught wood-artist who has been art since 1973. In 1996, he began developing techniques which he uses in his art. In 2011, he began making wood-wall-sculptures and has pieces in Mayo...

Bishop, Isabel (American 1902-1988). THE WALL AT UNION SQUARE Drawing, pencil on paper, not dated. Signed in pencil, lower right. 4 x 5 inches (main image), 7 7/8 x 7 1/2 inches (she...

Signed lower left, dimensions listed include the frame. Joseph Wolins was born in Atlantic City, New Jersey in 1915. He studied at the National Academy of Design from 1935 to 1941 un...

Oil on canvas, inscribed on the stretcher bar reverse. The painting is presented in a flat black frame that complements it well. Horace Bundy was an itin...

Elizabeth Jenkins was born in New Brunswick, Canada, in 1841. By the early 1870s the artist was living in Yuba County, California. In 1873 she exhibited at the California State Fair.

Calapai, Letterio (American, 1902-1993). 8:30 EXPRESS. Wood-engraving, 1943. Edition of 27, numbered "1/27" and titled and signed in pencil. 5 5/8 x 8 3/8 inches (image), 9 1/8 x 12 ...

Lozowick, Louis. Amer., (1892-1973), STILL LIFE NO.2 (STILL LIFE WITH APPLES), Lithograph, 1929, Ed. C. 50. Flint 36, 10 5/16 x 13 3/16, 262 x ...

Anonymous WILLIAM JENNINGS BRYAN. ELECTION POSTER. Lithograph, 1900 . Poster for Bryan's candidacy for President in 1900. He ran, with Adlai E. Stevenson as Vice President, against W...

Gina Roma was born in Tezze di Piave, Italy, in 1914. After Liceo Artistico, she attended the Academy of Beaux Arts in Venice. She belonged to the Venetian g...

Simpson, Maxwell Stewart (American, 1896-1984). THREE ETCHINGS OF SCENES FROM "THE DECAMERON." Signed and dated "Paris, 1924" in the plates, and signed ...

Calapai, Letterio. ROCKWELL KENT'S STUDIO. Wood engraving, 1980. Titled, numbered 7/75 and signed in pencil. 6 x 8 7/16 inches, 153 x 216 mm. In very good condition. Framed.

Johnston, Ynez (American, 1920-2019). DYNASTIC SCENE. Colored etching, not dated. Edition of 50, numbered, titled, and signed in pencil. 11 3/4 x 8 5/8 inches (Plate), 16 1/2 x 12 3/...

Born Julius Pincas in 1885 in Bulgaria, the artist adopted the name Jules Pascin under which his paintings are known. Pascin studied in Vienna and Munich, and traveled and painted regularly in Paris and Berlin. Pascin came to the United States in 1914 and in 1920 became a US citizen. He returned later...

Peterdi, Gabor (American, born Hungary, 1915-2001). THE STORM. Johnson 154) Etching and engraving, 1958. Edition of 15, signed, dated, titled and numbered 3-15 in pencil. 22 x 32 inc...

Gropper, Will1am (American, 1897-1977). THE NEW BILL. Lithograph, c. 1941. 11 3/4 x 16 inches (image), 14 x 19 inches (sheet).Titled and signed in pencil. In excellent condition.

Hnizdosvsky, Jacques. RAM. Tahir 370. Etching, 1979. Edition of 150. Signed, Titled, dated and numbered 59/100, all in pencil. 16 3/4 x 23 inches In excellent condition. Framed.

Born in Terrenoire in the Loire, France, self-taught painter Charles Marcon was encouraged by Madeleine Castaing and Paulette Jourdain. Marcon exhibited throughout Paris and in Arles...

Ross, Johnnie Winona (American 1949 - ). IT ALWAYS TURNS OUT FOR THE BEST. Acrylics on paper, 1981. 29 3/4" x 29 3/8 inches, framed to 31 9/ 16" x 31 9/16 inches. Signed and titled. Provenance: Private collection, Sherborne, MA. In excellent condition: the browned edges and the foxing mark are qualities of the old papers...

From a series of spontaneous drawings :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed:...

Dine, Jim. GLYPTOTEK. Intaglios, 1988. Pace Editions, Waddington Graphics, and Jim Dine, NY and London, 1988. Edition of 90 plus 10 Artist's Proofs, of which this is Number 76. Signe...

Prince, George WILLIAM MCKINLEY AND THEODORE ROOSEVELT CAMPAIGN POSTERS. Lithographs, 1900. With Prince's copyright, lower left, and Litho by Julius Bien NY, lower right. The McKinle...

Villon, Jacques. LES HALEURS. GP E-332. Etching and drypoint, 1930. Final state. Edition of 50, numbered 34/50 and signed in pencil. 7 1/8 x 8 5/8 inches, 181 x 222 mm. (plate). Fra...

This painting is a memory of a garden of mixed sunflowers. It was done with quality oil paints and cold wax on linen. It is ready to hang. :: Painting :: Contemporary :: This piece...

Born in Paris in 1849, French painter, printmaker, etcher and illustrator Auguste Lepère apprenticed under British wood engraver Joseph Burn Smeeton in Paris at the age of thirteen. ...

Drawing is a pen on a long journey- I go along for the ride! This is the 2nd in a series... :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticit...

Sloan, John. BARBER SHOP. Etching and aquatint, 1915, (Morse 173), 3rd (final) state, Only 35 were printed, by Sloan. Signed in pancil, lower right. 10 x 12 inches (256 x 308 mm (pl...

A listed 19th century British artist and Barbizon School painter, Thomas W. Morley's Figure by the Sea captures the color, technique, softness of form and tonal qualities indicative ...

Johnston, Ynez. UNTITLED. Etching, not dated (but likely 1950s). Edition of 20, signed in pencil and numbered 4/20. 6 7/8 x 9 inches (plate), 8 x 10 5/8 inches (sheet). In excellent ...

Frasconi, Antonio (American, born Uruguay, 1919-2013). BRECHT. Woodcut, 1961. Edition of 80, Titile, inscribed "Ed 80, signed, and dated, all in pencil. Printed on Rives paper. 26 1/...

Whistler, James A. M. THE LITTLE COURT CLOTH FAIR. Spink 22. Lithograph, 1887. A lifetime impression, one of 12 printed by Way and signed in pencil with the Butterfly. Printed on Ivory colored wove paper without watermark. The sheet 11 9/16 x 6 inches. In very good condition with slight discoloration from the mat in the areas outside the mat window. Provenance: Collection of Otto Gerstenberg (see below) with his collectors stamp, Lugt 2785, the Secretary Montag's "M" and the inventory numbers 61248 KO5182 all on the verso; Horizon Gallery, Rockport, MA, with its label and annotations on the frame backing. Framed. Very rare. The following are translations from the entry on Gerstenberg in Lugt: Lugt 1921: O. GERSTENBERG (born 1848), director of the Insurance Company "Victoria", lives in Berlin. Old and modern prints. Otto Gerstenberg, born in Pyritz, studied mathematics and philosophy at the University of Berlin. After having been employed at the Prussian Statistical Office, in 1873 he entered the insurance company "Victoria" in Berlin as a mathematician-calculator, and became its director in 1888. He developed it in the following years and brought it up. to its present importance. Around 1900 he began to collect prints of which he now has a very large cabinet; as elders especially Schongauer, Dürer and Rembrandt, then Lucas de Leyde, Hirschvogel, van Dijck, Ostade and the French portrait painters. As modern it is necessary to point out, among the Germans »Greiner, Klinger, Leibl, Liebermann, Menzel, Stauffer-Bern; among the French, Corot, Daumier, Degas, Forain, Lepère, Manet, Meryon, Toulouse-Lautrec; among the English, Bone, Dodd, Goff, Haden, Strang; then an important work by Whistler and Goya and leaves by Rops and Zorn. Also has beautiful paintings. Lugt 1956: During the 1914-1918 war, the collectort had his collection transported to Switzerland and, when the war was over, he decided, quite reluctantly, to sell it. In the spring of 1922 the sale was concluded in Zurich with the merchants Gust. Mayer, of Colnaghi & C ° of London, and Mr. A. MacDonald, then a partner of Harlow & C ° of New York, who bought the set at a price corresponding roughly to the total prices paid by Gerstenberg. This was a large sum, because he had acquired several of his finest pieces in the big sales between 1900 and 1914 against the big enthusiasts of the time such as Morgan, Gutmann, Rothschild etc. It was Gaiser, of the firm H. G. Gutekunst in Stuttgart, who had generally carried out his orders in the sales. MacDonald believed he had a buyer for the set in America, but when the collection arrived there those hopes were dashed by a change in economic conditions. He then sold the parts separately. We will get an idea of ​​the importance of this collection by the following enumeration of the most beautiful pieces: among the Dürer, the Adam and Eve (from the Buccleuch and Hubert collections), the Saint-Eustache, the Mélancolie (from the collection Behaim, Dumesnil and Scholtz), the Knight of Death (from the Barnard and Hubert collections) and the Life of the Virgin series (from the St. Aubin collection); Dürer's work was almost complete. Quite remarkable was the Rembrandts' series, in which we note the Piece aux cent florins, sur Japon (collection Weber and Hubert), the Three Crosses, 1st state and 2nd state (collection Artaria and Hubert), the Little Tomb ( coll. John Wilson) and another proof on Japan, Death of the Virgin in Irstate (Josi coll.), St. Jerome, B. 103, unstead (Josi, Aylesford, Buccleuch and Hawkins coll.), the St. François (coll. Theobald); the series of portraits by Rembrandt was superb: Rembrandt himself drawing, B. 22, Ir état (from the Worlidge, Brit. Mus., Dighton and Theobald collections) and the same in the second state on Japan (Morrison collection), all the states of Clement de Jonghe, Jan Asselijn, Irtat (Josi, Aylesford, Buccleuch and Hubert coll.), old Haaring, 2nd state (same sources) and the young, 2nd state in Japan (Brodhurst and Lanna collection) , the Lutma in 1st state on japan (Josi, Aylesford, Baccleuch and Hubert collection) and a superb 2nd state (from the Firmin-Didot and Hubert collections), the Six in 3rd state (Ploos van Amstel collection); in landscapes: the three Trees (coll. Theobald), the three Chaumières (coll. Morgan and Lesecq des Tournelles), the Landscape with the tower, Ir état (coll. Aylesford, Holford and Hubert), the Campagne du peseur d ' gold, on Japan (Barnard, Holford and Theobald collection) and a State of Landscape with the drinking cow, on Japan (Theobald collection). Then a series of 51 Schongauer, including several of the first order, 8 of Hirschvogel, the portraits by van Dijck himself in first states (except D. 10 and 15, the most beautiful of the collection Theobald), beautiful series by Claude and van Ostade. The purchase included neither the important modern prints that Gerstenberg owned, nor his beautiful prints by Goya, nor a few drawings by the latter and Rembrandt. Gerstenberg was an enthusiastic collector who passionately loved his collection. When in 1922 the buyers announced their decision to acquire his old prints at the agreed price, he could not contain his tears. He later consoled himself by developing his series of watercolors and drawings of the French school of the nineteenth century, and he managed to own a magnificent set of Delacroix, Daumier, Degas, Monet and, in general, the Impressionists. . We do not know, at the present time, what happened to this part of his collection, but it is feared that part of it was lost or destroyed in the offices of the insurance company "Victoria" in Berlin or in its property in Silesia during the Russian invasion in 1945. The Toulouse-Lautrec which had been evacuated to Denmark were sold out of court after the war from 1939 to 1945. Gertstenberg died ,very old in 1935. The mark reproduced by us in L.2785 has rarely been used, but the origin of the prints is more easily recognized by the initial M, followed by a number (see L.1840c...

Grabach, John R. (American 1886-1981) THE FERRY. Oil on panel, not dated. Signed within the image, lower right, and also on the back of the panel. 5 1/2 x 8 3/4 inches, 140 x 122 mm....

Heintzelman, Arthur William. OLD MAN WITH BOWL OF FRUIT. 9 7/8 x 7 3/4 inches,250 x 197 mm., with wide margins. Signed in pencil. In excellent condition.

Avati, Mario. CORBEAU A LA BOUTEILLE (STILL LIFE WITH CROW AND WINE BOTTLE). Mezzotint, 1958. Edition of 30. Numbered XIII/XXX, titled, signed and dated in pencil. 17 1/2 x 23 3/4 in...

Benson, Frank. RUNNING THE RAPIDS. Paff 269. Etching, 1927. Edition of 150. Signed in pencil. Printed on Whatman paper. 5 7/8 x 7 3/4 inches (plate), 8 1/2 x 10 5/8 inches (sheet). A...

Smith, Lawrence Beall (1902-1995). FROLIC. Lithograph, 1948. Edition of 250 published by Associated American Artists. 9 3/8 x 12 1/4 inches (image)12 3/8 x 17 1/4 inches (sheet). In ...

Mielatz, Charles. IN THE BOWERY. Etching, 1891. Edition size not known. Signed and dated in the plate. 9 7/8 x 7 inches. In excellent condition. Mielatz, taught etching at the Nation...

Soyer, Raphael. STREET SCENE WITH MOSES SOYER. Gettings 113 (not in Cole). Lithograph, 1970. 19 1/4 x 14 1/4 inches; 488 x 362 mm. Edition of 150, printed by Burr Miller. Signed in ...

Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1967. Signed and dated, lower right. 9 1/2 x 6 1/4 inches (image), 15 x 11 inches (sheet). In ex...

Marini, Marino. JUGGLER. San Lazzarro Etcing no 35. Etching, 1954. Edition of 65, from the album of 23 etchings published by Crommelynck in 1970. Numbered 62/65 and signed in pencil...

Kuhn, Walt, (American, 1877-1949). PEGGY. Lithograph, not dated, but likely 1925-1930. Edition size not stated, but likely 50. Signed in pencil, and inscribed at the lower edge of th...

Jansem, Jean. MOTHER AND CHILD. Lithograph, not dated. Artist's proof aside from an edition of likely 75 or 100. Inscibed "E.A." (Epreuve d'Artiste) and signed in pencil. In very goo...

Oil on canvas, signed lower right. Erwin Kettemann (1897–1971) was a landscape painter from Munich. He was a representative of late Impressionism as well as the 19th century “Karlsru...

Watercolor on paper, signed lower right Agustus Knoller and dated 1884. Inscribed on the reverse in pencil "This trotting came off Aug 15th 1884 at Belmont Park...