Maine - Art

Thon, William (American, 1906-2000).; UNTITLED (DRAWING OF A BOAT #2; LIKELY IN ITALY). Ink and watercolor on paper. Not dated. Unsigned. 14 x 17 inches. In excellent condition. From...

Discover Beth Carlson's touching dog painting, "No Walk Today," a portrayal of a sweet Brittany Spaniel or Setter gazing through a rain-soaked window. This dog painting captures the ...

Agam, Yaacov, (Jacob Gipstein) (Israeli, b. 1928). UNTITLED. Screenprint in colors, not dated. Edition of 180, signed in blue pencil, and numbered 80/180. 26 3/8 x 33 1/4 inches, 669...

Wilson, John W. SEATED WOMAN. Etching and aquatint, 1973. A Proof aside from the edition of 75. Inscribed "Guide Proof" and signed in pencil. 18 x 12 1/2 inches, 457 x 315 mm. (plat...

Pellew, Claughton (British, 1890-1966). THE RETURN. Ashmolean 17. Wood engraving, 1925. Edition of 25. Initialed in the block, and titled, signed, dated and...

The First Friday art walk in Portland, Maine is a great time to visit galleries and meet friends. The galleries are open late and the Portland Museum of Art is free on that night. :...

Smith, W. Eugene (American, 1918-1978). SPANISH WAKE. Gelatin Silver, 1951 (printed later). Titled and signed in pencil on the mount. 8 5/8 x 13 1/8 inches. In excellent condition.

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Braun, Ruth Light (American, 1906-2003). UNTITLED (CLEANING CREW). Lithograph, not dated, but likely 1930s. Edition size not stated. Signed in pencil, lower left. 13 3/8 x 10 1/2 inc...

Thon, William (American, 1906-2000) UNTITLED SKETCHBOOK DRAWING #15. Ink on paper, not dated, but circa 1960s. Unsigned.The sketchbook identified by an Estate label on its cover. 5 x...

Rey, Margaret and H.A. CURIOUS GEORGE GOES TO THE HOSPITAL. Houghton Mifflin, Boston, 1966. 1st Printing stated. INSCRIBED in ink on the front free endpaper "To Edith Bell from the R...

Thon, William (American, 1906-2000).; UNTITLED (DRAWING OF A BOAT #1; LIKELY IN ITALY). Ink and wash on paper. Not dated. Unsigned. 14 x 17 inches. In excellent condition. From a ske...

Thon, William (American, 1906-2000) UNTITLED SKETCHBOOK DRAWING #4. Ink on paper, not dated, but circa 1960s. Unsigned.The sketchbook identified by an Estate label on its cover. 5 x ...

Schanker, Louis CARNIVAL. Color woodcut, 1948. Edition of 30. Signed, titled and numbered 24/30 in pencil. 14 1/4 x 21 inches (image), 18 x 24 inches (sheet). Hinging residue, verso,...

Barrer, Gertrude (American, 1921-19920. THE THREE GRACES. Oil on panel. Signed "Barrer," lower left. Not dated. 27 1/2 X 20 1/2 inches, framed to 29 x...

Thon, William (American, 1906-2000) UNTITLED SKETCHBOOK DRAWING #16. Ink on paper, not dated, but circa 1960s. Unsigned.The sketchbook identified by an Estate label on its cover. 5 x...

Dubuffet, Jean. ECRITS ET LITHOGRAPHIES - GALERIE LA POCHADE. Lithograph in colors, 1968. Poster for an exhibition of Dubuffet's work. Numbered 70/100 and initialed and dated "J.D. 6...

Bumbeck, David (American, born 1940). WINDOW II. Etching and aquatint, 1966. An Artist's Proof aside from the edition of 35. Ttiled, inscribed "Artist's Proof," and signed and dated,...

A perfect Maine summer day. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: S...

O'Higgins, Paul or Pablo (Mexican, born USA, 1904-1983). UNTITLED DRAWING (TWO MEN). Watercolor on paper, not dated. Signed "Paul O'Higgins," lower right, so ...

Chillida, Eduardo (Spanish, 1924-2002). ISATSORATU II. Etching and embossing on heavy paper, 1998. Edition of 50, Numbered 19/50 and signed in pencil. 3 7/8 x 8 inches, 98 x 203 mm. ...

Visitor; 1 adj Something that is strange is unusual or unexpected, and makes you feel slightly nervous or afraid. oft it v-link ADJ that/to-inf/how (=odd) :: Drawing :: Contemporar...

Thon, William (American, 1906-2000) UNTITLED SKETCHBOOK DRAWING #2. Ink on paper, not dated, but circa 1960s. Unsigned.The sketchbook identified by an Estate label on its cover. 5 x ...

Marsh, Reginald. FROZEN CUSTARD. S.183. Etching and engraving, 1939. Second State of two. Edition of only 18, printed by Marsh and signed and titled in pencil. 7 x 10 inches, 178 x 2...

From a series done after a visit to Lucca, Italy. Some done with brush on canvas. Mostly figurative- many with wings- against a gray brushstroked background depicting clouds or simpl...

This drawing/ wash painting is rendered in walnut ink on smooth bristol plate :: Painting :: Contemporary :: This piece comes with an official certificat...

Heliker, John. (American, 1909-2000). UNTITLED ("KEEP SMILING). Ink on paper, not dated, likely 1930s. The image is of two men in a workshop, one possibly the customer, the other wor...

Oil on board, signed and dated 38' in lower right. Measures 6.75" x 15.5" including the frame, also inscribed and signed on reverse. Nikolai Timkov is one of the best known Russian ...

Aportrait :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Location: ...

An oil painting loosely based on the the story of Eden :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to H...

Marsh, Reginald. TWO GIRLS IN SUBWAY. S.58. Etching, 1928. Printed on cream-colored wove paper, with a watermark, upper left. One of only two proofs of ...

composition 19 21.0 x 72.0 x 3.0, 20.0 lbs Wood Founder's stamp Artist's Commentary: "Wood wall sculpture. This piece is based on a style I made for the Health Partners' Behavioral Science Building in St. Paul, MN. I work with wood like a painter works with oils and a sculptor with stone. From a distance, lines, shapes, contours and shadows are easily seen but when you move from side to side, the change in perspective alters the image like the features of a face when it turns. If a light source moves, shadows in the piece move with it like the sun moving across a landscape. As you approach the piece, shallow contours appear like swells on a lake and intricate patterns emerge. You can't help but touch the smooth flowing surface to feel the highly finished solid wood. The furniture grade modified tung oil allows that. It also makes my art easy to clean if necessary. The lines and shapes in my art are the natural colors of solid wood joined along curves. No inlays, veneers, dyes or stains are used." About the Artist: Marc Lamm is a self-taught wood-artist who has been art since 1973. In 1996, he began developing techniques which he uses in his art. In 2011, he began making wood-wall-sculptures and has pieces in Mayo...

Jacquette, Yvonne. EAST 15TH STREET. Faberman 8. Lithograph in five colors, 1974. Edition of 125. Signed and numbered in pencil. Printed by Paul Narkiewicz and Chip Elwell on Arches...

Pappe, Carl. CALLE EX CONVENTO, TASCO. Woodcut, c.1940s-60s. Edition unstated. This print is one of a series of 16 images, all of scenes in Taxco, distinguished by the strength of the carving and the richness of the blacks. 12 x 14 1/4 inches (image), 13 1/2 x 15 3/4 (sheet). Titled and signed in pencil. In excellent condition. Carl Pappe...

Junichiro Sekino (Japanese, 1914-1988). TEAHOUSE AND WILLOW TREE. Color woodblock print, not dated. Edition size not known. Signed in pencil and with the a...

Doyle, John L. (American, 1939 - 2010). THE GREAT HUMAN RACE - MERCHANTS AND TRADERS. Fishy Whale Press, Rockford, IL., 1983. Boxed portfolio of 20 lithogra...

Lozowick, Louis. Amer., (1892-1973), STILL LIFE NO.2 (STILL LIFE WITH APPLES), Lithograph, 1929, Ed. C. 50. Flint 36, 10 5/16 x 13 3/16, 262 x ...

Oil on canvas board, signed lower left and inscribed on the reverse, as well as on the frame. This is most likely the original frame for this work made by the artist.

Roth, Ernest (American, 1879-1964). PONTE DEL TRINITE, FLORENCE. Etching, 1908. Signed and dated in pencil, and inscribed by Roth with tthe title and date, and numbered "26", at the ...

Anita Loomis's abstract landscape "Royal River" is the artist's impression of a late fall scene from the shore of the Royal River in Yarmouth, Maine. Painted in an expressive, gestur...

Junichiro Sekino (Japanese, 1914-1988). CALMNESS. Color woodblock print, 1954. Edition size not known. Signed in pencil and with the artist's chop. 13 x 17 inches (image), on a large...

Thon, William (American, 1906-2000) UNTITLED SKETCHBOOK DRAWING #3. Ink on paper, not dated, but circa 1960s. Unsigned.The sketchbook identified by an Estate label on its cover. 5 x ...

Braque, Georges. DERNIERES MESSAGES - GALERIE MAEGHT POSTER. Color Lithograph, 1960. 27 3/4 x 16 3/4 inches. In excellent condition.

Nude woman with reflection :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: No :: :...

An oil on canvas signed in the lower left and presented in a gilded frame under glass. A wonderful scene of a sunny day on the canal in Venice, Italy. Measuring 20.25" x 24.25" inclu...

Corot, Jean-Baptiste-Camille. SOUVENIR D'OSTIE. Delteil 57, Melot 57. Cliche Verre, 1855. Second State of two, with the signature of Corot in reverse, low...

MASSIMO CAMPIGLI 1895-1971 Florenz 1895-1971 St. Tropez (Italian) Title: L'Ecuyere, 1954 Technique: Original Hand Signed and Dated Lithograph in Colours on BFK Rives Wove Paper Th...

Oil on canvas, signed in the lower right. Measures 36" x 41" including the frame. Johann Georg Meyer Von Bremen (German 1813-1886) was a genre painter. He was the son of master baker Johann Georg Meyer. His mother was strictly religious. From 1833 he studied at the Düsseldorf Academy of Fine Arts , which was led since 1826 by Friedrich Wilhelm von Schadow, the son of the sculptor Johann Gottfried Schadow. In addition to Schadow, Karl Ferdinand Son was his teacher there. Meyer acquired the necessary craftsmanship skills to make a living from the sale of his paintings, but he was initially unable to do so. From 1841 to 1852 he maintained his own studio in Düsseldorf. On his travels to Brussels and Antwerp Meyer experienced the works of Peter Paul Rubens and Anthonis van Dyck. In 1851 he married the singer Julia Beer...

Kollwitz, Kathe. SCHWANGERE FRAU. Etching and soft ground, 1910. Klipstein 108(V) 14 7/8 x 9 3/8 inches (377 x 236 mm.). Signed in pencil, and with the names of the publisher Richter...

Parrish, Maxfield. HARPER'S WEEKLY - BICYLCE NUMBER. Vol XL, April 4, 1896. 16 x 12 inches. With front and back covers by Parrish, and an ad by Will Bradley for Victor Bicycles on th...

Riggs, Robert (American, 1896-1970). MODEL (Bassham 8). Lithograph, c. 1932. Unsigned. 11 x 8 3/4 inches (image), 13 3/4 x 11 3/4 inches (sheet). In very good condition.

Woman lounging, dreaming :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: No :: :: ...

Soyer, Raphael. PASSER-BY. Etching, 1935 (Cole 40,). 9 5/16 x 6 7/8 inches; 237 x 175 mm. Edition of 2 or 3, per Cole, "about three" per Gettings, "Raphael Soyer Sixty-Five Years o...

Frasconi, Antonio. NIGHT FLIGHT. Color Woodcut, 1958. Edition of 20. Signed and dated, numbered 10/20, and inscribed "imp," all in pencil. 19 x 34 inches,...

Mielatz, Charles W.(American, born Germany, 1864-1919) UNDER THE BROOKLYN BRIDGE, EAST RIVER. Published by the New York Etching Club, circa 1893. Sign...

Kuhn, Walt, (American, 1877-1949). PEGGY. Lithograph, not dated, but likely 1925-1930. Edition size not stated, but likely 50. Signed in pencil, and inscribed at the lower edge of th...

Hnizdosvsky, Jacques. RAM. Tahir 370. Etching, 1979. Edition of 150. Signed, Titled, dated and numbered 59/100, all in pencil. 16 3/4 x 23 inches In excellent condition. Framed.

"The sun rises late over a snow-covered world. It's worth while to get up, even with the thermometer twenty below zero, to see a winter sunrise. The eastern sky flames with red, and ...