Maine - Art

"Squirrels 2" is a charming abstract oil painting by Anita Loomis. This composition features a beautiful variety of blues in a light and playful arrangement that features the silhoue...

Hirsch, Joseph. MONUMENT. Lithograph, 1963. Cole 44. 14 1/8 x 22 1/2 in. Edition of 50 (numbered 35/50) Signed in pencil. Published by AAA; printed by Lucien Detruit, Paris, on Arche...

Marsh, Reginald. FROZEN CUSTARD. S.183. Etching and engraving, 1939. Second State of two. Edition of only 18, printed by Marsh and signed and titled in pencil. 7 x 10 inches, 178 x 2...

Kohn, Misch. ACE. Mixed media printed on an etching press, 1980. Edition of 20, on handmade paper watermarked "Misch." Signed, titled, dated and numbered 2/30 in pencil. 12 x 17 3/4 ...

Barnet, Will (American 1911-2012) GO-GO. Szoke 93. Screenprint in colors, 1947. Edition of 50, printed and published by Barnet. Titled and signed in pencil. 12 x 9 1/2 inches, plus m...

Boiled or steamed lobsters are a treat even to native Mainers. Whenever out-of-state company comes for a visit lobsters will end up on the menu. This was done with quality oils on ...

Scanga, Italo (American, born Italy, 1932-2001). 2CYPRESS. Color Lithograph and woodblock on paper, 1989. Edition of 40, signed, titled, dated, and numbered 18/40, all in pencil. 41 ...

“Diva” is an exciting and brilliant painting based on playing card designs and featuring a character who will not be ignored. This 30 x 30 x 1.5 inch oil painting on canvas by Anita ...

O'Higgins, Paul or Pablo (Mexican, born USA, 1904-1983). UNTITLED DRAWING (TWO MEN). Watercolor on paper, not dated. Signed "Paul O'Higgins," lower right, so ...

Arms, John Taylor (American, 1887-1953). MEMENTO VIVARE, NOTRE DAME, EVREUX. Fletcher 407. Etching, 1947. Number 47 of the French Church Series. This is Proof No. ii of four Trial Pr...

Shulman, Morris (American, 1912-1978). UNTITLED. Casein on paper, circa 1951. Signed, lower left. 14 1/2 x 21 3/4 inches, framed to 23 x 30 inches. In excellent condition. Shulman st...

Williams, Walter Henry (American 1920-1998). CAGED BIRD. Color woodcut, 1966. Edition of 210, signed, dated, titled and numbered 43/210 in pencil. 18 x 24 i...

Gerardia, Helen (American, born Ukraine, 1903-1988). POLAR SUN. Color lithograph, not dated. Edition of 25, numbered 16/25. Titled and signed in pencil,.14 x 18 inches (image), 18 1/...

Carl Johann Lasch was born in 1822 in Leipzig, Germany. Lasch was known for his historical and genre paintings. He attended the Dresden Academy of Fine Arts where he studied with Edu...

Kuhn, Walt (American, 1877-1949). ORTHOPHONIC EVENING. Drawing, ink and watercolor, 1928. Titled, signed and dated within the image, in ink, and further inscribed with the copyright symbol (c in a circle) and signed and dated 1937, in pencil, presumably to preserve reproduction and publication rights. 9 1/2 x 15 1/2 inches, plus margins of about 1/2 inch. In excellent condition. The "Orthophonic Victrola," introduced in 1925, was the first electric record player sold commercially. In the drawing it is seen at the left, with the host changing a record. The rest of the drawing reveals that listening to music was not the primary activity of the "orthophonic evening." The following is quoted from The Pillips Collection's biography of Kuhn: Walt Kuhn is remembered as an early promoter of modern art in America. He was not only a well-known painter, but also a cartoonist, sculptor, printmaker, writer, teacher, and producer of vaudeville shows. Born in 1877, Kuhn grew up in Brooklyn, where he received his education in private schools until he was sixteen. In 1899 he ventured to San Francisco to work as a cartoonist for The Wasp, a political and literary weekly. In 1901 Kuhn traveled to Europe for formal art training at the Académie Colarossi in Paris and later at the Munich Academy. Returning to New York in 1903, he established a studio in Manhattan and helped arrange the 1910 Exhibition of Independent Artists. He was a founding member and officer of the Association of American Painters and Sculptors, the organization responsible for mounting the Armory Show of 1913, and in this role traveled through Europe in 1912 looking at art and helping to select works to be exhibited. Seeing paintings by Cézanne, Derain, Dufy, Pascin, and the cubists affected his style, and throughout the teens and early twenties Kuhn experimented with fauve colors, using blocks of color akin to Cézanne and with cubist space, integrating abstracted forms into the space of the picture plane. Finally, he developed his own painting style characterized by solid, sculptural depictions of single figures. Kuhn had his first solo show in 1910 at the Madison Gallery...

Dufy, Raoul. LA PECHE (FISHING). Woodcut, c. 1925. From "The Pleasures of Peace." Edition of 220 stamped with the estate stamp "Atelier Raoul Dufy." 12 1/2 x 15 1/2 inches (image) 1...

Junichiro Sekino (Japanese, 1914-1988). CALMNESS. Color woodblock print, 1954. Edition size not known. Signed in pencil and with the artist's chop. 13 x 17 inches (image), on a large...

Lebrun, Rico. VILLON'S DEATH BALLAD. color lithograph, 1945. Edition of 68, Signed, dated and numbered "68-43" in pencil. 13 1/2 x 17 1/2 inches (image), 17 1/2 x 21 3/4 inches (shee...

(Mazell, Peter). THE COMMON BUZZARD after Charles Collins. Engraving with hand-coloring, c. 1766. A plate from The British Zoology, London 1777. Titled in the plate, top, and with th...

Oil on panel measuring 21" x 24.5," including the frame. The painting is signed in the lower right corner, but we cannot attribute the signature. Probably dating from the late 19th ...

Lozowick, Louis. Amer., (1892-1973), STILL LIFE NO.2 (STILL LIFE WITH APPLES), Lithograph, 1929, Ed. C. 50. Flint 36, 10 5/16 x 13 3/16, 262 x ...

Soyer, Raphael. UNTITLED )MOTHER AND CHILD). Etching, not dated. Signed in pencil, numbered 9/55 and inscribed :"For Mervyn Jules, 1982." 11 x 9 inches, framed to 19 x 17 inches. In ...

Aubrey Bridges' Cabines de Plage is a study in brilliant color. The artist's layering of opaque pigments lends the image a choppy, almost woodcut-like quality well-suited to capturin...

Sloan, John. SISTERS AT THE WINDOW. Etching, 1923 (M. 208). 5" x 4", signed and titled in pencil and inscribed "100 Proofs," of which only 76 were printed this being one of 25 early ...

Santomaso, Giuseppe. UNTITLED. Lithograph, 1952. Edition of 60. Numbered 39/60, signed and dated in pencil. 19 3/4 x 13 1/4 inches (image), plus margings. In very good condition. Fr...

"Flower Sellers at the Madeleine, Paris" is a hazy view of Paris after rain. The pink of the sky reflects off the still-wet streets and the marble columns of the Church of Saint Mary...

Dwyer, Marion Halo. OPERA GOERS Acrylics on paper, not dated, but circa 1984. Signed, lower right. 24 x 36 inches. In excellent condition. Marion Halo Dwyer, American, 1929-1994, was...

“A Garden View 3” is an explosion of spring color bursting out of the square canvas. This medium sized oil on canvas was inspired by spring as well as the prior painting A Garden Vie...

Wengenroth, Stow THREE TREES. Stuckey 30. Lithograph, 1932. Signed in pencil. Edition of 50. 8 3/16 x 12 3/4 inches (image), 13 1/2 x 16 inches. In very good condition. This is one ...

Oil on canvas, signed lower right and inscribed and signed on the reverse. Dimensions listed include the frame. Brereton was born in Derby in 1954. He received his basic art training at the Derby Joseph Wright Art School although he is a self-taught artist. He works mainly in oils and specializes in marine subjects, his favourite subjects being deep water sailing ships of the 19th century. His work has been influenced by artists such as Montague Dawson and Thomas Somerscales...

Fitzgerald, James (1899-1971) OLD TREE. Cat Raisonne 1223. Watercolor on paper, c. 1930. Signed, lower left. 19 x 25 1/2 inches, framed to 27 5/8 x 33 1/4 inches. Provenance: Estate ...

Laurent, Juan (French, ). SPAIN. Folio (14 x 18 inches), morocco, gilt title, 50 leaves with 130 albumen photos on both sides depicting Spanish buildings and landscapes, artwork, armor, and other objects, all edges gilt. Not dated but circa 1870s-1880s. Ex collection Samuel Mather, with his bookplate. The photos, mostly about 13 1/2 x 9 7/8 inches, some about 5 1.2 x 7 1/4 inches, all in excellent conditionthe; binding with an expertly rebacked spine in well-matched morocco, and stabilization of the edges by Green Dragon Bindery. Jean Laurent, (French, 1816-1886) was a French photographer who worked mostly in Spain. He photographed architecture and landscape scenes throughout Spain, and sold the images separately, so that it is likely that our album was created for the buyer from images he had chosen. Laurent was the official photographer to the Queen of Spain and to the Prado Museum. Samuel Mather (American 1851-1931) was an Industrialist and philanthropist who was descended from Cotton Mather...

This vibrant work by noted 20th century American artist, Durand, employs a bold palette and sophisticated approach in this dramatic and abstracted still life composition.

“A Garden View 2”, by Maine artist Anita Loomis, is an explosion of spring color bursting from the canvas. This medium sized oil on canvas was inspired by spring as well as the prior painting A Garden View 1, which rests within a reclaimed window frame. Envisioned as a glimpse of a past or future spring garden, elements of a fence can be made out in the composition. With painted gallery edges, the color continues around the edges. This abstract oil painting has heavy impasto texture and Loomis’ characteristic use of active black line, as well as her affinity for intensely saturated pinks and greens. The original title of this work is Skipping Through the Garden: View 2, which has been simplified for this listing. Anita Loomis is a painter who works from her studio in Kittery, Maine. Communication and the natural world are key subjects of her paintings. Her occasional tonal landscapes offer views of imagined natural spaces for escape and contemplation. Anita Loomis creates paintings that explore facets of human dialogue and relationships. Through painting, humor, and a deep curiosity about human imperfection, she investigates what it means to navigate communication with people who see the world through different cultural lenses. Loomis paints to shine a light on the common threads that connect our human experiences and spotlight the value of empathy. Loomis earned her BA in Studio Art from Framingham State University in Massachusetts, and her MA with a concentration in Arts Management from the University of Central Florida. She worked in the field of architectural stained glass for fifteen years and has focused on painting since 2004. She lives and works in Kittery, Maine. Her work has been exhibited at Miller White Gallery, South Dennis, MA; Fountain Street Gallery, Boston, MA, and various exhibitions in New England, Pennsylvania...

Whistler, James A. M. AFTERNOON TEA. Way 147, Levy 114, TS&S 173. Lithograph, 1897. The only State, printed by Clot in an edition of 100, and published b...

Simkhovich, Simka. CIRCUS PERFORMERS. Lithograph, C. 1933. Edition size not known. Unsigned. 11 x 8 1/4 inches, 278 x 209 mm. Framed to 16 x 12 inches...

Oil on artist board signed and dated lower right featuring pool players playing a point match in the pool hall. Great WPA feel and texture impasto. Most likel...

Rodo-Boulanger, Graciela. LE BALLON VERT. Lublin 20. Etching with aquatint in colors, 1967. Edition of 100. Numbered 31/100 and signed in pencil. 21 1/8 x 17...

Nellie E. Brown was a British artist who flourished in the late 19th century to early 20th century. Brown participated in exhibitions at the Walker Art Gallery in Liverpool and Royal...

William Thon, although born in New York, painted and lived most of his adult life in coastal Maine. Thon studied at the Arts Student League in New York, and exhibited in the 1930s an...

Oil on board, signed and dated 38' in lower right. Measures 6.75" x 15.5" including the frame, also inscribed and signed on reverse. Nikolai Timkov is one of the best known Russian ...

Buhot, Felix. THE VICTORIA CLOCK TOWER, LONDON. BG 184. Lithograph, 1892. 9 x 6 3/8 inches; 230 x 163 mm., image; sheet 15 x 11 inches; 381 x 279 mm. Signed in the stone "Felix Buhot...

Forrester, Patricia Tobacco (American, 1940-2011). JUDITH'S GARDEN. Etching, not dated. Edition of 50, titled, numbered 49/50, and signed in pencil. ...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

Adolph Gottlieb (1903-1974). NIGHT GLOW. Etching and aquatint in colors, 1971. Edition of 65. Signed and dated in pencil, numbered 17/65 in pencil. Published and printed by 2RC Edizi...

Kirk, Michael (American, born 1947). DOORWAYS. Six etchings and aquatints, 1975. Edition of 75, of which this is number 17 of the Regular Edition of 60 (there were also 6, for Instit...

? "Northern Lights" – Original 11x14 Watercolor Painting ? Experience the quiet wonder of a winter night under the dancing aurora. This original watercolor painting captures the...

Benson, Frank. DUSK. P.34. Etching on zinc, 1914. Edition of 50, signed and numbered 47/50 in pencil. 9 1/4 x 10 7/8 inches, plate, framed to 17 x 21 inches. This atmospheric image, ...

Marsh, Reginald. BOWERY. S.54. Etching, 1928. A proof, one of only four, from the 5th State of 7. This proof is numbered "9" (there was one proof in each of the first three states,...

Roth, Ernest (American, 1879-1964). PONTE DEL TRINITE, FLORENCE. Etching, 1908. Signed and dated in pencil, and inscribed by Roth with tthe title and date, and numbered "26", at the ...

Zorn, Anders. S. LOEB (SOLOMON LOEB). H&H76, Asplund 115, Delteil 113. Etching, 1897. Unsigned (signed in the plate). Apparently the 2d or 4th State of 4. All of the states are descr...

This oil on canvas is signed and date in the upper left and measures 38" x 45.25" including the frame. Sam Uhrdin (Swedish School, 1886-1964). Sam Uhrdi...

Woodbury, Charles (American, 1864-1940) THREE WOMEN ON THE BEACH. Watercolor on paper. Unsigned. 14 3/8 x 9 7/8 inches, framed to 23 x 18 1/2 inches. Accompanied by a letter from a p...

Abbe, William (American, 1916-1983). EDGARTOWN and MENEMSHA. Two Linocuts, not dated, edition sizes not stated. Signed "ABBE" in the blocks. Each 6 7/8 x 19 7/8 inches (image), 9 3/8...

Gropper, Will1am (American, 1897-1977). THE NEW BILL. Lithograph, c. 1941. 11 3/4 x 16 inches (image), 14 x 19 inches (sheet).Titled and signed in pencil. In excellent condition.

Bluemner, Oscar (American, born Germany, 1867-1938). NIGHT IN PORTLAND MAINE - ALLEY. Charcoal on paper, 1919. Signed with the artist's monogram "OFB" ...

Sloan, John. SEEING NEW YORK. M.188. Etching, 1917. Signed, titled, and inscribed "100 Prrofs," all in pencil. Edition of 100, of which only 85 were printed. The image is of live ch...

Henry Rox (1899–1967) Tommy Apple (Frontispiece) From: Tommy Apple and His Adventures in Banana-Land by James Laver Jonathan Cape, London, 1935 Vintage silver gelatin print 6 x 5 inc...

Meissner, Leo. FOOTBRIDGE - PERKINS COVE. Wood-engraving, not dated. Edition of 60. Numbered 40/60, titled and signed, all in pencil. 9 x 6 inches, 229 x 152 mm. Framed to 16 3/4 x ...