Maine - More Art

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Soft washes of steel gray and muted blue shape an austere industrial landscape of vents, ducts, and pipes. Tucked into this manufactured geometry, a small nest ...

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Artist Maurice Dionne illustrates crowds of people walking along the street in an impressionistic representation. "Nimbus describes the luminous cloud or atmo...

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In this quietly cinematic winter scene, artist Vic Roschkov captures the faded grace of an old farmhouse beneath drifting snow. Stark trees reach almost lifelik...

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An adorable black-and-white cat gazes forward with its green eyes, exuding curiosity. Soft, blended brushstrokes capture its smooth fur. Artist Catherine McCarg...

This piece titled SV V, Knife Drawing is an original artwork by Lucha Rodríguez made of watercolor and manipulated paper This piece measures 34"h x 26.5"w framed and is shipped in ...

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A sunlit cafe courtyard framed by bougainvillea in full bloom comes alive with color and movement. Expressive brushwork and thick impasto in the foliage create ...

Jane Reichle (b.  1998, Bryan, TX) is an hand embroidery and textile artist based in Austin, Texas. When most people hear "embroidery," they think of pastel flowers and domesticity. ...

Victorian Early Twentieth Century Marine Watercolour of Customs House Quay Falmouth. It is a Signed Watercolour on paper, laid on board with a mount and Framed and Glazed. By the ce...

Watercolor profile portrait of a young girl in a blue fascinator hat and a red scarf by artist Henry LeJeune in the pre-Raphaelite style in the 19th century. Signed in the lower left...

Artist Comments
Building up many layers of color in oil paint and cold wax medium, Valerie then used scrapers to reveal the tree trunks in an abstract landscape. Warm orange and yellow trees standing in front of a cool blue and green background. Heavy texture complements the expressionist palette. The piece is part of a series of three works. Although Valerie did not create them as triptych, the three hang well close together.

About the Artist
Valerie Berkely uses her finger tips as brushes to create her abstract paintings. For Valerie, the art is all about the process, the paint, her mood, and the moment. She admires the artist Wolf Kahn, who once said, “the picture is the conclusion of an experiment in which the hint of an image becomes actuality." Like Kahn, Valerie’s paintings combine pictorial landscapes with painterly abstraction. The vibrant primary colors capture the hues of the sun rising and setting, and the texture of her fingers across the surface divides sea, land, and sky. There is something very dreamy about these works, exemplified by their color, texture, and atmospheric quality. Valerie’s first “art epiphany” was seeing Seurat's La Grande Jatte at the Art Institute of Chicago. “Bowled me over! I actually fell down. And I knew I was to become a painter.”

Words that describe this painting: woods, forest, trees, nature, expressionism, nature, non-representational, oil painting, blue

Bare Trees...

Ryan Snow is an environmental artist creating visual meditations through abstract painting, analog photography and digital media. His field process explores the tranquility of mind a...

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This painting explores the meditative stillness of a foggy morning. Artist Vic Roschkov uses a muted palette to blur the lines between sky and earth, creating a...

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Dark silhouettes of bare trees create a quiet, moody landscape at dusk in the countryside. The glowing sunset illuminates the horizon. Deep tones fill a marsh b...

Artist Comments
I love tall birch trees, especially when their big leaves swing and shine under the late evening light. This painting is on gallery...

Octopuses, 35x50 cm, watercolor, paper