Maine - Art

Watercolor on paper, signed lower right Agustus Knoller and dated 1884. Inscribed on the reverse in pencil "This trotting came off Aug 15th 1884 at Belmont Park...

Kuhn, Walt, (American, 1877-1949). PEGGY. Lithograph, not dated, but likely 1925-1930. Edition size not stated, but likely 50. Signed in pencil, and inscribed at the lower edge of th...

Oil on canvas, signed lower right. Erwin Kettemann (1897–1971) was a landscape painter from Munich. He was a representative of late Impressionism as well as the 19th century “Karlsru...

Oil on panel, inscribed on reverse and signed lower left front. Provenance: Fay Gold Gallery b.1956 Scott Duce is an international artist working in New York. Duce’s work is included in many corporate, museum, and private collections. Notable collections include Random House, General Electric, IBM, Pfizer, Inc., Capital Holding Corporation, McGraw-Hill Corporation, Petroplus Holdings, Switzerland, Seagrams-Montreal, Canada, and the U.S. Embassy in Stockholm, Sweden. Among his awards and honors he received a National Endowment for the Arts/SECCA artist grant. Duce’s work has been exhibited throughout the United States, with several solo exhibitions in New York City, Chicago, Boston, Atlanta, and internationally in Paris, France; Florence, Italy; and Lima, Peru. He has had many commissioned works, including Bell South...

Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1967. Signed and dated, lower right. 9 1/2 x 6 1/4 inches (image), 15 x 11 inches (sheet). In ex...

Marini, Marino. JUGGLER. San Lazzarro Etcing no 35. Etching, 1954. Edition of 65, from the album of 23 etchings published by Crommelynck in 1970. Numbered 62/65 and signed in pencil...

Hayter, Stanley William. LA NUIT. B&M 258. Etching and aquating, in color, 1960. Edition of 50 (there were also 5 artist's proofs, and several trial proofs in other color variants. S...

Roth, Ernest (American, 1879-1964). BRIDGE AT CHARTRES. Etching, 1927. A Trial Proof before the edition (if any). Inscribed in pencil "Trial Proof A (Bridge at Chartres) 1927." Signe...

Jansem, Jean. MOTHER AND CHILD. Lithograph, not dated. Artist's proof aside from an edition of likely 75 or 100. Inscibed "E.A." (Epreuve d'Artiste) and signed in pencil. In very goo...

Clifford Edgar Jones 1915-1975 American Chickens, 1948. Oil on canvas 30 x 24 inches unframed and 34" x 27.5" inches including the frame. Signed at lower right Clifford Jones ‘48’. P...

Roth, Ernest (American, 1879-1964). THE WOODEN BRIDGE,VENICE. Etching, 1906. Signed and dated in pencil 7 x 8 3/8 inches (plate), 9 x 10 3/4 inches (sheet). In excellent condition.

Dine, Jim. SELF-PORTRAIT IN A FLAT CAP (WINTER). Krens and Castleman, 181. Etching, 1974. First State, published by Petersburgh Press. The Bon A Tirer proof b...

Van Vechten, Carl. PAUL BOWLES. Gelatin Silver photograph, 1958. With the photographer's blind stamp, recto and his stamp and annotations, verso. 10 x 7 3/4 inches. In excellent condition. Paul Bowles (American, 1910-1999) was an author, composer and translator, who lived most of his life, and did most of his work in Tangier, Morocco. He is best known for the novel "The Sheltering Sky."

The corn stalks are drying out and the pumpkin patch reigns. But which is the Great Pumpkin? This was done with quality oil paints on stretched linen a...

-Painted on artist-quality acid-free 140 lb. watercolor paper. -Professional quality artists with watercolor paints. (Daniel Smith),Archival Ink -Acid-Free paper. -Size: 11" x 14"...

The night lights flow and move with the city life that is always in play. This was done with quality oils on stretched linen. The edges are painted and its ready to hang. :: Pain...

I've worked on and off at painting people sitting. This woman sits on the edge of her porch. This is oil on linen, ready to hang. :: Painting :: Impressionist :: This piece comes w...

Dunham, Gregory (American, born 1946). HAYMARKET III. Drawing, pencil on paper, 1983. Signed and dated, lower left. 29 3/4 x 22 1/4 inches, the full sheet, with deckle on all sides....

Bishop, Isabel. LEANING ON THE WALL. Teller 4. Etching, 1927. A rare Proof printed by the artist; there was no edition of this print. Signed in pencil, lower right, and inscribed "Li...

Barton, John Murray. MY BELOVED. Color Woodcut, 1958. Edition of 125. Titled, numbered 1/125, signed and dated in pencil. 23 5/8 x 7 3/4 inches (image), 11 1/2 x 27 inches (sheet). I...

For the Time Being, we are here. This title owes more than a nod to the writer Annie Dillard, and her book of this title. Dillard's writings caused me to ...

Where did these 2 opposing side come from? My head told my hand where to move... and that's how I roll. You never quite know what's in that noggin... :: Drawing :: Contemporary :: Th...

Ben-Zion. STILL LIFE WITH BOWL OF FRUIT AND PITCHER. Watercolor on paper. Signed within the image, right. 2 3/8 x 3 3/4 inches. In excellent c...

Barnet, Will. THE BASSINETTE. Cole 61, Szoke 62. Etching, 1939. Edition of 30, printed by the artist on Rives paper. Titled "The Bassinet" (sic), and signed in pencil. Margins of 1 1...

Originally from Chattanooga, Tennessee, Oehmig now resides in Brunswick, Maine. He holds a B.A. in Studio Art and Art History from Principia College, Elsah, Illinois, as well as an M.F.A. with Distinction in Fine Art from Pratt Institute, Brooklyn, New York. Oehmig's works are infused with light and color, and his painterly style is well suited to capturing the natural landscape throughout Maine, along the Eastern seaboard, and the French and Italian countryside. Oehmig has shown his work in solo and group exhibitions across the United States including the New Britain Museum of American Art, New Britain, Connecticut; Bates College Museum of Art, Lewiston, Maine; the Hunter Museum of American Art, Chattanooga, Tennessee; the Portland Museum of Art, Portland, Maine; the Wood Museum and Library, Chicago, Illinois; Albany Fine Arts, Albany, New York; Art Boston, Boston, Massachusetts; Bay View Gallery, Camden, Maine; Clarke Galleries, Palm Beach, Florida; J. Todd Galleries, Wellesley, Massachusetts; the Maine State House, Augusta, Maine; and the Wiscasset Bay Gallery...

This oil on canvas is signed and date in the upper left and measures 38" x 45.25" including the frame. Sam Uhrdin (Swedish School, 1886-1964). Sam Uhrdi...

Marshall, Jim. JANIS JOPLIN BACKSTAGE AT THE WINTERLAND, SAN FRANCISCO. Photograph, 1968, printed later. Gelatin Silver print on glossy paper. Unsigned. 17 7/8 x 12 1/4 inches, 455 x...

Signed lower left. (Born in Yorkshire, England in 1927; died in 2008). Dinsdale painted the sea and great ships of the era when “Britannia ruled the waves” with her fleets of clipper and fighting ships...

Ackermann, Max (German, 1887-1975). DIE SCHAUSPIELERIN HILDE KORBER. Etching, 1928. A proof before, or in addition to the edition of 200. Signed and dated "Max Ackermann 1928" in pen...

Kuhn, Walt (American, 1877-1949). ORTHOPHONIC EVENING. Drawing, ink and watercolor, 1928. Titled, signed and dated within the image, in ink, and further inscribed with the copyright symbol (c in a circle) and signed and dated 1937, in pencil, presumably to preserve reproduction and publication rights. 9 1/2 x 15 1/2 inches, plus margins of about 1/2 inch. In excellent condition. The "Orthophonic Victrola," introduced in 1925, was the first electric record player sold commercially. In the drawing it is seen at the left, with the host changing a record. The rest of the drawing reveals that listening to music was not the primary activity of the "orthophonic evening." The following is quoted from The Pillips Collection's biography of Kuhn: Walt Kuhn is remembered as an early promoter of modern art in America. He was not only a well-known painter, but also a cartoonist, sculptor, printmaker, writer, teacher, and producer of vaudeville shows. Born in 1877, Kuhn grew up in Brooklyn, where he received his education in private schools until he was sixteen. In 1899 he ventured to San Francisco to work as a cartoonist for The Wasp, a political and literary weekly. In 1901 Kuhn traveled to Europe for formal art training at the Académie Colarossi in Paris and later at the Munich Academy. Returning to New York in 1903, he established a studio in Manhattan and helped arrange the 1910 Exhibition of Independent Artists. He was a founding member and officer of the Association of American Painters and Sculptors, the organization responsible for mounting the Armory Show of 1913, and in this role traveled through Europe in 1912 looking at art and helping to select works to be exhibited. Seeing paintings by Cézanne, Derain, Dufy, Pascin, and the cubists affected his style, and throughout the teens and early twenties Kuhn experimented with fauve colors, using blocks of color akin to Cézanne and with cubist space, integrating abstracted forms into the space of the picture plane. Finally, he developed his own painting style characterized by solid, sculptural depictions of single figures. Kuhn had his first solo show in 1910 at the Madison Gallery...

Mid-century cubist oil on masonite signed in the lower right. Presented in what is most likely its original frame and presents well. Original label from Contemporary Arts on E 57th i...

Sloan, John (American, 1871-1951). FRANKIE AND JOHNNIE. or HIM Morse 236. Etching, 1928. Edition of 100 (but only 50 were printed, by Platt). Dated and Titled in the plate, and Signed in pencil by Sloan and inscribed "100 Proofs," and also signed by Peter Platt. With tack holes and deckled edges. 5 x 8 inches, 126 x 203 mm. (plate), 8 1/2 x 12 1/4 inches (sheet). In excellent condition. From Morse: " A small chorus singing 'Frankie and Johnnie' crowds the tiny stage of the Provincetown Players Theater in MacDougal Street. An episode from E. E. Cummings' intelligent and entertaining production, HIM." (Sloan writing in 1945). "HIM" is about as thrilling an evening's entertainment as I have ever experienced. I liked it thoroughly -- I do not claim to understand it -- I do not believe that a work of art can be, nor need be understood, even by the maker. It seemed to me to be a glimpse inside the cranium of an artist-poet." (Sloan in a letter to James Light, the director of the play) Though Morse says the stars were Hemsley Williams and Goldye Steiner, it was actually Hemliey Winfield (1907 - 1934), the founder of the New Negro Art Theater Dance Group. This company was very successful and highly regarded. It appeared in the Metropolitan Opera's premier of Louis Gruenberg's setting of Eugene O'Neill's "The Emperor...

Evergood, Philip (American 1901-1973). UNTITLED (ARTISTS AND MODEL). Drawing, pencil on paper, not dated. Signed, lower right. 15 1/4 x 13 inches, 381...

Born in Boston in 1928, painter Laurence P. Sisson lived most of his life in Boothbay Harbor, Maine. Sisson studied at the Worcester Art Museum School, Yale Summer School and was the...

American Impressionist landscape painter Lucy Hariot Booth was born in 1869 in Iowa and studied at the Art Students League in New York under Carroll Beckwith, Willard Metcalf, J. Alden Weir and John Henry Twachtman. Booth also painted at Weir Farm in Branchville with Albert Pinkham Ryder...

-Painted on artist-quality acid-free 140 lb. watercolor paper. -Professional quality artists with watercolor paints. (Sennelier) -Acid-Free paper. -Size: 11" x 14" -Signature on...

Kitaj, R. B. FIRST SERIES - SOME POETS. Marlborough AG, Schellenburg, FL, 1970. Number 69 of the edition of 70 (there were about 15 additional proofs for the Artist, the Printer, and...

McManus, Blanche. THE ADVENTURES OF CAPTAIN HORN. Color lithograph poster, 1901. Monogram in the plate. 16 1/4 x 12 inches, framed to 23 x 18 1/2 inches. In very good condition with ...

Oil on panel, measures 17" x 21" painting and with frame 24" x 27.5". Signed and dated 1885 lower left. Charles Green studied at Leigh’s School of Fine Art and under the engraver, J W Whymper, before quickly establishing himself as a painter and illustrator. Specialising in genre pieces, he joined the Langham Sketching Club and was elected to the Royal Institute of Painters in Water Colours (ARI 1864; RI 1867). His elder brother, Henry Towneley Green, was also a member. His contribution of contemporary subjects to the early numbers of The Graphic were admired by Van Gogh, but he was best known for his depiction of period settings and for his illustrations to The Old Curiosity Shop...

Zuniga, Francisco. MUJER BEBIENDO (WOMAN DRINKING). B.98. Lithograph in colors, 1984. Edition of 285, including proofs, this being numbered 4/250. Signe...

Hayter, Stanley William. ONDE VERTE. B/M 290. Soft-ground, etching, and scorper in three colors, 1965. Edition of 50, numbered 25/50 and signed in pencil. Published by Editions Alect...

-Painted on artist-quality acid-free 140 lb. watercolor paper. -Professional quality artists with watercolor paints. (Daniel Smith),Archival Ink -Acid-Free paper. -Size: 11" x 14"...

Black Spanish and Purple Diakons are the names of some of these Farmer's Market offerings. They were crazy enough to inspire me to paint this picture of them. This was done with qu...

-Painted on artist quality acid-free 140 lb. watercolor paper. -Professional quality artists watercolor paints. (Sennelier) -Acid-Free paper. -Size: 11" x 14" -Signature on the f...

Jacquette, Yvonne. (American, 1934-2023). SKOWHEGAN II Aquatint, 1987. Editon of 35. Signed, dated and numbered 12/35, all in pencil. 20 1/2 x 15 7/8 inches (plate), 29 x 22 1/2 inch...

Peterdi, Gabor. American, 1915-2001. WOUNDED DARKNESS. P.132. Etching, engraving and aquatint on zinc, with four stenciled colors, 1956. Edition of 35. Signed in pencil and numbere...

Chagall (after), Marc. MARC CHAGALL GRAND PALAIS (THE MAGICIAN OF PARIS). Sorlier 120. Poster, 1970. Lithographic reproduction by CHarles Sorlier after a ...

Sloan, John. MAN MONKEY. M.130. Etching, 1905. Edition of 100, Signed by Sloan. Dated in the lower margin "June 13 - 1905," and further inscribed "J. S. imp. dated by Sloan - final s...

Zalce, Alfredo (Mexican 1908-2003). FISHERMAN - FROM ESTAMPAS DE YUCATAN. Lithograph, 1945. Edition of 100. From the portfolio of eight lithographs. Printed in brown on cream colored wove paper by Jose Sanchez at Taller de Grafica Popular...

Sloan, John. SHINE, WASHINGTON SQUARE. Morse 206. Etching, 1923. Signed, titled and inscribed "100 proofs," and further inscribed "Peter Platt imp." Morse says that 80 were print...

Bacher, Otto (American, 1856-1909. FONDAMENTA DEL TOLENTI.Andrews 28, State 2 of 2. Etching, 1880. Inscribed and signed "From yours truly Otto H. Bacher / Present state of Plate." Nu...

Landeck, Armin (American 1905-1984). YORK AVENUE TENEMENTS. Kraeft 74. Etching, 1938. Ed. 100, signed and dated in pencil. 10 1/2 x 9 inches, framed to 17 ...

There is a certain dynamic in every landscape. It's a matter of taking things away to reveal the energy beneath. I tried to do that here. :: Painting :: Contemporary :: This piece co...

Parrish, Maxfield. HARPER'S WEEKLY - BICYLCE NUMBER. Vol XL, April 4, 1896. 16 x 12 inches. With front and back covers by Parrish, and an ad by Will Bradley for Victor Bicycles on th...

Wilson, John W. SEATED WOMAN. Etching and aquatint, 1973. A Proof aside from the edition of 75. Inscribed "Guide Proof" and signed in pencil. 18 x 12 1/2 inches, 457 x 315 mm. (plat...

Dimensions listed include the frame. Charcoal and pastel on paper and bears a signature lower right. There is also the workshop’s stamp (Leonetto Capiello) lower left. Renoir sought ...

Phelan, Ellen. UNTITLED. Aquatint, c. 1994. Edition of 75, from the Portfolio "Six Couples - Twelve Prints" published by Parasol Press, Portland, Oregon, 1996. Numbered 27/75, and s...

Kuniyoshi, Yasuo. NUDE AT DOOR. Davis L-31. Lithograph, 1928. Edition of 36. Printed by Desjobert, Paris. Chine colle printed on cream colored China paper, and laid to a white vove ...

Bishop, Isabel. TAKING OFF HER COAT (REACHING FOR THE COAT SLEEVE). Etching, 1943. Teller 32. An early proof, printed by Bishop before the 1981 edition of 50 printed by Stephen Sholinsky...

An abstract landscape of green fields and surrounding land with blue sky above. Colors are soft edged in a grid pattern with squares and rectangles stacked on top of each other. Brig...