Maine - Art

Bacher, Otto. FONDAMENTA DELLE ZATTERE (VIEW IN VENICE). Etching, 1880. #17 of the "Venice Set." Signed, titled, and dated in the plate. Framed. In excellent condition. Etching on pa...

Arms, John Taylor. ARCH OF THE CONCA, PERUGIA. Etching, 1926. 10 1/4" x 14 5/8 plus margins. Framed to 18 x 22 inches. Signed in pencil and annotated "Trial Proof No. 6"; only state...

Abstract composition of warm and cool colors in squares, rectangles and dots. Subtle textures are created by the varying layers of washes and brushwork which add dimensionality and f...

Derain, Andre (French, 1880-1954). VISAGE DE FEMME APPUYE SUR SA MAIN (FACE OF A WOMAN LEANING ON HER HAND). Adhemar 71, BN-IFF 17. Lithograph, 1927. One of 25 copies numbered in Rom...

Abstract composition of large black and white shapes reminiscent of typography overlayed by translucent color swathes on the right side. Colors are warm with hues of burnt orange. Te...

Jaques, Bertha (American, 1863-1941) THORNAPPLE. Drypoint, 1924. Edition size not known. Signed in pencil. 12 3/8 x 6 7/8 inches (plate), 15 1/2 x 10 1/8 inches (sheet). Printed on t...

Kokoschka, Oskar. SELBSTBILNIS VON ZWEI SEITEN ALS MALER (SALON WOLFSBERG). Lithographed poster in colors, 1923. 48 7/8 x 34 1/2 inches, 1252 x 882 mm. Poster for a gallery exhibitio...

This abstract features nice texture and warm earthy colors. It could be oriented in any direction but I picked this one. :: Painting :: Abstract :: This piece comes with an official...

BOUQUET FLEURS A L'AQUARELLE. Vailler p.294, Maeght No. 1025. Lithograph in colors, 1957. Edition of 300 published by Maeght, printed by Mourlot. Numbered 241/300 and signed in penci...

abstract, semi-figurative, colorful oil and charcoal on canvas :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready ...

Ross, John American, (1921-2017), BROADWAY, Color Woodcut, 1957, Ed. 9/10, signed, titled dated and numbered in pencil, on a cream japan paper. 15-1/8 x 19-1/8 inches (image), 18 1/4 x 23 3/8 inches (sheet). A fine impression with strong, fresh colors, but with thin spots and adhesive residue in the left and right margins, well away from the image, resulting from careless removal from an earlier mount. This is one of Ross's most effective and striking prints, presenting New York City at night, under a moon and clouds...

Forrester, Patricia Tobacco (American, 1940-2011). JUDITH'S GARDEN. Etching, not dated. Edition of 50, titled, numbered 49/50, and signed in pencil. ...

-Painted on artist-quality acid-free 140 lb. watercolor paper. -Professional quality artists with watercolor paints. (Sennelier) -Acid-Free paper. -Size: 11" x 14" -Signature on ...

Rose, Ruth Starr (American, 1887-1965). JONAH AND THE WHALE. Lithograph, 1936. Edition size not known. Titled, signed and dated in pencil. Printe...

Heliker, John. (American, 1909-2000). UNTITLED ("KEEP SMILING). Ink on paper, not dated, likely 1930s. The image is of two men in a workshop, one possibly the customer, the other wor...

Barnet, Will. MORNING. Szoke 102, Cole 100, Johnson 88. Color Lithograph, 1951. Edition of 12, titled and signed in pencil. Pritned on Rives paper by Barnet and Robert Blackburn...

Monson, Jim American, 1943- ). ICARUS. Etching in two colors, 1972. Monson 30. Edition of 30, signed,titled and numbered "6/30," all in pencil. Pritned on BFK Rives paper. There wer...

Decamps, Alexandre (French 1803-1860) After. PIERROT PORTANT SON DEJEUNER and PIERROT TROUBLE DANS SON REPAST. Two etchings by Leenhof after paintings by Descamps. Each 11 5/8 x 8 in...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Thomson, Virgil (American, 1896-1989. THE MOTHER OF US ALL. Music Press, NY, 1947. Quarto, cloth, 157pp. The limited edition of 55 copies on special paper, signed on the colophon pag...

Born in Riga, Latvia in 1900, Impressionist painter Martins Krumins was influenced by Russian emigre painter Sergei Vinogradovs and studied in his studio from 1929-1935. In 1935, Krumins enrolled in the Latvian Academy of Art under the tutelage of Vilhelms Purvitis...

William Thon, although born in New York, painted and lived most of his adult life in coastal Maine. Thon studied at the Arts Student League in New York, and exhibited in the 1930s an...

Marsh, Reginald. TWO MODELS ON A BED. Lithograph, 1928 (Sasowsky 9). 9 1/16" x 10 5/8." Signed in pencil and annotated "15 proofs." Only state. Excellent co...

Marsh, Reginald GIRL WALKING - PILLAR - SOLDIER. S. 219. Engraving, 1942. State II of II. One of two proofs in this State, annotated "State II, 1/2" and signed by Marsh in pencil. Sa...

Derain, Andre (French, 1880-1954). ROFIL A GAUCHE DE FEMME BAISSEE (LEFT PROFILE OF A WOMAN LYING DOWN). Adhemar 71, BN-IFF 17. Lithograph, 1927. One of 25 copies numbered in Roman n...

Colors and gestural paintwork define a reclining nude woman, her hand on her side, looking away at a rectangular shape of fields or darkness. Intentionally enigmatic. :: Painting :...

-Painted on artist quality acid-free 140 lb. watercolor paper. -Professional quality artists watercolor paints. (Sennelier) -Acid-Free paper. -Size: 11" x 14" -Signature on the f...

Mielatz, Charles. HEARN'S. Etching, 1912. Edition size not known. Signed and dated in the plate. 12 X 7 1/2 inches. In excellent condition. Mielatz, taught etching at the National A...

Scanga, Italo (American, born Italy, 1932-2001). 2CYPRESS. Color Lithograph and woodblock on paper, 1989. Edition of 40, signed, titled, dated, and numbered 18/40, all in pencil. 41 ...

Gorsline, Douglas (American, 1913-1985). THE NEW FUR. Etching, 1939. 5 x 3 1/16 inches (plate), 7 3/4 X 4 1/2 inches (sheet). Signed, titled and dated in penc...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Pollack, Bob (American, born 1936). TIGER WOODS. Original painting in acrylics on paper, 1997. Signed and dated within the image. 19 x 14 inches. In excelle...

beast is the line gone wild! Drawing is a pen on a long journey- I go along for the ride! :: Drawing :: Fine Art :: This piece comes with an official certificate of authenticity sign...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Lately when I draw I put my mind in neutral and just... draw. Fill the paper. I think of it as American Expressionism. Angst... :: Drawing :: Contemporary :: This piece comes with an...

Abramovitz, Albert (American, born Latvia, 1879-1963). UNTITLED (TWO CONSTRUCTION WORKERS WITH BRICKS). Linoleum cut on wove paper, c. 1930s. Si...

Yokoi, Tomoe (Japanese, born 1942). APPLES IN A BASKET. Color mezzotint. a Hors de Commerce copy aside from an edition of unknown size. Signed in penci...

A drawing :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: Signed: Yes :: Signature Location: ...

Zorach, Marguerite. THE FARMER AND CHILDREN (also titled A NEW ENGLAND FAMILY, or THE FATHER). Linoleum cut, circa 1917. Titled, Signed, and dated 1920 in pencil in the margin and si...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

One of the early vegetables to pop through the ground, asparagus leads the way in the garden. This was done with quality oil paints on stretched linen. The edges are painted and it...

Schanker, Louis (American 1903-1981). FIGURE NO.1. Johnson 99. Wood etching in colors, 1949. Edition of 6. Titled and signed in pencil. 25 1/2 X 13 3/8 inches (image). Framed to 33...

Robert Reinhardt Von Liski was born in Prussia in 1908. He immigrated to the United States and worked in Chicago as a commercial artist. He is best known for his strong sense of Art ...

Abeles, Sigmund. PHILOSOPHY STUDENT. Wood engraving, not dated. Inscribed "artist proof" and signed in pencil. 9 x 12 inches. In excellent condition.

Schrag, Karl (American, born Germany, 1912-1995).. OVERGROWN PATH. Color lithograph, not dated. Edition of 30. Signed and numbered 21/30 in pencil. 36 1/2 x 22 1/4 inches (sheet). Fr...

A drawing inspired by the thought of reunion :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No :: ...

Suddenly I'm letting surrealism just happen... it's creepy but I appreciate the way it happens. My drawing skills are a conduit for a stream of thought vision that I have no hope of understanding. Like dreams right? Pencil on Bristol plate...

It's good to always keep your supplies handy. :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: No ::...

Gouache and ink on smooth bristol plate. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artis...

gouache and ink on smooth bristol plate :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist...

Luckily I don't keep absinth at the studio. This gouache paining was done on a thick cardboard :: Painting :: Contemporary :: This piece comes with an official certificate of authent...

This id done with walnut based paint on smooth Bristol Plate. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticit...

It all starts with drawing! It's how I like to loosen up! :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to...

Calder had his circus and now I'm working on mine. My performers have a sword in one hand and holy texts and benedictions in the other. They are not really drawings or paintings alth...

I read a lot and sometimes drawings take on the form of the words. My favorite kind of art just appears. Then I try to figure it out. Like a dream. :: Painting :: Metaphysical :: Thi...

What can I say? She dropped the ball is all! (Who knows where all these ideas come from? Maybe ask Stephen King...) :: Drawing :: Contemporary :: This piece comes with an official ce...

This is my favorite medium: drawing, drawing and drawing :: Drawing :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to ...

Greek myth relates that the flute was invented by the goddess Athena. However, Athena said that when she played her flute with all her might, her face would contort and her beauty wa...

Some people move in search of work or economic opportunity, to join family, or to study. Others move to escape conflict, persecution or large-scale human rights violations. Still oth...

Barnet, Will. AWARENESS OF DAWN. Szoke 101, Cole 99, Johnson 85. Color Lithograph, 1951. Edition of 18, titled and signed in pencil. Printed on Arches paper by Barnet and Robert Blackburn. Estate of the artist via Swann Galleries...