Manhattan - Art

ABOUT THIS ARTIST: Andrew Zhao is a student of his experiences. Hailing from Washington to Suzhou, China to Washington again, his fascination with art blossomed under the quaint mini...

n.d. Signed in red, u.l. Double-sided oil painting on panel 30 x 24 inches

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the b...

Debbie Harry East Village, 1976 by celebrated New York photographer Fernando Natalici. Cooler than cool, this classic "Blondie" photo was captured on the set of "Unmade Beds" (direct...

n.d. Signed in red, u.r. Double-sided oil painting on panel 12 x 16.5 inches

Hunt Slonem "Randy" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is framed...

Remnants of our consumer culture keep finding their way into my work. Our visual lives are cluttered with packages, clothing and furnishings that come at us in a swirl of color and p...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

In this piece, the artist depicts his subject in an abstract and impressionistic way, capturing the busy Cafés in the streets of Paris portrayed in the dista...

Andy Warhol/Jean Michel Basquiat: Original Paintings Exhibition Poster, 1985: 'Palladium Presents Warhol and Basquiat'. The rare original, highly sought-after companion piece to the...

Yayoi Kusama & Yoshitomo Nara MoMa Skateboard Decks (2 works): A set of 2 MoMa published skateboard decks featuring Kusama's Dots Obsession imagery & Nara’s ‘Solid Fist’ girl. Make...

Alexander Calder Lithograph circa 1973: Lithograph in colors; 11 x 15 inches. Very good overall vintage condition. Unsigned from an edition of unknown (as issued). Portfolio: Derriè...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5 + 1 AP) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety...

Hunt Slonem "Chinensis Travel Plan" Multicolor Bunnies A family of six rabbits gestured in black on a colorful metallic background in a vintage frame Unframed: 38 x 19.5 inches Fram...

Andrei Petrov is an American artist of Russian origins. He is best known for his abstract oil paintings where calibrated stratifications of intense shades of colors are scraped to ex...

This original pen and ink drawing on paper, titled “Woman and Window,” is a rare and captivating example of Erté’s (Romain de Tirtoff’s) early work, showcasing his signature elegance...

Jean-Michel Basquiat, Gagosian Gallery, Los Angeles, 1982: Basquiat announcement card published on the occasion of: Jean-Michel Basquiat: Paintings, April 8 - May 8 1982; Gagosian Ga...

"6th Avenue El" American Scene Social Realism Mid-20th Century New York City Ernest Fiene (1894-1965) "6th Avenue El" 12 1/4 x 14 1/4 Oil on canvas board, c. 1940s Signed lower righ...

Oil on canvas on board.

Sara MacCulloch South Harbour , 2021 oil on canvas 16 x 16 in. (macc083) This original oil painting on canvas by Sara MacCulloch depicts a serene and beautiful coastal beach scene i...

This drawing by James Childs is offered by CLAMP in New York City.

Gelatin silver print Signed in pencil, verso 11 x 14 inches, sheet size 9.75 x 12.5 inches, image size This artwork is offered by ClampArt, located in New York City. Lillian Bassm...

Lyman Kipp Unique painting on paper done with paint roller, 1970 Ink roller painting on paper Signed and dated in ink by Lyman Kipp on the lower right Frame included: elegantly frame...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Andrea Belag Untitled, from the Lehman Brothers Art Collection, 2003 Watercolor monotype on paper Pencil signed and dated on the front Framed Gorgeous ...

Hebru Brantley Flyboy, 2018. New in its original packaging. Medium: Painted cast vinyl. Dimensions: 9 x 8 x 4 inches (22.9 x 20.3 x 10.2 cm). New, never displayed; accompanied by original packaging. From a sold out edition of unknown; published by Hebru Brantley, Billionaire Boys...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts multicolor delicate butterflies in ascension placed in a wonderful Paris Green landsc...

Hotel Chelsea, New York. Room 822, 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 40 H x 60 W in. Edition of 6 + 2AP *Extra Large size available in Edition of 3 (by special order) These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. American photographer Victoria Cohen...

Hunt Slonem "Purple Haze" Pink Bunny A single rabbit gestured in black on a pink background in a vintage frame Unframed: 8 x 6 inches Framed: 10.5 x 8.5 inches *Painting is framed -...

An exceptional impressionistic depiction of an afternoon along the Jardin des Tuileries, Paris by Jules René Hervé on a summer day with the busy activities of a family seated near th...

Double Self Portrait in White Mist c. 1970s Signed in black ink, l.r. Vintage gelatin silver print 10 x 8 inches (25.4 x 20.3 cm) This work is...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Yves Klein La Conférence à la Sorbonne, 3 Juin, 1959, 1959-1963 Two 12-inch vinyl records held in gatefold sleeve with silkscreen cover jacket in IKB International Klein Blue...

Hunt Slonem "Pink All Over" Single Bunny A single rabbit gestured in black on a pink background in a vintage frame Unframed: 8 x 6 inches Framed: 10.5 x 8.5 inches *Painting is fram...

Title: Waitting - Blue Medium: Oil on canvas Size: 39 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

Title: Rhythm Medium: Oil on canvas Size: 23.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

Signed Ricky Powell Photo of Keith Haring and Andy Warhol: Medium: C print. 1986. Dimensions: 8x10 inches. Good overall vintage condition. Minor signs of handling. Small corner loss...

Artist: Slonem, Hunt Title: Monkey See Date: 2010 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Editi...

Hunt Slonem "Red Rover" Single Bunny A single rabbit gestured in black on a red background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is framed - Plea...

This photograph by Jack Pierson is offered by CLAMP in New York City. Printed 2018 Artist signature stamp in black ink, verso; Also dated 2018, verso Chromogenic print 11 x 7 inches

Polaroid transfer on Rives BFK paper Signed, titled, dated, and numbered (4/6) in pencil, recto Also blindstamped, l.r. 22 x 15 inches, sheet 10 x 8 inches, image This artwork is o...

Three 9x12 oil portraits from 1949 Artist Unknown. These portraits came together as a set.

Item Description: Isabelle Menin Embarquement pour Cythere #1 Digital C-Print Exists in three sizes: Size A: edition of 3 + AP, 43.3 x 58.3 inches Size B: Edition of 6 + AP, 29.1 x 3...

Martin Puryear Los Angeles Olympic Games 1984, 1982 Offset Lithograph on Parsons Diploma Parchment Paper Hand signed on the front with COA, Edition of 750 (though only approximately 200-250 remain) 21 × 34 1/2 inches Unframed This limited edition, pencil signed offset lithograph was published in a limited edition of 750, and printed as one of the fifteen Official Fine Art Olympic Posters for the 1984 Olympic Games in Los Angeles. A statement released by the 1984 Olympic committee explains the set as follows - "The posters commissioned for the 1984 Olympics contain an enlightened selection of the best American artists with special emphasis on those who work in Southern California...As the Games develop, transpire and pass into memory, these fifteen posters contain the images, forms and symbols that will represent the 1984 Olympics in the museums, galleries, homes and the minds of people all over the world.” Printed and Published by Knapp Communications Corporation and includes Certificate of Authenticity from the publisher. This work is NOT to be confused with the ubiquitous plate signed poster of the same image, which was printed on different paper in an open edition.) In 1982, the Olympic Committee commissioned 15 artists to create posters for the 1984 Games in Los Angeles. Hockney designed this offset lithograph depicting Olympic swimming...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of un...

A colorful erotic daydream drawing of a nude blonde fantasizing, with a redhead woman, and man. Green and purple patterns on hair and pillows, and art deco motifs, adorn this sensual...

American artist Chris Maynard gives homage to nature through the plumage of birds -using feathers acquired from legal sources such as zoos and private aviaries all naturally shed by ...

Basquiat & Keith Haring Bearbrick Vinyl Figures: Set of two individual works: Unique, timeless Keith Haring, Jean-Michel Basquiat collectibles trademarked & licensed by the Estate of...

Nan Goldin Lydia Lunch at the Russian Baths, 268 East 10th Street, 1985 poster, 2018 Offset lithograph poster (unsigned, unnumbered and unframed) 17 × 22 inches Published by The Kitchen in 2018, on the occasion of their Gala honoring Nan Goldin and Lydia Lunch Provenance Acquired from The Kitchen on the occasion of their 2018 Gala Also accompanied by Certificate of Guarantee from Alpha 137 Gallery Excerpt from The Kitchen description of this event: “During the late ‘80s and early ‘90s, icons Goldin and Lunch were vanguards of post-punk New York. Both women have presented their work at The Kitchen throughout the years, consistently returning to premiere new works that went on to exemplify their careers. Goldin’s portraiture of her close-knit circle of friends in New York became emblematic of her generation’s grappling with the social issues of the time, from the epidemic of drug addiction to the AIDS crisis. Lunch is revered as a radical progenitor of No Wave music, fronting the influential Teenage Jesus and the Jerks and collaborating with acts like JG Thirlwell, Birthday Party, and Sonic Youth. Lunch has a broad artistic practice, also working in film, visual art, writing, and spoken-word. Goldin and Lunch have also collaborated on numerous occasions. For instance, the cover of Lunch’s 1995 album Drowning In Limbo featured a portrait of her taken by Goldin. Lunch also posed for Goldin’s project for The Village Voice’s short-lived fashion insert Vue in 1985. Shot as part of an editorial called “Masculine/Feminine,” the image of a reclining Lunch at Russian baths in the East Village was ultimately not included in the final layout, and we were pleased to be present the image for the first time as a limited-edition print in support of The Kitchen. At The Kitchen in November 1980, Goldin presented slides as part of Dubbed in Glamour, a three-day event of “spectacle and extravagance” organized by Edit deAk that featured primarily women artists. Introduced by Cookie Mueller, who served as the master of ceremonies, these slides were an early version of Goldin’s landmark work The Ballad of Sexual Dependency, which continued to take shape during the next few years. The Bush Tetras, who performed at this year’s gala, also participated in Dubbed in Glamour. In 1994, Goldin returned to The Kitchen to premiere three slideshows for the first time in the United States as part of the winter lecture series curated by Ira Silverberg. The first slideshow developed from her 1992 award-winning book The Other Side, which lauded the drag queens she lived with and among in New York. During the ‘70s, when Goldin first moved to the city, the people she lived with became not just her subjects, but also her chosen family. The second slideshow was a series of intimate self-portraits. The evening concluded with a collection of Goldin’s images that traced her relationships to her close friends Alf Bold, Gilles Dusein, and Cookie Mueller and celebrated the joy of their lives and the pain of their deaths from AIDS. In 1985, Lunch first appeared at The Kitchen as part of the two-night screening series of experimental short films, Super 8 Motel. She and Richard Kern...

Unknown, Untitled, Abstract Lithograph Print, 27 x 19.50, Edition 28/150 Colors: Blue, Green, Orange, Red

Picasso made prints throughout his career, creating around 2,400 works until his death in 1973. Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimension...

This photograph by Bill Costa is offered by CLAMP in New York City.

Hunt Slonem "Stanford" Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches *Painting is fra...

A beautiful oil painting on canvas by the French artist Georges Gerbier, depicting a tremendously vivid and alive street scene from Paris in the 20th Century with a view of "Maxims C...

Hunt Slonem "Looking Glass" Black Outline Bunny on Blue A single rabbit gestured in black on a light blue background in a vintage frame Unframed: 8 x 6 inches Framed: 11 x 9 inches ...

Takashi Murakami Flowers Skateboard Deck: A vibrant piece of Takashi Murakami wall art produced as a limited series in conjunction with the 2017 Murakami exhibit: The Octopus Eats It...

Jean-Michel Basquiat Hanover 1986: Rare hand-signed 1986 Basquiat catalog published on the occasion of Jean-Michel Basquiat Kestner-Gesellschaft Hannover: 28 November 1986 to 25 January 1987. Featuring 60 works by a then 25 year old Basquiat, Kestner is widely remembered as Basquiat’s last major exhibition during his lifetime. Signed boldly & inscribed to ‘Hans’ (Meyer?) on the interior title page. Medium: signed exhibition catalogue Bound in stiff wraps. Text in German. Approximately 100 pages. Features full-page images of over 30 Basquiat paintings, in addition to several in collaboration with Andy Warhol. Well preserved bold, marker signature & inscription. Book: very good overall vintage condition. From a scarce edition of unknown. Distinctly rarer when signed. Provenance: Obtained from a noted Manhattan rare book specialist. Accompanied by a COA from Lot 180 Gallery, New York We are a 1stDibs seller since 2016 specializing in Basquiat, Keith Haring, Andy Warhol, KAWS & more. _ Jean-Michel Basquiat was an influential African-American artist who rose to success during the 1980s. Basquiat’s paintings are largely responsible for elevating graffiti artists into the realm of the New York gallery scene. His spray-painted crowns and scribbled words referenced everything from his Haitian and Puerto Rican heritage, to political issues, pop-culture icons, and Biblical verse. The gestural marks and expressive nature of his work not only aligned him with the street art of Keith Haring and Kenny Scharf, but also the Neo-Expressionists Julian Schnabel and David Salle. “If you wanna talk about influence, man, then you've got to realize that influence is not influence,” he said of his process. “It's simply someone's idea going through my new mind.” Born on December 22, 1960 in Brooklyn, NY, Basquiat never finished high school but developed an appreciation for art as a youth, from his many visits to the Brooklyn Museum of Art with his mother. His early work consisted of spray painting buildings and trains in downtown New York alongside his friend Al Diaz. The artist’s tag was the now infamous pseudonym SAMO. After quickly rising to fame in the early 1980s, Basquiat was befriended by many celebrities and artists, including Andy Warhol, with whom he made several collaborative works. At only 27, his troubles with fame and drug addiction led to his tragic death from a heroin overdose on August 12, 1988 in New York, NY. The Whitney Museum of American Art held the artist’s first retrospective from October 1992 to February 1993. In 2017, after having set Basquiat’s auction record the previous year with a $57.3 million purchase, the Japanese billionaire Yusaku Maezawa surpassed it, buying the artist’s Untitled (1982) at Sotheby's for $110.5 million. This set a new record for the highest price ever paid at auction for an American artist's work. Today, Basquiat's works are held in the collections of The Museum of Modern Art in New York, the Rubell Family Collection in Miami, and the Museum of Contemporary Art in Los Angeles, among others. Related Categories: Jean-Michel Basquiat Bischofberger...

An abstract Mid-Century piece with a bright color palette, with the use of green, yellow, orange, red, burnt sienna, black, pink, white, and blue, among others. In this abstract comp...