Manhattan - Art

Cliff and Robert 1979/2001 Signed, titled, dated, and numbered, recto Cibachrome print (Edition of 50) 24 x 20 inches, sheet 18 x 18 inches, image

Title: Water Village Medium: Oil on canvas Size: 23.5 x 35 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

Paul Feeley Rafina II Greece, 1961 Watercolour on paper Hand Signed, titled and dated lower front In 1961, color field painter Paul Feeley created a series of watercolors - Rafina an...

A masterful oil painting depicting a countryside village scene with boats on a canal by British American artist John Clymer. As an Impressionist painter, he was known for his pastora...

Bussie Parker Kehoe’s Bounty exemplifies her innovative practice of transforming recycled house paint into sculptural paintings. Built entirely from layered and carved pigment, the w...

Tess Michalik Cynthia, 2026 oil on yupo 38 x 25 in. (mic052)

All artworks are Fine Art archival prints on handmade Ise-Washi paper, from the color Analog negative made with a lensless pinhole camera. The proposed framing is a float mount in a deep shadow box frame, where the artwork is hinged inside the frame, for the 2 larger sizes, and matted with an 8 ply museum board for the 2 smaller sizes. We propose a white mat frame or a natural wood frame. Japanese photographer Reiko Yagi...

Title: Geometric Series - Green Medium: Oil on canvas Size: 31 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...

This black and white portrait of a young RuPaul, taken by Paula Gately Tillman in 1988, is offered by CLAMP in New York City. Miss Guy, Wigstock,...

"Verdigris" 2025, 84" H x 60" W. A captivating large-scale abstract painting by Argentine-born artist Karina Gentinetta, renowned for her work featured in Architectural Digest, Elle...

Peter Halley Peter Halley, Sonnabend Gallery, New York (Hand Signed by Peter Halley), 1989 Offset lithograph poster (hand signed by Peter Halley) 28 × 26 inches Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 1989 exhibition at the legendary Sonnabend Gallery in New York which the artist hand signed in black marker. Scroll down for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali...

JULIE HEDRICK SOLAR WINDS / EKI, (Basque) Sun Goddess, 2021 oil on canvas, triptych 60 x 180 in. 152.4 x 457.2 cm.

Elton John and his Airplane, Los Angeles, CA 1975 (printed latter) C-print Posthumous estate signature stamped edition of 50 with certificate of authenticity Wearing a custom LA Do...

Alex Katz The Creative Director (Pharrell) 2025 Silkscreen in colors on Saunders Waterford High White HP 425 gsm fine art paper 36 x 26 inches (91.5 x 66 cm) Edition of 75 Alex Katz...

Jonathan Borofsky 2779494: The Olympic Runner Los Angeles 1984 Olympic Games (Hand Signed with Olympic Committee COA), 1982 Offset Lithograph on Parson'...

No Wigs in Prison, by Brad Fisher Mixed media on Canvas 14 X 14 in

A classic Emil Ganso nude. Quite large, the sheet is 14 1/8 x 21 inches and the image goes all the way across the sheet from left to right. Very delicately drawn - especially for Ganso.

ABOUT THIS PIECE: Briggs Edward Solomon's artwork is known for its balance and juxtaposition. It is a collaboration of simplistic and contemporary colors. It is subtle, yet bold. It ...

Reynolds Beal painted this watercolor entitled “CROSS ROADS, KINGSTON.” in the spring of 1922. The paper size is 4 7/8 x 7 1/8" (12.4 x 18 cm). It is signed in pencil lower right a...

Jack Youngerman Untitled Study #26, 1967 Gouache painting on paper (with original JL Hudson and PACE Gallery labels) Hand signed and dated '67 on the front; J.L. Hudson Gallery Label on Verso. Unique Abstract Expressionist work on paper Frame included Framed Measurements: Framed: 15 inches by 15 inches by 1.5 inch Artwork: 7.75 inches by 7.5 inches Provenance From the estate of Anne Markley Spivak J. L. Hudson Gallery Label affixed to verso (back). The J.L. Hudson Gallery, Detroit, Michigan This 1967 unique, signed gouache painting by renowned abstract expressionist painter Jack Youngerman was acquired from the estate of Anne Markley Spivak. It is held in the original vintage metal frame with the original J.L. Hudson Gallery label, as well as the PACE gallery label on the verso The artwork has been newly loated and framed in a museum quality white wood frame; the original labels from the original back board have been affixed to the back to preserve provenance. Jack Youngerman Biography Jack Youngerman was born in St. Louis, Missouri on March 25, 1926. He moved to Louisville, Kentucky in 1929 and studied at the University of Missouri, Columbia from 1944 to 1946 under a wartime navy training program. He graduated from the University of North Carolina Chapel Hill in 1947 and, that same year, he returned to Missouri to finish his Bachelor’s degree in Journalism before moving to Paris on a G.I. scholarship. In Paris, Youngerman enrolled at the Ecole des Beaux-Arts, studying drawing with Jean Souverbie. He explored Paris, taking in the cathedrals, museums, and history in order to grasp a greater sense of art history. He also traveled to the Netherlands, Spain, Belgium, Italy, and Greece on fine art excursions. In 1948, Youngerman became friends with Ellsworth Kelly, Eduardo Paolozzi, and Cesar – fellow students at Ecole des Beaux-Arts. He married Delphine Seyrig in 1950, and later that year he had his first group exhibition at Galerie Maeght in Paris. He visited the studios of Constantín Brancusi and Jean Arp and became heavily influenced by the organic forms present in their work. He also met artist Alexander Calder through his father-in-law, Henri Seyrig, and experimental filmmaker and artist, Robert Breer...

This painting depicts an impressionistic scene of a summer day at the Jardin De Tuileries in Paris with beautiful brushwork and whimsical colors. The work is a following of Jules Her...

Bill Costa Untitled (Rollerena Fairy Godmother) n.d./2022 Accompanied by a Certificate of Authenticity Chromogenic print (Edition of 5 + 2 APs) 10 x 8 inches (25.4 x 20.32 cm), sheet 9.25 x 6.5 inches (23.5 x 15.875 cm), image From The Center (New York City’s Lesbian, Gay, Bisexual & Transgender Community Center): “Rollerena Fairy Godmother came into being on the evening of Saturday, September 16, 1972 by a young man from Kentucky who put on a gown, a 1950s hat, and a straw basket and skated up and down Christopher Street in Greenwich Village, New York City. Over time, Rollerena added to her outfit: rhinestone glasses...

Linda Stein, Profile Flying 446.075 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.075 is from Linda Stein's Profiles series--drawings, collages and paintin...

ABOUT THIS ARTIST: Studio Mierswa-Kluska looks back on almost 20 years of creative collaboration between two photographers, Andreas Mierswa, Markus Kluska, and their team. From the v...

This piece Owen depicts an abstract composition with the use of mixed media and bold patterns producing work which is visually textured and rich with layers and is a part of the arti...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses thick textured oils and glass to add a very co...

Born in Pasadena and raised in Orange County, Elizabeth Turk earned her M.F.A. at the Rinehart School of Sculpture, Maryland Institute College of Art in Baltimore. In Turk’s work, the shape of the line is created by extreme loss. That is, the reductive process of carving creates a positive, fragile form in which the absence of the original material is a focus. Turk encourages us to consider how nature has shaped these organic materials long before the artist’s manipulation of them into new forms. When viewed as components in a complex natural system, their singular beauty and inherent mystery is revealed. Turk compels us to view works of art not only as objects to be coveted and collected, but also as expressions of the natural world and our evolving relation to it. A recipient of numerous awards, including a MacArthur Foundation Fellowship (2010), a Barnett and Annalee Newman Foundation Fellowship (2010), and a Smithsonian Artist Research Fellowship (2011), Turk is internationally recognized for transforming her signature medium of marble into strikingly intricate objects that defy convention and challenge our preconceptions of what marble can do. Through the use of electric grinders, dental tools...

Title: Memory I Medium: Oil on canvas Size: 31 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unst...

A moody evening in New York City. The buildings capture the quiet that New York sometimes achieves. Signed and dated in pencil.

“Girl with Balloons” was created from a vision aritst Cindy Shaoul had during the height of the pandemic. She wanted to create a piece with a light heart but also translate a message...

ABOUT THIS PIECE: French artist Ludwig Favre traveled to California to shoot the state's most iconic landscape and architecture. He captures the city at dusk from the top of the Griffith Observatory...

Lucas Samaras Samaras at Whitney Museum of American Art Exhibition Poster, 1973 Offset lithograph poster 32 × 24 inches Unframed This early vintage poster was published for the Samar...

Amaranth Ehrenhalt (1928–2021) Quintazi, 1986 Oil on canvas Without frame: 21 5/8 x 18 1/8 in. (55 x 46 cm) Amaranth Ehrenhalt (1928–2021) was part of the Abstract Expressionist...

In our painting of Claudine, Dyf returns to one of his favorite genres, and with most likely his favorite model. Realized with dramatic suggestive strokes of thick paint, Claudine is...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Bob Thomas (American, 1945-2018) Altered Grounds #159, c. 2010 Mixed media on wood 24 x 20 x 1 in. Robert “Bob” Thomas was an accomplished artist from Edge...

Hunt Slonem "Maxim" Single Black and White Bunny A single rabbit gestured in black on a white background in a vintage frame Unframed: 10 x 8 inches Framed: 13.5 x 11.5 inches *Paint...

ABOUT THIS PIECE: Since 2008 fine art photographer Jonathan Chritchley has regularly been invited to attend the Classic Yacht Regattas on the legendary Cote d’Azur in France, working...

Title: Puppy's Family Series IIV Medium: Oil on canvas Size: 15.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Jiao Wang...

Samson and Delilah

Archival pigment print Signed, titled, numbered, and dated, verso 22 x 17 inches, sheet (Edition of 15) 38 x 27 inches, sheet (Edition of 9) This photograph is offered by ClampArt...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘Fundevogel’. One of just a few in the series that depicts a single form with such complexity, drawn directly on the plate by Hockney. This is certainly an ode to Giorgio Morandi’s etchings...

Jane Wooster Scott (American, b. 1920) Untitled (Cat House), 20th century Watercolor on paper Sight size: 10 x 14 in. Framed: 17 x 20 3/4 in. Signed lower le...

Richard Serra Forged Rounds (hand signed), 2019 Offset lithograph poster (hand signed by Richard Serra) 26 × 40 inches Boldly signed in black marker on the front by Richard Serra Unframed Acquired from Gagosian Gallery, New York City From Gagosian Gallery about Serra's Forged Rounds project: Weight is a value for me—not that it is any more compelling than lightness, but I simply know more about weight than about lightness and therefore I have more to say about it, more to say about the balancing of weight, the diminishing of weight, the addition and subtraction of weight, the concentration of weight, the rigging of weight, the propping of weight, the placement of weight, the locking of weight, the psychological effects of weight, the disorientation of weight, the disequilibrium of weight, the rotation of weight, the movement of weight, the directionality of weight, the shape of weight. —Richard Serra Gagosian is pleased to present recent sculptures and drawings by Richard Serra. At 980 Madison Avenue, a series of new diptych and triptych drawings...

Title: Butterfly Valley Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold flakes with thick textured oils and glass...

[Bruce Sargeant (1989-1938)] Hunter and Wrestler n.d. Signed, l.r. Oil on canvas mounted to polycarbonite panel 79 x 43 inches (200.7 x 109.2 cm) $11,000 + $850 framing This wor...

Margot Glass focuses primarily on drawing, using traditional techniques and materials as the foundation for her work -- including silverpoint and 14k goldpoint, homemade organic inks...

This porcelain/ceramic plate makes a gorgeous gift - in a bright blue bespoke box, ready to be gifted. Any fan of Helen Frankenthaler or Abstract Expressionist art would be thrilled!...

ORIGINAL Six color lithograph on thin velin paper Limited edition of 800 (unnumbered) Publisher: Shorewood Publishing, NY for the Rainbow Foundation Original 1972 lithograph; not a l...

Stevie Wonder V1 by Al Satterwhite is a black and white portrait of the famous American singer, songwriter, musician and record producer. Archival Pigment Print 20 x 24 in. Ed. of 2...

School of Paul Feeley Untitled, c. 1960s Oil on canvas 20 x 59 5/8 in. Signed lower right Primarily a painter, Paul Feeley (American, 1910 - 1966) favored canvases with simple geome...

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract flowers with bold use of color and contrast. The gold leaf background and the brilliant deep crimson and violets from the florals allows for the luminosity to shine through effortlessly, as the lines and intricate details of the silk paper laid over paint and mixed media add a most interesting texture. The artist's hand embellishes gold leaf to add elegant accents. This painting comes housed in a black oak floater frame with hanging wire on verso ready to be displayed. Art measures 47 x 63 inches Frame measures 48.5 x 64.5 inches Antoinette Ferwerda is a renowned Australian artist largely recognized for producing a bold collection of fine artwork that joyfully explores the geometry of shape and the changing light from dusk to dawn. Championing her love for shape, reflection, and nature using a diverse pallet of mixed media to portray her abstract interpretations of nature. Antoinette's diverse past and a childhood that was somewhat nomadic has inspired much of her work today. Antoinette’s backstory reads like something out of an adventure series, having spent her early days living in remote pockets of Papua New Guinea, where she was lucky to spend time in a seaside shack on Ela Beach in Port Moresby, as well as the volcanic town of Rabaul, the Cargo Port Lae, before moving on to Darwin where her Dad worked for the Red Cross and helped with the re-build process after Cyclone Tracy. This was followed by a family stint in Europe, visiting Netherlands, London, Belgium, France, Italy, and Switzerland, before finally settling back in Melbourne for her formative years. Her love for nature and exploring the patterns and relationships she finds within started early. “I’ve been forever fascinated with color and the magical interplay of light”. “Blessed to have a teacher Mum who fostered regular creative time during our nomadic stint, my childhood was largely spent creating, especially outdoors”. Never without a pen, sketchbook or scraps of paper, her natural ability to create in layers instinctively started in these early years. Although her work continues to evolve, she consistently creates works that are rich in layers, resulting in pieces that are optimistic, luminous and full of stories from her colorful life. Her signature work is abundant with color and texture, resulting in a transparent quality of her works. Adaptable to any palette, Antoinette has produced works from a diversity of spectrums and mediums – sun-soaked, muted and ethereal, vibrant, as well as monochromatic with accents of gold. Her themes include abstract and metaphysical interpretations of fossicking in rock pools, exploring the rolling hills of the countryside both here and abroad, the rock formations of the Australian outback and the magical light of a European summer to name just a few. Her dream and longing to become an artist became a reality after starting her own family and farewelling a corporate life in the pharmaceutical industry, with her debut solo exhibition in 2014. Six years on, Antoinette has fast become a firm favorite amongst interior designers, stylists and home decorators alike, having been represented by fenton&fenton, Thom Gallery and Trit House (formally Click On Furniture) to name just a few. Continually experimenting and evolving as an artist, Antoinette invites the viewer to look deeper through surface layers to find hidden stories of color and form. Past collections have been inspired by visits to the bustling markets of India, the morning light outside her childhood beach shack...

The career of William Stanley Haseltine spans the entire second half of the nineteenth century. During these years he witnessed the growth and decline of American landscape painting, the new concept of plein-air painting practiced by the Barbizon artists, and the revolutionary techniques of the French Impressionists, all of which had profound effects on the development of painting in the western world. Haseltine remained open to these new developments, selecting aspects of each and assimilating them into his work. What remained constant was his love of nature and his skill at rendering exactly what he saw. His views, at once precise and poetic, are, in effect, portraits of the many places he visited and the landscapes he loved. Haseltine was born in Philadelphia, the son of a prosperous businessman. In 1850, at the age of fifteen, he began his art studies with Paul Weber, a German artist who had settled in Philadelphia two years earlier. From Weber, Haseltine learned about Romanticism and the meticulous draftsmanship that characterized the German School. At the same time, Haseltine enrolled at the University of Pennsylvania, and took sketching trips around the Pennsylvania countryside, exploring areas along the Delaware and Susquehanna rivers. Following his sophomore year, Haseltine transferred to Harvard University. After graduating from Harvard in 1854, Haseltine returned to Philadelphia and resumed his studies with Weber. Although Weber encouraged Haseltine to continue his training in Europe, the elder Haseltine was reluctant to encourage his son to pursue a career as an artist. During the next year, Haseltine took various sketching trips along the Hudson River and produced a number of pictures, some of which were exhibited at the Pennsylvania Academy of the Fine Arts in the spring of 1855. Ultimately, having convinced his father that he should be allowed to study in Europe, Haseltine accompanied Weber to Düsseldorf. The Düsseldorf Academy was, during the 1850s, at the peak of its popularity among American artists. The Academy’s strict course of study emphasized the importance of accurate draftsmanship and a strong sense of professionalism. Landscape painting was the dominant department at the Düsseldorf Academy during this period, and the most famous landscape painter there was Andreas Achenbach, under whom Haseltine studied. Achenbach’s realistic style stressed close observation of form and detail, and reinforced much of what Haseltine had already learned. His Düsseldorf training remained an important influence on him for the rest of his life. At Düsseldorf, Haseltine became friendly with other American artists studying there, especially Emanuel Leutze, Worthington Whittredge, and Albert Bierstadt. They were constant companions, and in the spring and summer months took sketching trips together. In the summer of 1856 the group took a tour of the Rhine, Ahr, and Nahe valleys, continuing through the Swiss alps and over the Saint Gotthard Pass into northern Italy. The following summer Haseltine, Whittredge, and the painter John Irving returned to Switzerland and Italy, and this time continued on to Rome. Rome was a fertile ground for artists at mid-century. When Haseltine arrived in the fall of 1857, the American sculptors Harriet Hosmer, Chauncey B. Ives, Joseph Mozier, William Henry Rinehart...

Title: The Red Fox Medium: Oil on canvas Size: 22 x 18 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2000 Circa...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Andy Warhol Mick Jagger, Leo Castelli gallery 1975: A stunning set of ten announcement cards published by Castelli Graphics in 1975 to advertise the...

Stanley William Hayter Torero (de-accessioned from the Denver Art Museum), 1929-1933 Engraving on laid paper, third (final) state, on heavy BFK Rives...

Judy Pfaff Squash, 1985 Woodcut on wove paper Signed, numbered 78/85, dated and titled on the front with artist's and publisher's blind stamps. 21 3/4 × 29 3/4 inches Publisher Cente...

Title: Wild Chrysanthemum Medium: Oil on canvas Size: 15 x 15 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This ...