Manhattan Figurative Sculptures

This Victorian Parian Porcelain Sculptural Vase originates from England during the Late 19th Century. This piece is rendered in a parian porcelain designed to mimic the appearance of...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

Lovely lifesize terracotta figure of Venus in her bath set upon a rectangular pedestal.

Erte (Romain de Tirtoff, Russian/French, 1892-1990) "La Masque", Patinated Bronze Sculpture, 1986, signed "Erte" to verso and stamped "161/375 FINE ART ACQUISITIONS / 1986" in cast. ...

This beautiful Rose Quartz obelisk hails from Brazil, a country known for producing some of the finest quality quartz in the world. Rose Quartz, wi...

An important pair of Meissen Porcelain Groups depicting "Alexander The Great Concurring India". Modeled with Alexander the great's three warriors/soldiers riding on caparisoned eleph...

Signed “A.H. Devaulx”, and marked “Susse Fes Ed.20” Dimensions: Height 6-7/8”, width 7-7/8”, depth 4-1/4” This wonderfully unusual desktop sculpture of gilded bronze, depicting a beautiful female-centaur breastfeeding her cub is made in a classic romantic style of the Belle Epoque era by a remarkable French sculptor, Alexandre Henri Devaulx. Alexandre Henri Devaulx (French, 1856-1940) was the son of the noted sculptor of the Romanticism period, François Théodore Devaulx (1808–1870). Born in Paris, he studied under E. Devaulx, making his début as a sculptor at the 1876 Paris Salon with Portrait, a plaster medallion. Alexandre Henri Devaulx became a member of the Artistes Français in 1888, winning an award with merit in the same year.... Susse Frères Bronze Foundry, Paris - The French firm Susse Frères manufactured a daguerreotype camera, which was one of the first two photographic cameras...

A magnificent and fully complete set of 5 Meissen figures emblematic of the senses: Hearing, smell, touch, taste, and sight, Modeled by J.J. Kändler and J.F. Eberlein. These figures ...

Very finely hand carved 19th century Italian Pauline Bonaparte as Venus victrix alabaster sculpture after antonio canova. Measure: 16.5 inch height in...

Our very large (53.5 in, 136 cm) bronze statue by the French master, Jules Bertin (1826-1892), circa 1879, depicts the Roman goddess, Libertas (Liberty), standing upon a stylized glo...

Japanese Edo Period Musha Ningyo Seating Samurai, Ca. 1800 DIMENSIONS Height: 16 inches Width: 19 inches Depth: 10 inches ABOUT Musha Ningyō (武者人形)- Literal meaning: "Warrior Dolls...

A French Lalique crystal female figurative sculpture piece, circa 1970's, France. A nude crystal female figure sculpture on black glass ba...

An exceptional and quite large pair of 19th century antique Meissen porcelain hunting groups with "The Prince" and "The Princess" each riding a horse followed by a bunch of hunting d...

This handsome sculpture was realized in Russia in the 20th century. Created in blackened bronze, it features a male nude figure in the process of forging a sword. He is portrayed mid swing as he strikes the sword with a Hammer. His body torqued all of his muscles appear flexed. The male figure- with his chiseled physique- appears as the paradigm of male beauty- a true adonis. This sculpture offers a timeless motif- employed from Greek antiquity...

We are offering this Large Outstanding Estate Monumental Signed Original 19th Century Dresden Woman. German porcelain figural Woman With Intricate Lace and Rosettes throughout all Ha...

A pair of exercise dumbbells, handcrafted in smooth, polished black marble. Small white inclusions throughout the stone. At approximately 5 lbs. each, they can actually be used for exercising, in a very elegant way to workout. They also make excellent decor items...

A circa late 19th century Italian cast bronze figure depicting Bacchus holding a woven bronze basket with original patina. Measurements: Height 24" D...

This deeply felt and beautifully made Mid-Century Modernist Hand-Carved Seated Female Nude Sculpture in Walnut signed Aldo Calo (B. 1910) originates from Italy, C. 1968. A brilliant ...

A magnificent and monumental pair of patinated bronze figures depicting native Americans, La Peche and La Chasse. Known as the "Allegory Of Fishing", sculpted and signed by Duchoiselle, these marvelous patinated bronze figures are seen seated on canoes, hunting. On the Chief's canoe are his hunting spoils, which include birds and wild boar. Bronze with a brown and parcel-gilt patina can be found throughout each subject with elaborate chissel work, making these two as life-like and as natural as possible. The two are further adorned with 24k parcel-gilt decoration on their arm and ankle bangles, feathered crowns, jewelry and fish netting. Duchoiselle is an exceptional artist known for supplying ceiling reliefs for the Louvre and Garnier's Paris Opera in 1882. These Native American models can also be found in marble at the Frilli Gallery...

A Large Meissen Porcelain group of lovers kissing in the Ocean on a Rock. This piece is truly spectacular in both quality and size. The pair of lovers a...

A substantial ceramic female figurative sculpture on marble base, circa mid-20th century. Female figure is ceramic with a black finish, sitting in flexible position, on a dark green ...

A magnificent and quite large, Baroque style, Museum quality, antique Meissen Porcelain grouping of Apollo, the Sun God's, Sun Chariot with his Putti Servant, originally designed by Johann Joachim Kändler in 1772-1773 for Czarina Katharina, Better known as Catherine the great...

Presented here is one of the finest Meissen porcelain figurines of the Art Deco period by Professor Paul Scheurich (1883-1945), who is acknowledged to be one of the 20th century's gr...

This refined Fluorite obelisk originates from China, a well-known source of exceptional mineral formations. The piece features the captivating natural colors that Fluorite is famous ...

Ferdinando Codognotto Wooden Hand Sculpture, Roma, 2015. Expertly carved from what we gather as Swiss Pine. The hand sits upon a dowel on the...

Carved modernist plaster mask sculptures mounted on painted black metal bases and supported stand. Bali, Indonesia, circa 1970s Size: largest (pict...

Each inscribed Lorrain.

A large patinated bronze sculpture "Salome" by Charles Octave Levy . Modeled in the orientalist style holding a sword in her hands, standing on a shaped plinth. Beautifully cast and ...

A large rare pair of 19th century Meissen Chinoiserie style Nodding Pagoda Figures with Movable Head, Hand and Tongue, known as a "Nodder'. This Unusual...

Marked Meissen. With 18th century French gilt bronze mounts. Modeled by Friederich Elias Meyer.

This beautifully made Mid-Century Carved Female Bust in Ebony Hardwood W/ Herringbone Pattern originates from Kenya, Circa 1960. This sculpture is carved from a single piece of ebony...

This impressive Fluorite obelisk, sourced from China, showcases the enchanting hues and translucent qualities characteristic of high-grade Fluorite. The mineral’s natural color zonin...

Large 19 century French Silvered Bronze Sculpture of a Spanish Cavalier. Apparently unsigned.

This charming pair of Neoclassical Bronze Bacchantes sculptures by Earnest Rancoulet originate from France, Circa 1900. These young and playful my...

A pair of circa 1950's Italian pewter boats. Measurements: Height: 19.25" Length: 16.25" Width: 4.25" Height: 16" Length: 14.5" Width: 3.75"

Authentic bronze Benin head on a custom lucite base by Karl Springer, American 1970's. Springer often incorporated fine works of ethnic art into his showroo...

A French Art Nouveau "Fairy" or "La Fée" bronze sculpture by Louis Chalon. A nude female figure stands on an open flower with complex, textured roots. On her back are four "wings" in...

This refined modernist neoclassical sculpture was realized in Germany. The piece depicts a bacchanal featuring Greek goddesses; young cherubic children; and even a bear, executed in ...

A Rare and Exquisite Late 18th to Early 19th Century Italian Neoclassical Patinated Bronze Sculpture of Bacchus, God of Wine, Fertility, and Revelry. This superbly cast and finely m...

A Monumental Italian 19th Century Marble Sculpture of "Flora's Embrace", By Professore F. Galli. Flora's Embrace, an exquisite marble sculpture by the esteemed Professore Fortunato G...

A late 19th-century French figural vase by Mathurin Moreau, titled: "LES ROSES", composed of patinated and gilt bronze, marble, and ormolu. The piece features a bronze female figure ...

Signed Rancoulet. The bronze depicts the twelfth labor of Hercules.

Depicting Sisyphus pushing a boulder up an incline. Signed Julius Frick and inscribed GussvH Pelargus Stuttgart.

This stunning Fluorite obelisk comes from China, a region renowned for its vivid and highly prized Fluorite specimens. With its captivating bands of purple, green, and blue, Fluorite...

This strikingly carved large rock crystal skull is a mesmerizing fusion of artistry and nature. Measuring approximately 6.5 inches by 4 inches by 5 inches, the skull is meticulously ...

An Art Deco period bronze sculpture by J. Steinel from France circa 1920. The classical female figure stands on a black marble cube and grasps a bouquet of flowers in her right hand....

A brass female dancer sculpture and green onyx marble base vide-poche catchall, Art Deco period, circa early-20th century. Sculpture's head is resin and body with a gold overlay on b...

A Life-Size Italian 19th Century Carrara Marble Statue of a Dancing Faun with Cymbals signed by A. Frilli, Firenze. This piece is after the original model by Massimiliano Soldani (I...

This tall "Modern Totem" sculpture consists of softly rectangular rings stacked one on top of the other, on short angled feet. Another smaller angled foot shape is replicated above u...

The engraved and brush painted ceramic plate, Visage Gris (Grey Face) is one the most iconic pieces created by Pablo Picasso (1881 - 1973) at the Madoura workshop in Vallauris, France. It is said "all portraits are self portraits". In this work, we see Picasso's wistfulness, vulnerability and humor set within a beautiful image representing both the sun and the moon, the masculine and the feminine. Picasso mastery of form, image, composition and subtle color is evident in a work that resonates transcendence. Created in 1953, Pablo Picasso ceramic Visage Gris (Grey Face), 1953 A.R. 206 is a Madoura white earthenware clay, knife engraved under partial brushed glaze with decoration in engobes (green, black, white) from the edition of 500. This work is stamped with the 'Madoura PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO’ pottery stamps on the reverse. Dimensions: 12 3/8 x 15 1/8 x 1 5/8in (31.4 x 38.3 x 4.1cm). Madoura was an artisan workshop created by Georges and Suzanne Ramie which collaborated with Picasso in the fabrication and hand painting of the works. Pablo Picasso designed 633 different ceramic editions between 1947 and 1971 at the Madoura workshop, with a number of variants and unique pieces resulting from these initial works. He began by creating simple, utilitarian objects such as plates and bowls, but later produced more complex forms, including pitchers and vases — their handles occasionally shaped to form facial features, or anatomical parts of his animal subjects. Picasso remains one of the highest-grossing artists at auction today, and the range of his ceramics means it's possible to find both a good investment and a beautiful object. Visage Gris is among the most important. A Short Biography follows: Pablo Picasso revolutionized the art world and to many is THE artist of the 20th century. He is famous for his role in pioneering Cubism with Georges Braque and for his melancholy Blue Period pieces. Original signed Picasso lithographs and prints are a sure investment. Madoura Picasso ceramics are highly collectible in their own right. As one of the most influential Modern artists of the 20th century, Pablo Picasso is renowned as a legendary artistic master to this day. Born on October 25, 1881 in Malaga, Spain, Pablo Picasso was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture. Picasso was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Edouard Manet, Gustave Courbet, and Henri de Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain – all in the years 1899 to 1904. Before he struck upon Cubism, Picasso went through a prodigious number of styles – realism, caricature, the Blue Period, and the Rose Period. These distinguished styles are apparent in the unique original works as well as Picasso ceramics, lithographs, linocuts, and etchings that he created later in his life. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and focuses on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style, La Vie (1903), currently located in Cleveland’s Museum of Art, was created in memory of his childhood friend, the Spanish poet Carlos Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso’s features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. The Rose Period began around 1904 when Picasso’s palette brightened and is dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is Family of Saltimbanques (1905), currently in Washington, D.C. at the National Gallery, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space. In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and female figures seen frontally or in distinct profile, as in early Greek art. One of the best examples of this style is in the Albright-Knox Gallery in Buffalo, NY, La Toilette (1906). Several pieces in this new, classical style were purchased by Gertrude Stein (the art patron and writer) and her brother, Leo Stein. With his groundbreaking 1907 painting Les Demoiselles d’Avignon...

Important and rare silver figures of eight immortals Yangqinghe Jiuji marks, Late Qing dynasty. Each hollow figure portraying one of the immortals in an animated pose, with highly detailed facial features, four pierced with apertures for the insertion of facial hair, clad in finely chased robes, all but two with their characteristic attributes, their bases bearing either two seal marks reading Yangqinghe Jiuji gongyibu and Zhe'ning Hu Qiusheng zao, or three marks in regular script reading Yangqinghe Jiuji gongyibu, Shang and Sheng zuo, original hand-carved wood stands. Measures: 11 1/4in (28.5cm) high (tallest one). The earliest records of the silver atelier known as Yangqinghe date to 1775 in Shanghai...

This stunning Fluorite obelisk hails from China, a region renowned for producing vibrant and high-quality mineral specimens. Fluorite is celebrated for its mesmerizing range of color...

Originating from Brazil, this tall and slender Rose Quartz obelisk showcases the soft pink tones that make this mineral so admired. Known as the st...

The Following Item we are offering is an Exquisite Large Musical Painted German Motif (possibly Musical) Beerstein Decanter. Has switches on bottom. A Rare Collector's Piece!!! Mea...

Plaster sculpture on metal stand of an elegant goddess draped torso. Magnificent piece with unique detail of drapery folding on her femenine figure. Property from esteemed interior...

Mottled deep blue with light and dark areas, this amazing matte glaze surface was the result of a mistake in glaze chemistry and boy am I glad! It reminds me of Yves Klein Blue, a de...

A 19th century French very well cast Allegorical Bronze of Music and Poetry After Guillaume Coustou II.

Finely carved Italian Carrara marble Title: Amore E Psiche Artist: Pasquale Romanelli (1812-1887) Origin: Italian Date: 19th century Signature: Signed Prof. P. Romanelli/Fire...

Our antique (late 19th century) white marble Grand Tour sculpture of Lorenzo de Medici, Duke of Urbino (1492-1515). Sculpture 22 by 9 by 10 inches. The sculpture, carved from Carr...

One in a new series of Modern TOTEMS consisting of soft round or rectangular forms on small conical feet. The shapes begin as a solid piece. They are then hollowed out, stacked and t...