Massachusetts - Paintings

Jeremy Prim is a contemporary artist, based in Seattle, Washington. He is known for his evocative abstract seascapes, inspired by the beauty of the ocean and the emotion one feels in...

Chris Plunkett’s “Walking Up Adams” is a late night nocturnal cityscape oil painting on cradled birch wood panel. The serene urban landscape depicts a shadowy figure walking through ...

George-Henri Tribout French, 1884-1962 Fauvist Landscape Oil on board 31 ½ by 41 ¾, w/ frame 34 ½ by 44 ½ in Signed lower right George Henri Tribout was born in Paris in 1884. He s...

As we navigating our daily lives, we must face thoughts, anxieties, joys and emotions from all three of these tenses, and often at the same time. Seemingly opposite emotions -- lust...

Landscape painting of a field of daisies

Anne Sargent Walker's "Getting Warmer" is an oil and acrylic painting with a halo of soft greens on a yellow green background with snippets of orange, suggesting foliage, surrounding...

“Vibrante” another dynamic, textured and colorful oil by Marcia Wise in stunning blues, reds, magentas, and yellow-orange-golds. Mark making with brushes and fingers, the earth tones...

"Elegant Still Life of Stacked White and Gold Cups with Beige and White Flower Background," 2019, Oil on Canvas, 20 x 20 Inches (Unframed). Olga A...

This piece is an original oil painting on panel. The scene is in pale, dreamy hues and shows a Parisian street corner with a park on one side and a row of shops on the other. A cross...

Leon Herbo Belgian, 1850-1907 Vase de Fleurs Oil on canvas 22 ½ by 18 in. W/frame 34 ½ by 30 in. Signed and dated 1906 Leon exhibited in Brussels, Munich, Gand, Cologne and Paris....

Louis Valtat French, 1869-1952 Portrait of Madame Susanne, the Artist’s Wife Oil on canvas 19 ⅝ by 25 ⅝ in, w/ frame 28 ½ by 34 ⅜ in Initialed lower left Louis Valtat was a French ...

Artist: Leestemaker, Luc Title: Landscape 2008.6 Date: 2008 Medium: Mixed Media Unframed Dimensions: 48" x 48" Signature: Signed Edition: Unique

Cheryl Clinton's 'Woodland Water 2' is a 36 x 36 x 2 inch fresh contemporary take on landscape painting in acrylic on canvas in deep rich browns and blues, and is part of the artist'...

A wonderful still life by American Artist Rudy Colao (1927-2014). Rudy created these lovely still lifes by using inspiration from actual floral bouquets or floral landscapes. Size ...

A lively profusion of blue brushstrokes on a background of unsaturated ochres and peaches. The definition of Elan is energy, style and enthusiasm. Pretty much sums this painting up i...

Artist Commentary: As the second painting produced in this series, the system became more refined. I sent a photo of this painting to a friend. His inhibitions were low at the time, ...

Artist: Slonem, Hunt Title: Tulip Perk Date: 2023 Medium: Oil on Wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.25" x 12.25" Signature: Signed Edition: Unique Proven...

A profusion of signs and symbols on a loose background of greens and greys. Unstretched - ships in tube. :: Painting :: Abstract :: This piece comes with an official certificate of a...

Artist: Slonem, Hunt Title: Chat Noir Date: 2023 Medium: Oil on Wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Edition: Unique Provenance: H...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Artist: Slonem, Hunt Title: Delta Date: 2020 Medium: Oil on canvas Unframed Dimensions: 30" x 40" Framed Dimensions: 32" x 42" Signature: Signed by Artist on Verso Edition: Un...

"Etheral" is part of the ongoing series Garden Narratives. Dexheimer, while consistent in her focus on shape, color, texture and form works simultaneously on several projects investi...

Unframed Dimensions: 26 x 26 inch Framed Dimensions: 32 x 32 inch American b. 1950

Three Sailors is a dynamic 20 x 30 inch acrylic on plexiglass painting by contemporary artist Kyle Ringquist, renowned for his innovative approach to reverse and dual-surface paintin...

Oil on canvas

Chase Langford has created a distinctive visual language that is grounded in the natural and built environment while embarking into uncharted territory. His impactful depictions reca...

Art and design in varied forms have always been a driving interest in my life. Living in Madison, Connecticut, I began my career as a muralist and trompe l’oeil painter doing signif...

Wilhelm von Gegerfelt Swedish, 1844-1920 Moonlight Over the Promenade Oil on canvas 27 by 45 in. W/frame 39 by 57 in. Signed lower right Wilh...

Katherine Borkowski-Byrne’s “Unearthing” is an energetic multi-colored abstract oil painting, 22 x 17.5 x 1.5 inches on oil-prepared paper within a maple shadow-box frame. “Unearthi...

Artist: Slonem, Hunt Title: Green Abe Date: 2023 Medium: Oil on wood Unframed Dimensions: 20" x 16" Framed Dimensions: 23.5" x 19.5" Signature: Signed by Artist on Verso Editi...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Nicolas Alexandrovitch Tarkhoff Russian, 1871-1930 The Coming Storm Oil on board 12 ¾ by 19 in, w/ frame 19 ¼ by 25 ½ in Signed lower right Was a Russian-born Impressionist. Born in Moscow on January 20, 1871 to a merchant family he studied painting and drawing. Tarkhoff was known as the “Moscow Parisian,” because he spent so much of his life in France -- from 1898 until his death in 1930. A member of the World of Art and the Union of Russian Artists, Tarkhoff began drawing at the age of twenty-four. After an unsuccessful attempt to enroll at the Moscow School of Painting, Sculpture and Architecture, he studied under Konstantin Korovin. At the age of twenty-eight, Tarkhoff made his first visit to Paris, where he studied drawing and began actively working and exhibiting. He moved there permanently in 1899. In 1906, he held a one-man show at the gallery of Ambroise Vollard, the famous Parisian art dealer who championed all the leading French Impressionists. Sergei Makovsky, Alexander Benois...

Jean Salabet French, 20th Century La Madeleine, Paris Oil on canvas 10 ¾ by 13 ¾ in. W/frame 16 ½ by 19 ½ in. Signed lower right Jean Salabet was a School of Paris painter know ...

New England marsh, tide going out :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes ::...

Olga Antonova’s subject is compositions of extraordinarily elegant and beautiful cups, plates, teapots, and dishes, but there is something humorous and provocative about these painti...

James Wolanin’s paintings transport the viewer to an effervescent, candy coated world inspired by vintage advertisements, photographs, and the artist’s own personal history. The Russ...

Artist: Slonem, Hunt Title: Timothy Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 15" x 13" Signature: Signed by Artist on Verso Edition: Un...

Artist: Slonem, Hunt Title: Light Lawn Date: 2024 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed by Artist on Verso Editi...

Olga Antonova’s subject is compositions of extraordinarily elegant and beautiful cups, plates, teapots, and dishes, but there is something humorous and provocative about these painti...

Frank Corso was born in Syracuse, New York. Taking a keen interest in art at a very early age, he was inspired to draw and paint the landscape of the Finger Lakes region of Upstate New York. He had the opportunity to have very fine art teachers in high school who also happened to be fine painters, artists George Benedict and Nick Todisco, and through their influence he began to polish his painting style from an early age. After attending Onondaga Community College for architecture, and then realizing that the rigid structure of Architecture was not for him, he began elective courses in Fine Arts at Syracuse University, and here, for the first time he began to study abstract painting and design with professors Frank Goodnow...

Paul Savigny French, 1858-1916 Martigues, France Oil on canvas 25 ½ by 36 ½ in, w/ frame 31 ½ by 42 ½ in Signed lower right

Artist: Slonem, Hunt Title: Lavender Date: 2021 Medium: Oil on wood Unframed Dimensions: 11.5" x 8.5" Framed Dimensions: 15" x 12" Signature: Signed verso Edition: Unique Hu...

A Rhode Island native, I earned a BFA from Rhode Island School of Design. Since then I’ve worked as a freelance artist, decorative painter, teacher and master painter at a folk art c...

Energetic marks of red, blue, white and yellow on a loose wash background of oranges and yellowish green. The colors remind me of the Caribbean and enjoying fresh mangos for breakfas...

Johannes Schiefer Dutch-American, 1896-1979 Monaco - Monte Carlo Oil on canvas 25 ¼ by 30 ⅛ in, w/ frame 33 ½ by 38 ½ in Signed lower right, titled lower left Johannes Schiefer, pa...

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Susan Ricker Knox American, 1874-1959 Lady in a Sun Hat Oil on canvas 28 by 36 in, w/ frame 36 by 44 in Signed upper left Susan was born in Portsmouth, New Hampshire, Susan Knox ex...

Emilio Grau-Sala Spanish, 1911-1975 Marchande de Fleurs Oil on Canvas 23 ¾ by 29 in, w/ frame 32 ½ by 37 ½ in Signed lower left Son of the draughtsman Juan Grau Miró, Grau Sala com...

This little gem by Kentaro Kato dates to 1910 and depicts Gloucester harbor as it looked then. The artist won the Halgarten Prize from the National Academy of Art in 1920, he was one...