Miami - Figurative Drawings and Watercolors

Brilliant Italian Illustrator Gianni Benvenuti paints a moody fantasy that illustrates an Australian Fairy Tale. A young and fit Aboriginal man is scene chasing a beautiful Aborigin...

Original color drawing on paper. Hand signed lower front by Roberto Matta. Image size 12 x 16 inches. Frame size approx 23.25 x 27.5 inches. Artwork is in overall excellent co...

Vogue USA, Fashion Illustration. Meticulously drawn in a descriptive and yet creative way. Antonio's full mastery of his art is on full display. Signed lower right. The work is arch...

Miriam Story Hurford was a prolific and major American female illustrator in the 1930s to the 1950s. Her work was for cover art for women's magazines and home magazines and religious magazines. This work depicts t the wise men being guided by the star of Bethleham to the birth of the Christ child for a Christmas magazine...

Grosset & Dunlap, Illustration, Art Seiden was a top children's book illustrator in the 1950' - 1060's Work comes in two parts that are butted together by the artist

This is dreamy psychedelic depiction of a golfer hitting a ball in a psychedelic wonderland of chickens moons, starts and groovy flowers Gurvin was Graphic Designer & Visual artist Abe Gurvin...

Complex study of nude figures grouping in landscape. Weber works in watercolor and pen with an electric brushstroke. Perhaps a study or a continuation for his major oil. Summer...

An intense and powerful study of five undernourished and perhaps starving African children partly superimposed and partly integrated into the silhouette of the African continent...

Felipe Ehrenberg is a Mexican Artist, he is a conceptual artist, his work belongs to the collections of different museums and institutions, like MUAC ...

"Snappy Answers to Stupid Questions" is one of Al Jaffee's signature series. This work was a double-page work that appeared on pages 60 - 61 in Mad Magazine in 1968. Although this w...

Early work when Stuart Davis was an illustrator. Christie's, New York Catalogue Raisonné

Art Seiden was born in Brooklyn, NY in 1923. He received a BA at Queens College and studied for eight years (!) at the Art Students League. Mario Cooper was among his instructors. Up...

Original mixed media on 10.5 x 7.5 inch paper mounted on 14 x 11 inch paper. Hand signed on front by Purvis Young. Frame size approx 20 x 17 inches. Artwork is in excellent condit...

The beauty of the sitter can determine the value of the painting. A charming and lovely sitter is the subject of this work and the reason why the work is so special. This precious...

Original drawing on paper. Hand signed, titled and dated on verso by the artist. Artwork size: 22.5 x 28.75 inches. Frame size: 29.25 x 35 inches. ...

Meticulously rendered art deco illustration of a stylized woman ( perhaps Asian ) having a dialog with a small monkey perch on her outstretched arm. ...

Original pencil, chalk and crayon drawing on paper. Hand signed and dated on front by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. A...

Two Women by George Tooker is a psychologically engaging portrait of contrasts. An untidy, older, overweight woman is seen slumped in a chair, asleep and lost in a dream. Her head ti...

Original mixed media on 10.5 x 8 inch paper mounted on 14 x 10.87 inch paper. Hand signed on front by Purvis Young. Frame size approx 20 x 17 inches. Artwork is in excellent condi...

Fabled Vogue Magazine Cover Artist Eduardo Garcia Benito depicts a perfectly posed long-neck flapper with her reflection in a mirror, Her extrav...

Collier's Magazine Illustration From the Estate of Charles Martignette. Work is framed in a period wood frame Watercolor on board

Original mixed media drawing on paper. Hand signed on front by Purvis Young. Artwork size 10.375 x 7.875 inches. Frame size approx 16 x 14 inches. Artwork is in excellent conditi...

Interpretation 1: An utterly exhausted man collapses face-first into a diner's countertop. His face and the countertop become one. Seemingly oblivious to the acute nature of the man's condition, the night server gleefully offers him coffee instead of more appropriate help. Interpretation 2: The night server/psycho killer pours unsuspecting customer poisoned coffee and then taunts his lifeless body in a victorious tone. Like Charles Addams...

Philip Reisman paints the raw street life of New York City. Whether he's painting a barmaid or a street hobo, Reisman is a people painter. He studied at the Art Students League with ...

Original watercolor and glitter on paper. Hand signed on front by the artist. Sheet size 21.75 x 15 inches. Artwork is in excellent condition. Certificate of authenticity included. ...

Welcome to the World. A blue-eyed child in a wide-rimmed hat with flowers and an adult chicken greet the emergence of a chick. The charming illustration is titled " Karen and Etta ( the chicken ) have a Little Chick " Notice the whimsical touch of a piece of egg shell that sits on the chicks head like a little white hat. Signed lower right. unframed Alice Rose[1] Provensen (née Twitchell; August 14, 1918[2] – April 23, 2018[3]) and Martin Provensen (July 10, 1916 – March 27, 1987) were an American couple who illustrated more than 40 children's books together, 19 of which they also wrote and edited.[4] According to Alice, "we were a true collaboration. Martin and I really were one artist."[4] Biographies Their early lives were similar. Both were born in Chicago and moved to California when they were twelve.[5] Both received scholarships to the Art Institute of Chicago, and both attended the University of California, though at separate campuses. After college, Alice went to work with Walter Lantz Studio, the creators of Woody Woodpecker, and Martin took work with the Walt Disney Studio, where he collaborated on Pinocchio, Fantasia, and Dumbo. The pair met in 1943 when Martin, working as a creator of training films for the American military, was assigned to the Walter Lantz Studio. They were married in 1944 and settled in Washington, D.C., where they worked on war-related projects. After the war, they moved to New York City where a friend helped them get their first job, illustrating The Fireside Book of Folk Songs.[5] They illustrated several Little Golden Books including The Color Kittens by Margaret Wise Brown (1949). In 1952, Tony the Tiger, designed by Martin, debuted as a Kellogg's mascot. The Provensens were a runner-up for the 1982 Caldecott Medal as illustrators of A Visit to William Blake's Inn by Nancy Willard...

This illustration was commissioned for the 1984 Olympic Games by the US postal service. Signed and dated lower right Work is framed framed under acrylic to an overall size of 31.5 ...

Apocalypse in 1962? At the height of the Cold War, Life Magazine commissions an illustration that describes the world's end by means other than a nuclear war with Russia. Richard Erdoes brilliantly illustrates the work with his highly stylized painting technique. My favorite part of the work is on the left side showing a group of people packed together as they fall into oblivion. A clear reference would be Hieronymus Bosch's "The Last Judgment " Once Again the World Ends." Illustration published in Life Magazine, Feb. 9, 1962 Signed in lower right image. Unframed Richard Erdoes (Hungarian Erdős, German Erdös; July 7, 1912 – July 16, 2008) was an American artist, photographer, illustrator and author. Early life Erdoes was born in Frankfurt,[1] to Maria Josefa Schrom on July 7, 1912. His father, Richárd Erdős Sr., was a Jewish Hungarian opera singer who had died a few weeks earlier in Budapest on June 9, 1912.[2] After his birth, his mother lived with her sister, the Viennese actress Leopoldine ("Poldi") Sangora,[3] He described himself as "equal parts Austrian, Hungarian and German, as well as equal parts Catholic, Protestant and Jew..."[4] Career He was a student at the Berlin Academy of Art in 1933, when Adolf Hitler came to power. He was involved in a small underground paper where he published anti-Hitler political cartoons which attracted the attention of the Nazi regime. He fled Germany with a price on his head. Back in Vienna, he continued his training at the Kunstgewerbeschule, now the University of Applied Arts, Vienna.[5] He also wrote and illustrated children's books and worked as a caricaturist for Tag and Stunde, anti-Nazi newspapers. After the Anschluss of Austria in 1938 he fled again, first to Paris, where he studied at the Academie de la Grande Chaumiere, and then London, England before journeying to the United States. He married his first wife, fellow artist Elsie Schulhof (d. xxxx) in London, shortly before their arrival in New York City. In New York City, Erdoes enjoyed a long career as a commercial artist, and was known for his highly detailed, whimsical drawings. He created illustrations for such magazines as Stage, Fortune, Pageant, Gourmet, Harper's Bazaar, Sports Illustrated, The New York Times, Time, National Geographic and Life Magazine, where he met his second wife, Jean Sternbergh (d. 1995) who was an art director there. The couple married in 1951 and had three children.[6] Erdoes also illustrated many children's books. An assignment for Life in 1967 took Erdoes to the Pine Ridge Indian Reservation for the first time, and marked the beginning of the work for which he would be best known. Erdoes was fascinated by Native American culture, outraged at the conditions on the reservation and deeply moved by the Civil Rights Movement that was raging at the time. He wrote histories, collections of Native American stories...

1950's elegant fashion models pose depicted for a designer clothing line for a major San Francisco department store - Perhaps Neiman Marcus. Estate ...

Léonard Tsugouharu FoujitaFujita Tsuguharu?, November 27, 1886 – January 29, 1968) was a Japanese–French painter and printmaker born in Tokyo, Japan who applied Japanese ink techniqu...

Original crayon drawing on paper. Hand signed on front by Purvis Young. Artwork size 11 x 8 inches. Frame size approx 17 x 14 inches. Artwork is in excellent condition. Certifica...

Original pencil, chalk and crayon drawing on paper. Hand signed and dated on front by the artist. Framed. Artwork is in excellent condition. Certificate of authenticity included. A...

This is an elegantly rendered and designed work with fine lines and flat colors by an accomplished female illustrator. Signed lower right Framed in an old simple wooden frame with...

Original color drawing on paper. Hand signed lower front by Roberto Matta. Image size 12 x 16 inches. Frame size approx 23.25 x 27.5 inches. Artwork is in overall excellent co...

The postman's delivery of a limp cactus creates a big emotional response the female recipient. Most likely an interior illustration for a newsstand magazine. Signed lower right Sus...

The work represents a carefully rendered and meticulously observed environmental portrait of a young girl absorbed in study in front of a book case. It celebrates the intelligence of womanhood from a woman's perspective. Initialed in cartouche lower right literature: "The Silver Pencil", Hardy, Harper's Monthly, June 1912, pg. 22 Elizabeth Shippen Green (September 1, 1871 – May 29, 1954) was an American illustrator. She illustrated children's books and worked for publications such as The Ladies' Home Journal, The Saturday Evening Post and Harper's Magazine. Education Green enrolled at the Pennsylvania Academy of the Fine Arts in 1887 and studied with the painters Thomas Pollock Anshutz, Thomas Eakins, and Robert Vonnoh.[2] She then began study with Howard Pyle at Drexel Institute where she met Violet Oakley and Jessie Willcox Smith. New Woman As educational opportunities were made more available in the 19th century, women artists became part of professional enterprises, including founding their own art associations. Artwork made by women was considered to be inferior, and to help overcome that stereotype women became “increasingly vocal and confident” in promoting women's work, and thus became part of the emerging image of the educated, modern and freer “New Woman”.[4] Artists "played crucial roles in representing the New Woman...

Famed female illustrator and satirical caricaturist depicts a scene of three figures in a landscape, seen searching in the tall grass. It appeared on page 96 of Number 5, Hackberry ...

The Kelpie of Snooziepool - William Heath Robinson illustrated this whimsical fantasy work featuring a semi-nude beauty in a pool of water with children. Based on the Metropolitan ...

Hand signed by the artist. Original mixed media on paper. Image size 19 x 25 in. Frame size approx 27 x 33 in. Artwork is in excellent condition. Certificate of authenticity inclu...

A charming and stylized depiction of a day at the Central Park Zoo. with World War Two uniformed visitors front and center. Sea lions put on a show in front o...

Issac Mizrahi fashion illustrationon Arches paper signed in ink lower right Circa 1990's Image 29.5" H x 21.25" Frame: 31.5" H x 23.75" W x 1.5" D. Th...

A British Female Illustrator paints a warm and fuzzy scene from a child's imagination, with ducks and teddy bears gazing at a "Mr Willoughby's eyeglass" standing on it's edge as it l...

Mid-century artist Lawrence Kupferman paints a madly eerie New York street scene. An exaggerated upward view of two 19th-century walk-ups is split by a forced perspective of a downwa...

Early in the artist's career most likely for Vogue Magazine. Signed lower left. Helen Dryden (1882–1972) was an American artist and successful industrial designer in the 1920s and 1...

This Illustration Boudoir style Illustration by Female Illustrator Suzanne Meunier was done on an assignment for a French Postcard. It's a very early ...

This is a masterfully rendered and brilliantly designed scene from the Arabian Nights. page 33 from Random House. We are not sure if this is by Gustaf Tenggren. However, there are su...

Signed, "A Rackham" lower right Sotheby's New York Housed in an elegant , hi-end frame with museum glass. Arthur Rackham is widely regarded as one of the leading illustrators fr...

Stunning use of cross-hatching. Close up this is an abstract drawing. Ink on Strathmore Bristol Board - Perfect Condition and looks better in person. Elegantly matted but not frame...

The mid-century glamour portrait of an elegant, long-necked woman in silhouette with a straw sun hat. Signed and dated Grafstrom Palm Beach 1947 - Condition is good with some scatter...

115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...

Miss Twisty is a story of a young girl who leaves the big city to spend time in the country. The book is filled with insight and humor. This work is a deftly rendered black-and-wh...

Generations ahead of the pack, little-known Lorraine Fox developed a simple, charming and flat style that is emulated today but not equaled. Her work is rooted in sound academic trai...

Work is not framed. Done for a Manhattan fashion house in the 1980's

In the 1970s, the Times Square/ Mid-Town area of New York City was a gritty place of X-rated movies, Strip Bars, Pimps, Street Walkers, and cheap by-the-hour Hotels. The place was a...

Lord Lithgow, Time magazine cover, March 16, 1942 matted to 17.75 x 16.75 inches. Not framed. Pencil on paper

Portrait in primary blues and yellow of perhaps a Persian man. He is in profile set against a decorative yellow background with floral elements. The work...

E. Simms Campbell was the first African-American illustrator/ cartoonist published in nationally distributed, slick magazines, he created Esky, the familiar pop-eyed mascot of Esquire. This early work of 1930 was done on assignment for an interior page of Life Magazine. It features two Rowing teams engaged in spirited competition with cheering onlookers. This is a highly stylized black-and-white illustration and is masterfully executed. The work is composed of two illustrations, 6 x 9 inches and 2-3/4 x 2 inches respectively. It is initialed center bottow ESC. unframed Campbell left the University of Chicago and transferred to and received his degree from the Chicago Art Institute.[3] Professional career During a job as a railroad dining-car waiter, Campbell sometimes drew caricatures of the train passengers, and one of those, impressed by Campbell's talent, gave him a job in a St. Louis art studio, Triad Studios. He spent two years at Triad Studios before moving to New York City in 1929. A month afterward, he found work with the small advertising firm, Munig Studios, and began taking classes at the National Academy of Design.During this time, he contributed to various magazines, notably Life, & Judge Following the suggestion of cartoonist Russell Patterson to focus on good girl art, Campbell created his "Harem Girls", a series of watercolor cartoons that attracted attention in the first issue of Esquire, debuting in 1933. Campbell's artwork was in almost every issue of Esquire from 1933 to 1958 and he was the creator of its continuing mascot, the cartoon character in a silk top hat. He also contributed to The Chicagoan, Cosmopolitan, Ebony, The New Yorker, Playboy, Opportunity: A Journal of Negro Life, Pictorial Review, and Redbook. His commercial artwork for advertising included illustrations for Barbasol, Springmaid, and Hart Schaffner...

This work is accompanied by a Photo-certificate and essay from Ralph Jentsch who will include it in his forthcoming catalogue raisonné Signed lower right. Estate stamp on verso....

Children Sledding, Women's World Magazine Cover, December 1939 Signed lower center image watercolor, gouache, pencil, and wash on paper

Original drawing on paper. Hand signed and dated by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.