Miami - Figurative Sculptures

Bronze sculpture with hand-applied patina and polished embellishments. Incised Erte signature with stamped numbered edition, foundry and date. From the edition of 375. Published by...

Acrylic paint on cast resin sculpture. Red and white color. Hand signed, numbered and dated on the underside by the artist. Edition of 20. Each is unique. Includes original box. ...

Bronze sculpture. Incised Erte signature with stamp numbered edition, foundry and date. From the edition of 375. Certificate of Authenticity is included. Artwork is in excellent co...

Bronze sculpture.. Incised artist signature; stamp numbered with foundry and date. Edition: Of 375. Certificate of Authenticity is included. Artwork is in excellent condition. All...

Aluminium fiberglass stainless steel New construction and Perfect condition Limited Edition 8 copies + 4 H.C. Bernard Rives was born 1947 in Carcassonne (France). He studied in th...

Amancio. pool. gold and black bronze. iron. EL SALTO III. original sculpture sculpture by the Spanish artist AMANCIO GONZALEZ 7 COPIES Fantastic piece of art representing Spanish scu...

Limited edition encased glass Art Deco vase with raised and etched design in frosted and cranberry glass colors. Holds Erte signature to lower right of figure. Stamp numbered with fo...

Ita Saraga Flor Rosa Murano Glass by Berengo Studio 4 x 12 x 10 in

Represents the torso of a man separable pieces and Interior color pink New construction and Perfect condition Limited Edition 8 copies + 3 Artificial Test Bernard Rives was born 194...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Alfredo Sosabravo “La soprano calva” 1998 Murano Glass 18 x 8 x 8½ in Provenance: Private Collection, Miami Literature: Alejandro G. Alonso, Sosabravo: Las Tres Dimensiones. Illust...

Silkscreen on powder-coated fabricated aluminum. From the roman numeral edition of 5. Measures 26 x 26 x 2 inches. R. Indiana '96 incised on the right side. Hand written in gol...

Pez manta Original unic contemporary iron sculpture ron sculpture composed of ambient iron base. It is a stingray fish made from a farming tool. All the works of this artist are mad...

Bronze sculpture. Incised artist signature and numbered. Edition 4/8. Certificate of Authenticity is included. Artwork is in excellent condition. All reasonable offers will be co...

ToyQube & Kenny Scharf collaboration. Chrome resin sculpture with artist signature incised on the underside. Edition of 300. Brand new in original box. All reasonable offers will ...

Poly resin sculpture. Britto signature stamped on lower right. From the edition of 4000 (2nd edition). Comes in original box with Britto studio certificate of authenticity. Ar...

This sale is for one of them of the Cast Iron Roundels. However, we have 3 Cast Iron Roundels from the Old West Side Highway in Manhattan if you want to buy all three... reach out to us. . Each retains its original industrial paint. If the paint is removed, the clear shape of the iron cast will be removed. Each roundel has a different image and story. They were designed in 1928 by Rene Paul Chambellan...

Bronze relief sculpture on table mirror. Incised Erte signature with stamped numbered edition, foundry and date. From the edition of 250. Certific...

Shaped aluminum with black flock mounted to a polished stainless steel base with flocked feet. Size: 25 x 21 x .375 inches (base 3.5 x 9 x .25 inches). Engraved artist signature on...

Arabesques Horse is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This white Horse sculpture with blue "arabesques...

Robert Indiana LOVE Silver, 2009 Aluminum 3,5 x 3 x 1,5 in Robert Indiana was an American Pop artist whose work drew inspiration from signs, billboards, and commercial logos. He i...

Mixed media sculpture

Trailblazing revolutionary female illustrator/art director Bea Paul creates a three-dimensional mixed media assemblage of cut-out photos, fabric, and cut paper. It depicts two jumpi...

White onyx sculpture. Incised artist signature with date. Size includes base. Additional images are available upon request. Certificate of Authe...

Cast in bronze in 1968 in an edition of 8. Wood base. Incised 'Lobo' with edition and foundry. From the edition of 8. Sculpture size not including base 5.25 x 6.25 x 4 inches. Artw...

Maqueta las Toninas, 1944 BMY-022, 1970 Edition 1/25 Bronze 22 x 22 x 10 cm 8.6 x 8.6 x 3.9 in ABOUT THE ARTIST Narvaez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narvaez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narvaez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narvaez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narvaez’s public output continued with works such as the statue of Fermín Toro, La Educacion, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narvaez, Maderas, Piedras y Bronces” (Francisco Narvaez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narvaez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narvaez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narvaez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narvaez is a path: the path that Venezuelan sculpture...

Limited edition encased glass Art Deco vase with raised and etched design in frosted and cobalt blue glass colors. Holds Erte signature to lower right of figure. Stamp numbered with ...

Acrylic paint on cast resin sculpture. Black and white color. Hand signed, numbered and dated on the underside by the artist. Edition of 20. Each is unique. Includes original box....

COA by the artist. Manuel Mendive is an eminent Afro-Cuban painter, sculptor, and performance artist. His colorful, evocative paintings and carvings—as well as his dynamic performan...

Rhinoceros adorned with a zebra skin - Rhinozebros is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This sculpture represents a rhinoceros adorned with a zebra skin. "Through my artistic work, I try to highlight the possible parallels between animals and human beings, at the crossroads of humor and mockery." P. Schumacher Enlargements or reductions - Edition of 8 Equipped with a portfolio of internationally renowned artists, Gauchet Fine Art...

Mixed media sculpture. Printed artist signature and hand numbered on the underside of the sculpture. Signed and numbered certificate of authenticity by the artist. Includes origin...

Kim Seungwoo is a contemporary Korean sculptor, lives in Seoul, South Korea. Seungwoo is famous for his sculptures made from coins and buttons. He creates hyper-realistic, life-size sculptures of human figures and spinning objects. The Artist uses coins to build complex, surprisingly detailed, three-dimensional sculptures. Each sculpture consists of as few as hundreds of thousands of coins, up into the thousands. Assembled in flowing, swirling patterns, the coins make up Kim's sculptured human...

Atlantis Egg "Zen" is a resin sculpture made by Patrice Breteau, a French contemporary artist. This piece is available in eight different colors, all resistant to UV exposure and out...

World renowbed Graphic Designer Ivan Chermayeff creates whimsical abstract collage characters in bold colors . Here we have Brno Mechanic. Mixed media collage on paper, 1998, signed 'Ivan Chermayeff', titled and dated lower right. on heavy Arches paper. Framed under plexi 33.5 x 25.5 Slight Staining near glove and minor scattered surface soiling. Otherwise apparently in good condition. Chermayeff & Geismar It was founded in 1957 by the two Yale graduates Ivan Chermayeff and Tom Geismar as well as Robert Brownjohn, a protégé of László Moholy-Nagy and Chermayeff's father, industrial designer Serge Chermayeff, at the New Bauhaus in Chicago.[2] Brownjohn, who struggled with heroin addiction for most of his adult life, left the partnership to join J. Walter Thompson's London branch in 1959. The firm has designed logos for such companies as Pan Am, Mobil Oil...

Trapped is an original cement plaque made by the street artist KAI. It is a unique prototype made aside the original edition of 20. Comes with its origi...

Bronze sculpture by a renowned American artist - Shray Shray continues her exploration of her bronze works using a black patina that recasts her sculpture's impact on negative spac...

Kim Seungwoo is a contemporary Korean sculptor, lives in Seoul, South Korea. Seungwoo is famous for his sculptures made from coins and buttons. He create...

One needs to view this work as much as a sculpture as a utilitarian frame. Handmade Arts & Crafts channeled oak frame with chiseled relief farm animal decoration on each corner, pin and dovetail construction, artist cipher and date carved verso, 45"h x 31.5"w (outside), 37"h x 24"w (inside) Anna Vaughn Hyatt Huntington...

Hyun Ae Kang (South Korea, 1965) combines traditional Korean painting with Western abstract imagery using natural materials to create innovate mixed-media works that are rich in both...

Felipe Castañeda Mujer con Flores, 1982 Black Marble 52 x 32 x 35 cm 20.4 x 12.5 x 13.7 in. Felipe Castañeda (Mexican, b.1933) began his artistic ca...

Agustín Cárdenas El Violinista, 1989 Bronze. Ed. 4/6 54 x 36 x 22 cm 21.2 x 14.1 x 8.6 in. AGUSTIN CARDENAS (b. 1927, Matanzas, Cuba; d. 2001 Havana,...

Cornelis Zitman Divertimiento, 1973 Bronze, AP 72 x 34 x 45 cm 28.3 x 13.3 x 17.7 in. Cornelis Zitman (1926-2016) Born in Leiden in a family of builders, he enters the Fine Arts ...

Jorge Seguí Ilusion silla, 2000 Bronze, Edition of 7 78 x 90 x 33 cm 30.7 x 35.4 x 12.9 in. Signed and Numbered. Jorge Seguí b. 1945, Argentina. He atte...

Jorge Segui Magic Woman, 2019 Bronze. 1/3 AP 83.8 x 91.4 x 59.6 cm 33 x 36 x 23.5 in. Signed and Numbered. Jorge Seguí b. 1945, Argentina. He attended th...

Jorge Seguí Falsos Heroes en Caballos Míticos, 2010-2013 Bronze, Edition 1/7 110 x 71 x 70 cm 43.3 x 27.9 x 27.5 in. Signed and Numbered. Jorge Seguí b...

Agustín Cárdenas Le Repos Passionné, 1989 Bronze. Ed. 7/7 60 x 145 x 51.5 cm 23.6 x 57 x 20.2 in. The artwork is accompanied by a certificate of aut...

Agustín Cárdenas El Violinista, 1989 Bronze. Ed. 3/3 177 x 120 x 61 cm 69.6 x 47.2 x 24 in. AGUSTIN CARDENAS (b. 1927, Matanzas, Cuba; d. 2001 Havan...

Jorge Seguí Esperansilla, 2003 Bronze, Edition 1/7 + 3AP 71.1 x 40.6 x 30.4 cm 28 x 16 x 12 in. Signed and Numbered. Jorge Seguí b. 1945, Argentina. He a...

Jorge Seguí Ciclista IX, 2010-13 Bronze, Edition 7/7 70.5 x 18 x 70 cm 27.7 x 7 x 27.5 in. Signed and Numbered. Jorge Seguí b. 1945, Argentina. He attend...

Jorge Seguí Falsos Heroes en Caballos Míticos, 2010-13 Bronze, Edition 1/7 110 x 71 x 70 cm 43.3 x 27.9 x 27.5 in. Signed and Numbered. Jorge Seguí b. 19...

TECHNICAL INFORMATION: Julian Opie Walking Statuettes, full set of 7 2017 Hand-painted statuettes Sizes vary Edition of 30 Signed and numbered Accompanied with COA by Gregg Shienba...