Missouri - Prints and Multiples

Tree and Dove Ferol K. Sibley Warthen (American, 1890-1986) Color Woodblock Print Edition of 3 6.25 x 4.75 inches 13 x 11.5 inches with frame Signed Lower Right Titled Lower Left Born 1890, Died 1986...

Willibrord Haas Arches and Stripes (Bögen und Streifen) (Post-war Abstraction, Joseph Beuys, German painter) Color Etching Year: 1986 Size: 15.4×19.3 on 25.4×31.3in Edition: 30 Si...

Willibrord Haas Arches and Stripes (Bögen und Streifen) (Post-war Abstraction, Joseph Beuys, German painter) Color Etching Year: 1986 Size: 15.4×19.3 on 25.4×31.3in Edition: E.A. (...

Shere Mill Pond, No. II (large plate). 1860. Etching and drypoint. Schneiderman 37.v/ix. 7 x 13 1/8 (sheet 10 3/4 x 16 3/8). This state is prior to publication in Études à l'Eau-Forte. Illustrated: Keppel The Golden Age of Engraving; Print Collector's Quarterly 1 (1911): 18; : Guichard, British Etchers, 1850-1940. A rich, brilliant proof with drypoint burr printed on white laid paper. Signed in pencil. ------------------------------------------------------------------------------------------- Shere Mill Pond, No. II was one of the most highly praised landscape prints of the etching revival. An impression was exhibited at the Royal Academy in 1861 under Haden’s pseudonym, H. Dean. Francis Seymour Haden used this anagram of his own name early in his career as an artist, in order to retain his anonymity and preserve his professional reputation as a surgeon. Biography: Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Louise Marler Crossed Roses Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-16700 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Louise Marler Aviation Garden Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1701 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Louise Marler Tire Plaid Caterpillar Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1698 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Brittany Noriega Embrace on Blue Laser transfer print on handmade paper Year: 2022 Size: 8.5x6in Signed by hand COA provided Ref.: 924802-1652 Tags: ...

Louise Marler Energetic Influence Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1695 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Brittany Noriega Femme on Blue Laser transfer print on handmade paper Year: 2021 Size: 8.5x6in Signed by hand COA provided Ref.: 924802-1654 Tags: fi...

David Morris Red Onion Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924...

David Morris The Phunky Bishop Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided R...

David Morris Colibri Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92480...

David Morris Hannibal Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9248...

PTE Singularities - 005 (abstract, minimalism) Year: 2023 Archival Inkjet Print on Semi-Gloss Hahnemühle Baryta Photo Rag Size: 16x20in Framed: 17x21x1.5in (simple white frame made f...

PTE Singularities - 004 (abstract, minimalism) Year: 2023 Archivel Inkjet Print on Semi-Gloss Hahnemühle Baryta Photo Rag Size: 16x20in Framed: 17x21x1.5in (simple white frame made f...

PTE Singularities - 003 (abstract, minimalism) Year: 2023 Archivel Inkjet Print on Semi-Gloss Hahnemühle Baryta Photo Rag Size: 16x20in Framed: 17x21x1.5in (simple white frame made f...

PTE Singularities - 002 (abstract, minimalism) Year: 2023 Archivel Inkjet Print on Semi-Gloss Hahnemühle Baryta Photo Rag Size: 16x20in Edition: 15 Signed, numbered, dated and inscri...

David Morris Magnetar Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9248...

David Morris Freddy Freeloader Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided R...

David Morris Blue in Green Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.:...

David Morris 2001 Space Odyssey Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be...

David Morris Lingus Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924802...

David Morris Shofukan Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9248...

David Morris Chicken Lickin' Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref...

David Morris 8 Counts for Rita Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided R...

David Morris Something Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924...

David Morris Rockit Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924802...

David Morris Westchester Lady Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Re...

David Morris Round About Midnight Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be...

David Morris Mirage Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924802...

David Morris Feels So Good Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.:...

David Morris Cause we've ended as lovers Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA ...

David Morris Feeling Tense Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.:...

David Morris Affirmation Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9...

David Morris Sidewinder Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92...

David Morris Bitches Brew Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attach...

David Morris Freddie Freeloader Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided ...

Jager Esperanto Fair Foirode Reichenberg 1936 Lithograph Open edition 37 x 24 inches

Gary Head Absolut Statehood: Missouri 1992 Lithograph 97/400 38.5 x 26 inches

David Morris Streetbeater Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: ...

David Morris Grange Moon Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9...

Louise Marler KoniRapid-S Archival Pigment Print on premium luster 2022 Size: 16x20in Edition: 25 Signed and numbered by hand Stamped COA provided Ref.: 924802-1417 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” film photography, film camera, film is not dead, film community, old camera...

Louise Marler The Art Of Letters C-print on metallic white stock mounted on wood 2022 Size: 7x7x0.5in Edition: 25 Signed and numbered by hand Stamped Ready to hang COA provided Ref.: 924802-1415 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” typewriter queen, la marler, typewriter art, typewriter artist, Typewriter, Typewriters midcentury, modern art, typewriter life, typewriter community, typewriter collection...

In Breath of Beyond color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poetic interior landscape. Light tea...

Brittany Noriega Magnolia Laser Transfer on Handmade Paper Year: 2021 Size: 6 x 4 inches Edition: 10 Signed by hand COA provided Ref.: 924802-1044 Tags: floral, print, drawing, pap...

Andreas Amrhein Go West Young Man Color etching Year: 2013 Edition: 26 Signed, numbered and dated by hand Size: 10.0 × 6.9 on 21.1 × 14.9 inches COA provided Ref.: 924802-900 -------------------------- Andreas Amrhein is a german male artist born in Marburg (GERMANY) in 1963. Andreas Amrhein’s first exhibition was Arbeiten auf Papier „Blau“ at Galerie Michael Schultz in Berlin in 1994, and the most recent exhibition was 12. Kunstpreis Wesseling - Zeit aus den Fugen at Kunstverein Wesseling e.V. in Wesseling in 2021. Andreas Amrhein is most frequently exhibited in Germany, but also had exhibitions in Austria...

Darrell Wilks An Artist Who Bends Stone Color Lithograph w/chine colle Year: 2018 Size: 15 x 24 in Edition: 30 Signed, dated and numbered by hand Printer cho...

Jeannette Pasin Sloan Cottonwood Color Lithograph Year: 2017 Size: 22.5 x 22 in Edition: 50 Signed, dated, numbered and inscribed by hand Printer chop lower right Publisher: Landfall...

A Mokulito (wood lithograph) creation, hand printed by international artist Jeffrey Sippel. The paper size is 25” X 19” and the image size is11 ¼...

Friedrich Geiler Untitled from Constructive Landscapes II (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen on PVC Year: 1987 Signed, dated, numbered or inscri...

WE CAN ARRANGE FOR COST-EFFECTIVE SHIPPING (NOT $349 AS QUOTED BY THE SYSTEM!) Friedrich Geiler Untitled Geometric Abstraction (Konkrete Kunst, Constructivsm, Geometric Abstraction)...

In rich, thickly impastoed oil and acrylic paintings, Genieve Figgis updates art historical tropes and compositions with a macabre sense of humor. At fi...

Stephan Küthe Untitled VI Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 15 Size: 13.0 × 19.5 on 18.3 × 23.8 inches COA provided (gallery issued) ...

Stephan Küthe Untitled II Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 10 Size: 13.8 × 19.5 on 19.1 × 23.8 inches COA provided (gallery issued)...

Stephan Küthe Untitled I Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 10 Size: 18.7 × 13.4 on 23.8 × 17.6 inches COA provided (gallery issued) ...

Stephan Küthe Untitled V Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 15 Size: 13.0 × 19.5 on 18.3 × 23.8 inches COA provided (gallery issued) ...

Lothar Gunther Buchheim (* 1918 † 2007) Title: Untitled Color lithograph Year: 1968 Size: 24.0 × 16.8 inches Lothar-Günther Buchheim (February 6, 1918 ...

Lothar Gunther Buchheim (* 1918 † 2007) Title: Joy to the world Color lithograph Year: 1968 Signed by hand Size: 24.0 × 16.8 inches Lothar-Günther Buc...

John Stobart "St. Louis, Gateway to the West" Color Lithograph 30 x 42 inches framed Signed in Pencil and Numbered 434/750