Missouri - Prints and Multiples

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Wareham Bridge Medium Drypoint Year of Work 1877-1877 Image Size: approx. 6 in.; Width 8.9 in. / Height 15.2 cm.; Width 22.7 cm. Sir Francis Seymour Haden (16 September 1818 - 1 June 1910), was an English surgeon, best known as an etcher. He was born in London, his father, Charles Thomas Haden, being a well-known doctor and lover of music. He was educated at Derby School, Christ's Hospital, and University College, London, and also studied at the Sorbonne, Paris, where he took his degree in 1840. He was admitted as a member of the College of Surgeons in London in 1842. In 1843-1844, with his friends Duval, Le Cannes and Colonel Guibout, he travelled in Italy and made his first sketches from nature. Haden attended no art school and had no art teachers, but between 1845 and 1848 he studied portfolios of prints belonging to a second-hand dealer named Love, who had a shop in Bunhill Row, the old Quaker quarter of London. Arranging the prints in chronological order, he studied the works of the great original engravers, Albrecht Dürer, Lucas van Leyden and Rembrandt. These studies, besides influencing his original work, led to his important monograph on the etched work of Rembrandt. By lecture and book, and with the aid of the memorable exhibition at the Burlington Fine Arts Club in 1877, he tried to give a true reflection of Rembrandt's work, giving a nobler idea of the master's mind by taking away from the list of his works many dull and unseemly plates that had long been included in the lists. His reasons were founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895). Haden's printmaking was invigorated by his much younger brother-in-law, James Whistler, at the Haden home in Sloane Street in 1855. A press was installed there and for a while Haden and Whistler collaborated on a series of etchings of the Thames. The relationship and project did not last. Haden followed the art of original etching with such vigour that he became not only the foremost British exponent of that art but brought about its revival in England. His strenuous efforts and perseverance, aided by the secretarial ability of Sir WR Drake, resulted in the foundation of the Royal Society of Painter-Etchers and Engravers. As president he ruled the society with a strong hand from its first beginnings in 1880. Notwithstanding his study of the old masters of his art, Haden's own plates were very individual, and are particularly noticeable for a fine original treatment of landscape subjects, free and open in line, clear and well divided in mass, and full of a noble and dignified style of his own. Even when working from a picture his personality dominates the plate, as for example in the large plate he etched after J.M.W. Turner's "Calais Pier," which is a classical example of what interpretative work can do in black and white. Of his original plates, more than 250 in number, one of the most notable was the large "Breaking up of the Agamemnon." An early plate, rare and most beautiful, is "Thames Fisherman". "Mytton Hall" is broad in treatment, and a fine rendering of a shady avenue of yew trees leading to an old manor-house in sunlight. "Sub Tegmine" was etched in Greenwich Park in 1859; and "Early Morning--Richmond", full of the poetry and freshness of the hour, was done, according to Haden, actually at sunrise. One of the rarest and most beautiful of his plates is "A By-Road in Tipperary"; "Combe Bottom" is another; and "Shere Mill Pond" (both the small study and the larger plate), "Sunset in Ireland," "Penton Hook," "Grim Spain" and "Evening Fishing, Longparish," are also notable examples of his genius. A catalogue of his works was begun by Sir William Drake and completed by Harrington in 1880. During later years Haden began to practise the sister art...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...

DONALD ROHELS Fire Garden Hand embellished lithograph Ed. 4/4 23.5 x 20 inches

Angel, 1952 Ferol K. Sibley Warthen (American, 1890-1986) Color Woodblock Print 6.5 x 5 inches 16 x 13.75 inches with frame Signed Lower Right Titled Lower Left Born 1890, Died 1986...

Otherness No. 1 Collograph 8.75 x 8.75 framed

Color Lithograph Pencil Signed and Numbered 48/50 Image Size: approx 22 x 29 inches Framed Size: approx 30.25 x 41 inches Antoni Tàpies was born December 13, 1923, in Barcelona and ...

Roella Prickly, Roella ciliata Plate 378 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Heath Recurved, Erica retorta Plate 362 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Brunfelsia American, Brunfelsia americana Plate 393 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Terriers No. 1 1883-84 Chromolithograph 8.5 x 11 inches

LEONOR FINI Les Elus De La Nuit (10B) 1986 15 x 11 Etching on Arches paper Ed. 14/31

MOA-NA-HON-GA. GREAT WALKER. AN IOWAY CHIEF., from History of the Indian Tribes of North America Artist:Charles Bird King Publisher:McKenney and Hall hand-colored engraving on paper ...

Lithograph with original hand color. Sheet size: 18.5 x 13.25 inches. Framed Size: 24 x 20 3/8 inches Date : c. 1836-44 Mckenney and Hall's hand colored lithographs remain some of...

Tony Cragg Fruit Juice Bottles II, State 2, 1990 Color aquatint with spit bite aquatint 13 x 15 inches (33 x 38.1 cm) Edition of 25

Dame Laura Knight "The Circus Dressing Room" 1925 Etching Ed. 20 Signed Lower Right Image Size: approx. 14 x 10 inches Framed Size: approx. 23.5 x 17.75 inches An English impressio...

MCKENNEY, Thomas L. (1785-1859) and James HALL (1793-1868) Qua-Ta-Wa-Pea or Col. Lewis. A Shawnnee Chief. Philadelphia: E.C. Biddle, 1836. Hand-coloured lithograph. Image size (including text): 14 3/8 x 10 inches. Sheet size: 20 x 14 1/8 inches. Framed size: 24 x 20 3/8 A fine image from McKenney and Hall's 'Indian Tribes of North America': `One of the most important [works] ever published on the American Indians' (Field),` a landmark in American culture' (Horan) and an invaluable contemporary record...

In Just Remember That My Happiness Depends On Yours color, line, shape, and texture collide on Kozuke ivory paper. This one-of-a-kind, unmounted encaustic monotype illuminates a poet...

Angelo Savelli (1911-1995) "Lotus" c. 1965 Collage and Lithograph Signed, Titled and Numbered Ed. 58/200 Framed Size: approx 26 x 21 inches Image Size: approx. 23 x 19 inches Octob...

Gifford Beal (1879-1956) "Bareback Act, Old Hippodome" 1950 Lithograph Signed Lower Right With original Associated American Artists label verso image: 6 3/8 x 9 5/8 in. (16.2 x 24.6 cm) sheet: 12 x 16 in. (30.4 x 40.6 cm) framed: 17 x 20 in. Gifford Beal, painter, etcher, muralist, and teacher, was born in New York City in 1879. The son of landscape painter William Reynolds Beal, Gifford Beal began studying at William Merritt Chase's Shinnecock School of Art (the first established school of plein air painting in America) at the age of thirteen, when he accompanied his older brother, Reynolds, to summer classes. He remained a pupil of Chase's for ten years also studying with him in New York City at the artist's private studio in the Tenth Street Studio Building. Later at his father's behest, he attended Princeton University from 1896 to 1900 while still continuing his lessons with Chase. Upon graduation from Princeton he took classes at the Art Students' League, studying with impressionist landscape painter Henry Ward Ranger and Boston academic painter Frank Vincent DuMond. He ended up as President of the Art Students League for fourteen years, "a distinction unsurpassed by any other artist." His student days were spent entirely in this country. "Given the opportunity to visit Paris en route to England in 1908, he chose to avoid it" he stated, "I didn't trust myself with the delightful life in ParisIt all sounded so fascinating and easy and loose." His subjects were predominately American, and it has been said stylistically "his art is completely American." Gifford achieved early recognition in the New York Art World. He became an associate member of the National Academy of Design in 1908 and was elected to full status of academician in 1914. He was known for garden parties, circuses, landscapes, streets, coasts, flowers and marines. This diversity in subject matter created "no typical or characteristic style to his work." Beal's style was highly influenced by Chase and Childe Hassam, a long time friend of the Beal family who used to travel "about the countryside with Beal in a car sketching...

An etching/collograph creation hand printed, drawn, and colored by international artist Jeffrey Sippel. The paper size is 25” X 19” and the image size...

U.S. Open at Oakmont Leroy Neiman (American, 1921-2012) Signed in pencil lower right Edition 63/300 lower left 27.5 x 39 inches 39.25 x 51 inches with frame Known for his bright, co...

Willem de Kooning (Dutch, American, 1904-1997) The Man and the Big Blonde, 1982 Offset Lithograph in Colors on Wove Paper Numbered in Pencil LXXVII/CL (77/150) Lower Left 25.125 x 30...

Jasper Johns (American, b. 1930) Souvenir I, 1972 Lithograph in Colors on Angoumois a la Main Paper Hand-signed Lower Right Numbered 20/63 and Stamped Lower Left 38.5 x 29.5 inches 3...

M (ULAE 113), 1972 Jasper Johns (American, b. 1930) Lithograph in Colors on Angoumois a la Main Paper Hand Signed and Dated Lower Right Numbered 56/67 Lower Left 38.5 x 29 inches 39....

Joan Miro La Fille Du Jardinier (from Artigas) Original Color Lithograph Year: 1963 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 139-140 Publisher: Maeght Editeur, Paris 1963 Ca...

Joan Miró One plate from DLM "Peintures Murales de Miró" Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an edition of unknown, but pre...

Joan Miró One plate from DLM "Peintures Murales de Miró" Medium: Color lithograph Publisher: Maeght, Paris Signature: Unsigned Edition: Unnumbered from an edition of unknown, but pre...

The Jolly Flat Boat Men, 1847 After George Caleb Bingham (American, 1811-1879) Engraved by Thomas Doney (French, active New York 1844-1849) Engraving with Hand-Coloring Published by The American Art-Union, New York (1838-1851) Printed by Powell and Co. 18 x 24 inches 32 x 38 inches with frame In 1847, the American Art-Union purchased Bingham’s painting "The Jolly Flat Boat Men" (1846; National Gallery of Art) directly from the artist. The subscription-based organization, founded in 1838 as the Apollo Association, boasted nearly ten-thousand members at this date. For an annual fee of five dollars, each received a large reproductive engraving and was entered in a lottery to win original artworks exhibited at the Art-Union’s Free Gallery. Aimed at educating the public about contemporary American art, the organization developed an impressive distribution network that reached members in every state. The broad circulation of the Art-Union's print helped to establish Bingham's reputation and made his river scene famous. Born in Augusta County, Virginia in the Shenandoah River Valley, George Caleb Bingham became known for classically rendered western genre, especially Missouri and Mississippi River scenes of boatmen bringing cargo to the American West and politicians seeking to influence frontier life. One of his most famous river genre paintings was The Jolly Flatboatmen completed in several versions in 1846. This first version of this painting is in the Manoogian Collection at the National Gallery of Art. Fame resulted for this work when it was exhibited in New York at the American Art Union whose organizers made an engraving of 10,000 copies and distributed it to all of their members. Paintings such as Country Politician (1849) and County Election (1852) and Stump Speaking (1854) reflected Bingham's political interests. In 1819, as an eight-year old, he moved to Boon's Lick, Missouri with his parents and grandfather who had been farmers and inn keepers in the Shenandoah Valley near Rockingham, Virginia. Reportedly as a child there, he took every opportunity to escape supervision to travel the River and watch the marine activity. His father died in 1827, when his son was sixteen years old. His mother had encouraged his art talent, but art lessons were not easily obtainable. In order to earn money, he apprenticed to a cabinet maker but determined to become an artist. By 1835, he had a modest reputation as a frontier painter and successfully charged twenty dollars per portrait in St. Louis. "His portraits had become standard decorations in prosperous Missouri homes." (Samuels 46). In 1836, he moved to Natchez, Mississippi and there had the same kind of career, only was able to charge forty dollars per portrait. He remained largely self taught until 1837, when he, age 26 and using the proceeds from his portraiture, studied several months at the Pennsylvania Academy of the Fine Arts. He later said that he learned much of his atmospheric style and classically balanced composition by copying paintings in collections in St. Louis and Philadelphia and that among his most admired painters were Thomas Cole, John Vanderlyn, and William Sidney Mount. Between 1856 and 1859, Bingham traveled back and forth to Dusseldorf, Germany, where he studied the work of genre painters. Some critics think these influences were negative on his work because during that time period, he abandoned his luminist style that had brought him so much public affirmation. Bingham credited Chester Harding (1792-1866) as being the earliest and one of the most lasting influences on his work. Harding,a leading portraitists when Bingham was a young man, had a studio in Franklin, near Bingham's home town. In 1822, when Bingham was ten years old, he watched Harding finish a portrait of Daniel Boone. Bingham recalled that watching Harding with the Boone portrait was a lasting inspiration and that it was the first time he had ever seen a painting in progress. Harding suggested to Bingham that he begin doing portraiture by finding subjects in the river men, which, of course, opened the subject matter that established fame and financial success for Bingham. Harding also encouraged Bingham to copy with paint engravings. He later painted two portraits of Boone but, contrary to the assertions of some scholars, he did not do Boone portraits in the company of Harding. Bingham's portraits of Boone are not located, but one of them, a wood signboard for a hotel in Boonville circa 1828 to 1830, showed a likeness of Boone in buckskin dress...

Alfred Manessier Composition 1964 Original Color Lithograph on Velin d'Arches Size: 10x7.375in Edition: 2,000 Signed in the Stone Annotated verso Publisher: Mourlot, Paris Printer: M...

Joan Miró Lithographie Originale X Color Lithograph Year: 1977 Size: 25 × 9.6 inches With centerfold as issued Catalogue Raisonné: Teixidor, Miro Lithographe III, 1964-1969, p.32 Publisher: Maeght Editeur, Paris, France Verso: Typographically annotated: 'Joan Miro - Lithographie originale X' Unsigned...

Carmon Colangelo Precarious World, 2016 Silkscreen Chine-colle and relief paper Framed Dimensions: 21 3/4 x 19 inches (55.2 x 48.3 cm) Image Dimensions: 16 1/2 x 14 inches (41.9 x ...

Christopher Wool Assistant, from the Black Book; Black, White Series, 1989 Silkscreen 22 3/5 x 16 3/5 inches (57.4 x 42.2 cm) Edition 345/350

The 18th at Pebble Beach Leroy Neiman (American, 1921-2012) Signed in pencil lower right Edition 176/400 lower left 26 x 43 inches 37.25 x 54.5 inches with frame Known for his bright, colorful paintings and screen prints of famous sports stars...

Cove at Vintage Leroy Neiman (American, 1921-2012) Signed in pencil lower right Edition 237/375 lower left 34 x 36.5 inches 43 x 45.5 inches with frame Known for his bright, colorful paintings and screen prints of famous sports stars...

Sandra Payne Untitled (from Most Definitely Not Profile Ladies series), 1986; 2022 Digital fine art pigment on archival paper Framed Dimensions: 24.5 x 22.25 inches (62.2 x 56.5 cm)...

Monica Majoli Amy Used Twice (block), 2011 Aquatint and etching on BFK Rives 250 g. 30 x 19.5 inches (76.2 x 49.5 cm) Edition 3/10

Tom Huck The Jolly Guano Brothers Ride Again, 2004 woodcut Sheet: 52 x 38 inches (132.1 x 96.5 cm) Edition 7/25, 2 APs

Tommy Hartung Horse, 2011 Chromogenic print 13.5 x 20 inches (34.3 x 50.8 cm) Edition of 10

Joan Miró Lithographie Originale IV Color Lithograph Year: 1977 Size: 12.5 × 9.6 inches Catalogue Raisonné: Teixidor, Miro Lithographe III, 1964-1969, p.29 Publisher: Maeght Editeur,...

Thoreau "If a Man Does Not Keep Peace" Sister Mary Corita Kent (American, 1918-1986) Signed in Pencil Lower Right 22.5 x 22.5 inches 23.25 x 23.25 inches with frame Sister Mary Cori...

Leo Baeck and a Spirit is Characterized Sister Mary Corita Kent (American, 1918-1986) Signed Lower Right in Pencil Edition of 250 Lower center 21.5 x 21.5 inches 24 x 24 inches frame...

Terres de Grand Feu Miro Artigas Galerie Maeght Fine Art Poster Print 30 x 21 inches 31 x 22 inches with frame Joan Miro (Spanish, 1893-1983) Joan Miro was born in Barcelona, Spain...

Calder Stabiles Galerie Maeght Fine Art Poster Print 30 x 22 inches 31 x 23 inches with frame Alexander Calder (American, 1898-1976) One of America's ...

Rembrandt (Field 68-4K; Michler & Löpsinger 292) Salvador Dali (Spanish, 1904-1989) Signed Lower Right "E.A." (Artist Edition) Lower Left 12 x 10 inches 23.25 x 19.25 inches with fra...

Lyndon Barrois, Jr. Wet Dream Cousin, 2017 Ink on canvas, archival pigment print, oak frame Framed Dimensions (each): 24 x 24 inches (61 x 61 cm)

Donald Baechler Boy with Guitar, 1988 Woodcut in stenciled handmade paper print in colors 35 x 34 1/2 inches (88.9 x 87.6 cm) each Edition 12/22

Donald Baechler Girl with Suitcase, 1988 Woodcut in stenciled handmade paper print in colors 35 x 34 1/2 inches (88.9 x 87.6 cm) each Edition 12/22