New York City - Figurative Paintings

Louis Van Der Pol (Dutch, 1896-1982) was active in the 20th Century and lived in Holland. He was known for his large format elaborate romantic portrait paintings and city street scen...

5179 Antique figural garden scene

Aaron Bohrod, 1907-1992 Lobster Shack, 1938 Oil on masonite 16 x 20 inches Signed and dated ower left: Aaron Bohrod 1938 Bohrod-3 Provenance: Private estate, Rhode Island, 2004 Am...

5-3613a Acrylic on artist board Set in an ornate vintage frame Image size 14.5x12.5"

Beautiful oil on canvas painting by the French artist, Henri Alexis Schaeffer. This painting is a wonderful example of his work from the prime o...

Theodore Wendel Ring Around the Rosy (Duveneck Boys Caricature), circa 1880 Oil on board 12 x 22 3/4 inches Theodore Wendel is one of the most respected American impressionists and major museums and collectors are eager to purchase exquisitely rendered works like View from the Artist’s Farmhouse, Ipswich, MA that display Wendel’s finest period of impressionism. He is considered the “most French” of American painters along with Theodore Robinson and Childe Hassam. Wendel was born in Midway, Ohio, and lived in Newport (RI), Boston (1889-1898) and Ipswich (MA, 1898-). As a boy, he joined a circus as an acrobat. He studied with Thomas Noble at the McMicken School of Art at the University of Cincinnati, where he met and became a life long friend of Joseph DeCamp. He and DeCamp traveled to Munich, Germany, in 1878, to study with Frank Duveneck at the Munich Academy and they became known as “The Duveneck Boys.” Duveneck, Chase, Whistler, Twachtman and Wendel painted landscapes and figural paintings in Polling, Florence, and Venice from 1878-1880. Most of his paintings from this period disappeared and are very rare. He sailed for Newport, Rhode Island in 1882 and lived briefly in New York. In 1883, he exhibited in Cincinnati with Twachtman, DeCamp and Potthast and in that year Wendel and Louis Ritter...

Colin Ruffell is an English painter of interiors, cityscapes, and many other unique subjects. This bold and evocative 1970s painting by English artist Colin Ruffell captures a nosta...

5-2519a Oil on artist board displayed in a painted wood frame Image size 10x12.5"

A lively, impressionistic depiction of celebrated influencer Leonie Hanne and fiancé on a yacht in Portofino. We are whisked away in this cherished scene with the emotion and dynamic...

Signed in red, u.r. Oil on canvas mounted to Masonite 85 x 45 inches This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Muse is a large-scale painting by Contemporary French artist, Pierre-Yves Gervais. With her face turned away from us we can only see the Muses erotic hair pin. This 1994 Oil on Canva...

Norman Carton Mid Century Modern Cityscape, ca. 1951 Oil on canvas painting (signed twice) Signed twice: hand signed on the front and also signed on the back Unique Frame included: T...

Artist: Giancarlo Impiglia, Italian/American (1940-) Title: Pulcinella Year: 1975 Medium: Oil on Canvas, signed Size: 48 in. x 32 in. (121.92 cm x 81.28 cm)

March Avery Taking in the Nets, 1967 Signed, titled and dated on the stretcher Oil on canvas 16 x 22 inches March Avery was born in New York in 1932 to painters Milton Avery and Sally Michel. Guided by her famous father, she began painting as a child—although as she would tell it, “I think I was painting in utero.” She had her first solo exhibition in 1963. Now in her late eighties, the artist continues to work six days a week in her lifelong neighborhood, Greenwich Village. Avery’s oil paintings, sketches, and watercolors carry forward certain stylistic characteristics of the family oeuvre, what art historian Robert Hobbs...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Signed in red, u.l. Oil on canvas mounted to Masonite This work is offered by ClampArt in New York City.

Impressionist New York City winter landscape scene depicting the City in Snow in a most intimate, yet energetic way. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this as he captures a snow-filled historic setting of New York with the calm, endearing charm of American Flags and buildings with snow. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. The piece comes housed in a dark tone wood frame and it is ready to be displayed with hanging hardware on verso. Art measures 7 x 5 inches Framed measures 8.75 x 6.75 inches Christopher Willett...

"Duet #2" is an original painting on canvas measuring 48 x 36 inches by Erik Freyman. The artist is best known for his 80's style which draws heavily on Art Deco and Cubism. Frey...

Boy with Fish Thomas Kerry, British/American Date: circa 1970 Oil on Board, signed and dedicated verso Size: 24 x 20 inches Frame Size: 29 x 25 inches

A charming depiction of Washington Square Park with figures in the snow. A cozy impressionistic street scene with colors of cobalts, red, and burnt sienna's. An iconic street scene w...

Antonio Piatti (Italian, 1875-1962), "Rose e Spine" [Roses and Thorns], Oil on Canvas, 1901, signed lower right, under glass in giltwood frame. Image: 29.5" H x 39.25" W. Frame: 44" ...

An exceptional impressionistic painting titled 'The Hay-wagon" depicting an afternoon along the field with workers collecting hay on to a wagon with horses. Here the scene is set on ...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Bespoke wall sculpture resin painting Easy wall mount Plastic Jesus: Born : London (United Kingdom) Current Location: Los Angeles Huffington Post - Best street art of 2012 Co...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Joseph Solman Figure Study, circa 1959-60 Signed with initials lower left Gouache on Racing Form newspaper Sight 9 x 7 inches Provenance Private Collection, Montecito, California Pr...

The Butterfly series for Ash began as a sentiment to her late Father. Butterflies began to appear in unexplainable ways after his passing, the artist later discovered that Butterflies represent spiritual rebirth, transformation, change, hope, and life - she goes on to say: "The butterfly series draws inspiration from Rivera's quote 'Butterflies can't see their wings. They can't see how truly beautiful they are, but everyone else can.'" After coming to the fruition that Butterflies pose as not only a symbol for beauty and rebirth, Almonte felt a feeling of deep comfort. Her passion for sharing this message of hope and renewal through her colorfully diverse canvases is achieved with resilience leaving her audience glimmering much like the inner voice and the spark of Joie de vivre that fuels her purpose in life to create. This piece is painted on thick gallery wrap canvas and is signed lower right and on verso, it comes with hanging wire on verso ready to be displayed. Art measures 36 x 36 inches Inspired by vibrance and an optimistic outlook on life, Ash Almonte is recognized for her distinct abstract expressionistic style. She is best known for her series of Chandeliers, Butterflies, and Fashion from the Seventh Avenue Design District. Almonte's award-winning works can be found in private and permanent collections around the world. She is motivated by change, compassion for others, and miraculous phenomena that can impact others for good. Her flair and admiration for fashion and art have been a staple of her life since childhood. As a young girl, she would experiment using anything she could find to make art; from tearing apart bushel baskets at her father’s fruit stand, to tearing out old magazine clippings from her mother's magazine collection; anything and everything around her could potentially be used to create. She would continue to seek out opportunities throughout her young adult years, as her love for fashion grew, allowing her to collaborate with celebrity stylists creating looks for top billboard artists, as well as apparel worn at New York Fashion Week for designers Sherri Hill...

A charming depiction of the Flatiron in New York City with figures in the snow down a pathway. A cozy impressionistic street scene with colors of cobalts, whites, and burnt sienna's....

This beautiful 3D wall sculpture by David Gerstein consist of 3 layers of laser cut pieces that are assembled on the wall. As all of Gerstein's pieces, it is very colorful, dynamic a...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured acrylics and oils in these works. Shaoul’s “My Heart Collection” is a vibrant and energe...

Arthur Clifton Goodwin Park Street, Boston Signed lower right Oil on canvas 25 x 30 inches A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goo...

Oil on cradled board. Signed and dated on back. Part of an ongoing series of man vs beast by the artist

Vintage American modernist interior scene with figures by Carol Lauttenbauch. Oil on canvas. Large scale work. Amazing detail and an intricate composition. Very impressive in per...

“Girl with Balloons” was created from a vision aritst Cindy Shaoul had during the height of the pandemic. She wanted to create a piece with a light heart but also translate a message...

Original oil painting by Eric Zener. Eric Zener’s photorealistic paintings and resins are focused on four motifs: landscapes, figures in bed or on tightropes, and bodies in water. ...

Provenance: with “Mr. Scheer,” Vienna, by July 1918; where acquired by: Jindřich Waldes, Prague, 1918–1941; thence by descent to: Private Collection, New York Literature: Rudolf Kuchynka, “České obrazy tabulové ve Waldesově obrazárně,” Památky archeologické, vol. 31 (1919), pp. 62-64, fig. 5. Jaroslav Pešina, “K datování deskových obrazů ve Waldesově obrazárně,” Ročenka Kruhu pro Pěstování Dějin Umění: za rok (1934), pp. 131-137. Jaroslav Pešina, Pozdně gotické deskové malířství v Čechách, Prague, 1940, pp. 150-151, 220. Patrik Šimon, Jindřich Waldes: sběratel umění, Prague, 2001, pp. 166, 168, footnote 190. Ivo Hlobil, “Tři gotické obrazy ze sbírky Jindřicha Waldese,” Umění, vol. 52, no. 4 (2004), p. 369. Executed sometime in the 1380s or 1390s by a close associate of the Master of the Třeboň Altarpiece, this impressive panel is a rare work created at the royal court in Prague and a significant re-discovery for the corpus of early Bohemian painting. It has emerged from an American collection, descendants of the celebrated Czech industrialist and collector Jindřich Waldes, who died in Havana fleeing Nazi-occupied Europe. The distinctive visual tradition of the Bohemian school first began to take shape in the middle of the fourteenth century after Charles IV—King of Bohemia and later Holy Roman Emperor—established Prague as a major artistic center. The influx of foreign artists and the importation of significant works of art from across Europe had a profound influence on the development of a local pictorial style. Early Italian paintings, especially those by Sienese painters and Tommaso da Modena (who worked at Charles IV’s court), had a considerable impact on the first generation of Bohemian painters. Although this influence is still felt in the brilliant gold ground and the delicate tooling of the present work, the author of this painting appears to be responding more to the paintings of his predecessors in Prague than to foreign influences. This Resurrection of Christ employs a compositional format that was popular throughout the late medieval period but was particularly pervasive in Bohemian painting. Christ is shown sitting atop a pink marble sarcophagus, stepping down onto the ground with one bare foot. He blesses the viewer with his right hand, while in his left he holds a triumphal cross with a fluttering banner, symbolizing his victory over death. Several Roman soldiers doze at the base of the tomb, except for one grotesque figure, who, beginning to wake, shields his eyes from the light and looks on with a face of bewilderment as Christ emerges from his tomb. Christ is wrapped in a striking red robe with a blue interior lining, the colors of which vary subtly in the changing light. He stands out prominently against the gold backdrop, which is interrupted only by the abstractly rendered landscape and trees on either side of him. The soldiers’ armor is rendered in exacting detail, the cool gray of the metal contrasting with the earth tones of the outer garments. The sleeping soldier set within a jumble of armor with neither face nor hands exposed, is covered with what appears to be a shield emblazoned with two flies on a white field, somewhat resembling a cartouche (Fig. 1). This may be a heraldic device of the altarpiece’s patron or it may signify evil, referencing either the Roman soldiers or death, over both of which Christ triumphs. This painting formed part of the collection assembled by the Czech industrialist and founder of the Waldes Koh-i-noor Company, Jindřich Waldes, in the early twentieth century. As a collector he is best remembered for establishing the Waldes Museum in Prague to house his collection of buttons (totaling nearly 70,000 items), as well as for being the primary patron of the modernist painter František Kupka. Waldes was also an avid collector of older art, and he approached his collecting activity with the goal of creating an encyclopedic collection of Czech art from the medieval period through to the then-present day. At the conclusion of two decades of collecting, his inventory counted 2331 paintings and drawings, 4764 prints, and 162 sculptures. This collection, which constituted the Waldesova Obrazárna (Waldes Picture Gallery), was first displayed in Waldes’ home in Prague at 44 Americká Street and later at his newly built Villa Marie at 12 Koperníkova Street. This Resurrection of Christ retains its frame from the Waldes Picture Gallery, including its original plaque “173 / Česky malíř z konce 14 stol.” (“Czech painter from the end of the 14th century”) and Waldes’ collection label on the reverse. The Resurrection of Christ was one of the most significant late medieval panel...

Gouache on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of Cali...

We can also roll the painting and ship for free - you can have it re-stretched in your city and we will pay for it. To create those pieces, Revolue focused on the intuitive process...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Charles Allan Cooke (British, early 20th century) Military Motor Ambulance Station, World War I, ca. 1916–1918 Oil on canvas, signed and inscribed on reverse In this powerful and ra...

George Ennis The Humber River Signed lower left Oil on canvas 20 x 24 inches Ennis studied at Washington University in St. Louis and at the Chase School. He was a member of the Fed...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

“In the Mood for Love”. Original painting, acrylic on canvas. 27.5x19.6x1in/ 70x50x3cm Ready for hanging, no need for frame, painted on the sides. Shipping stretched from New York. ...

A whimsical oil painting depicting figures in France by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in the first half of the 20th Centu...

Pierre Thibault was a renowned French artist and known for his figurative paints depicting Parisian life in the 20th Century. Mainly street scenes of the bustling city of Paris and i...

Arthur Smith (American, 1897-1972) Untitled, 20th century Oil on wood panel 23 3/4 x 19 1/2 in. Framed: 29 x 25 x 1 1/4 in. Signed lower left: A Smith Arthur Smith is a listed Ameri...

David Stern (Germany, b. 1956) Acrylic on Canvas 91 x 81 inches Hand-Signed by the Artist Certificate of Authenticity Available A tour de force of scale, spirit, and painterly force...

Cecil Chichester Woodstock in Winter, circa 1947 Signed lower left Oil on artist's board 12 x 16 inches Provenance Private Collection, Rhinebeck, New...

2902B Abstract geometric figurative painting Set in a vintage gilt wood frame

A wonderfully rich beach scene done in Zandvoort Holland in the Mid-20th Century depicting figures in the sand. Some figures are by the water with sailboats as kids play in the dista...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

William Fisher (American, 1891-1985) Untitled, 20th Century Oil on canvas/illustration 23 3/4 x 29 3/4 in. Framed: 31 x 37 1/4 x 1 in. Signed lower right: William Fisher William Fis...

Henry Stacy Marks, English ( 1829 - 1898) was a leading London painter of life and historical scenes. He was a member of Royal Academy and St Johns wood clique. The painting measure...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

After Bartolome Esteban Murillo (Spanish, 1618-1682), "The Little Fruitseller", Oil on Canvas, 19th century, apparently unsigned, depicting young girl and boy counting money over var...

Three Dancers (60) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 14 in. x 24 in. (35.56 cm x 60.96 cm) Frame Size: 17.5 x 28 inches

A masterful oil painting depicting a view of a coastal view with a Mother and Child seated by the flowers in the grass with a camisole umbrella. This piece is an excellent example of...

Henry John Boddington. 19th century English landscape with figures by a riverside. Simply one of the finest quality English landscape Ive ever had the pleasure of owning . This i...

Oil on Canvas 47.2 x 39.4 inches (120 x 100 cm) A luminous blonde woman gazes downward, partially turned inwards against a striking blue background—this is “Introspect”, a powerful...