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Item Ships From: New York City
Dancing With Myself
By Floyd P. Stanley
Located in New York, NY
ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music.
ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photographs of mixed tapes....
Category
21st Century and Contemporary New York City - Still-life Photography
Materials
Photographic Paper
Glitter Sandwich Purple
By Kimberly Genevieve
Located in New York, NY
ABOUT THIS PIECE: "The Glitter Diet playfully pokes fun at the staples of the American Diet and the glamorization of mass-produced food in our society. Your food pyramid just got an ...
Category
2010s New York City - Still-life Photography
Materials
Photographic Paper
Livin' on a Prayer
By Floyd P. Stanley
Located in New York, NY
ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music.
ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photographs of mixed tapes....
Category
2010s New York City - Still-life Photography
Materials
Photographic Paper
Walk Like an Egyptian
By Floyd P. Stanley
Located in New York, NY
ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music.
ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photographs of mixed tapes....
Category
2010s New York City - Still-life Photography
Materials
Photographic Paper
Rose Explosion 3
By Dan Saelinger
Located in New York, NY
ABOUT THIS ARTIST: Dan Saelinger hails from a rural town of about 50 people in central Pennsylvania. At the age of 15 he received a Hasselblad camera and decided he would very much ...
Category
2010s New York City - Still-life Photography
Materials
Photographic Paper
Rose Explosion 2
By Dan Saelinger
Located in New York, NY
ABOUT THIS ARTIST: Dan Saelinger hails from a rural town of about 50 people in central Pennsylvania. At the age of 15 he received a Hasselblad camera and decided he would very much ...
Category
2010s New York City - Still-life Photography
Materials
Photographic Paper
Jessie's Girl
By Floyd P. Stanley
Located in New York, NY
ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music.
ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photographs of mixed tapes....
Category
2010s New York City - Still-life Photography
Materials
Photographic Paper
Confidence is not Pride, Kansas City, MO, 2019
By Tina West
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones.
With Robin’s extensive experience as a gallery curator, all Robin Rice...
Category
2010s Modern New York City - Still-life Photography
Materials
Archival Pigment
Kampos Project #5 (Flowers in a Vase on a Nightstand)
By Stratis Vogiatzis
Located in New York, NY
Kampos Project #5 (Flowers in a Vase on a Nightstand), 2016
Archival pigment print on Hahne Muehle 200 gm
Edition of 7
20 x 35 cm - $1200
40 x 60 cm - $1900
70 x 90 cm - $2900
Stra...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Taxonomy of Memory", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Heptacodium miconioides - Seven-Son Flower
By Jose Picayo
Located in Hudson, NY
Black and White, Trees, Botanical, Nature, Study, Still Life, Ecological, black & white, b&w, texture, trees, bark, leaves, photography, contemporary photography, woodlands, botanica...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Silver Gelatin
Passion Lies at the Edge of Uncertainty, Kansas City, MO, 2019
By Tina West
Located in Hudson, NY
Tina West + Tucker Robbins 2020
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice.
Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind.
Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka...
Category
2010s Modern New York City - Still-life Photography
Materials
Archival Pigment
"Aces", New York, 2007
By Tina West
Located in Hudson, NY
Framing charges includes
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconven...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Beaumaris Yachts, Beaumaris, Wales, 2009
By Pete Kelly
Located in Hudson, NY
CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph.
The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017.
Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience.
Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly
is the originator of art that is tactile, archival and organic.
In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories.
Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...
Category
Early 2000s Contemporary New York City - Still-life Photography
Materials
Pigment
Kroma: Marpesia Cosita-R
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Frame Work
By William Wegman
Located in New York, NY
image size: 8 7/8 x 8 inches
This listing is for William Wegman's photograph, "Frame Work", 2010. This is a limited edition photograph with an edition size of 12.
This piece is num...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Pigment
Orange Flower Petal Detail, Color Nature Photography by Geoffrey Baris, Close-up
By Geoffrey Baris
Located in New York, NY
Orange Flower Petals, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and number...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Color, Archival Pigment
Hat Eiffel
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Silver Gelatin
"Mianus Motor Works", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
STILL LIFE WITH GRAPES
By Beth Lipman
Located in New York, NY
Lambda print, mounted on aluminum with glossy laminate of still-life with grapes
Edition of 3
Category
2010s Contemporary New York City - Still-life Photography
Materials
Acrylic Polymer, Lambda
Slim Aarons 'Hang Gliding' (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
Hang gliding in Kitzbuhel, Austria, 1980
Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate.
Chromogenic ...
Category
1970s Realist New York City - Still-life Photography
Materials
Lambda
"Kodak", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by unconventional methods, West employees coincidence as a means of production. Reminiscent of Josef Sudek’s Still Lifes, West’s images are painterly, presenting themselves as either single entities or still-life constructions and assemblages. Many of her photographs created themselves around the objects – whether fishhooks, a mysterious container or firecrackers—West is able to recall a once-forgotten image as a beautiful snapshot of nostalgia and warmth.
A photographer by trade, West considers herself a still-life imagist. A unifying thread of simplicity exists throughout her work – illustrated though her use of a single light source, timeless and seemingly meaningless objects and shadows – a combination that evokes a sense of wonder and awe at the images that seem to have sprung from nothing.
From Kansas City, Tina West discovered photography while studying sculpture. Living in New York since 1989, she is a commercial photographer working for clients such as Knopf Books, Vintage Books, Simon & Schuster, Citibank, Atlantic Records, Elle Magazine and Scientific American Magazine.
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Still life, color, camera, Kodak...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Color Chart", 1982, Color Photograph by Anne Turyn
By Anne Turyn
Located in Long Island City, NY
Artist: Anne Turyn, American (1954 - )
Title: Color Chart
Year: 1982
Medium: Photograph
Size: 16 x 20 in. (40.64 x 50.8 cm)
Frame Size: 27.5 x 32 inches
Category
1980s Post-Modern New York City - Still-life Photography
Materials
Photographic Paper
Calla Lily, Digital Photograph Print on Metal by Jonathan Singer
Located in Long Island City, NY
Artist: Jonathan Singer (American, b. 1949)
Title: Two Lilies
Year: circa 2010
Medium: Digital Photograph on Aluminum Panel
Image Size: 40 x 40 in. (101.6 x 101.6 cm)
Category
2010s Contemporary New York City - Still-life Photography
Materials
Digital
Doll No. 2 "Madeline" (Edition 1/25)
By Lucille Khornak
Located in New York, NY
Doll No. 2 (Edition 1/25) "Madeline", Lucille Khornak, Color Photograph on Board with Acrylic Finish, 40 x 26, Late 20th Century
Colors...
Category
Late 20th Century Abstract New York City - Still-life Photography
Materials
Photographic Film
Doll No. 3 (Edition 1/25)
By Lucille Khornak
Located in New York, NY
Doll No. 3 (Edition 1/25), Lucille Khornak, Color Photograph on Board with Acrylic Finish, 40 x 26, Late 20th Century
Colors: Black, Blue, White,...
Category
Late 20th Century Abstract New York City - Still-life Photography
Materials
Photographic Film
Doll No. 15 (Edition 1/25)
By Lucille Khornak
Located in New York, NY
Dolls No. 15 (Edition 1/25), Lucille Khornak, Color Photograph on Board With Liquid Acrylic Finish/ Mixed Media, 26 x 40, Late 20th Century
Colors: Bla...
Category
Late 20th Century Abstract New York City - Still-life Photography
Materials
Photographic Film
Doll No. 7 (Edition 1/25)
By Lucille Khornak
Located in New York, NY
Doll No. 7 (Edition 1/25), Lucille Khornak, Color Photograph on Board with Acrylic Finish, 26 x 40, Late 20th Century
Colors: Black, Blue, White,...
Category
Late 20th Century Abstract New York City - Still-life Photography
Materials
Photographic Paper
"Exotic Aroma of Memory", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Kroma: Prepona Praeneste
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Parnassius Nomion Richthofeni-M
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Kroma: Ornithoptera Aesacus
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
"Airplane, Denver" Denver, Colorado, 2005
By Bill Phelps
Located in Hudson, NY
Airplane, American, Sepia tone, vintage, portrait, film, Americana, Classic Airplane, Mechanical , mechanics, engine, Denver, Colorado, Sepia tone, Summertime, Bridgehampton, america...
Category
Early 2000s Modern New York City - Still-life Photography
Materials
Archival Ink, Archival Pigment
Taos 2:19PM, New Mexico
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Verdi In Front Of a Book
By Gladys
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 21.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
C Print
Blue Roses
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Bed - Dream Santa Fe, New Mexico, Frame included
By Robert Stivers
Located in Hudson, NY
Price for UNFRAMED item
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Carnations 10:48AM, Paris
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling hi...
Category
21st Century and Contemporary Modern New York City - Still-life Photography
Materials
Archival Pigment
STILL LIFE WITH PLATE OF CHEESE AND BEER STEIN
By Beth Lipman
Located in New York, NY
lambda print mounted on plexi
Edition of 3
Still-life of glass objects
Category
2010s Contemporary New York City - Still-life Photography
Materials
Lambda
Roses 1:18PM, Paris
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling his previous, “episodes (without real order)”, this series is also a project about beauty and intimacy.
Flowers was created in the beginning of the pandemic. Pucci says, “the lockdown came to get me out of a creativity crisis I was going through at the time.” He was inspired by a Hojō Jutsu manual while being isolated in his residence in Paris. He studied the art of Shibari and performed it on cut flowers: calla lilies, anemones, carnations, proteas, roses and tulips were tied with strings like bent and constricted bodies and then photographed. “Tulip 1:15pm” was the first image created for this ongoing series.
Hojō Jutsu is the martial art of restraining captives with rope, commonly used on the battlefield by the Empire of Japan from 1400 to 1700, that hundreds of years later it evolved into the refined technique of Shibari (literally “to tie”), the spiritual art...
Category
21st Century and Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Hive, Santa Fe, NM, 2005
By Robert Stivers
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones.
With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery...
Category
Early 2000s Modern New York City - Still-life Photography
Materials
Silver Gelatin
Lilium Candidum P03
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s New York City - Still-life Photography
Materials
Archival Pigment
FLOATING GREEN APPLES OVER NAPKIN
By Volker Seding
Located in New York, NY
hand colored photograph of green apples. Still-Life.
framed in wood with gold leaf corners.
Category
1970s Post-War New York City - Still-life Photography
Materials
Photographic Paper, Color Pencil
Tulips 1:57AM, Paris
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling his previous, “episodes (without real order)”, this series is also a project about beauty and intimacy.
Flowers was created in the beginning of the pandemic. Pucci says, “the lockdown came to get me out of a creativity crisis I was going through at the time.” He was inspired by a Hojō Jutsu manual while being isolated in his residence in Paris. He studied the art of Shibari and performed it on cut flowers: calla lilies, anemones, carnations, proteas, roses and tulips were tied with strings like bent and constricted bodies and then photographed. “Tulip 1:15pm” was the first image created for this ongoing series.
Hojō Jutsu is the martial art of restraining captives with rope, commonly used on the battlefield by the Empire of Japan from 1400 to 1700, that hundreds of years later it evolved into the refined technique of Shibari (literally “to tie”), the spiritual art...
Category
21st Century and Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Tulips 11:13PM, Paris,
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling hi...
Category
21st Century and Contemporary Modern New York City - Still-life Photography
Materials
Archival Pigment
Anthuriums 4:20PM, Paris
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling hi...
Category
21st Century and Contemporary Modern New York City - Still-life Photography
Materials
Archival Pigment
Proteas 10:05AM, Paris
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery is pleased to present Flowers, a photographic exhibition by Leonardo Pucci. Flowers is Pucci’s second solo exhibition at the Robin Rice Gallery. Paralleling hi...
Category
21st Century and Contemporary New York City - Still-life Photography
Materials
Archival Pigment
And The Soul Wanted To Move
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Kroma: Ornithoptera Croesus
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Anguilla, BWI, 1989
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 5 of 25
After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category
1980s Contemporary New York City - Still-life Photography
Materials
Silver Gelatin
"Midtown Manhattan", New York, 2004
By Thomas Michael Alleman
Located in Hudson, NY
Any commuting New Yorker's worst nightmare- an overturned umbrella. A scene that many people would walk by unaware, Alleman captures the true misfortune and despair portrayed in a si...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Sunday Morning Coffee Photograph New York, NY 1996
By Fernando Natalici
Located in NEW YORK, NY
Sunday Coffee, New York, NY 1996 photographed by downtown New York art scene photographer, Fernando Natalici.
Archival Inkjet Print, 13 x 19 inches including borders.
Hand signed o...
Category
1990s Pop Art New York City - Still-life Photography
Materials
Inkjet
$340 Sale Price
20% Off
Scary Baby
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Silver Gelatin
Phone Bank
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Silver Gelatin
Biblioteca Palatina, Parma
By Massimo Listri
Located in New York, NY
Biblioteca Palatina, Parma, 2011
Chromogenic lambda print
39.5 x 47.5 inches edition of 5
47.5 x 59 inches edition of 5
71 x 88.5 inches edition of 5
Born in Florence in 1953, ev...
Category
2010s Contemporary New York City - Still-life Photography
Materials
C Print
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
Kroma: Caligo Beltrao-R
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
"Marston Excelsior", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
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