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Item Ships From: New York City
Merry meet again (Daffodil)
By Frances F. Denny
Located in New York, NY
Merry meet again (Daffodil)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2 APs)
$3,000
16 x 12 inches
(Edition o...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Aces", New York, 2007
By Tina West
Located in Hudson, NY
Framing charges includes
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconven...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Taos 2:19PM, New Mexico
By Leonardo Pucci
Located in Hudson, NY
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Anguilla, BWI, 1989
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 5 of 25
After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...
Category
1980s Contemporary New York City - Still-life Photography
Materials
Silver Gelatin
Kroma: Papilio Rumanzovia-V
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
And The Soul Wanted To Move
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Biblioteca Palatina, Parma
By Massimo Listri
Located in New York, NY
Biblioteca Palatina, Parma, 2011
Chromogenic lambda print
39.5 x 47.5 inches edition of 5
47.5 x 59 inches edition of 5
71 x 88.5 inches edition of 5
Born in Florence in 1953, ev...
Category
2010s Contemporary New York City - Still-life Photography
Materials
C Print
Lotus 10
By Doris Mitsch
Located in New York, NY
This photograph by Doris Mitsch is offered by CLAMP in New York City.
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Ink, Rag Paper
Spring A
By Doris Mitsch
Located in New York, NY
This is a photograph of pink flowers against a black background by Doris Mitsch, offered by CLAMP in New York City.
40 x 32 inches
(Edition of 7)
25 x 20 inches
(Edition of 7)
17....
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Scary Baby
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Silver Gelatin
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
Phone Bank
By Ted Adams
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame.
"I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them."
While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission.
The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter.
This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Silver Gelatin
Tulip Thijs Boots (Misty Gray)
By Daniel Handal
Located in New York, NY
Tulip Thijs Boots (Misty Gray)
2023
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
16 x 20 x 1.5 inches
Thi...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Pigment
Hot Flash Camellias (Smokey Gray)
By Daniel Handal
Located in New York, NY
Hot Flash Camellias (Smokey Gray)
2022
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
18 x 8 x 1.5 inches
...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Pigment
Purple Matthiola & Bishop’s Flower (B+W Checkered)
By Daniel Handal
Located in New York, NY
Purple Matthiola & Bishop’s Flower (B+W Checkered)
2023
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
18 x ...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Pigment
Tulip Thijs Boots (Miami Green)
By Daniel Handal
Located in New York, NY
Tulip Thijs Boots (Miami Green)
2023
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
13.5 x 9 x 1.5 inches
T...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Pigment
Beaumaris Yachts, Beaumaris, Wales, 2009
By Pete Kelly
Located in Hudson, NY
CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph.
The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017.
Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience.
Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly
is the originator of art that is tactile, archival and organic.
In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories.
Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...
Category
Early 2000s Contemporary New York City - Still-life Photography
Materials
Pigment
Renucula
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Lillies Photo by Thomas Blagden Jr., Original
Located in New York, NY
Thomas Blagden Jr.
Lillies, c. 20th/21st Century
Photograph
Sight: 13 1/4 x 19 in.
Framed: 20 1/8 x 26 1/4 x 1 3/8 in.
Signed lower right: Blagden Jr.
Titled verso
For over four de...
Category
20th Century Contemporary New York City - Still-life Photography
Materials
Color
Sunday Morning Coffee Photograph New York, NY 1996
By Fernando Natalici
Located in NEW YORK, NY
Sunday Coffee, New York, NY 1996 photographed by downtown New York art scene photographer, Fernando Natalici.
Archival Inkjet Print, 13 x 19 inches including borders.
Hand signed o...
Category
1990s Pop Art New York City - Still-life Photography
Materials
Inkjet
"Gas & Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
"Mala", 2011
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
Shippi...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Verdi In Front Of a Book
By Gladys
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 21.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
C Print
Cloud Horses, New Mexico, 2002
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
Twilight, St Petersburg 1995
By Boris Smelov
Located in New York, NY
Vintage Gelatin Silver Print. 16 1/4 x11 3/4". Image Size: 10 1/2 x 10 1/4."
Signed and Dated by photographer on verso.
Boris Smelov 95, 7/15
Photographer Boris Smelov) was a li...
Category
1990s Contemporary New York City - Still-life Photography
Materials
Photographic Paper
Blue Roses
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"The Shape of Time", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
Early 2000s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Residence, Snowstorm, New Jersey
By Haik Kocharian
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Together
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
If the...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Cityscape", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Joshua Rocks
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
If the...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Kodak", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by unconventional methods, West employees coincidence as a means of production. Reminiscent of Josef Sudek’s Still Lifes, West’s images are painterly, presenting themselves as either single entities or still-life constructions and assemblages. Many of her photographs created themselves around the objects – whether fishhooks, a mysterious container or firecrackers—West is able to recall a once-forgotten image as a beautiful snapshot of nostalgia and warmth.
A photographer by trade, West considers herself a still-life imagist. A unifying thread of simplicity exists throughout her work – illustrated though her use of a single light source, timeless and seemingly meaningless objects and shadows – a combination that evokes a sense of wonder and awe at the images that seem to have sprung from nothing.
From Kansas City, Tina West discovered photography while studying sculpture. Living in New York since 1989, she is a commercial photographer working for clients such as Knopf Books, Vintage Books, Simon & Schuster, Citibank, Atlantic Records, Elle Magazine and Scientific American Magazine.
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
Still life, color, camera, Kodak...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Cummins Steam Pump", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
Bubbles, Adirondacks
By Lynda Churilla
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. Viva la Vida is a mix of timeless portraits and candid photographs "I’ve always been drawn to the water- now my art, my sense of athleticism, freedom and oasis have merged in a way", says Churilla. Her nod to iconic photographers from the past, such as Edward Weston, and Herbert List, is apparent in her portrait work.
In another Christian & Nathan Fletcher is in the midst of a surf crusade off the coast of Islamorada, Florida. Christian pioneered a new revolution in surfing style with his aerial techniques. The artist’s genuine connection to her subjects allows the viewer to forget the presence of a camera and to be drawn into the personal narrative.
The invitational image Longboard Afternoon, taken at Ditch Plains, Montauk, focuses on the portrayal of the atmosphere rather than the individual subjects. With a 70’s feel the viewer is intrigued by the layers of life, activity and parallel moments shared by silhouettes of surfers carrying longboards at hazy days end.
One such image, Gustavo, depicts a male figure seated poolside with head bowed. The pose and the wet sheen to his hair and skin give the subject a classic, sculptural look.
All the photographs exhibited in are in various sizes are printed on heavy weight cotton paper with the traditional glossy baryta surface in rich tones of black and white.
Her artist mother, Barbara Churilla, involved her in creating art, sculpture, painting and photography from an early age. She was raised in Princeton, New Jersey. She graduated from School of Visual Arts in NYC with a BFA in Photography. Lynda began her photo assisting career with legendary photographer Bruce Weber. Over a period of almost a decade she traveled the world with Weber learning not only knowledge of photography, but also life. Eventually becoming his trusted first assistant before embarking on her own photography adventure.
Churilla’s work has been celebrated in American Photo, where she was heralded as one of the young visionaries of 21st century. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Biblioteca Palatina, Parma
By Massimo Listri
Located in New York, NY
Biblioteca Palatina, Parma, 2011
Chromogenic lambda print
39.5 x 47.5 inches edition of 5
47.5 x 59 inches edition of 5
71 x 88.5 inches edition of 5
Born in Florence in 1953, ev...
Category
2010s Contemporary New York City - Still-life Photography
Materials
C Print
Lilium Candidum P03
By Ori Gersht
Located in New York, NY
From the series Fragile Land
Category
2010s New York City - Still-life Photography
Materials
Archival Pigment
Untitled (2005.A)
By Uta Barth
Located in New York, NY
Uta Barth
'Untitled (2005.A),' 2005
Laminated color photograph
20 x 30 inches (sheet)
20.25 x 30.33 x 1.5 inches (frame)
Edition 12 of 20
Signed on label on f...
Category
Early 2000s Contemporary New York City - Still-life Photography
Materials
Laminate, Photographic Paper
1974 Note in Envelope
By Lori Grinker
Located in New York, NY
1974 Note in Envelope
2020
Signed and numbered, verso
Archival pigment print
10.6 x 16 inches
(Edition of 15)
$1,500
20 x 30 inches
(Edition of 10)
$2,500
This work is offered b...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Kroma: Morpho Cypris
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention ...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Fleurice M7
By Aziz + Cucher
Located in New York, NY
Fleurice M7
2020
Signed and numbered on label, verso
Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP)
24 x 24 inches (61 x 61 cm)
This work is offered...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Lambda
Fleurice M5
By Aziz + Cucher
Located in New York, NY
Fleurice M5
2020
Signed and numbered on label, verso
Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP)
24 x 24 inches (61 x 61 cm)
Category
2010s Contemporary New York City - Still-life Photography
Materials
Lambda
Fleurice 2
By Aziz + Cucher
Located in New York, NY
Fleurice M2
2020
Signed and numbered on label, verso
Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP)
24 x 24 inches (61 x 61 cm)
This work is offered...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Lambda
Fleurice M1
By Aziz + Cucher
Located in New York, NY
Fleurice M1
2020
Signed and numbered on label, verso
Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP)
24 x 24 inches (61 x 61 cm)
This work is offered...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Lambda
August 13, 2020
By Ion Zupcu
Located in New York, NY
August 13, 2020
2020
Signed and numbered on label, verso
Archival pigment print
40 x 52 inches, image
(Edition of 3 + 2 APs)
$5000.00
26 x 34 inches, image
(Edition of 6 + 2 APs)...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
July 10, 2020
By Ion Zupcu
Located in New York, NY
July 10, 2020
2020
Signed and numbered on label, verso
Archival pigment print
40 x 52 inches, image
(Edition of 3 + 2 APs)
$5500
26 x 34 inches, image
(Edition of 6 + 2 APs)
$450...
Category
2010s New York City - Still-life Photography
Materials
Archival Pigment
July 31, 2020
By Ion Zupcu
Located in New York, NY
July 31, 2020
2020
Signed and numbered on label, verso
Archival pigment print
40 x 52 inches, image
(Edition of 3 + 2 APs)
$5500
26 x 34 inches, image
(Edition of 6 + 2 APs)
$450...
Category
2010s New York City - Still-life Photography
Materials
Archival Pigment
Biblioteca Palatina, Parma
By Massimo Listri
Located in New York, NY
Biblioteca Palatina, Parma, 2011
Chromogenic lambda print
39.5 x 47.5 inches edition of 5
47.5 x 59 inches edition of 5
71 x 88.5 inches edition of 5
Born in Florence in 1953, ev...
Category
2010s Contemporary New York City - Still-life Photography
Materials
C Print
Still Life with Dice
By Boris Smelov
Located in New York, NY
Vintage Gelatin Silver Print. 1979 .16 x11 3/4". Image Size: 10 1/2 x 10 1/4."
Still Life with Dice, 1979
St Petersburg
Signed 9/15 Boris Smelov 79 by photographer on verso.
...
Category
1970s Contemporary New York City - Still-life Photography
Materials
Photographic Paper
August 16, 2019
By Ion Zupcu
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
14 x 18 inches, image size, mounted to 20 x 24-inch museum board
(Edition of 10 + 3 APs)
26 x 34 inches, image size
(Edit...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
August 30, 2019
By Ion Zupcu
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
14 x 18 inches, image size, mounted to 20 x 24-inch museum board
(Edition of 10 + 3 APs)
26 x 34 inches, image size
(Edit...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
October 3, 2019
By Ion Zupcu
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
14 x 18 inches, image size, mounted to 20 x 24-inch museum board
(Edition of 10 + 3 APs)
26 x 34 inches, image size
(Edit...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
May 27, 2019
By Ion Zupcu
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
14 x 18 inches, image size, mounted to 20 x 24-inch museum board
(Edition of 10 + 3 APs)
26 x 34 inches, image size
(Edit...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
May 29, 2019
By Ion Zupcu
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
14 x 18 inches, image size, mounted to 20 x 24-inch museum board
(Edition of 10 + 3 APs)
26 x 34 inches, image size
(Edit...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Sunday Morning Coffee Photograph New York, NY 1996
By Fernando Natalici
Located in NEW YORK, NY
Sunday Coffee, New York, NY 1996 photographed by downtown New York art scene photographer, Fernando Natalici.
Archival Inkjet Print, 11 x 14 inches.
Hand signed on the verso from an edition of 50.
Obtained directly from artist.
Excellent condition.
New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria.
Fernando’s photo archive and art design were recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015).
Recent Publications & Exhibits
Jim Jarmusch...
Category
1990s Pop Art New York City - Still-life Photography
Materials
Inkjet
Cowboy
By Joseph Desler Costa
Located in New York, NY
Dye sublimation print on aluminum, polished chrome float frame (Edition of 3 + 2 APs)
Signed and numbered on label, verso
From the series "Particle Paradise"
This artwork is offered...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Metal
Platform Pumps
By Joseph Desler Costa
Located in New York, NY
Dye sublimation print on aluminum, white wood float frame (Edition of 3 + 2 APs)
Signed and numbered on label, verso
From the series "Particle Paradise"
This artwork is offered by C...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Dye Transfer, Wood
Air Jordan Plumbago I
By Joseph Desler Costa
Located in New York, NY
Dye sublimation print on aluminum, black wood float frame (Edition of 3 + 2 APs)
Signed and numbered on label, verso
From the series "Particle Paradise"
This artwork is offered by C...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Dye Transfer, Wood
