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Item Ships From: New York City
"1940", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Cloud Horses, New Mexico, 2002
By Benjamin Heller
Located in Hudson, NY
CURRENT EXHIBITION - runs through February 26th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Dark Flower
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 2 of 25.
If the...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper
"Gas & Gasoline", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
Apple Blossoms
By Mark & Kristen Sink
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced ...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Dartmoor Pony, in Haytor Rock, Dartmoor", Devon, UK, 2010
By Robin Rice
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is p...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Silver Gelatin
Bubbles, Adirondacks
By Lynda Churilla
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition 1 of 25.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
In her new exhibition Churilla draws from her years spent as a swimmer, lifeguard, and athlete to capture the forgotten freedom and exuberance of days of youth spent on the water. Viva la Vida is a mix of timeless portraits and candid photographs "I’ve always been drawn to the water- now my art, my sense of athleticism, freedom and oasis have merged in a way", says Churilla. Her nod to iconic photographers from the past, such as Edward Weston, and Herbert List, is apparent in her portrait work.
In another Christian & Nathan Fletcher is in the midst of a surf crusade off the coast of Islamorada, Florida. Christian pioneered a new revolution in surfing style with his aerial techniques. The artist’s genuine connection to her subjects allows the viewer to forget the presence of a camera and to be drawn into the personal narrative.
The invitational image Longboard Afternoon, taken at Ditch Plains, Montauk, focuses on the portrayal of the atmosphere rather than the individual subjects. With a 70’s feel the viewer is intrigued by the layers of life, activity and parallel moments shared by silhouettes of surfers carrying longboards at hazy days end.
One such image, Gustavo, depicts a male figure seated poolside with head bowed. The pose and the wet sheen to his hair and skin give the subject a classic, sculptural look.
All the photographs exhibited in are in various sizes are printed on heavy weight cotton paper with the traditional glossy baryta surface in rich tones of black and white.
Her artist mother, Barbara Churilla, involved her in creating art, sculpture, painting and photography from an early age. She was raised in Princeton, New Jersey. She graduated from School of Visual Arts in NYC with a BFA in Photography. Lynda began her photo assisting career with legendary photographer Bruce Weber. Over a period of almost a decade she traveled the world with Weber learning not only knowledge of photography, but also life. Eventually becoming his trusted first assistant before embarking on her own photography adventure.
Churilla’s work has been celebrated in American Photo, where she was heralded as one of the young visionaries of 21st century. She has photographed numerous celebrities, such as Cameron Diaz, Jewel, Olivier Martinez, Coldplay, Pet Shop Boys...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Chelsea, NYC, April 2004", New York, 2004
By Thomas Michael Alleman
Located in Hudson, NY
By focusing on pattern instead of the specific object, Alleman brings new life to the commonplace street vendor coffee cup.
Thomas Alleman’s urban landscapes convey the pulsating e...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
"The Shape of Time", New York, 2009
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
Early 2000s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Cityscape", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Paper, Pigment
Joshua Rocks
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition.
Edition 1 of 15.
If the...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
RAVEN SKULL, Diptych from Comparative Anatomy Portfolio
Located in New York, NY
DIANNE KORNBERG
RAVEN SKULL,Diptych from Comparative Anatomy Portfolio, 1993
selenium toned gelatin silver print ed.15
18 x 32 in. 45.7 x 81.2 cm.
Category
1990s Contemporary New York City - Still-life Photography
Materials
Silver Gelatin
Sunday Morning Coffee Photograph New York, NY 1996
By Fernando Natalici
Located in NEW YORK, NY
Sunday Coffee, New York, NY 1996 photographed by downtown New York art scene photographer, Fernando Natalici.
Archival Inkjet Print, 11 x 14 inches.
Hand signed on the verso from an edition of 50.
Obtained directly from artist.
Excellent condition.
New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria.
Fernando’s photo archive and art design were recently featured in two highly regarded New York shows: “Area” at The Hole Gallery NYC (2014) & “Downtown New York Film” at The Museum of The Moving Image (2015).
Recent Publications & Exhibits
Jim Jarmusch...
Category
1990s Pop Art New York City - Still-life Photography
Materials
Inkjet
$220 Sale Price
20% Off
Kroma: Morpho Godarti Lachaumei-M
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
In me the circle is ever turning (Crabapple)
By Frances F. Denny
Located in New York, NY
In me the circle is ever turning (Crabapple)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2 APs)
$3,000
16 x 12 ...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
An indrawn breath (Chocolate Cosmos)
By Frances F. Denny
Located in New York, NY
An indrawn breath (Chocolate Cosmos)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2 APs)
$3,000
16 x 12 inches
(...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
She is the cauldron (Larkspur, Hound’s Tongue, Greater Masterwort)
By Frances F. Denny
Located in New York, NY
She is the cauldron (Larkspur, Hound’s Tongue, Greater Masterwort)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Dark memories of whence She came (Hellebore, Anemone, Fritillaria)
By Frances F. Denny
Located in New York, NY
Dark memories of whence She came (Hellebore, Anemone, Fritillaria)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Merry meet again (Daffodil)
By Frances F. Denny
Located in New York, NY
Merry meet again (Daffodil)
2023
Signed, titled, dated, and numbered on label, verso
Archival pigment print
28 x 21 inches
(Edition of 5 + 2 APs)
$3,000
16 x 12 inches
(Edition o...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Biblioteca Palatina, Parma
By Massimo Listri
Located in New York, NY
Biblioteca Palatina, Parma, 2011
Chromogenic lambda print
39.5 x 47.5 inches edition of 5
47.5 x 59 inches edition of 5
71 x 88.5 inches edition of 5
Born in Florence in 1953, ev...
Category
2010s Contemporary New York City - Still-life Photography
Materials
C Print
Kroma: Parides Childrenae
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Spring A
By Doris Mitsch
Located in New York, NY
This is a photograph of pink flowers against a black background by Doris Mitsch, offered by CLAMP in New York City.
40 x 32 inches
(Edition of 7)
25 x 20 inches
(Edition of 7)
17....
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Archival Pigment
$1,875
Bunny Lambert Mellon’s potting shed, Upperville, Virginia, 31 May 2010
By Jonathan Becker
Located in New York, NY
Bunny Lambert Mellon’s potting shed, Upperville, Virginia, 31 May 2010
"Trompe l'oeil (and not)"
Photographed by Jonathan Becker
Contemporary
28" x 28.5...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
White & Yellow Ranunculus (Clear)
By Daniel Handal
Located in New York, NY
White & Yellow Ranunculus (Clear)
2022
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
18 x 12 x 1.5 inches
T...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Pigment
Wonderland Orange Poppy (Clear)
By Daniel Handal
Located in New York, NY
Wonderland Orange Poppy (Clear)
2022
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
16 x 12 x 1.5 inches
Th...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Pigment
White Hyacinth (Green Wrapping Paper)
By Daniel Handal
Located in New York, NY
White Hyacinth (Green Wrapping Paper)
2022
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
14 x 11 x 1.5 inch...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Pigment
Tulip Thijs Boots (Miami Green)
By Daniel Handal
Located in New York, NY
Tulip Thijs Boots (Miami Green)
2023
Signed and numbered on label, verso
Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs)
13.5 x 9 x 1.5 inches
T...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Pigment
Biblioteca Palatina, Parma
By Massimo Listri
Located in New York, NY
Biblioteca Palatina, Parma, 2011
Chromogenic lambda print
39.5 x 47.5 inches edition of 5
47.5 x 59 inches edition of 5
71 x 88.5 inches edition of 5
Born in Florence in 1953, ev...
Category
2010s Contemporary New York City - Still-life Photography
Materials
C Print
"A Fine Prospect", limited edition, American Landscape Photograph
By Ken Ragsdale
Located in New York, NY
30"x40" photograph of created landscape of paper. from the series: "The Hundred- Acre Wood" signed on reverse edition of 5. This photograph depicts the artist's vision of the American landscape, created in paper and then photographed to create this atmospheric image. The limited edition photograph captures a feel of Western United States farming, with a quality of light from the Hudson Valley. A union of artistic vision from West Coast to East Coast, Ken Ragsdale is a master of material construction, light and photographic composition.
The installation landscape scene created by Ken Ragsdale exisits only to be photographed. With each scene, the artist meticulously cuts paper and folds each component to be captured by his lens. This photograph of cut paper constructions depicts a bus ride through a forest scene from the artists memory. The hues of ambient amber, green, red and blue are created through lighting the staged scene created in white paper
Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences.
Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past.
Pacific Northwest native Kenneth Ragsdale’s work, derived from personal memories, involves a mixture of drawing, painting, sculpture, paper-craft, theatre...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Pigment, Archival Pigment
The River in the Morning
By Ken Ragsdale
Located in New York, NY
30"x40" edition of 5, photograph signed by the artist. This photograph depicts a constructed landscape created entirely out of white paper. The quality of light and color are achieved through the staging of the scene the aritst, Ken Ragsdale, creates. A scenic overlook into a vast landscape, with a camper in the foreground of the campsite, creates a dreamlike vision. Far off into the distance what appears almost as a mirage is a ferris wheel form, perhaps from a carnival or fair, or just in imagined.
The installation landscape scene created by Ken Ragsdale exisits only to be photographed. With each scene, the artist meticulously cuts paper and folds each component to be captured by his lens. This photograph of cut paper constructions depicts a bus ride through a forest scene from the artists memory. The hues of ambient amber, green, red and blue are created through lighting the staged scene created in white paper
Ken Ragsdale’s process begins with rough sketches of places and things from his past that are relevant to current themes he is considering. This series focuses on a time period of 1974-78, in the regions of Northern Idaho, to Eastern Oregon and the areas between. As his working drawings solidify the dimensions of the objects which represent his memories from that era, Ragsdale considers the landscape, terrain and weather, filtered through his personal memories and experiences.
Once the composition and components are determined as to capture the aura of a memory, schematic drawings are documented and prepared for hand assembly. Laboriously the schematics are cut out, folded and tabbed to create their final 3-dimensional formats. As each object is placed and the structures oriented, Ragsdale modifies the scenes to perfectly frame each scenario for the final photograph. From simple sheets of white Bristol Vellum, the atmosphere and lighting brings each image to life and allows for a reminiscent view of a wistful past.
Pacific Northwest native Kenneth Ragsdale’s work, derived from personal memories, involves a mixture of drawing, painting, sculpture, paper-craft, theatre lighting...
Category
2010s New York City - Still-life Photography
Materials
Archival Pigment
Kroma: Thecla Coronata-M-V
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Like Ice in the Clouds (Japan) No. 129
By Simone Rosenbauer
Located in New York, NY
15 x 15 archival pigment print, framed, edition 8.
Signed, titled, dated and editioned on frame label provided.
In this latest body of work, Simone Rosenbauer continues her series "...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Untitled (2005.A)
By Uta Barth
Located in New York, NY
Uta Barth
'Untitled (2005.A),' 2005
Laminated color photograph
20 x 30 inches (sheet)
20.25 x 30.33 x 1.5 inches (frame)
Edition 12 of 20
Signed on label on f...
Category
Early 2000s Contemporary New York City - Still-life Photography
Materials
Laminate, Photographic Paper
Kroma: Papilio Zalmoxis-R
Located in New York, NY
This image is from the series "Kroma". Pascal Goet looks for flowers, butterflies and other insect of items from the microworlds to attract our attention to the beauty of nature.
P...
Category
2010s Naturalistic New York City - Still-life Photography
Materials
Color, Dye Transfer
Throw It Fly It Toss It, Limited Edition Photograph, Playroom Decor, Kids Room
By Paula Brett
Located in Riverdale, NY
These limited edition photographs are Mandalas made from pieces of Candy or toys or fruit. Throw It, Fly It Toss It is 20x20 with a white frame in a 24x24 framed size. It is also available with plexifacemount framing. It is an edition of 20. Wonderful for kids room decor...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Photographic Paper
Pink Lily Detail, Color Nature Photography by Geoffrey Baris, Flower, Botany
By Geoffrey Baris
Located in New York, NY
Pink Lily Detail, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and numbered b...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Color, Archival Pigment
$1,260 Sale Price
31% Off
Fleurice M7
By Aziz + Cucher
Located in New York, NY
Fleurice M7
2020
Signed and numbered on label, verso
Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP)
24 x 24 inches (61 x 61 cm)
This work is offered...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Lambda
Fleurice 2
By Aziz + Cucher
Located in New York, NY
Fleurice M2
2020
Signed and numbered on label, verso
Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP)
24 x 24 inches (61 x 61 cm)
This work is offered...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Lambda
Fleurice M1
By Aziz + Cucher
Located in New York, NY
Fleurice M1
2020
Signed and numbered on label, verso
Durst Lambda print on metallic paper mounted to Dibond (Edition of 6 + 1 AP)
24 x 24 inches (61 x 61 cm)
This work is offered...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Lambda
"UNTITLED (Red Dot)", digital scan, photo paper, sculpture, assemblage, painting
By Sophia Rauch
Located in Toronto, Ontario
"UNTITLED (Red Dot)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating materials dir...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Photographic Paper, Digital, Inkjet
"UNTITLED (Cut Lavender)", digital scan, photo paper, sculpture, assemblage
By Sophia Rauch
Located in Toronto, Ontario
"UNTITLED (Cut Lavender)", 2018, is a color photograph by Sophia Rauch, one of a series originating as digital scans with the artist manipulating material...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Photographic Paper, Inkjet, Digital
August 13, 2020
By Ion Zupcu
Located in New York, NY
August 13, 2020
2020
Signed and numbered on label, verso
Archival pigment print
40 x 52 inches, image
(Edition of 3 + 2 APs)
$5000.00
26 x 34 inches, image
(Edition of 6 + 2 APs)...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
October 20, 2019
By Ion Zupcu
Located in New York, NY
October 20, 2019
2019
Signed and numbered on label, verso
Archival pigment print
40 x 52 inches, image
(Edition of 3 + 2 APs)
$5500
26 x 34 inches, image
(Edition of 6 + 2 APs)
$...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
July 31, 2020
By Ion Zupcu
Located in New York, NY
July 31, 2020
2020
Signed and numbered on label, verso
Archival pigment print
40 x 52 inches, image
(Edition of 3 + 2 APs)
$5500
26 x 34 inches, image
(Edition of 6 + 2 APs)
$450...
Category
2010s New York City - Still-life Photography
Materials
Archival Pigment
July 10, 2020
By Ion Zupcu
Located in New York, NY
July 10, 2020
2020
Signed and numbered on label, verso
Archival pigment print
40 x 52 inches, image
(Edition of 3 + 2 APs)
$5500
26 x 34 inches, image
(Edition of 6 + 2 APs)
$450...
Category
2010s New York City - Still-life Photography
Materials
Archival Pigment
"Exit Row" 40"x60" photograph, limited Edition of 5
By Stephen Mallon
Located in New York, NY
"Exit Row" 40"x60" photograph - edition 1/5 (unframed)
This iconic photograph is from the artist's series: "Brace For Impact: the aftermath of flight 1549." Depicting the wing from...
Category
21st Century and Contemporary Contemporary New York City - Still-life Photography
Materials
Photographic Paper, C Print
October 3, 2019
By Ion Zupcu
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
14 x 18 inches, image size, mounted to 20 x 24-inch museum board
(Edition of 10 + 3 APs)
26 x 34 inches, image size
(Edit...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
May 29, 2019
By Ion Zupcu
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
14 x 18 inches, image size, mounted to 20 x 24-inch museum board
(Edition of 10 + 3 APs)
26 x 34 inches, image size
(Edit...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
May 27, 2019
By Ion Zupcu
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
14 x 18 inches, image size, mounted to 20 x 24-inch museum board
(Edition of 10 + 3 APs)
26 x 34 inches, image size
(Edit...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Gold Helmet
By Joseph Desler Costa
Located in New York, NY
Dye sublimation print on aluminum, polished brass float frame (Edition of 3 + 2 APs)
Signed and numbered on label, verso
From the series "Particle Paradise"
This artwork is offered ...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Metal
Air Jordan Plumbago I
By Joseph Desler Costa
Located in New York, NY
Dye sublimation print on aluminum, black wood float frame (Edition of 3 + 2 APs)
Signed and numbered on label, verso
From the series "Particle Paradise"
This artwork is offered by C...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Dye Transfer, Wood
Still Life with Dice
By Boris Smelov
Located in New York, NY
Vintage Gelatin Silver Print. 1979 .16 x11 3/4". Image Size: 10 1/2 x 10 1/4."
Still Life with Dice, 1979
St Petersburg
Signed 9/15 Boris Smelov 79 by photographer on verso.
...
Category
1970s Contemporary New York City - Still-life Photography
Materials
Photographic Paper
Cloud
By Ion Zupcu
Located in New York, NY
Archival pigment print
Signed and numbered, verso
8 x 10.5 inches, image
(Edition of 15 + 2 APs)
15 x 19.7 inches, image
(Edition of 15 + 2 APs)
26 x 34 inches, image
(Edition of ...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
$1,200
Cardinal
By Ion Zupcu
Located in New York, NY
Archival pigment print
Signed and numbered, verso
8 x 10.5 inches, image
(Edition of 15 + 2 APs)
15 x 19.7 inches, image
(Edition of 15 + 2 APs)
26 x 34 inches, image
(Edition of ...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
$1,200
Untitled Turtle
By Ion Zupcu
Located in New York, NY
Archival pigment print
Signed and numbered, verso
8 x 10.5 inches, image
(Edition of 15 + 2 APs)
15 x 19.7 inches, image
(Edition of 15 + 2 APs)
26 x 34 inches, image
(Edition of ...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
Cranium
By Ion Zupcu
Located in New York, NY
Archival pigment print
Signed and numbered, verso
8 x 10.5 inches, image
(Edition of 15 + 2 APs)
15 x 19.7 inches, image
(Edition of 15 + 2 APs)
26 x 34 inches, image
(Edition of ...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
$1,200
Venus
By Ion Zupcu
Located in New York, NY
Archival pigment print
Signed and numbered, verso
8 x 10.5 inches, image
(Edition of 15 + 2 APs)
15 x 19.7 inches, image
(Edition of 15 + 2 APs)
26 x 34 inches, image
(Edition of ...
Category
2010s Contemporary New York City - Still-life Photography
Materials
Archival Pigment
$1,200
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