Dianna Kornberg

RAVEN SKULL, Diptych from Comparative Anatomy Portfolio

1993

postage stamps from exhibition "Weaving Streets". Edition of 20. each sheet is 7 1/2 x 6 inches.

lambda print mounted on plexi Edition of 3 Still-life of glass objects

Lambda print, mounted on aluminum with glossy laminate of still-life with grapes Edition of 3

hand colored photograph of green apples. Still-Life. framed in wood with gold leaf corners.

hand colored photograph. Edition 4/11

c-print mounted between plexi and pvc board, edition of 5

A pair of gold toned silver gelatin prints of butterflies. The prints are 5.5 x 6.5 inches each and framed as a diptych with 8 ply museum mattboard. Framed dimension are 12.5x18 inc...

Sarumawashi, literally "monkey dancing" evolved over a 1000-year history in Japan. Ancient Japanese chronicles refer to it as a form of religious ritual designed to protect the horse...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Blackberries, silver gelatin print, signed and numbered, limited edition, signed Storytelling comes naturally for photographer Keith Carter whose East Texas roots have greatly influ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...

Black and white photograph. Silver gelatin print by Ion Zupcu. Edition 4 of 15. Titled, numbered and signed on back. Framed under glass in black wood frame. Framed dimensions 23 3/4 ...