Ion Zupcu

July 31, 2020

2020

Window at sunrise 2021 Signed and numbered, verso Archival pigment print 24 x 18 inches (Edition of 10 + 3 APs) $4,600 40 x 30 inches (Edition of 5 + 2 APs) $8,200 This work is ...

Lissa Rivera Dream Room 2014 Signed and numbered, verso Archival pigment print 30 x 40 inches, image (Edition of 3 + 1 AP) $3600.00 20 x 30 inches, image (Edition of 5 + 1 AP) $...

This photograph by Doris Mitsch is offered by CLAMP in New York City.

Archival pigment print Signed and numbered, verso 30 x 40 inches 40 x 50 inches 50 x 60 inches (Total edition of 15) This artwork is offered by CLAMP, located in New York City. Please note that prices increase as editions sell. Lori Nix and Kathleen Gerber's series, "The City" (2005-2013) moves indoors to a variety of architectural interiors that could be found in our own urban surroundings. While much of Nix and Gerber’s earlier work was grounded in personal experience, this series exists more in the realm of speculation. These public spaces lie deteriorating and neglected while nature slowly reclaims them. The reason for their decline is unclear, but the effects are not. Lori Nix and Kathleen Gerber have been making art collaboratively for over sixteen years. Originally from the American Midwest, now based in Brooklyn, they construct meticulously detailed model environments and photograph the results. For the last decade they have found inspiration in their urban surroundings, imagining a future mysteriously devoid of mankind. Their miniature fake landscapes and interiors reflect a love of science fiction and dystopian entertainment (think “Blade Runner,” “Planet of the Apes,” “Logan’s Run...

This artwork by Sol Lewitt is offered by CLAMP in New York City. A sphere lit from the top, four sides and all their combinations 2004 Signed and numbered in pencil, verso Archiva...

Early morning light, Boston 2020 Signed and numbered, verso Archival pigment print 18 x 24 inches Edition of 10 + 3 APs $4,600 30 x 40 inches Edition of 5 + 2 APs $8,200 This wo...

16x20” Limited Edition Next available edition printed upon purchase. Other sizes available. Please allow 4 weeks for production.

Bunny Lambert Mellon’s potting shed, Upperville, Virginia, 31 May 2010 "Trompe l'oeil (and not)" Photographed by Jonathan Becker Contemporary 28" x 28.5...

Chez Zsa Zsa Gabor, Bel Air, California, 5 May 2007 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Ce...

Bunny Lambert Mellon’s trompe l'oeil potting shed in Upperville, Virginia, 31 May 2010 Photographed by Jonathan Becker Contemporary 28" x 28.5" Archival ...

Listing includes framing, free shipping and 14-day returns. Yuji Obata Homage to Wilson A. Bentley #4, 2005 - 2006 19 x 13 inch archival pigment print Edition 3 of 10 Signed and editioned on verso *Please note there is some wear and tear on the frame as noted in the additional images. The listing is priced accordingly. If you would like the piece to be reframed please contact us and we will provide a discounted rate with our framer here in New York or at our Los Angeles location. Yuji Obata was born in Japan in 1962. He attended the Nihon University College of Art and currently resides in Tokyo. He has won numerous photography prizes in Japan, and his work was first shown outside of Japan in 2010 with Danziger Projects at Pulse Miami. In 2003, Obata was compelled to photograph winter scenes in Japan as he stood in front of Pieter Bruegel's painting "The Hunters in the Snow" in Vienna's Museum of Art History. Upon returning to Japan, he traveled to the country's northernmost island, Hokkaidō, known for its cold and snowy winters. As he worked there photographing ice skaters at a middle school rink and a local speed skating team, his enchantment with images of winter deepened. Traveling around different regions of the island in winter, he began noticing the varied qualities of the snow itself, and finally became fascinated with the unique challenge of photographing snowflakes. Obata drew inspiration from the story and works of W.A. Bentley, an American farmer and photographer who adapted a camera and microscope to photograph a single snow crystal for the first time in 1885. Bentley went on to photograph more than 5,000 snowflakes in his lifetime, and his technique was so successful that it continues to be used today. Like Bentley, Obata was obsessed with the challenge of doing something no one had done before – in his case photographing snowflakes in freefall rather than on a flat surface without digital or any other manipulation. It took Obata five years to achieve but his breakthrough resulted in the capture of pictures that allow the snowflakes to relate to each other in space and size, creating dynamic compositions and scenes. Obata chose the location to shoot the series, in the mountains of Hokkaidō, based on its history as the place where Dr. Ukichiro Nakaya did research that led to his invention of artificial snow. His most recent book "Wintertale" gathers his photographs of winter...

Listing includes framing, free shipping in the US and Europe, and a 14-day return policy. Pineapple and Leaf Shadows #9 (2018) by Daniel Gordon. Image Size: 19 x 17 inches Signed...