New York City - Ceramics

Pair of antique (19th century) Japanese Imari porcelain vases with raised figurative designs later mounted as table lamps.

hardwood stands shown in photos are included with these planters; each porcelain planter is decorated with a multicolor figural scene; planter only: 14in(H) x 15.5in(diameter); overa...

Palatial 19th Century Chinese Porcelain Vase with Cover and Pedestal in the Qianlong style, with lovely floral and bird cartouches on rust red ground. With Qianlong mark on undersid...

metal bases shown in pictures are included with these items; celadon glazed, crackle decorated vases; each porcelain vase on fitted bronze base; approximate measurements of each vase...

A single ceramic Lion Foo dog decorative object, circa early-20th century, 1930s, China. This Lion Foo Dog is green and yellow with dark brown accents and base. Piece and makes a great decorative object for a desk, shelf, library, cocktail table, etc. Dimensions: 5.75" Height. Agate dish...

each porcelain bowl incised with floral scrolls and decorated with circular panels depicting landscape scenes

Chinese Han Dynasty Stoneware Storage Vessel, with two applied animal form handles. 10" H x 12.5" Diameter. Provenance: From the Upper East Side Apartment of a Former Ambassador.

3-1117 Scandinavian blue glazed terracotta abstract sculptural vase.

Kangxi style powder blue vase lamp. Rich powder blue vase drilled for electric with vintage Chinese style mounts. Newly electrified with black silk cord, ...

small monochrome bowls

floral motif on ruby ground

The cylindrical body molded with overlapping waves and applied with leaping carp; the underside bearing a molded apocryphal Daoguang seal mark.

Chinese celadon, porcelain pot decorated with a raised, tonal botanical and dragon design wrapping the entirety of its bulbous form and accented with foo...

Pair of 19th century Chinese porcelain Ginger Jars converted into table lamps with wood bases. The pair is beautifully painted with delicate images of flowers and green leaves.

A stoneware lamp from Si Satchanalai, Thailand, 15th-16th Century. Two-tiered round shape, glazed in earthly beige color, rustic appearance. 11 inches in diameter, 8 inches high. ...

A fabulous 19th century Chinese Famille Vert Porcelain figure of a seated scholar mounted as a lamp. Beautifully hand-painted with an array of monochrom...

A ceramic plate or bowl from the kilns of Sangkhalok, the old center of Thai ceramics during the Sukhotai period. Perfectly preserved. Signed at the bottom.  

small monochrome bowls

French (Mid-19th Century) Chinoiserie design faience 6-sided mantel clock with foo dog top and elephant heads on sides. (by JULES VIEILLARD, Bordeau France) (Not working)

porcelain jars decorated with birds and flowers on yellow ground

Pair of highly decorative and fine quality vintage glazed ceramic vases in the Japanese style from the mid 20th century, decorated with mountain landscapes.

A Magnificent pair of 19th century Louis XVI Style ormolu mounted chinese famille verte porcelain vases turned to lamps, the ormolu attributed to Henry Dasson. The ormolu mounted Chi...

A pair of fine carved white porcelain jars with fish swimming in the stylish wave decoration

Exceptional 19 century French Gilt Bronze mounted Chinese export vase with cover foliate motifs in the Louis XV style.

A blue cloisonné vase depicting an imperial Woman floating on a river among colorful Birds and Lillies on a celest blue background with a geometric...

A pair of fine carved silver glazed porcelain jarls with fish swimming in the stylish wave decoration

A ceramic vase from Thailand, with off-white glaze. Contemporary. While the golden age of Thai ceramics ended around the 15-16th Centuries, local craftsmen perpetuated the art thro...

signed by artist; decorated with a landscape scene and an inscription; wooden base is NOT included with this lot; 7.5in(D) x 7.5in(W) x 5.5in(H) are the dimensions of the cover bowl ...

Pair of Chinese San-T'Sai glazed dogs, circa 1860.

Chinese Blue and White Swatow Ware Bowl, Ming Dynasty, 17th century, with hand-painted floral central medallion and geometric border. 2.75" H x 12.25" Diameter. Provenance: From an U...

Chinese Blue and White Swatow Ware Bowl, Ming Dynasty, 17th century, with hand-painted floral motif. 2.75" H x 12.25" Diameter. Provenance: From an Upper East Side Collection.

Chinese Lotus Form Longquan Celadon Glazed Bowl, on ebonized carved wood stand. 3.5" H x 11.5" Diameter. Provenance: From an Upper East Side Collection.

The surface 'japanned' in imitation of Chinese lacquer in red and black, of baluster form with a slightly spreading foot, the enamel decoration formed of panels of chinoiserie figure...

floral motif on powder blue ground beaker vase

A shield-shaped antefix from Thailand, late 18th century. Reclaimed from old constructions and preserved in time, these architectural details were a decorative staple in many tradi...

An incredible pair of Louis XVI style 18th century Chinese porcelain vases with 19th century French doré bronze mounts. The porcel...

A pair of late 19th century French gilt bronze-mounted Chinese Canton porcelain lamps Painted interior scenes with many people, each separated by floral designs, the neck with gilded monkeys and lizards, and sitting on a bronze base. Measures: Height Vase...

Two fantastic and rare Chinese Kangxi Period porcelain fruit stands, Representing Buddhas Hand & Pomegranates. Each of these is beautifully hand-...

This delicately hand-painted Meiji-period Kutani-ware bowl is ornamented with lion-shaped handles on the bowl and lid, and is decorated in orange and gold with panels depicting floral arrangements, surrounded by scrolling borders. On the base is the "Dai Nippon...

vases have been made into lamps; approximate measurements of each vase with wooden base: 18in(H) x 8in(diameter); overall approximate measurements of each vase with lighting componen...

A fine pair of Chinese porcelain bottle-shaped vases, painted in the Islamic style, Daoguang period (1821-1850). Each vase finely handpainted in Henn...

Chinese porcelain sculpture of ripe, red peaches - symbolizing immortality - each crafted with great detail, stacked high in a green dish as an abundant tri...

A Fantastic 19th Century Chinese Blanc De Chine Model of a Water Buffalo. Beautifully hand-carved and enameled with a bright white body and black enamel eyes. This piece is really superb and in fabulous condition for its age. In Chinese culture, the water buffalo symbolizes the coming of spring. Throughout China the spring season began with a ceremonial plowing by the imperial capital through the use of a water buffalo, symbolizing its importance to the imperial heritage. Water buffalo were created in China for centuries, with terracotta pieces found in Han dynasty tombs...

the base that is shown in the pictures is not included with this vase; 6in(D) x 6in(W) x 11in(H) are the dimensions of the vase without the base

A shield-shaped architectural detail from Thailand, Late 18th Century. Reclaimed from old constructions and preserved in time, these architectural details are a decorative staple in...

Pair of Japanese Imari chargers showing cranes and Mount Fuji.

An original Asian clay container made into a table lamp. The vase has a basket weave motif throughout and has two big black crabs and a small black conch as ornaments. There is an un...

Chinese blue and white vase mounted as lamp, Kang Hsi, circa 1720.

A Highly Rare Pair of Monumental Qing Dynasty Rouleau Porcelain "Dragon" Vases A Masterful Display of 19th Century Chinese Artistry: The mid-19th century Qing Dynasty marked a period of artistic innovation and imperial grandeur, as exemplified by this rare and monumental pair of Rouleau vases. These exceptional porcelain works, notable for their commanding size and vibrant palette, are a testament to the unparalleled craftsmanship that flourished during this era. Embellished with a dynamic tableau of dragons rendered in bold hues of red, green, blue, brown, and yellow, these vases embody both artistic brilliance and the deep cultural symbolism woven into Chinese decorative arts. Artistic Excellence and Symbolism: At the heart of these magnificent vases lies a visual narrative that channels the power and mystique of the dragon, a central motif in Chinese culture symbolizing imperial authority, strength, and cosmic energy. The intricate depiction of dragons in motion, intertwined amidst stylized ocean waves, conveys a sense of fluidity and dynamic movement. Each color used—the crimson reds, verdant greens, striking blues, earthy browns, and golden yellows—has been meticulously applied, reflecting a mastery of the high-fired, polychrome enameling techniques perfected during the Qing Dynasty. The Rouleau form, with its cylindrical body, short neck, and slightly flared mouth, was a favored shape for large-scale vases in the 18th and 19th centuries. The form’s structured elegance allowed for expansive decorative panels, serving as an ideal canvas for intricate, multi-layered designs. This pair demonstrates how artisans skillfully balanced the flowing movement of the dragons with the rhythmic motifs of waves, resulting in a harmonious composition that engages the viewer from every angle. Craftsmanship and Technique: These vases represent the pinnacle of porcelain artistry achieved under the Qing Dynasty, showcasing techniques that reflect centuries of refined craftsmanship. The precision in the application of overglaze enamels and the expert manipulation of kiln temperatures to achieve vibrant and consistent coloration are indicative of the expertise within the imperial kilns. The dragons' scales, rendered with remarkable detail, create a textured effect that contrasts beautifully with the smooth, undulating waves, enhancing the three-dimensional quality of the design. The depth of color and the crisp delineation of each element point to a rigorous and time-intensive process. These qualities signify the involvement of highly skilled artisans who adhered to the imperial standards set by the royal court, ensuring that each piece was a fitting representation of the empire’s wealth and cultural prowess. Historical and Cultural Significance: Vases of this caliber were not merely decorative; they were imbued with profound symbolic meaning and often commissioned for imperial use or gifted as prestigious diplomatic offerings. The dragon motif, deeply embedded in Chinese folklore and philosophy, was associated with the emperor himself—known as the "Son of Heaven"—and symbolized his divine right to rule. These vases also reflect the Qing Dynasty's flourishing export trade and the global fascination with Chinese porcelain during the 19th century. European collectors and royal patrons prized such pieces for their artistry and the exoticism they represented, contributing to a legacy that elevated Chinese porcelain to a revered status in the annals of decorative art history. Provenance and Collectability: The extraordinary scale, exceptional craftsmanship, and rarity of this pair establish them as museum-quality works. Such vases would have held a place of honor in a palace or wealthy estate, reflecting not only the owner’s status but also an appreciation for the profound cultural and artistic traditions of China. Their provenance—potentially tied to an imperial commission or significant historical collection—underscores their importance as objects of study and admiration. Provenance: Private American Collection, acquired in London, circa 1905. Thence by descent to the current owners Solomon Treasure...

Born of the collaboration between a Parisian antiques dealer and a rural Vietnamese artists' community, these impressive monumental urns are a testam...