New York City Animal Sculptures

American bronze girl with cats, signed William Zorach with copyright WZ mark, circa 1920.

Titled Perdrix au lézard. Inscribed Arson.

Gilt bronze and marble animal ornament group, continental, circa 1820.

Realistic ceramic grouping of old fashioned type bulldogs showing the mother and two small pups in a life-like pose. Finished in a brown ceramic glaze.

A pair of Superb Antique Meissen German finely hand painted polychromed enameled porcelain sculptures of birds.

Ivan Bailey, a native of Georgia, trained as a blacksmith. He went on to perform countless commissions, both public and private, in the fine arts, not limited to the Olympic Torch mo...

Pair of continental lion and lioness, Italian, circa 1770.

A Pair of Early 19th Century Meissen Porcelain Figures of Swans. This pair of swans portrays the graceful form of these birds with a level of artistry that is truly exceptional. The...

Depicting a well dressed farmer feeding two pigs at their trough.

Pair of Continental faience dogs, Belgian, circa 1785.

Large bronze figure of a striding bear, early 20th century on stone base.

This little antique Tibetan equestrian figurine is distinguished not only by the remarkably detailed sculpture of a horse in a complete harness, but also by the high quality of the b...

The Bonbon Chouval  (Horse Biscuit in Creole) was originally a traditional pastry from the island of Martinique. Carelessly shaped as a horse, the biscuits were sold on the village m...

The Following Items we are offering are a Rare Beautiful Estate Two Piece Set of Musical Group of Frogs playing Musical Instruments, Each signed Italy!!! (Flute Player has already so...

This naturalistic and dynamic terrier was designed by Knud Kyhn who worked for Royal Copenhagen for much of his career. Numbered 20129. Incised KK.

Three fish sculpture made of Lucite by Hivo Van Teal. Signed and numbered. (Please confirm item location - NY or NJ - with dealer).       

Heavy weight antelope figure in brass set on a marble base. (Please confirm item location - NY or NJ - with dealer).  

This exquisite French animalistic bronze sculpture from the early twentieth century is beautiful in every way - its artistic expressiveness, as well as the highest-level rendition, h...

Danish Ceramic from the 1970s in good condition Located in Brooklyn.

Gorgeous vintage modern sculpture features a heavy solid brass seagull sitting on top of a thick marble slab. The sturdy round marble base and...

Emiliano Céliz is one of the finest silversmiths in South America. Residing in the San Martin de los Andes of Patagonia, he takes as his inspiration the splendor of his natural surroundings, incorporating the forms found in the beautiful lakes and the exquisite landscapes of the region into his work. His decorative artworks are wrought from a single plate of metal, a technique mastered by only a few artists in the world. Evocative of primitive life in ancient seas...

Paul Rudin (1904-1992) was an American sculptor, mostly known for animal depictions.

A beautiful pair of 19th century antique grand tour patinated bronze dogs seated on siena marble plinths. Each dog is beautifully cast and hand-chiseled with meticulous craftsmanship...

This playful ceramic sculpture of two cubs riding atop their mother's back emanates warmth with its subject, form, and color.  

The unknown sculptor of this fine, gilded-mahogany pelican appears to have been influenced by the turn-of-the-century Symbolist movement in Europe. The breast feathers are subtly car...

Qilin shown bearing the flaming pearl in his mouth.

A Beautiful Pair of 19th Century Antique Grand Tour Patinated Bronze Grey Hounds Seated on Marble Plinths. Each dog is beautifully cast and hand-chi...

A Fine Late 19th Century Italian White Carrara Marble of a Child and Dog A young child sitting and training their dog, on top of a rouge marble base. ...

Viennese bronze figure of a bear, stamped Austria. Beautifully hand painted with realistic multi-tone brown fur, open mouth, and black eyes. Vienna, circa 1900.

Terracotta sculpture representing four owls aligned on a thick branch and each showing a different expression. The mastery of the artist's work is accomplished The stylized scope gi...

This captivating Mid-Century Modernist owl sculpture, signed by the renowned design firm Curtis Jere, is a striking example of artistic innovation from the era. Crafted in America ar...

This beautifully hand-carved and painted folk art fish sculpture by Jeff Raymond (1949–2022, Poughkeepsie & Red Hook, NY) captures the essence of his lifelong passion for wildlife an...

Materials: Duralumin aircraft parts, recycled wood, paint. Dimensions: Width 31.5 inches Height 11.25 inches Depth 5.75 inches MAGALI a/k/a Lev...

Rembrandt Bugatti's "Flamant en Marche" also known as "Walking Flamingo" features a flamingo standing on two legs, a classic pose that highlights its slender, S-shaped neck and delic...

In this statue "Jabiru Femelle" also known as "Female Saddle Billed stork", the stork wades carefully through the water, its long, slender legs moving with quiet determination. The s...

In "Panthère assise" also known as "Seated Panther," Bugatti seems to have been concerned primarily with musculature. The uneven surface exaggerates the contours of muscles which in turn causes a curious effect: weightiness from the amplified muscles and lightness created by the myriad reflecting planes. Bugatti’s sculpture relies on asymmetry, with nearly half of the composition occupied by the panther’s horizontally extended tail. The curve of the tail rises, flowing into the S-shaped arc of the panther’s movement, accentuating the dynamic form of the great cat. Product Details: Item #: B-21648 Artist: Rembrandt Bugatti Country: France Circa: 1912 Dimensions: 8.625" height, 4.625" width, 14.25" depth. Materials: Bronze Signed: R. Bugatti and incised 1 with foundry mark Cire Perdue AA Hébrard Documentation: According to the Répertoire monographique, ten numbered casts of this model are known to exist. Provenance: M. Maire Collection, Épinal (acquired directly from Galerie A.-A. Hébrard, Paris in 1912) Literature: P. Dejean, "Bugatti, Carlo-Rembrandt-Ettore-Jean", Paris, 1981, p. 155 (another cast illustrated). J.-C. des Cordes & V. Fromanger des Cordes, "Rembrandt Bugatti, Catalogue raisonné", Paris, 1987, p. 47 (another version illustrated). E. Horswell, "Rembrandt Bugatti, Life in Sculpture", London, 2004, p. 143 (another cast illustrated). V. Fromanger, "Rembrandt Bugatti Sculpteur, Répertoire monographique, une trajectoire foudroyante", Paris, 2009, no. 294 (another cast illustrated p. 328). A. Daemgen & P. Demandt (eds.), "Rembrandt Bugatti, The Sculptor 1884-1916", Berlin, 2014, p. 118 (another cast illustrated). V. Fromanger, "Rembrandt Bugatti Sculpteur, Répertoire monographique, a meteoric rise", Paris, 2016, no. 298, (another cast illustrated p. 363). Macklowe Gallery Curator's Notes: Bugatti’s panther...

Bugatti’s "Ours Brun Marchant, La Patte Droite en Avant" also known as “Brown Bear Walking,” depicts a bear mid step in a relaxed position, on all fours, as if calmly surveying its s...

In the "Panthère au repos" also known as "Panther in Repose", Bugatti seems to have been concerned primarily with musculature. The uneven surface exaggerates the contours of muscles which in turn causes a curious effect: weightiness from the amplified muscles and lightness created by the myriad reflecting planes. And while this cat is sculpted in movement, it has a posed appearance. Product Details: Item #: YB-21615 Artist: Rembrandt Bugatti Country: France Circa: 1904 Dimensions: 7" height, 14.75" width, 5" depth. Materials: Patinated Bronze Signed: R. Bugatti and incised 10 with foundry mark Cire Perdue AA Hébrard Literature: V. Fromanger, "Rembrandt Bugatti, sculpteur, une trajectoire foudroyante, répertoire monographique, les éditions de l'amateur", Paris, 2016, p. 179 pour le plâtre, p. 356, no. 214. Macklowe Gallery Curator's Notes: Bugatti’s panther...

Rembrandt Bugatti's striking bronze depicts a pair of elegant white storks. The male stork, positioned on the left, gently rests its head upon its soft breast while tucking one of it...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Description: Koko lamp Dimensions: Approximate 24” diameter x 47” height Material: Solid bronze, linen shade Finish: Polished, (custom finishes available)...