New York - Art

Original Painting by Elizabeth McGhee

This painting is unique
, signed on verso, and includes a certificate of authenticity. Annika Connor is a modern-day Renaissance woman. Primarily known as a Contemporary Romantic pa...

Rooftops of Santa Barbara under a cloudy sky.

Keith Haring Free South Africa 1985: Original 1985 Keith Haring Free South Africa poster- a key historical Keith Haring activist poster ...

I am inspired by ornament, an ancient visual language used in various cultures for centuries." Sarupa Sidaarth (Indian, b.1976) studied at Sir J.J. School of Art and received her MFA at Academy of Art in San Francisco. Her studio practice flows predominantly from an intuitive and emotional approach. Inspired by ornament, her latest body of work explores social issues through the examination of creative and artistic practices. She engages in a thought-provoking dialogue and emphasizes on the idea of peaceful coexistence. Her work has been exhibited extensively in India, Europe and United States, including at the Bombay Sapphire...

"Sketching Among the Irises" by George Herbert McCord (1848-1909) is oil on canvas and measures 20 x 16 inches. The painting is signed by the artist at the lower left.

2018 Watercolor and ink drawing on bamboo paper 19 x 15 in. Signed and dated in pencil Unframed, excellent condition

Acrylic on Canvas

Signed (on verso): AF/2021

Lake, MO 2017. Is a piece that belongs to a larger series of photo paintings consisting of about 52 total. This piece is made with; ink, and enamel on...

Isabel Turbán layers paintings with transfers, acrylic, charcoal, and other mixed media onto canvas or paper. Her abstract paintings manifest memory, cultural experience, and politi...

Mixed media on canvas 78.79 x 86.60 in unstretched

Portrait

Japanese Woman’s haori. Meisen (warp-dyed) silk with gold metallic threads in the weft, shibori (tie-dyed) silk lining, unique purple color, with an abstraction of the battleship Mikasa, 42 x 48”, circa 1934. Almost perfect condition. The rarest type of propaganda kimono. Japanese propaganda...

2015 Monotype, ink drawing, and collage on Japanese paper 57 x 37 in. (145 x 95 cm) Signed and dated in pencil Unframed, excellent condition

Annika Connor is a modern-day Renaissance woman. Primarily known as a Contemporary Romantic painter, her work uses strong symbolism and passionate imagery to ignite the imagination. ...

This photogravure by Carol Munder, 16 x 16" framed; has a beautiful sense of light that creates an expressive image for the viewer, depicting a quiet scene divided in foreground, middle ground, and background that draws the viewer into the atmospheric perspective. In the foreground there is a haunting figure making eye contact, followed by some houses that create a gap to reveal another figure in the background that is out of focus, all if these aspects come together creating an engaging narrative. Carol Munder (b. 1953) is a Key West based photographer and lithographer. Munder graduated from Colombia College in 1973 with a focus in photography. In 1986, she was the recipient of the NEXUS PRESS Book Competition residency. From the mid-1990s to the early 2000s, she created large-format black and white prints of nineteenth-century statuary and Etruscan figurines utilizing a simplistic camera with a plastic lens. After she acquired a gravure press, Munder taught herself the art of photogravure. Munder explains, "This [plastic] lens produces a soft focus image that is evident in my work…The tree then branches as I work with the process if photogravure. Photogravure is a 19th century technique used to transfer an image to a copper plate by means of photomechanical process... the plate is [then] inked and printed on paper using a gravure press. My current imagery is focusing on wooden sculptures that have been found in French flea markets"

2022 Acrylic on paper 24 x 19 inches Unique Signed, titled, and dated in pencil on the reverse

Large Format Abstract Pink & Black Mixed Media Painting by Cuban Artist Victor Manuel. Victor is an emerging talent born and raised in Havana. With a great sense of Havana’s always ...

“Two Seated Men” by Henri Lebasque (1865-1937) Pencil and watercolor on paper 6 x 5 inches unframed (15.24 x 12.7 cm) Signed on bottom right Description: In ...

Abstract landscape painting in green, red, blue, and brown. Russell Sharon was born on a farm in Minnesota. He studied in Mexico City, Boston and New York. He is known for his wildly colorful works with imagery drawn from the Minnesota landscape...

Oil on canvas. Man on beach. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmodern f...

Dimensions 17.5in x 14in x 9in Unique, Signed on verso, includes a certificate of authenticity. Indira Cesarine is a multidisciplinary artist who works with photography, video, pain...

Berlin Porcelain Allegorical Plaque of Admiration KPM, Late 19th CENTURY The three-quarter-length portrait depicting a brunette woman with blue eyes in light ecclesiastical robes supporting palms crossed over chest and looking up over right shoulder - in a landscape immersed in powder blue sea holly...

Mug Shot of Sid Vicious. Hand pulled acrylic, enamel screen print and diamond dust on linen. Would ship rolled. About the Artist: Russell Young curre...

"Pink Carnations" Antique Victorian photo album page with c-type print, and framed. Dimensions: Artwork 8.125 x 11.125 in, Framed 17 × 13 × 1 in This ...

Lucky Strike In The Mirror (Lucky Strike I), 1961 Lithograph on paper 30 x 22 1/4” Edition of 20

Jonas Noël Niedermann Modular Shapes (Bleu, Rose et Opaline), 2021 Blown, carved, and etched glass 13.50h x 9w x 4d in 34.29h x 22.86w x 10.16d cm

Annette Davidek creates paintings that look like gorgeous biomes full of naturalistic forms, enticing viewers to enter a domain that is as familiar as it is strange. Variously sugges...

Alexander Ross Fuzzy Fish, 2020 Graphite on paper 11 1/4 x 15 inches 28.6 x 38.1 cm Signed, titled and dated (verso) -- Best known for his mysterious biomorphic paintings...

Isca Greenfield-Sanders Lake, 2022 Mixed media oil on canvas 17 x 17 inches 43.2 x 43.2 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid...

Untitled, 2019 Acrylic and graphite on hardboard 11 x 14 in

Painted, Welded -Aluminum Kinetic Sculpture. Blue and red colors. About the Artist: Studied engineering and sculpture at Stony Brook University. Steve has created sculptures of welded bronze or aluminum and have installed them around the world, including Hong Kong, Tokyo, England, France, Germany, Israel, Costa Rica, Puerto Rico, St. Thomas, St. Croix, Grand Cayman...

Oil on canvas

Fun, vibrant mixed media piece. Homage to the late great Andy Warhol. And Coca Cola. On wood. About the Artist: Allen's work has gained recognition w...

Signed and dated "Mary Spencer Nay '74" lower left. Titled "Pyromaniac's Pyre" verso. Exhibited: 1976-1977 "Mary Spencer Nay: Recent and Retrospective Works". J.B. Speed Art Museum...

Abstract. Painted, Welded -Aluminum Kinetic Sculpture. Blue colors. Moves in the wind. About the Artist: Studied engineering and sculpture at Stony Brook University. Steve has created sculptures of welded bronze or aluminum and have installed them around the world, including Hong Kong, Tokyo, England, France, Germany, Israel, Costa Rica, Puerto Rico, St. Thomas, St. Croix, Grand Cayman...

Fun, vibrant mixed media piece featuring woman in vintage bathing suit. On wood. About the Artist: Allen's work has gained recognition world-wide for it's complex layering of mixed media works that create a narrative of modern American culture. His work today is a culmination of many years of painting, thinking and experiencing. He blends urban street art with his background of typography, mixed media collage, and abstract expressionism into each of his urban pop expressionist works. The son of fine artist / commercial artist Harrison Allen, Mark learned a lot very early from his talented father. His think training also includes a bachelor degree in commercial art from Texas State University in San Marcos, TX. He continued study at Parson's School of Design in New York City where he had an apartment across the street from Andy Warhol's factory (they met in 1982.) He continued study later at Art Center College of Design in Pasadena, CA. Allen is represented in galleries throughout the world. Museums he has shown in include The Rock & Roll Hall of Fame Museum - Cleveland, OH; Experience Music Project - Seattle, WA; Memphis Brooks Museum of Art; Dallas Museum of Art, and Acadian Museum - Lafayette, LA. He was a major figure in the graphic design community for over two decades. Much of his celebrated work is from the entertainment industry doing graphic design work for high profile clients including the 'Yu-Gi-Oh' logo, 'The Wizard of Oz' 60th Anniversary logo, redesigned Coca-Cola bottles, designed 'The Nightmare Before Christmas' logo for Disney and art directed for recording artist Sean 'P Diddy' Combs record label, Bad Boy Records. Promotion work for Pepsi, Diet Coke...

Beautiful shot of brown horses against black background. Diasec. Face mounted on acrylic. About the Artist: Known for his large format prints of equestrian portraits - commissi...

Katie Commodore is an interdisciplinary artist who concentrates on creating intimate portraits of her friends, often focusing on how they express their sexuality. In 2000 Commodore received her BFA in illustration from Maryland Institute College of Art. In 2004 she obtained her MFA in printmaking from Rhode Island School of Design where she is currently an adjunct professor. Commodore has exhibited throughout the United States and Europe, including England, Italy, Germany, and Greece. Her work has been previously featured in a number of group shows presented by The Untitled Space...

This artwork was featured in The INNOVATE Exhibition at The Untitled Space from September 12 - October 2, 2021. Martha Zmpounou is a visual artist and a lecturer (University of the A...

Joseph Margulies (American, 1896-1984) Untitled (Portrait of a Girl), 20th Century Oil on canvas (or possibly linen?) 29 3/4 x 25 in. Framed: 33 3/4 x 26 x 1 1/2 in. Signed lower rig...

Oil on canvas. Engaging. Female centric. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmodern feeling of refl...

Mixed Media on canvas 50 x 30 in Unstretched Isabel Turbán layers paintings with transfers, acrylic, charcoal, and other mixed media onto canvas or paper. Her abstract paintings ma...

Grace Graupe-Pillard has concentrated on portraiture since her early charcoal drawings which she exhibited at The Drawing Center, NYC in 1981. Her work, which has been exhibited at notable institutions such as MOMA PS1 and galleries including Cheim & Read Gallery (NY) and Carl Hammer Gallery (Chicago), has evolved from over the years from pastels to large-scale oil paintings and installations of people who she describes as “having not been integrated into mainstream society.” Her more recent paintings, inspired by selfies and iPhone photographs, attempt to convey the vitality and diversity of 21st century contemporary culture while capturing the ineffable moments in our lives. “The sensuality and radiant beauty of youth and ethnic diversity are depicted in my choice of subjects, as well as the ravages of time which are imprinted on our being. All stages of life are filled with humanity that both elevates and dissipates the spirit.” Her work has been written about in The NY Times, Art News, The Village Voice, The Star-Ledger, Newsday, Flash Art...

Original oil painting by New York painter Alexandra Pacula. A city painting in a contemporary style with vivid colors and shapes. Pacula has been collected throughout the US, Europe,...

Finely painted after Rembrandt with a self-portrait of the artist and his spouse, Saskia, in a tavern, in the guise of the Prodigal Son LATE 19TH CENTURY, IMPRESSED MONOGRAM AND SCE...

2022, Encaustic on wood

2022 Vinyl 20 x 22 in. (50.8 x 55.9 cm) Edition of 5 Signed and numbered in pencil, verso

ink on beige sight size: 254 x 317 mm. PROVENANCE Acquired directly from the artist by Edward Laning (who inherited Marsh's studio) to Jack Henderson...

Mixed Media and epoxy polymer on wood panel 40.6 x 40.6 cm 16 x 16 in ----------- Klari Reis uses the tools and techniques of science in her creative proces...

Homage to Jimi Hendrix. One-of-one mixed media work on paper. (Vintage media, aerosol, acrylic, graphite & wheat paste) - Hand made Indigo cold-pressed 300gsm paper with deckeled e...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe...

Indira Cesarine is a multidisciplinary artist who works with photography, video, painting, printmaking, and sculpture. A graduate of Columbia University with a triple major in Art Hi...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Japan, Moore spent time in Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this sparkling portrayal of a young woman dressed in a traditional kimono and carrying a baby on her back, a paper parasol...

Abstract figurative gouache on paper painting

Jean-Michel Basquiat and Keith Haring at Tony Shafrazi Gallery 1987: Set of two individual 1980’s exhibition announcements published during both artist’s lifetime. Looks very cool fr...

Mixed Media on wood. Resin finish optional. Homage to late great Bridget Bardot. About the Artist: Seek One has been featured in Forbes, Maxim, Haute Luxury among others. He...