New York - Photography

Kaufmann House, Palm Springs Architect: Richard Neutra Kodak digital color print Print size: 20" x 24" (50.80 x 60.96) Image size: 15" x 20" (39.10 x ...

A black-and-white cityscape photograph In the photographer's Cities series features a view of the East River in Lower Manhattan in summertime. Shot at dusk from a small boat on the E...

Pagoda 1975 Signed, titled, dated, and numbered in pencil, verso Platinum print (Edition of 49) 10 x 7.5 inches, image This platinum print is from the “Street Materials Series.” ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Photographer Ludwig Favre was born in Senlis, France in 1976. Favre ...

15 x 15 archival pigment print, edition 8. Signed, titled, dated and editioned on frame label provided. In this latest body of work, Simone Rosenbauer continues her series "Like Ic...

President Donald Trump 1985 Archival pigment print 48 x 48 inches, edition of 10, $12,000 36 x 36 inches, edition of 15, $7,000 24 x 24 inches, edition of 25, $5,000 14 x 14 inches,...

This photograph by Jack Pierson is offered by CLAMP in New York City.

Nick Havholm, American (1968 - ) - Del, Year: circa 1998, Medium: Photograph mounted to 1/2 inch foam board, signed, titled, numbered in marker on verso, Edition: 2/4, Size: 60 x...

Abstract landscape sepia tone photograph of clouds Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches ...

Archival pigment print Signed and numbered, verso 30 x 36 inches (Edition of 3) 20 x 24 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Ad...

Nautical color still life photograph of white life preserver archival pigment print, edition of 10 32 inch diameter on 37 inch square paper This contemporary nautical still life ph...

Debbie Harry East Village, 1976 by celebrated New York photographer Fernando Natalici. Cooler than cool, this classic "Blondie" photo was capture...

In this hyper-detailed archival pigment print on watercolor paper, a white moth with brown circular markings on its wings is dramatic against a solid white background. Price shown ...

Nick Havholm, American (1968 - ) - Nat, Year: circa 1998, Medium: Photograph mounted to 1/2 inch foam board, signed, titled, numbered in marker on verso, Edition: 2/4, Size: 60 x...

David Ogburn, American (1942 - ) - Self Portrait, Medium: Gelatin Silver Print, Image Size: 10.75 x 8.25 inches, Size: 11 x 8.5 in. (27.94 x 21.59 cm)

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently visited La Muralla Roja in ...

Grid No.6, 2009 (Contemporary Framed Abstract Grid in Neutral Shades Black & Coffee) by Birgit Blyth 40" X 25" paper vertical chromoskedesic monoprint 44 x 29 inches framed, custom frame with black wood molding and anti-reflective glass This contemporary, abstract style chromoskedasic monoprint was created by experimental photographer, Birgit Blyth. Without the use of a camera, the artist produced this chromoskedasic image by applying the photographic chemicals to black and white photo pager and exposing it to light. The variety of caramel, toffee, brown and black tones is determined by the different chemicals used and the amount of time they are exposed to light. Here, the artist paints with the photographic materials in a gestural, linear motion. Beautiful hues of coffee, caramel, brown, grey, and black intersect to create unique abstract, intersecting grid patterns that resembles a basket weave motif. The photograph is complimented with a black metal frame with non-glare glass. It is equipped with sturdy wire on the back for instant and professional quality hanging. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Though Birgit Blyth began her photographic career using conventional photographic methods, she quickly became more interested in alternative processes. In the mid 1990’s a colleague showed her an article in Scientific American and it was here that she first discovered the technique called “chromoskedasic” painting, which would eventually lead her to fully finding her voice as a photographer. Blyth had always aligned herself with and been moved by abstract expressionist painting. The series of veil paintings by post-abstract expressionist, Morris Louis, was especially inspiring to her and caused her to ask herself how she could do similar interpretations photographically. In “chromoskedasic” painting, she found the answers and would begin on a new path in her artwork. The term “chromoskedasic” is derived from Greek roots meaning color by light scattering. Developed by a photographer named Dr. Dominic Man-Kit Lam, this process exploits the capability of silver particles in black and white photographic paper to “scatter” light at different wavelengths when exposed to light and chemicals. In her mastery of this photochemical drawing process, Blyth has painted lush washes of color into her own “Veil Series;” she has envisioned landscapes, both rural and urban, with melting swirls and marbled colors into rich palettes of toffee and lead. She has used this essentially experimental process to help her “see” the world around her. Blyth says she continues to be fascinated by the process because it requires “a combination of discipline, experimentation, and imagination, making possible a wonderful balance between control and surprise.” Because the chromoskedasic work is all analog, Blyth spends much of her studio time in the darkroom, which has become a rarity in the current world of digital photography. She does however, continue her preference for experimentation in numerous directions, even employing aspects of the digital age – this exhibit will also feature a new series of pieces created with the now defunct but much loved SX-70 polaroid camera, scanned and archivally printed on 24” x 24” fine cotton rag paper. Whatever the process, Blyth’s work is, as the painter and poet, Peter Sacks noted, a blend of “precision and mystery, of articulation and atmosphere.” Her images leave us with the feeling of ongoing action despite the apparent stillness; of qualities both dreamy and stark as light hits a stand of birch trees in a valley or a group of buildings in New York City. As Morris Louis evolved a style of painting that produced a complete integration of paint and canvas, so too has Blyth, with photo paper and chemicals, created a perfect integration of method and content. Artist CV: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

ABOUT THIS PIECE: My first job out of school was on a trading floor playing a never ending game of probabilities. Days and nights filled with nodes, signals, decision trees, path-dependent outcomes and calculated probabilities in every flavor I could never have imagined. I spent eight years of my life in a two-block radius around 52nd and Park working on the kind of hopeless problems nobody in history had ever successfully solved; instead of helping me understand the world better like I thought I would in my naivete, my time there instead taught me the romance of the idea that some things are more beautiful if left never understood. That there was a peace in understanding there would be no answer. This series of surfer “movement studies” is a playful reminiscence of this part of my past, an ode to a formative period of my life overlaid on my San Diegan coastal upbringing. There are few things I have experienced in my life that are as pure and total in its disconnection with the world as sitting on a bar of foam on the great rippled plane of our oceans. It is my career’s antithesis. This humorous, almost interactive scribbling of pseudo-mathematical lines and nodes laying out all the nameless surfer’s possibilities represents this tension that continues to define me. ABOUT THIS ARTIST: Albert Hong...

This is an original exhibition poster titled "Objects" by the renowned photographer John Gruen. The poster was published by the Gallery of Photographs, located at 724 5th Avenue, NYC...

Museo Archeologico III, Napoli 2018 C print Signed and numbered by the artist 39.5 x 47.5 inches - edition of 5 47.5 x 59 inches - edition of 5 71 x 88.5 inches - edition of 5 Massi...

The Beatles are photographed leaving Heathrow Airport for the US to perform at the Ed Sullivan Show in February of 1964. The group would go on to be regarded as the most influential ...

Archival pigment print Signed and numbered, verso 30 x 24 inches (Edition of 6) 40 x 30 inches (Edition of 6) This photograph is offered by ClampArt, located in New York City. Plea...

Hotel Chelsea, New York. Second Floor, North Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 26.6 in H x 40 i...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 25 If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for more information. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photogra...

This listing includes framing ($1,750 value) and a 14-day return policy. Shipping will be charged at cost with a white glove delivery service. Also available for local pick up at our New York City gallery. The Way of Ishq (2019) by Karen Knorr. Archival pigment print Image size: 48 x 60 inches Frame Size: 52 x 64 inches framed Edition 2 of 5 Signed, with certificate of authenticity Artist Biography - While Knorr’s images take some of their inspiration from the Indian tradition of personifying animals in literature and art, there is another almost subconscious strain to her work. Going back to the time of cave painting we see that these early visual artists not only recorded their lives and surroundings, but used art to express themselves. The depiction of animals in symbolic and powerful ways and the urge to create these images with the best tools at hand is a line stretching from these unnamed cave painters to Karen Knorr. Playfully combining technologies and genres, Knorr mixes digital...

Gelatin silver print Signed in pencil, verso 16 x 20 inches, sheet size 14 x 18.25 inches, image size This artwork is offered by ClampArt, located in New York City. Lillian Bassma...

Contemporary Canadian woven photograph titled "Algonquin Sunset" by Peter Gottlieb. After receiving his Bachelor of Fine Arts from the University of Michigan School of Art & Design, Gottlieb co-founded a Toronto based design firm where he served as creative director for ten years. In 2009, Gottlieb moved to the countryside near Algonquin Park...

This aerial photograph was taken by Klaus Leidorf from an airplane (which he also flies). It was not staged or manipulated and can be custom size.

David Ogburn, American (1942 - ) - Alexander O'Neal, Medium: Gelatin Silver Print, Size: 10 x 8 in. (25.4 x 20.32 cm)

Archival pigment print, painted frame (Edition of 4 + 1 AP) Signed and numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes mounting and ...

John Stathatos "Homage to Heraclitus: Earth IV" is a black - and white 50 x 40 inch photograph. It is printed on archival Hahnemuhle Barita paper. The photograph is part of a series ...

A Mink Look, Contemporary Still Life Photograph by Roni Horn, 1998 Signed, titled, dated, and numbered in pencil, verso Iris print on Monadnock paper (Edition of 15) 20 x 27 inches Roni Horn's A Mink Look (1998) exemplifies the artist's fascination with subtle details in nature, presented through an image that blurs the boundary between portraiture and abstraction. This Iris print, rendered on Monadnock paper in a limited edition of 15, captures a cropped, close-up view of a mink, focusing on the rich texture of its fur. The composition, measuring 20 x 27 inches, isolates the animal's form from its surroundings, reducing it to an abstract play of curves and tonal variations. The neutral background highlights the luxurious depth and sheen of the mink’s coat...

Untitled (Alan in the Barn), New Hampshire 1975 Signed, dated, and numbered in pencil, verso Vintage gelatin silver print (Edition of 2) 14 x 11 inches, sheet This work is offere...

An original gelatin silver print by American social documentary photographer Milton Rogovin depicting a resident of Buffalo's West Side in the early 1970's. This work is hand signed ...

Bowl of Cherries Contemporary Still Life Cyanotype Photograph of a bowl of cherries Image is 20 x 16 inches, paper size is 24 x 18 inches, ed of 5 Unframed David Sokosh is a storyteller with a unique ability to internalize, synthesize, and recollect. If one of his tenderly photographed stills lifes was a tiny window into the workings of his mind, then on the other side you would discover a trove of collected treasures. Vintage teacups...

Architect Arturo Pani and his wife by their swimming pool at home in Acapulco, Mexico. Complimentary dealer shipping to your framer, worldwide. Undercurrent Projects is proud to o...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Will Adler's studio in Santa Barbara. Will Adler Shipwrecks, 2009 30 x 20 inch archival pigment print Edition 5 of 8 - *last print at this price* Signed on adhesive certificate Other sizes are available from the same edition. 30" wide, 40" wide, 50" wide and 60" wide. Please inquire for pricing. Artist Biography - Will Adler is a 38 year old west coast photographer known for his distinctive take on the surf world. Adler's laid back, light infused images, (as often of women surfers as men) convey the spirit and atmosphere of place as much as the action of the sport and have earned him a cult following in surfing and photography circles. For his summer show at Danziger Gallery, Adler is showing pictures from Hawaii, California, and Montauk shot for himself and for magazines such as Juxtapoz, Neon, Surfer, WAX, and The New Yorker, His commercial clients have included Quiksilver, Patagonia, Nike, and Hixsept. The 2014 summer show at Danziger Gallery was curated by Tom...

Shot on the streets of New York, a neon-yellow pop art photographic portrait called Modern Man, 2011 by Roberta Fineberg. Modern Man is a 14" x 11" c-prin...

A black-and-white image shot on film, Roberta Fineberg captures on a carefree summer day a child's hand waving goodbye, prophetically perhaps at the Worl...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

Hotel Chelsea, New York. Third Floor, South 2011 Photographs from the photography book entitled Hotel Chelsea (publisher pointed leaf press 2013). C-print archival Size: 26.6 in H x 40 in W Edition of 10 + 2AP *Extra Large size available in Edition of 3 (by special order) These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. American photographer Victoria Cohen...

Digital C-print (Edition of 11) Signed, dated, and numbered, verso This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sel...

Massimo Listri Fortuny, Venezia 2022 C print Signed, dated, and numbered on verso label 39.5 x 47.5 inches (100 x 120 cm) edition of 5 - $12,500 47.5 x 59 inches (120 x 150 cm) e...

Gelatin silver print (Edition of 15) Stamped and numbered, verso 14 x 11 inches, sheet 7 x 5 inches, image From the series, "Gymnasium" This photograph is offered by ClampArt, loca...

In this hyper-detailed archival pigment print on watercolor paper, a green moth with white spots is dramatic against a solid white background. Edition of 12. Signed, dated and numb...

A black and white photograph of a woman dressed in costume - goddess of the hunt, the moon, and nature - in mythology, Diana, the huntress a maiden with blond braids and a gold tiara. The mask on the back of the goddess invites us into the spirit world ... the subject photographed at a countryside masked ball in St Martin d'Ardeche, France. Diana the Huntress, France, 1989 by Roberta Fineberg is a signed 14 x 11 gelatin silver print in an edition of 5. Provenance: RF Archive *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and the development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary photography), play, timelessness, the enduring, and the significance of matter. RF, living in New York City, began her career as an editorial photographer while studying in Paris. In France she contributed both photography and writing to publications, landing a column (photos and text) with The Saturday Review while exhibiting photographs in public spaces. Roberta Fineberg’s freelance photography appeared in Le Monde, Jeune Afrique, Paris Match, L’Officiel Femme, Ms, Weltwoche, Vanguardia, among others with images licensed through stock agencies. Photographs were selected for cover art at W.W. Norton, St. Martin’s Press, Harcourt, Bookspan, Simon & Schuster, etc. Print Regional Design Annual New York (2003) awarded her for book jacket photography for If Wishes Were Horses. In 1997 Macmillan published City Riders: A Story of Riding and Friendship her first book of black-and-white photographs and a story about three teenage girls in the 1990s who rode horses at the now-defunct Claremont Riding Academy and oldest stable in New York City. In 2023, RF created an interactive installation, works on paper on the female body, in a public space. In July 2022, Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2020, 2022), CADAF online art fair (2020), Gallery122 New York pop-up group...

Lunch, Napeague, NY, Archival Pigment Print, $550, Edition of 5, 2016 East Hampton, New York Iconic LUNCH Lobster Roll Sign Printed to Order *Photography: U Wash Truck, Death Valley and Mulford Lane, Amagansett 2012 have been featured in the June 2019 issue of Black & White Magazine and the photograph Boat...

It doesn’t matter if it’s Bermuda, Hawaii or Costa Rica, if there are palm trees and crystal clear water you’re daydreaming of hopping on the next flight out. However, your daily lif...

ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product s...

Framed still life photograph of an indigo blue Morning Glory flower on a crisp white background “Untitled 58” by Chad Kleitsch, this image is part of the artist’s “Botanical Mind” se...

A crowd is gathered outside the Bonwit Teller department store on Worth Avenue while a band plays opposite during the Palm Beach Easter Parade, Florida, 1955. Slim Aarons Palm Beac...

April 1968: Mr and Mrs Donald Leas with their Rolls Royce and two pet dogs outside The Flagler Museum in Palm Beach, Florida. Complimentary dealer shipping to your framer, worldwide...

ABOUT THIS PIECE: "My work it’s about what we cannot see, the universal questions, time and minimalism. it’s hypnotic, contemplative, deep yet subtle. I create these works because I feel I have to experiment with these subjects. Everything is possible and I want people to feel the same, that there is much more and that we are part of a network of different dimensions, beings and universes." - Esteban Amaro...

Héliogravure on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, Electa Editrice Portfolios, 1980. Published and printed ...

Untitled, F81_3682 (Abstract photography) Archival pigment print, blind embossed stamp, and signed by the artist. Limited edition of 9. Unframed. Shipments are in a hard tube, prote...

Toned gelatin silver print Signed and numbered in pencil, verso 15 x 15 inches (Edition of 10) 30 x 30 inches (Edition of 3) From the series, "American Homes" This artwork is offe...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Shot on a 20x24 Polaroid camera, "Suzanne and Shark Jaw" from her 1986-91 “Transformations” series is a one-of-a-kind print made only rarer by the limited availability of the device’...

Abstracted landscape sepia toned photograph of clouds and sky on three panels Japanese Kozo paper infused with encaustic on 3 panels, each panel ...