New York - Abstract Prints

Large scale black and white etching depicting an abstracted pool, at David Hockney’s home in Los Angeles. This hand painted Howard Hodgkin work is i...

Artist: Richard Anuszkiewicz, American (1930 - ) Title: Celebrate New York Year: 1973 Medium: Silkscreen, signed and numbered in pencil Edition: 300 Image Size: 28.75 x 22.25 inches ...

Stephen Powers EVERYTHING IS SHIT Except You Love, 2014 Screenprint on 335 GSM Coventry Rag paper 24 × 24 inches Edition PP 3/3 Hand Signed and numbered in the artist's distinctive hand. One of only three rare Printer's Proofs Rare collectible! One of only three (3) printers proofs!! For offer here is an 11 Color lithograph on 335 GSM Coventry Rag paper featuring the incredibly popular message : "Everything is Shit Except you Love” by artist Stephen Powers, who recently exhibited at the Brooklyn Museum. The simple messaging with bold, playful lettering with purple background has resonated with so many, and the edition sold out almost immediately. This is one of only three rare Printers Proofs, aside from the regular edition, which is also long sold out. In excellent condition; never framed. Makes a terrific gift that says it all. Excellent provenance: Acquired directly from the printer. About Stephen Powers A Fulbright scholar who has been awarded many public commissions and exhibited in major institutions like the Brooklyn Museum.... Born and raised in Philadelphia’s Overbrook neighborhood, Stephen Powers (b. 1968, Philadelphia) moved to New York in 1994, where he gained attention as the publisher of On the Go magazine and the author of the graffiti history The Art of Getting Over. In 1997, Powers undertook an ambitious and far-reaching graffiti campaign of his own, using the official-sounding acronym ESPO (Exterior Surface Painting Outreach) to deflect attention from the illegality of his activities. By 1999, he had covered dozens of storefront grates with giant silver block lettering. Powers gave up street graffiti the following year to concentrate on studio-based projects. Powers’s work typically fuses word and image in paintings and graphics that evoke the bright look of a handmade bodega and fairground...

ROBERT INDIANA Santa Fe Opera (Hand signed, numbered), 1976 Silkscreen on wove paper 37 1/2 × 27 inches Edition AP 7/50 Hand Signed and dated lower rig...

Moshe Givati (Israeli 1934-2012), "Untitled" Edition 1/20 Artist Proof, Abstract Serigraph Screen Print, 39 x 27, Mid 20th Century Colors: Brown, Yellow, Blue, Orange, Red, Pink, Gr...

Ivel Weihmiller (Argentine b. 1954) , "Lion and Woman" Edition 5/30, Abstract Lithograph Print numbered in Pencil, 22 x 27, Late 20th Century, 1980 Colors: Orange, Blue, Green, Yell...

Martha Reed was the daughter of the artist Doel Reed and as an adult she joined her parents in Taos, New Mexico. There she designed clothes with a south-we...

Geometric Tablet by Robert Tucker, American Date: circa 1970 Screenprint, signed and numbered in pencil Edition of 12/200 Image Size: 24 x 23.75 inches S...

Rendered in soft, neutral colors with light lines and shading, this portayal of a young child at breakfast time is sweet and endearing. Forgoing the Cubist style, Pablo Picasso inste...

Outer Edges 8 (2020) by Kristiina Lahde. Edition of 5. Inkjet print on Hahnemühle Agave.

Artist: Roy Ahlgren, American (1927 - 2011) Title: Asteroid Year: 1982 Medium: Screenprint, signed, numbered, titled, and dated in pencil Edition: 150 Size: 22 x 30 in. (55.88 x 76....

Artist: Mimmo Rotella, Italian (1918 - 2006) Title: Pepsi Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 300 Size: 23 in. x 30 in. (58.42 cm x 76.2 cm)

Robert Indiana 6, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Frame Included: Elegantly matted and framed in hand...

Poster created for 150 Years of Growth Great Neck Public Schools.

Robert Morris (1931-2018) Study for Copper Sculpture, 1980 Screenprint with Metallic Ink, signed and numbered in pencil Pencil signed, dated, and numbered PP1/7 by Robert Morris on t...

Artist: Thomas W. Benton, American (1930 - 2007) Title: Untitled - Rainbow Mountain Year: 1981 Medium: Silkscreen, Signed and numbered in pencil Edition: 250, XLV Image Size: 3...

Alan Shields TV Re-Run A, 1978 Mixed Media Monotype embossing, linocut, with watercolor and silver leaf applied decoration on TGL Handmade Paper. Mounted on Linen Board Signed by Ala...

From the Evolution Series by Thomas Benton, this bold red screenprint resembles an eye with the iris descending down into it. Benton drew upon his career as an architect, the strong ...

Robert Israel (American, b. 1939), "Pretty Polly" (From Punch & Judy, Seven Hand Colored Lithographs)" Edition. 35/65, 15.50 x 22.75, Late 20th Century, ...

Lawrence Weiner Then Now and Then: Leo Castelli Gallery (Hand Signed), 1997 Vintage Poster Signed by Lawrence Weiner 14 × 12 1/2 inches Unframed Uniquely hand signed poster (of unkno...

Unknown/Unidentified Artist, "Untitled" Edition 80/120, Abstract Lithograph signed and numbered in pencil, 22 x 30, Late 20th Century Colors: Red, Green, Yellow, Black, White, Brown...

This dramatic composition by Pablo Picasso features several humanoid figures bearing weapons as they crawl along the ground, fish from a boat, and ride a horse. Rendered in hues of o...

Temporal Perception # Petite Vague (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size ...

Jean Albert Gorin (French, 1899-1981), 1970, silkscreen printed in colors, pencil-signed and numbered 22/175, Image 23.75 x 23.75 inches, Published ...

1-2-3 Outside reproduces James Rosenquist’s 1963 oil painting of the same name, collected in the Spencer Museum of Art, The University of Kansas, Lawrence. Rosenquist sourced the ima...

Concentric Space (White) Clarence Holbrook Carter American (1904–2000) Date: 1969 Screenprint, signed and numbered in pencil Edition of 50 Image Size: 23.5 x 19.5 inches Size: 25 x...

Bernar Venet Sit on Steel (Hand Signed & Inscribed), 1991 Offset lithograph poster. hand signed. dated. dedicated. Boldly signed, dated and inscribed in silver sharpie on the front 26 3/4 × 18 1/4 inches Unframed Rare vintage poster, hand signed and dedicated by Bernar Venet to the legendary sculptor Isaac Witkin...

Margaret Harris (American) " The Spirit Of Dutchess County Extending Her Blessings" Edition 6/15, Figurative Etching/Drypoint/Aquatint signed and numbe...

Richard Tuttle The Art of Richard Tuttle (Hand signed, dated and inscribed by Richard Tuttle), 2005 Hardback monograph with dust jacket (Hand signed, dated and inscribed to Nadine by...

Temporal Perception 365 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30...

Temporal Perception # Petite Vague (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size ...

Temporal Perception 6B (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30"...

Artist: Mark Tobey, American (1890 - 1976) Title: Psaltery, 1st Form Year: 1974 Medium: Etching on BFK Rives, signed and numbered in pencil Edition: EA 22 Paper Size: 25.5 x 19.5 in....

Unknown/ Unidentified Artist "Untitled: Multicolored Abstract Curved Linear Lithograph" Edition 2/300, Abstract Lithograph signed and numbered in Pencil, 19.38 x 27.25, Late 20th Ce...

Tadas Burba (Lithuania b. 1939) "Untitled: Black, Blue and Silver", Abstract Lithograph signed in Pencil, 23 x 16, Late 20th Century Colors: Black, Bl...

John Cage 9 Concert Tickets designed by John Cage and Earle Brown, August 1953 Letterpress print without ink 11 x 8 1/2 inches Provenance Estate of Carolyn Brown, New York 2025. B...

Robert Israel (American, b. 1939), "Doctor" (From Punch & Judy, Seven Hand Colored Lithographs)" Edition. 35/65, 15.50 x 22.75, Late 20th Century, 1970 Colors: Black, White, Orange...

Leaves Winding from the Women's Portfolio, Brooklyn College Art Department Lisa Falls, American Date: 1990 Etching and Aquatint on Arches paper, signed and numbered in pencil Edition...

A colorful abstract lithograph by master printer Deli Sacilotto (Canadian/American 1936 - ). Along with Donald Saff, he is known as one of the top pri...

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed or initialed in the image -- on t...

Rare, historic collectors item: Roy Lichtenstein, Frank Stella, John Chamberlain New Work, Leo Castelli poster, 1967 Offset lithograph poster invitation with original folds, addresse...

A silkscreen print by Ilya Bolotowsky circa 1970. A retro modern piece with an abstract geometric design. Artist: Ilya Bolotowsky, Russian/American (1907 - 1981) Title: Series 1 Ye...

George Stauch (American b. 1900), " Untitled" Edition 2/300, Abstract Color Lithograph signed in pencil, 20 x 24, Late 20th Century Colors: White, Red, Brown, Yellow, Gree...

Nancy Graves Original Graham Gallery poster (hand signed by Nancy Graves), 1968 Extremely rare vintage offset lithograph poster (hand signed by Nancy Graves) hand signed by Nancy Graves in pencil on the front Frame included: held in museum quality wood frame with UV plexiglass Publisher: Graham Gallery This late 1960s vintage Graham Gallery poster is hand signed by Nancy Graves on the front. It was published on the occasion of her "Camels" exhibition - a groundbreaking show in the artist's young life, as she died at age 54 of breast cancer. (People forget how brave she was, a sharp counterpoint to the style of the macho Minimalists of the era, like her ex husband Richard Serra.) The following year -- in 1969 - Nancy Graves became the first woman ever to have a solo show at the Whitney Museum. We've never seen another of these posters anywhere else in the world - let alone one hand signed by Nancy Graves. Elegantly framed in a museum quality wood frame with UV plexiglass Measurements: Frame: 17 x 17.5 x 1.5 inches Work: 10 x 10.75 inches About Nancy Graves: Nancy Graves (1940–1995) was born in Massachusetts. Her father worked as an accountant at the local Berkshire Museum, where art was displayed with natural history. He encouraged his daughter’s early interests in art, nature and anthropology — interests which endured for the rest of her life. After graduating from Vassar College with a degree in English Literature, Graves attended Yale University, where she earned both a B.A. and an M.A. in Art, studying alongside Chuck Close, Robert Mangold and Brice Marsden. Following Yale, she won a prestigious Fulbright Scholarship in 1964, and began studying painting in Paris — where she also married sculptor Richard Serra, whom she had met at Yale (and from whom she would divorce in 1970). Moving on to Florence soon after, she would live a somewhat nomadic life, spending time in countries that included Morocco, Kashmir, India, Egypt, Peru, Australia and Canada. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps...

Peter Halley Peter Halley, Sonnabend Gallery, New York (Hand Signed by Peter Halley), 1989 Offset lithograph poster (hand signed by Peter Halley) 28 × 26 inches Unframed Alpha 137 Gallery is honored to offer this historic offset lithograph of American artist Peter Halley's 1989 exhibition at the legendary Sonnabend Gallery in New York which the artist hand signed in black marker. Scroll down for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali...

Garo Antreasian Hand Signed Card, 1978 Offset lithograph invitation card Inscribed Best wishes and signed by the artist in ink on the front 7 3/4 × 5 1/2 inches Unframed Rare hand signed vintage exhibition invitation card, signed and inscribed by the artist on the image. Acquired from a prominent collection of vintage artist autographs...

Burton Wasserman Peace, Dedicated to art writer Eleanor Marko and her husband Ted, 1969-1970 Silkscreen Signed, titled, dated, AP inscribed "For Eleanor and Ted Marko/Cordial Greeti...

Chinatown 6 Chryssa, Greek (1933–2013) Date: circa 1979 Screenprint, Signed and Numbered in Pencil Edition of 66/250 Size: 38 x 31 in. (96.52 x 78.74 cm)

Artist: Kyohei Inukai Title: Under The Sun Year: circa 1978 Medium: Serigraph, Signed and numbered in pencil Edition: 200 Paper Size: 26 x 33.5 inches

untitled lithograph drawn in 2022 and published in an edition of 43. Measuring 36 by 25 inches, the work is designated number 9 of 43 lower left and signed in pencil "R Hunt...

Anish Kapoor Anish Kapoor (Hand signed and inscribed to Nadine by Anish Kapoor), 1998 Hardback monograph (Hand signed and inscribed to Nadine by Anish Kapoor) Hand signed and inscri...

A Cubist composition of three figures, perhaps clowns, dancing in a circle using a hoop. This Lithograph by Johnny Friedlaender is signed and numbered in pencil. Fugue Around The Fe...

Sidney Janis Gallery, Jean-Michel Basquiat, CRASH (John "Crash" Matos), A1One, Chris DAZE Ellis, Daze, Keith Haring, Rammellzee, TOXIC, Kenny Scharf, Lee Quiñones, Lady Pink, Futura & others Rare Sidney Janis Gallery poster for American Graffiti show Abstract Prints, 1983 Silkscreen Poster on glossy paper 36 × 24 inches Unframed Very rare and highly collectible vintage poster...

Risaburo Kimura ( Japanese, 1924 - ), "City 371", Abstract Color Screen Print Serigraph, 22.50 x 19, Late 20th Century Colors: Purple, Blue, Orange

A silkscreen print by Ilya Bolotowsky circa 1970. A retro modern piece with an abstract geometric design. Artist: Ilya Bolotowsky, Russian/American (1907 - 1981) Title: Series 4...

John Baldessari Pillow Cases in Bespoke Presentation Box (one pillowcase hand signed by John Baldessari) for The Thing Quarterly Issue 22, 2014 Silkscreen on 100% cotton 320 thread count sateen pillowcases (Hand signed by John Baldessari) Boldly signed in ink by John Baldessari on one of the pillowcases (see photo) Unframed One of the pillowcases is hand signed in ink by John Baldessari: John Baldessari was one of the artists who were invited to contribute an object (or "thing") with text for a special project for "The Thing" publication (read on for more on "The Thing") ; the conceptual object therefore had to incorporate text. Baldessari's contribution in 2014 was a silkscreened pillowcase with text. A limited (unknown) number of these pillowcases were marketed and sold as a set of two in a bespoke box. However, exceptionally, Baldessari hand signed a very few of pillowcases in ink. This is one of the very special sets bearing one hand signed pillow case - purchased directly from "The Thing". (a copy of the 2014 receipt is shown here.) The rest of these boxed sets were not hand signed. The pillowcase is brand new, and will look gorgeous once pressed and framed by a professional framer. More about this boxed set: Issue 22 of THE THING Quarterly is by LA-based conceptual artist John Baldessari. It consists of two 100% cotton sateen pillowcases featuring an image of a woman clutching a pillow. The black and white image is taken from a Hollywood film still in Baldessari's collection and has been silkscreened on each pillowcase with environmentally-friendly, water-based ink. The pillowcases are standard-sized and envelope-style. For those who like their thread count high, the issue clocks in at a solid 320 thread count. Measurements: Box 10.5 inches by 13 inches by 2 inches Pillow 20 inches vertical by 26 inches What was The Thing Quarterly? THE THING was an experimental publication created in collaboration with Will Rogan as part of an artist residency. We saw it as a quarterly periodical in the form of an object. Each year, four artists, writers, musicians or filmmakers were invited to create an everyday object that somehow incorporates text. The object is reproduced and hand wrapped at wrapping parties and then mailed to the homes of the subscribers with the help of the United States Postal Service. It began as part of an artist residency in San Francisco’s Southern Exposure. Will and I had met in grad school at UC Berkeley and discovered our mutual affinity for quarterlies. He was a librarian at SFAI for five years and I had been a high school teacher for five years. WE were both interested pushing the boundaries of publication. Our plan was to create a 1 year publication with four artists, but from the very start the project generated so much interest and international excitement that we found ourselves running a publication complete with a brick and mortar storefront and a staff of four individuals. After 10 years, 34 issues, 59 projects and countless live events, we decided to end the publication in order to pursue our individual projects. We are still working together on a less ambitious new project, and hope to launch it at some point in 2021. CONTRIBUTORS: have included John Baldessari, Dave Eggers, Miranda July...

Joan Miro is known for his abstract, expressive, and child-like Modern style. Original lithograph published in Miro Lithographe IV Catalogue Raisonne. Nicely framed. Lithographs II ...

i Exhibition of Designs by Frank Lloyd Wright at Unity Temple. Lake St. Kenilworth, Oak Park. (Published by the Chicago Heritage Committee with the Cooperation of the Unitarian Unive...

Franz Eggenschwiler The Hanging Gardens of Babylon (Eggenberger 1970.8), 1970 Lithograph with Embossing Hand signed and numbered 26/200 on the lower front 19 3/4 × 25 3/4 inches Unfr...

This is a modernist view of a New York City park. It's interesting because we're given so much detail and yet it's drawing style also keep things hidden. Really I think it's about Cu...