New York - Figurative Prints

Saul Steinberg Nuits de La Fondation Maeght, 1970 Silkscreen Poster Published by Maeght and Arte Paris Signed on the plate with elegant gold stamp in the middle 35 × 23 in 88.9 × 58...

Drypoint on cream wove paper, 4 1/2 x 6 7/8 inches (114 x 174 mm), full margins. Signed in pencil, lower right margin. In very good condition with no visible defects; inking is exce...

Jim Dine Shoe (third state) 1973 Etching from one 20 x 26 in / 51 x 66 cm  copper plate Printed in black on sheet of 22 x 30 in / 56 x 76 cm  Copperplate Deluxe paper Edition of 15 w...

An image that originally appeared in an astrological calendar for the year 1766. Tokyo: Shuei-Sha, 1766. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 in...

Etching on fine, laid antique Head & Co. paper with a partial watermark. 1/2 x 13/16 (13 x 21 mm), full margins. Signed, dated, and inscribed "II" in pencil, lower margin. A trial pr...

Artist: Aaron Fink, American (1955 - ) Title: 50 Year: 1996 Medium: Lithograph, signed in pencil Edition: AP Image Size: 14 x 20 inches Size: 20 x 26 in. (50.8 x 66.04 cm)

Louis Icart, French (1888 - 1950) - Hydrangeas, Year: 1929, Medium: Color Etching, Signed in Pencil, Image Size: 16 x 20 inches, Frame Size: 24.5 x 28.5 inches, Reference: Figur...

Roberto Matta, Chilean (1911 - 2002) - Totem, Year: 1955-56, Medium: Lithograph with Hand-Coloring, Image Size: 25.5 x 18 inches, Size: 26 x 18.75 in. (66.04 x 47.63 cm), Frame S...

Deuchar, David (after van Ostade). The School Master. Edinburgh: c1800. Etching on cream wove paper, 5 5/8 x 4 1/2 inches (134 x 114 mm), trimmed at the platemark. Adhesive residue a...

Sitting in an armchair, the woman with a heart-shaped torso is rendered with simple rectangular shapes outlined by cobalt blue and bright yellow. Set against a soft pastel background...

Louis Icart, French (1888 - 1950) - Silk Robe, Medium: Offset Lithograph on paper, signed in plate, Image Size: 17.5 x 21.5 inches, Size: 19 x 22.5 in. (48.26 x 57.15 cm), Descrip...

Louis Icart, After, French (1888 - 1950) - Louise, Year: Of Original: 1927, Medium: Lithograph, facsimilie signature, Edition: 122/300, Image Size: 20 x 14 inches, Frame Size: 2...

Louis Icart, After, French (1888 - 1950) - Yellow Bird, Year: 2000, Medium: Giclee on paper, numbered in pencil verso, Edition: 18/375, Size: 45 x 29.5 in. (114.3 x 74.93 cm), De...

Raoul Dufy, French (1877 - 1953) - Little Horses, Bathers and Seashell Petits Chevaux, Baigneuses et Coquillage, Portfolio: Album La Mer, Year: 1925, Medium: Lithograph, signed an...

Vienna: Chez Artaria. Engraving with hand coloring in watercolor on cream laid Van Gelder Zonen paper with a large heraldic watermark with a fleur-de-lys and a crown, 10 3/4 x 16 1/...

Louis Icart, French (1888 - 1950) - Les Masques, Year: 1926, Medium: Color Etching, Signed in Pencil, Edition: 308, Size: 18.68 in. x 14.38 in. (47.43 cm x 36.51 cm), Frame Size:...

Louis Icart, After, French (1888 - 1950) - Stepping Up from La Dame aux Camelias, Year: 1938, Medium: Hand-Colored Etching, Image Size: 5 x 3.5 inches, Frame Size: 20.5 x 17 inches

Amida, a Deity of Japan; One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earliest period to the present time Vol...

New York: Sylvan Cole, 1929. Etching on white wove Rives paper with an infinity watermark, 5 15/16 x 3 15/16 inches (151 x 100 mm); sheet 15 7/16 x 11 15/16 inches (392 x 303 mm), f...

Paul Wunderlich, German (1927 - 2010) - Divan Divin, Year: 1967, Medium: Lithograph on BFK Rives, signed and numbered in pencil, Edition: 45/75, Size: 25.5 x 19.5 in. (64.77 x 49...

Lowell Nesbitt Red Rose, 1985 Silkscreen on wove paper Signed, dated, and numbered AP 9/25 by Lowell Nesbitt on the front 24 × 24 inches Unframed Hand signed,...

Louis Icart, French (1888 - 1950) - Madame Bovary, Year: 1929, Medium: Color Etching, Signed in Pencil, Image Size: 16 x 20.5 inches, Frame Size: 40 x 43 inches, Reference: Figu...

Justin Pollmann "Lighted Cushion" 2022 Inkjet Transfer Collage, Monotype 25"x34" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s...

Eugene Delacroix, After by Eugene LeRoux, French (1798 - 1863) - Marphise (Tire de l'Arioste), Year: circa 1850, Medium: Lithograph, Image Size: 10.5 x 13 inches, Size: 19.25 x 2...

Pierre-Eugene Clairin, French (1897 - 1980) - Artist Ravel the Lithographer, Year: 1949, Medium: Lithograph on BFK Rives, signed, numbered and dedicated in pencil, Edition: 22/25...

Boston's North End is a charming Italian neighborhood with small buildings and twisting streets. The artist, John W. Gregory, captures the feeling of a pleasant afternoon visiting th...

Artist: LeRoy Neiman (American, 1921-2012) Title: Paris Bourse Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: PP Image Size: 29.5 x 37 inches Frame Size: 41 ...

Deuchar, David (after van Ostade). The Spectacle Seller. 1800. Etching on light cream laid paper, 3 3/4 x 3 inches (93 x 75 mm), trimmed at the platemark. Light skinning and some sur...

Jan De Ruth (American/ Czech, 1922-1991), " After the Bath" Edition 19/250, Figurative Lithograph on Paper signed and titled in Pencil, 30 x 21 (Image: 25 x 15.50), ca. 1970s, Late 20th Century Colors: Blue, Yellow, Red, Grey, White, Purple Jan De Ruth enjoyed special popularity as a portrait artist and has become one of the best known painters of the nude female in the world today. It's a long way from sketching in leftover coffee to painting a portrait of Ethel Kennedy for the cover of Time Magazine, twenty-five years in fact; and during that period, Jan De Ruth's personal experiences have been enough to fill two ordinary lifetimes. Through them all, art has sustained him and been his primary interest. To begin with, De Ruth, a native of Czechoslovakia and now an American citizen, spent the years of World War II being shunted through 5 different concentration camps, including the infamous Auschwitz. He made four escape attempts and finally made good on his fifth try. De Ruth constantly sought materials with which to draw, but "The only things we had were the few pieces of cloth we wore," he recalls. By chance, he was transferred to Germany as part of a labor detail and managed to sneak a pencil away from the camp supervisor-"I became a perfect thief during those years," he says. Jan drew a mother and child on a scrap of paper he scrounged from the factory where he worked, filled it in with shadings of coffee in various strengths-his finger was his brush. He exchanged the sketch for a piece of bread from a camp guard, and in effect, sold his first painting. In March of 1945, after being transferred to his native Czechoslovakia, he made his successful escape "knowing every step of the way." After the war, De Ruth became the commissar in a small Czech town and remained in the post for one year, just long enough to forge some documents that allowed him to flee to England. He took up residence in London and enrolled at the Ruskin Art School in Oxford University. He arrived in the USA in 1948. There are times in the life of a painter when his dedication to his art is overshadowed by the immediate requirements of self-preservation. This was one of those times! From '48 to 1955 he supported himself by working at night, earning his way painting designs on neckties and bathroom cups; as a fashion designer, illustrator, vacuum cleaner salesman, theatre manager, and actor. In '55 Jan De Ruth made his professional debut as a full-time artist and two years later his first one-man show established him as a serious painter. His work has been acclaimed for combining the technique of the old masters with a modern manner, and has been exhibited in more than 40 one-man shows in galleries and museums across the United States. He has been judged positively by juries in 28 national exhibitions and his numerous awards include the Purchase Prize of the Butler Institute of American Art, and the Gold Medal of the National Arts Club. De Ruth, author of the books "Portrait Painting" and "Painting the Nude," has devoted his entire life to painting the female face and form. He enjoys special popularity as a portraitist and has become one of the best known painters of the nude female in the world today. Often asked why he concentrates on this most demanding of all art subjects he replies: . . . "Each painting of the nude becomes a new experience . . . It (the human figure) is nature's most perfect and most imperfect creation, communicating, even in silence and immobility, the physical and spiritual power-and frailty-of humanity." Articulate, sophisticated, outspoken and well informed, De Ruth has also been a welcome guest on radio and television shows. But, it is painting that gives a purpose to Jan De Ruth's existence: "It is an unending challenge-there is no end, no final result-to be found in painting the human body. I have never seen two gestures that are alike, but so are the possibilities of expression. There will always be painters who will find one more way of saying: "See! This is what I feel about humans." . . . So until a greater challenge and a more profound symbol comes along, it is the human figure I wish to paint." AWARDS Butler Institute of American Art Purchase Prize Oguniquit Art Center Knickerbocker Artist 1964 Audubon Artist, Grumbacher Purchase Prize National Arts Club of America Gold Medal Windsor-Newton Award of the National Arts Club ONE MAN MUSEUM EXHIBITIONS B'nai B'rith Museum - Washington D.C. Florida Gulf Coast Art...

Giancarlo Impiglia, Italian/American (1940 - ) - Black Tie, Year: 1983, Medium: Screenprint, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 22 x 26 inches, Size:...

“Zsa Zsa” is a wonderful original Art Deco lithograph created by a famous Russian-born French artist Erté (Romain de Tirtoff). Image size (with signature): 2...

Justin Pollmann "Vessel Confetti" 2022 Inkjet Transfer Collage, Monotype 26"x20" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the paper’s...

A charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, ...

Jim Dine self portrait in which the artist's face is covered in tulip flowers. This is one of four states: for each successive print he worked i...

Artist: Ben Shahn, American (1898 - 1969) Title: The Sea Itself from the Rilke Portfolio Year: 1968 Medium: Lithograph on Arches, signed in the plate Edition: 750 Size: 22.5 x 17.75 ...

Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...

Paris: Lemerre, 1880. Etching, drypoint, aquatint (dust ground and spirit ground), spit bite, and roulette in black on cream laid paper with a deckle edge, 6 3/4 x 4 1/2 inches (170 x 112 mm), full margins. Third state (of 3). An illustration from Alphonse Daudet's, Lettres de mon moulin, Paris, 1880. In very good condition with some light uniform toning and two areas of paper tape at the top right and left corners on the verso (from a former mount). With the 1921 J.H. de Bois circular ink stamp in green ink in the lower right margin on the recto (Lugt L.733). [Bourcard 110]. A note regarding the provenance: J. H. de Bois was a well known late-19th century modern art...

Tracey Emin Reach Out for Fruit, 2012 Home made inkjet print Pencil signed and dated 2012 on the front; bears the Emin International stamp on the back; edition of 100 16 1/2 × 11 1/2...

Juan Valladares (Peru, b. 1938) "Divinite de l'Enfance" (épreuve d'artiste), Abstract Etching/Aquatint signed and titled in Pencil, Late 20th Century, 1977 Colors: Black, Brown, Gre...

Deborah Kass Make Me Feel Mighty Real, 2011 Silkscreen on wove paper Signed and numbered 9/35 by the artist on the front 23.5 x 18 inches Unframed Pencil signed and numbered from the...

Donald Baechler Wasted Time and Money: A Month in India with Ranbir Singh, and Getting There (Hand signed and inscribed to art critic Anthony Haden-Guest), 1989 Softcover catalogue with stapled wraps (Hand signed by Donald Baechler and inscribed to art critic Anthony Haden-Guest) Hand signed and inscribed to art critic Anthony Haden-Guest by Donald Baechler on the title page 10 1/2 × 8 inches This super rare softcover catalogue with stapled wraps is hand signed and inscribed to art critic Anthony Haden-Guest by Donald Baechler on the title page. The inscription reads: For Anthony 3 April 91 Donald Baechler Book information: Publisher: Ajax Press, New York, 1989 Printing: John Hauser...

Gender Scrambling 781: Gaga, Salander, Wonder Woman, Storm & Roosevelt Signed Limited Edition Feminist Contemporary Art Print Prints from this series are in the Permanent Collection...

Adolph Gottlieb, David Smith, Dorothy Dehner, Edgar Levy, Lucille Corcos and Esther Gottlieb Collaborative Etching With 6 artist (Hand Signed by 3 artist), ...

Donald Sultan Serious Fun! at Lincoln Center (Hand Signed, dated and inscribed by Donald Sultan), 1993 Lithographic Poster on heavy wove paper. (hand signed, dated & inscribed) 36 × 24 1/4 in 91.4 × 61.6 cm Signed, dated 2016 and inscribed on lower right front. Inscription reads as follows: For Kevin New York 2016 Published by Vera List Program, Lincoln Center This large, striking limited edition lithographic poster on heavy wove (lithographic) paper was printed in 1993 by the Vera List print program to raise funds for Lincoln Center. The edition is typically unsigned; however, this work is, exceptionally, boldly signed and inscribed in black marker by Donald Sultan in 2016 for the present owner. The inscription reads as follows: For Kevin New York 2016 Donald Sultan signed...

An original drypoint monotype by American female artist Kathleen Sherin.

Alex Katz Alex Katz Black and White (Hand signed by Alex Katz), 2017 Hardback monograph with no dust jacket as issued (Hand signed by Alex Katz) Hand signed by Alex Katz on the first...

Carrying baskets filled with vines, the figures in this Pablo Picasso print lean forward to balance the weight on their shoulders and in their hands. On the left, a nude woman walks behind them across the blanketed brown landscape with a deep blue sky. A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Etude de Personnages". The original painting was completed in 1906. In the 1970's after Picasso's death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed and numbered by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer's chop, lower left. Etude de Personnages Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph...

London: J. M. Dent & Sons, 1938. Each a woodblock print on white wove paper, 8 11/16 x 5 1/2 inches (219 x 139 mm), the full sheet. Each image in excellent condition, printed on one...

Martin Creed Everything's Going to be Alright (Work No. 3531), 2022 Color giclee print; unframed and housed in a bespoke archival box from Hauser & Wirth 11 3/4 × 16 1/2 inches Pencil signed, titled and numbered 141/200 Makes a perfect gift! Accompanied by original receipt from the Fife Arms (Beaemar) and gallery issued Certificate of Guarantee A wonderful print with an affirmation worth seeing in any room in the house! Note: this work is pencil signed and numbered from the limited edition of 200, and it comes inside of a bespoke box, as it was first issued by Hauser & Wirth. The number shown in the image here may not be the number you receive. In 2020, as part of the post-lockdown re-opening celebrations for Scotland's Fife Arms, Hauser & Wirth's owners unveiled a specially commissioned temporary neon installation, ‘Work No. 3435: EVERYTHING IS GOING TO BE ALRIGHT’ by one of their favorite artists, Turner Prize-winner Martin Creed. This colorful installation was situated on the grounds of nearby Braemar Castle. The message resonates well beyond the pandemic. It makes a terrific gift. (Martin Creed, who grew up in Glasgow, is particularly known in Scotland for the much-loved Scotsman Steps in Edinburgh, a public staircase joining two streets made with more than a hundred different types of marble. A work in blue neon, ‘Work No. 975: EVERYTHING IS GOING TO BE ALRIGHT’, has been on view since 2012 on the facade of the National Gallery of Scotland in Edinburgh. The phrase ‘Everything is going to be alright’ has been used by the artist in a series of large-scale neon works since 1999 and draws on the comforting words Creed was offered by a friend. He explains, “If you are upset and someone speaks to you to try to help you, even if the words are empty because no one knows what is going to happen in the future, it can still feel like a comfort. No-one can really tell you everything is going to be alright, but despite that, many times in my life I have been very comforted by people saying something like that to me.”) And all this brings us back to the present work, a limited edition 2022 color giclee print, pencil signed and numbered by Martin Creed, which depicts Creed's pandemic-era temporary light installation with the neon words Everything is Going to Be Alright, against the backdrop of Braemar Castle at nightfall. This edition was originally sold by Hauser & Wirth via the Fife Arms to raise funds to restore Braemar Castle - and it quickly sold out. It's a poignant message that continues to resonate, perhaps now more than ever - and it would look beautiful in any home or office. But the question remains: Should we really believe Martin Creed's message? The answer is a resounding Yes. Coming from some of the most successful and lucky people on earth (Martin Creed and Manuela and Iwan Wirth) and carrying the magical energy and history of Braemar Castle, the odds are looking pretty good that everything is indeed going to be alright with all that positivity! By the way, just for fun (because why not?) keep scrolling (right arrow to the right of the main image) to view a 2019 photograph of King Charles and Queen Camilla (then officially known as the Duke and Duchess of Rothesay when in Scotland) attending the opening of The Fife Arms, with Manuela and Iwan Wirth standing next to them on the left - all in Highland dress. More about Martin Creed: British sculptor and installation artist. He was born in Wakefield, grew up in Scotland, and studied at the *Slade School of Art. His works are generally sparse in their material form and are identified only by numbers so as not to impose associations. (For this reason his numbering system avoids the portentous No. 1.) He is best known for the work for which he was awarded the *Turner Prize in 2002, Work no. 227 (2000, MoMA, New York). An entire room is alternately lit and darkened by electric light. It is a way of making a work of art which has no material existence: the light and the darkness are not themselves the art, only the change between them. This is a work which has entered the mythology of ‘modern art’ stories: the river boat guide tells the tourists (quite incorrectly) as they pass *Tate Modern: about the empty room...

This original exhibition poster was created for the landmark Larry Rivers retrospective held in 1981 at the Kestner-Gesellschaft in Hanover, one of Germany’s leading institutions for...

Mary Bauermeister Art Investment Report, 1983 Lithograph on Arches paper Hand-signed by artist, hand signed and dated, with annotated blind stamp 26 1/2 × 20 inches Edition AP/250 Un...

Caricature etching by American artist Charles Bragg. A group of jurors stares aimlessly around a courtroom. The Jury 2 Charles Bragg, American (1931–2017) Date: circa 1970 Etching, ...

Gordon Grant (American, 1875-1962) The Salt Bark - Gloucester, c. 1947 Lithograph Sight: 10 x 12 1/2 in. Framed: 15 x 19 x 3/4 in. Signed lower right in pencil Published in edition ...

Artist: Kiki Kogelnik, Austrian (1935 - 1997) Title: Jack Gallery Year: 1977 Medium: Poster Size: 28.5 x 18 in. (72.39 x 45.72 cm) Frame Size: 30 x 19.25 inches

The 2015 Roland Garros print by Du Zhenjun is a dynamic and modern work that captures the energy and excitement of the French Open through bold colors and abstract forms. The signed ...

London: Allen & West, 1797. Engraving with hand coloring in watercolor on cream wove paper, 8 1/8 x 10 5/8 inches (213 x 270 mm), wide margins. Scattered toning, mat tone, and dog-e...

Christo at Leo Castelli Gallery New York (Hand Signed), 1966 Extremely rare Offset Lithograph Poster announcement Boldly hand signed by Christo in blue marker on the lower left front. Addressed to the influential (legendary) art critic Pierre Restany...

Engraving on cream wove paper, 8 x 5 3/8 inches (203 x 137 mm), narrow to thread margins. First state (of 2). A fine impression with archival paper adhered at left top and bottom cor...

Artist: Charles Bragg, American (1931 - 2017) Title: The Perfect Couple 2 Medium: Etching, signed, numbered, and titled in pencil Edition: 300 Image Size: 9 x 12 inches Paper Size: ...

Eight 18th century-era fashion plates from the portfolio Modes, by Madeleine Connat. Paris: Paris Etching Society, 1951. Each an engraving with hand coloring in watercolor on cream ...