Items Similar to Picasso, Visages, La Chèvre-Feuille (after)
Want more images or videos?
Request additional images or videos from the seller
1 of 7
Picasso, Visages, La Chèvre-Feuille (after)1943
1943
About the Item
Engraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published by Robert J. Godet, Éditeur, Paris; printed by Atelier Lacourière-Frélaut, Paris, December 4, 1943. Excerpted from the volume, Of this album, published under the direction of Robert J. Godet and finished printing on the presses of E. Durand on the fourth of December, One Thousand Nine-Hundred and Forty-Three, the first anniversary of the author's meeting with the Picasso, it was drawn: twenty-five copies on vélin d'Arches, signed by the author and the illustrator, containing the sequel in three colors of the engravings and an original etching of Pablo Picasso, numbered from I to XXV; and five hundred copies on Lafuma, numbered from XXVI to DXXV. In addition, six author's copies on vélin d'arches, numbered from I a VI, and three nominative copies on Bristol d'Arches, intended for the author, the illustrator and the publisher. The illustrations have been engraved at the eau-forte by Pablo Picasso so as to be printed in the text by common typographical processes. The eau-forte, intended only for the head copies, is one of the six illustrations drawn in deep cuts on Roger Lacourière's presses.
PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism, Picasso continued to develop his art with a pace and vitality comparable to the accelerated technological and cultural changes of the twentieth century. Each change embodied a radical idea, and might be said that Picasso lived several artistic lifetimes.
About the Seller
4.9
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2002
1stDibs seller since 2021
862 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Clinton Township, MI
- Return PolicyA return for this item may be initiated within 1 day of delivery.
Auctions on 1stDibs
Our timed auctions are an opportunity to bid on extraordinary design. We do not charge a Buyer's Premium and shipping is facilitated by 1stDibs and/or the seller. Plus, all auction purchases are covered by our comprehensive Buyer Protection. Learn More
More From This SellerView All
- Duchamp, Le Cheval, Composition, Du cubisme (after)By Marcel DuchampLocated in Auburn Hills, MIEtching, Engraving, Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published ...Category
1940s Modern Landscape Prints
MaterialsDrypoint, Engraving, Etching
- Picabia, Composition, Du cubisme (after)By Francis PicabiaLocated in Auburn Hills, MIDrypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagnie Françai...Category
1940s Modern Landscape Prints
MaterialsDrypoint
- Gris, Composition, Du cubisme (after)By Juan GrisLocated in Auburn Hills, MIEtching, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compagn...Category
1940s Modern Landscape Prints
MaterialsEtching, Engraving
- Léger, Composition, Du cubisme (after)By Fernand LégerLocated in Auburn Hills, MIAquatint, Engraving on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published by Compag...Category
1940s Modern Landscape Prints
MaterialsAquatint, Engraving
- Picasso, Danseuse, La Chèvre-Feuille (after)By Pablo PicassoLocated in Auburn Hills, MIEngraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...Category
1940s Modern Figurative Prints
MaterialsEngraving
- Picasso, Trois baigneuses, La Chèvre-Feuille (after)By Pablo PicassoLocated in Auburn Hills, MIEngraving and Zincograph on vélin Lafuma-Navarre paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Chèvre-Feuille, 1943. Published b...Category
1940s Modern Figurative Prints
MaterialsEngraving
You May Also Like
- Ludgate HillBy William Walcot R. E. Hon. R. I. B. A.Located in Middletown, NYEtching with drypoint and aquatint on light cream wove paper, 5 1/2 x 5 inches (140 x 122 mm), full margins. Signed in pencil in the lower margin. One of a total of 400 signed impres...Category
Early 20th Century Modern Landscape Prints
MaterialsDrypoint, Etching, Aquatint
- Low Country (South Carolina)By Elizabeth VernerLocated in Middletown, NYAn enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...Category
Early 20th Century American Modern Landscape Prints
MaterialsArchival Paper, Drypoint, Etching
- Colosseum (First State)By Armin LandeckLocated in Middletown, NYCopper plate engraving on cream wove paper, 18 1/4 x 13 3/8 (462 x 338 mm), full margins. Signed in pencil, lower right. Edition of 20. First state (of 2). Minor uniform toning, and ...Category
Mid-20th Century American Modern Landscape Prints
MaterialsEngraving, Handmade Paper
- House on Cliff Walk, Newport, Rhode IslandBy Clifford Isaac AddamsLocated in Storrs, CTHouse on Cliff Walk, Newport, R.I. 1931-1932. Etching and drypoint. Hausberg catalog 13 state .i/ii. Edition 75 in this state. 5 7/8 x 7 7/8 (sheet 9 x 13 1/2). A rich impression pr...Category
Mid-20th Century American Modern Landscape Prints
MaterialsDrypoint, Etching
- Caprice, or House on Cliff Walk, Newport, Rhode IslandBy Clifford Isaac AddamsLocated in Storrs, CTHouse on Cliff Walk, Newport, Rhode Island or Caprice, Newport, Rhode Island.. 1931/33. Etching. Hausberg catalog 138 state ii. 5 15/16 x 8 (sheet 7 7/8 x 9 5/8). A rich impression ...Category
Mid-20th Century American Modern Landscape Prints
MaterialsDrypoint, Etching
- Bailey's Beach, Newport, Rhode Island.By Clifford Isaac AddamsLocated in Storrs, CTBailey's Beach (Newport, Rhode Island). c. 1931-1933. Etching and drypoint. Hausberg catalog 126 state vi. Edition 75. 6 x 7 7/8 (sheet 9 9/16 x 12 1/2). Printed on cream wove paper ...Category
Mid-20th Century American Modern Landscape Prints
MaterialsDrypoint, Etching
