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New York - Landscape Prints

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Item Ships From: New York
Sedans used by the Japanese Ladies of Quality – English School, 19th century
Located in Middletown, NY
Sedans used by the Japanese Ladies of Quality; One plate from Drake's Voyages London: circa 1860. Engraving with hand coloring in watercolor on cream laid paper; 7 1/2 x 10 3/4 inch...
Category

Mid-19th Century English School New York - Landscape Prints

Materials

Handmade Paper, Watercolor, Engraving

Cavalli e cavalieri in piedi, Société internationale d'art XXe siècle
By Marino Marini
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 1, Cahiers d'Art publ...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph

Soulages, Sans titre, Pierre Soulages, Peintres d'aujourd'hui (after)
By Pierre Soulages
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Pierre Soulages, Peintres d'aujourd'...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Kandinsky, Plate (folio 12), Société internationale d'art XXe siècle (after)
By Wassily Kandinsky
Located in Southampton, NY
Woodcut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Signed in the block and unnumbered, as issued. Notes: From the album, XXe siècle Paris, Hommage à Wassily Kandins...
Category

1970s Modern New York - Landscape Prints

Materials

Woodcut

Le Petit Pont ( A Lithograph from Notre Pain Quotidien)
By Maurice de Vlaminck
Located in New York, NY
Maurice de Vlaminck (French 1876 - 1958), "Le Petit Pont" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...
Category

1960s Post-Impressionist New York - Landscape Prints

Materials

Lithograph

Clinton Hill, Arroyo, 1962, woodcut, landscape/abstraction
By Clinton Hill
Located in New York, NY
Clinton Hill (1922-2003), lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, he joined the US Navy during World War II and beca...
Category

Mid-20th Century Abstract New York - Landscape Prints

Materials

Woodcut

Picturesque New York; Twelve Photogravures from Monotypes
By Charles Frederick William Mielatz
Located in Middletown, NY
New York: The Society of Iconophiles, 1908. The complete portfolio containing 12 photogravures after monotypes printed on O.W. handmade paper. Each image measuring approximately 8 1/4 x 6 inches (208 x 151 mm), with full margins. Each with the Society of Iconophiles blind stamp in the lower left margin. In very good condition with no visible defects. Printed by John Andrew & Son, Boston. Presented in the original greenish-gray paper wrapper with the contents page. Edition of 100. Subjects are: 1. Van Cortland Manor House 2. Oyster Market on West Street 3. St. John's Chapel, Varick Street 4. Fraunces Tavern 5. Houses at Battery Park...
Category

Early 20th Century American Modern New York - Landscape Prints

Materials

Photogravure

Hartung, P. 1960-166, Hans Hartung, Peintres d'aujourd'hui (after)
By Hans Hartung
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Hans Hartung, Peintres d'aujourd'hui...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Alba Gem II, Minimalist Linocut in Blue and Green Earth Tones
By Ann Aspinwall
Located in New York, NY
"Alba Gem II" is a striking abstract linocut by Ann Aspinwall, known for her meditative, minimalist approach to printmaking. This work explores the quiet power of repetition, color, ...
Category

2010s Abstract New York - Landscape Prints

Materials

Archival Paper, Linocut

Au Jardin d'Allah, Verve: Revue Artistique et Littéraire
By André Derain
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...
Category

1930s Fauvist New York - Landscape Prints

Materials

Lithograph

Saint-Germain des Prés (Cramer 24; Mourlot 100), Derrière le miroir
By Marc Chagall
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Chagall, Marc, and Julien Cain. Chagall Lithogr...
Category

1950s Expressionist New York - Landscape Prints

Materials

Lithograph

Kollwitz, Call of Death (after)
By Käthe Kollwitz
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Kathe Kollwitz, Ten Lithographs. Published by Henry C. Kleemann and...
Category

1940s Modern New York - Landscape Prints

Materials

Lithograph

Picasso, Sans titre, Pablo Picasso, Toros Y Toreros (after)
By Pablo Picasso
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.5 x 14.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...
Category

1960s Cubist New York - Landscape Prints

Materials

Lithograph

Hartung, P. 1960-165, Hans Hartung, Peintres d'aujourd'hui (after)
By Hans Hartung
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Hans Hartung, Peintres d'aujourd'hui...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Hartung, P. 1957-81, Hans Hartung, Peintres d'aujourd'hui (after)
By Hans Hartung
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Hans Hartung, Peintres d'aujourd'hui...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Hartung, P. 1958-10, Hans Hartung, Peintres d'aujourd'hui (after)
By Hans Hartung
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hans Hartung, Peintres d'aujourd'hui, 1962. Pub...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Sailing 2, American Realist Lithograph by John McNulty
By John McNulty
Located in Long Island City, NY
John McNulty, Irish/American (1949 - ) - Sailing 2, Year: circa 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 450, Size: 13 in. x ...
Category

1980s American Realist New York - Landscape Prints

Materials

Lithograph

Lanskoy, Chagrins inutiles, André Lanskoy, Peintres d'aujourd'hui (after)
By André Lanskoy
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, André Lanskoy, Peintres d'aujourd'hu...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Composition, Everything That Rises Must Converge
By Benny Andrews
Located in Southampton, NY
Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire. BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...
Category

Early 2000s Expressionist New York - Landscape Prints

Materials

Etching

“Untitled”
Located in Southampton, NY
Original multicolor linocut by the American artist, Lucina Smith Wakefield. Signed by the artist lower left margin. Circa 1930. Condition is very good, no issues. The linocut is hou...
Category

1930s American Modern New York - Landscape Prints

Materials

Archival Paper, Linocut

Passaic Meadows (In the Newark Meadows)
By Thomas Moran
Located in Middletown, NY
Boston: American Art Review, 1880. Etching on cream laid paper, 5 3/4 x 8 3/4 inches (146 x 230mm), full margins. Light uniform age tone, scattered handling creases and minor toning ...
Category

Late 19th Century Realist New York - Landscape Prints

Materials

Laid Paper, Etching

de Staël, Sans titre, Nicolas de Staël, Peintres d'aujourd'hui (after)
By Nicolas de Staël
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Nicolas de Staël, Peintres d'aujourd'hui, 1960. Published by Fernand Hazan, Éditeur, Paris; rendered by Bussière et Nouël, Paris; printed by l'Imprimerie Lecot, Paris, May 1960. Excerpted from the folio (translated from French), CCCLXXV examples of this album, numbered from I to CCCLXXV, are accompanied by an unpublished board illustrating a glued paper of the artist and shot on the presses of Daniel Jacomet, in Paris. The illustrations of this album, completed in May 1960, were shot by Bussière and Nouël and printed by the l'Imprimerie Lecot. The text was drawn by l'Imprimerie Damien and the binding made by F.l.A.P. according to the models of Marcel Jacno. Fernand Hazan Éditeur, 35-37, rue de Seine, Paris. 1960. Droits de reproduction réservés A.D.A.G.P. - Paris. NICOLAS DE STAEL (1914-1955) was a French painter of Russian origin known for his use of a thick impasto and his highly abstract landscape painting. He also worked with collage, illustration and textiles. Known for his abstract landscapes and still lifes that uniquely blend colour, form and texture, Nicolas de Staël was fascinated by the world’s many spectacles and documented them through his art. De Staël was born in 1914 into an aristocratic family in Saint Petersburg, Russia. His father served as a cavalry general under Tsar Nicholas II and the family was forced to flee after the Russian Revolution. Both Nicolas’s parents died in the early 1920s, meaning he and his siblings were raised by a foster family in Brussels where he would begin his formal art education at the Académie Royale des Beaux-Arts. De Staël’s early work was influenced by the European avant-garde movements of the early 20th century, including Cubism and Fauvism. However, he soon developed his own distinctive style with thick impasto and a bold use of colour. His early paintings, often sombre in tone, gradually evolved into more vibrant and dynamic compositions, reflecting his growing interest in the emotional and expressive potential of colour and form. In 1938 de Staël had moved to France, where he became an integral part of the post-war Parisian art scene. Having worked initially in the atelier of Fernand Léger, de Staël’s circle of friends came to include Sonia Delaunay, Le Corbusier and Jean Arp, who encouraged his tendencies towards abstract work. His work during this period marked a significant departure from traditional representation, moving towards abstraction while maintaining a strong sense of structure and form. De Staël's paintings from this era showcase his ability to balance abstraction with figuration, using broad, gestural strokes and a vibrant palette to convey movement and energy. What truly set de Staël apart, though, was the step he took beyond abstraction. This came with his football paintings...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Composition, Salute, Grace Hartigan
By Grace Hartigan
Located in Southampton, NY
Silkscreen on handmade Hahnemühle paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Salute, 1960. Published and printed by Tiber Press, New York under...
Category

1960s Abstract Expressionist New York - Landscape Prints

Materials

Screen

Gloucester Ferry, No. 2
By Stephen Parrish
Located in Middletown, NY
A beautiful and delicate 19th century image of one of New England's most storied ports. Boston: Estes & Lauriat Editions, 1882 Etching on cream laid paper, 2 3/4 x 5 1/4 inches (68 ...
Category

Early 20th Century American Realist New York - Landscape Prints

Materials

Laid Paper, Etching

Léger, Soldat assis, Dessins de Guerre 1915-16 (after)
By Fernand Léger
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper Size: 10 x 7.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Fernand Léger, Dessins de Guerre 1915-16, 19...
Category

1950s Cubist New York - Landscape Prints

Materials

Lithograph

Communipaw, NY; January Thaw
By Thomas Moran
Located in Middletown, NY
A delicate composition of an industrial Hudson River town, seen from lower Manhattan; a view of what is now Liberty State Park. New York: 1884. Etching with aquatint on cream laid p...
Category

Late 19th Century Realist New York - Landscape Prints

Materials

Laid Paper, Etching, Aquatint

La Partie de Campagne (Saphire E14), Verve: Revue Artistique et Littéraire
By Fernand Léger
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 20.50 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Catalogue r...
Category

1950s Cubist New York - Landscape Prints

Materials

Lithograph

Composition, Histoire d'O, Léonor Fini
By Leonor Fini
Located in Southampton, NY
Lithograph on vélin d’Arches pur chiffon paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, L'Histoire d'O, 1962. Published and...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Picasso, Sans titre, Pablo Picasso, Toros Y Toreros (after)
By Pablo Picasso
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 14.75 x 10.5 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Pablo Picasso, Toros y toreros, 1961. Published ...
Category

1960s Cubist New York - Landscape Prints

Materials

Lithograph

Estève, Le Lithographe, Maurice Estève, Peintres d'aujourd'hui (after)
By Maurice Estève
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Maurice Estève, Peintres d'aujourd'h...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Chien aboyant à la lune (Mourlot 189), Verve: Revue Artistique et Littéraire
By Joan Miró
Located in Southampton, NY
Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 20.50 inches, with centerfold, as issued. Inscription: Signed in the plate and unnumbered, as issued. Catalogue r...
Category

1950s Surrealist New York - Landscape Prints

Materials

Lithograph

New York Skyline, NY; East River
By Leon Dolice
Located in Middletown, NY
Etching on medium stock, cream wove paper, 5 15/16 x 10 3/16 inches (151 x 259 mm), full margins. Signed and titled in pencil, lower margin. A fine and detailed impression in dark bl...
Category

1930s American Modern New York - Landscape Prints

Materials

Archival Paper, Etching

Nubian Fisherman, Pop Art Screenprint by Thomas McKnight
By Thomas McKnight
Located in Long Island City, NY
Nubian Fisherman Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of 64/200 Image Size: 16 x 18 inches Frame Size: 30 x 31 inches
Category

Late 20th Century Pop Art New York - Landscape Prints

Materials

Screen

Brunelleschi, Composition, La Leçon d'amour dans un parc (after)
By Umberto Brunelleschi
Located in Southampton, NY
Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...
Category

1930s Modern New York - Landscape Prints

Materials

Lithograph, Stencil

Léger, Composition, mes voyages (after)
By Fernand Léger
Located in Southampton, NY
Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...
Category

1970s Modern New York - Landscape Prints

Materials

Lithograph

Matisse, Femmes et Singes (Duthuit 139), Verve: Revue (after)
By Henri Matisse
Located in Southampton, NY
Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with publisher’s folds, as issued. Notes: From the volume, Verve: Revue Artistiqu...
Category

1950s Modern New York - Landscape Prints

Materials

Lithograph

City Hall Tower, Rothenburg, Germany.
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots...
Category

Early 20th Century Modern New York - Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

da Silva, Midi, Vieira da Silva, Peintres d'aujourd'hui (after)
By Maria Helena Vieira da Silva
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Vieira da Silva...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

da Silva, Port dans le Nord, Vieira da Silva, Peintres d'aujourd'hui (after)
By Maria Helena Vieira da Silva
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Vieira da Silva, Peintres d'aujourd'...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

da Silva, La bataille des couteaux, Peintres d'aujourd'hui (after)
By Maria Helena Vieira da Silva
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Vieira da Silva, Peintres d'aujourd'...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Tobey, L'automne, Mark Tobey, Peintres d'aujourd'hui (after)
By Mark Tobey
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 13.78 x 10.83 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Mark Tobey, Peintres d'aujourd'hui, ...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Kandinsky, Klänge, Société internationale d'art XXe siècle (after)
By Wassily Kandinsky
Located in Southampton, NY
Woodcut on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, décembre 1966, Cahiers d'Art publiés sous ...
Category

1960s Modern New York - Landscape Prints

Materials

Woodcut

Lurçat, Baigneuse, Dix Reproductions (after)
By Jean Lurçat
Located in Southampton, NY
Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Dix Reproductions, 1933. Published by Editions ...
Category

1930s Modern New York - Landscape Prints

Materials

Lithograph

Brunelleschi, Composition, La Leçon d'amour dans un parc (after)
By Umberto Brunelleschi
Located in Southampton, NY
Lithograph and stencil on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, La Leçon d'amour dans un parc, 1933. Published by Éditions...
Category

1930s Modern New York - Landscape Prints

Materials

Lithograph, Stencil

International Meeting Plaza, Signed/N 25-color silkscreen, beloved female artist
By Thelma Appel
Located in New York, NY
Thelma Appel Meeting Plaza, 2018 25 Color Silkscreen on 320 Gram Coventry paper with full margins and deckled edges. Accompanied by ARTIST SIGNED, gallery issued Certificate of Authe...
Category

2010s Contemporary New York - Landscape Prints

Materials

Pencil, Color, Screen

Estève, Arabesque de la nuit, Maurice Estève, Peintres d'aujourd'hui (after)
By Maurice Estève
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Maurice Estève, Peintres d'aujourd'h...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Sans titre (Cramer 67; Mourlot 206), Société internationale d'art XXe siècle
By Joan Miró
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró, ...
Category

1960s Surrealist New York - Landscape Prints

Materials

Lithograph

Picasso, Composition (Orozco 238), Picasso, La flûte double (after)
By Pablo Picasso
Located in Southampton, NY
Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...
Category

1960s Cubist New York - Landscape Prints

Materials

Lithograph, Stencil

Composition (Mourlot 668-677), La Féerie et Le Royaume, Marc Chagall
By Marc Chagall
Located in Southampton, NY
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...
Category

1970s Modern New York - Landscape Prints

Materials

Lithograph

CA-58
By Noel Kerns
Located in New York, NY
ABOUT THIS PIECE: This photograph was taken looking south from under the canopy at an abandoned gas station in the sleepy desert community of North Edwards, California. The highway p...
Category

Early 2000s New York - Landscape Prints

Materials

Photographic Paper

Estève, Sioule, Maurice Estève, Peintres d'aujourd'hui (after)
By Maurice Estève
Located in Southampton, NY
Héliogravure on vélin paper. Paper Size: 10.83 x 13.78 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Maurice Estève, Peintres d'aujourd'h...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Peasant Family on the Tramp – after Rembrandt van Rijn
By Charles Amand Durand
Located in Middletown, NY
Etching on cream laid paper, 4 5/8 x 3 1/2 inches (118 x 89 mm), thread margins. Laid down to a medium weight laid support, scattered nicks and corner wear. The top and bottom corner...
Category

17th Century Old Masters New York - Landscape Prints

Materials

Laid Paper, Etching

Laurens, Composition, L'Art Cubiste, Théories et Réalisations (after)
By Henri Laurens
Located in Southampton, NY
Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...
Category

1920s Cubist New York - Landscape Prints

Materials

Lithograph, Stencil

Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979) Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks. A native of Charleston, South Carolina...
Category

1930s American Modern New York - Landscape Prints

Materials

Etching, Drypoint

Composition, Éloge de André Lhote
By André Lhote
Located in Southampton, NY
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de André Lhote, 1960. P...
Category

1960s Modern New York - Landscape Prints

Materials

Lithograph

Fini, Sans titre, Fruits de la Passion, XXe siècle (after)
By Leonor Fini
Located in Southampton, NY
Héliogravure on vélin de Rives pur chiffon paper, manufactured by Les papeteries de Rives, Voiron, France. Paper Size: 16.93 x 14.17 inches. Inscription: Signed in the plate and unnu...
Category

1980s Surrealist New York - Landscape Prints

Materials

Lithograph

Sans titre, Société internationale d'art XXe siècle
By Franco Gentilini
Located in Southampton, NY
Lithograph on vélin paper. Paper Size: 12.4 x 19.3 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle sé...
Category

1980s Contemporary New York - Landscape Prints

Materials

Lithograph

J, Hockney's Alphabet, David Hockney
By David Hockney
Located in Southampton, NY
Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...
Category

1990s Contemporary New York - Landscape Prints

Materials

Lithograph

The Monument of London in Remembrance of the Dreadful Fire of 1666
Located in Middletown, NY
Bowles, Thomas III (after John Donowell) John Bowles & Richard Wilkinson, 1751. Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...
Category

Mid-18th Century English School New York - Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

Jack McClain, (Evening in the City) (NYC)
Located in New York, NY
A moody evening in New York City. The buildings capture the quiet that New York sometimes achieves. Signed and dated in pencil.
Category

Mid-20th Century American Modern New York - Landscape Prints

Materials

Lithograph

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