Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 2

Paul Geissler
City Hall Tower, Rothenburg, Germany.

1919

About the Item

Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. Some small, scattered light spots of foxing on the verso, light mat tone.
  • Creator:
    Paul Geissler (1881 - 1954, American)
  • Creation Year:
    1919
  • Dimensions:
    Height: 10.75 in (27.31 cm)Width: 7.5 in (19.05 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Middletown, NY
  • Reference Number:
    Seller: BH2101stDibs: LU1979212857272

More From This Seller

View All
Cherry Street
By Charles Frederick William Mielatz
Located in Middletown, NY
A view of lower Manhattan's Cherry Street as it appeared at the turn of the 20th century. One of only 5 proof impressions. New York: 1904. Drypoint with aquatint on watermarked, cr...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

The Old Smyth Gate, Charleston, South Carolina
By Alfred Hutty
Located in Middletown, NY
A view of the gateway to Simmons-Edwards House (14 Legare Street), also known as the Pineapple Gate House. Etching with drypoint on watermarked "Hand Made" laid paper, signed in pen...
Category

Early 20th Century American Modern Landscape Prints

Materials

Laid Paper, Drypoint, Etching, Handmade Paper

George Washington Bridge, N.Y.C.
By Harry Shokler
Located in Middletown, NY
A serene view of the Hudson and the newly constructed George Washing Bridge as it appeared from Fort Washington Park in 1931, with the storied "Little Red Lighthouse" in the foregrou...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Etching, Drypoint

Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category

Early 20th Century Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

The Acropolis, Athens
By Louis Conrad Rosenberg
Located in Middletown, NY
Etching and drypoint on cream wove paper, full margins. Signed in pencil, lower right margin. In generally good conditon with several scattered very light spots of foxing throughout,...
Category

1920s Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

Tugs on the Hudson
By Charles Frederick William Mielatz
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...
Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

You May Also Like

Albert Basin, Aberdeen, Scotland
By James McBey
Located in Storrs, CT
Albert Basin, Aberdeen. 1906. Etching and drypoint. Hardie 50. 5 7/8 x 9 1/2 (sheet 8 3/8 x 11 3/8). Edition 40, #39. Faint mat line; otherwise excellent condition. A richly inked impression with drypoint burr, on antique paper. Signed and numbered in ink. This is an extremely rare early McBey etching. Housed in a 16 x 20-inch archival mat, suitable for framing. Hardie writes, "An avenue of ships' masts rising dark against an evening sky. The light gleams on the pathway of water down the centre. A man and woman, by a boat, in foreground, to the left. Born in Newburgh near Aberdeen, James McBey attended evening classes at Graydon’s School of Art and taught himself etching, building his own press at the age of fifteen. He moved to London to prepare for a one-man show at Goupil’s and shortly after this highly successful first show, he traveled to Morocco with James Kerr Lawson...
Category

Early 20th Century Modern Figurative Prints

Materials

Drypoint, Etching

A Mirage
By James McBey
Located in Storrs, CT
A Mirage. 1928. Etching. Hardie 238. 11 13/16 x 14 3/8 (sheet 12 3/16 x 18 3/4). Edition 76, #46. Illustrated: Fine Prints of the Year, 1928 and 1938; Holmes, Etchings of Today. A ri...
Category

1920s Modern Landscape Prints

Materials

Etching, Drypoint

A Mirage
$1,750 Sale Price
30% Off
The Pool of London.
By William Lionel Wyllie
Located in Storrs, CT
The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...
Category

1910s Modern Landscape Prints

Materials

Etching, Drypoint

A Gale at Port Errol
By James McBey
Located in Storrs, CT
A Gale at Port Errol. 1923. Etching. Hardie 215, #46. 13 x 8 3/4 (sheet 16 7 /8 x 11 1/2). Edition 76. #46. Illustrated: Fine Prints of the Year, 1923. A rich...
Category

1930s Modern Landscape Prints

Materials

Etching, Drypoint

The Passing Gondola
By James McBey
Located in Storrs, CT
The Passing Gondola. c. 1926. Etching. Edition 80, #18. Hardie/Carter 230. 8 1/2 x 10 1/2 (sheet 11 1/4 x 13). Illustrated: Fine Prints of the Year, 1927. Printed on antique wove pap...
Category

1920s Modern Landscape Prints

Materials

Etching, Drypoint

Chelsea Old Church, London
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category

Early 20th Century Modern Landscape Prints

Materials

Etching, Aquatint, Drypoint

Recently Viewed

View All