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Item Ships From: New York
The Gates Project for Central Park, New York (18370)
By Christo and Jeanne-Claude
Located in New York, NY
Serigraph
Signed in pencil
Category
21st Century and Contemporary Contemporary New York - Landscape Prints
Materials
Lithograph, Screen
Ten of views of Manhattan (10).
By Charles Frederick William Mielatz
Located in Middletown, NY
The Society of Iconophiles (New York, 1894–1936), 1898. Each a lithograph printed on grayish-green, or white wove paper each sheet 10 3/4 x 7 1/2 inches (274 x 190 mm), each with ful...
Category
Early 20th Century American Modern New York - Landscape Prints
Materials
Handmade Paper, Lithograph
Fishing in the Clouds, fantastical jungle inspired cityscape by Guillaume Cornet
By Guillaume Cornet
Located in Dallas, TX
GUILLAUME CORNET (b. 1987, Paris, France)
Guillaume Cornet is an artist working with illustration and painting, exploring notions of abstract geometry, influenced by surreal perspec...
Category
2010s Pop Art New York - Landscape Prints
Materials
Watercolor, Permanent Marker, Screen, Mixed Media
“Tending the Sheep”
By Myles Birket Foster
Located in Southampton, NY
Beautifully executed original hand colored lithograph using gouache and watercolor. Scene in Surrey, England. Signedxwith monogram in plate lower left, Myles Birket Foster. Published by M. H. Long. Condition is very good. In original 2 inch wide birdseye maple antique frame with thick museum mat with gold innner edge. Overall 22 by 26 inches.
Biography
Myles Birket Foster (4 February 1825 – 27 March 1899) was a popular English illustrator, watercolour artist and engraver in the Victorian period. His name is also to be found as Myles Birkett Foster.
Life and work
Foster was born in North Shields, England of a primarily Quaker family, but his family moved south to London in 1830, where his father founded M. B. Foster & sons — a successful beer-bottling company. He was schooled at Hitchin, Hertfordshire and on leaving initially went into his father's business. However, noticing his talent for art, his father secured an apprenticeship with the notable wood engraver, Ebenezer Landells, where he worked on illustrations for Punch magazine and the Illustrated London News.
On leaving Landells' employ, he continued to produce work for the Illustrated London News and the Illustrated London Almanack. He also found work as a book illustrator and, during the 1850s, trained himself to paint in watercolours. His illustrations of Longfellow’s Evangeline and books of poetry by other contemporaries were a great success, and he quickly became a successful artist in watercolours. Birket Foster became an Associate of the "Old" Watercolour Society (Later the Royal Watercolour Society) in 1860 and exhibited some 400 of his paintings at the Royal Academy over more than 2 decades.
Birket Foster travelled widely, painting the countryside around Scotland, the Rhine Valley, the Swiss lakes and in Italy, especially Venice. In 1863 he moved to Witley, near Godalming in Surrey where he had a house ("The Hill") built. Being friendly with Edward Burne-Jones and William Morris, he had the house decorated and furnished in contemporary style, with tiles and paintings by Burne-Jones and Morris' firm, Morris and Company. The same year he published a volume of "English Landscapes," with text by Tom Taylor...
Category
1880s Impressionist New York - Landscape Prints
Materials
Lithograph, Watercolor, Gouache
$1,120 Sale Price
20% Off
Seaside, Modern Lithograph by V. Beffa
Located in Long Island City, NY
V. Beffa - Seaside. Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)
Category
1980s Modern New York - Landscape Prints
Materials
Lithograph
Veduta del Tempio della Fortuna Virile, from Raccolta delle più belle Vedute ...
By Giuseppe Vasi
Located in Middletown, NY
By Giuseppe Vasi after Giovanni Piranesi: Etching and engraving with hand coloring in watercolor on laid paper with an E and R watermark, full margins. Minor...
Category
Late 18th Century Old Masters New York - Landscape Prints
Materials
Watercolor, Laid Paper, Engraving, Etching
Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance.
A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
Category
Early 20th Century American Modern New York - Landscape Prints
Materials
Archival Paper, Drypoint, Etching
Joseph Webster Golinkin, On the Dock, Banana Boat, New Orleans
By Joseph Webster Golinkin
Located in New York, NY
Chicago-born Golinkin studied at the Artist Students League with George Luks. After working as an illustrator for New York papers he joined the Navy in 1939 and retired as a Rear Adm...
Category
1930s Ashcan School New York - Landscape Prints
Materials
Lithograph
Summer Maple
By Sylvia Plimack Mangold
Located in New York, NY
A drypoint and aquatint by artist Sylvia Plimack Mangold.
Category
21st Century and Contemporary New York - Landscape Prints
Materials
Drypoint
Vienna, Austria; Wienn in Osterreich
Located in New York, NY
Published by Probst, Johann Friedrich, 1721-1781 Augsburg.
Copper etching print; hand-colored; - condition: Printed on 2 sheets joined together; size (in cm) 38 x 104; Large and very decorative view of Vienna with numbering of the important houses and buildings.
The Werner / Probst views are distinguished by the their large size that allows considerable architectural and landscape detail, extending to the delineation of farm buildings, boats and individual trees. Each includes a numbered key identifying important sites and buildings.
Friedrich Bernhard Werner was a German printmaker, draftsman and writer of chronicles; Bénézit states he was born in Reichenau, other sources indicate Silesia. As a young man he lived an itinerant and rather bohemian existence as a writer, translator and working in theater. Eventually he settled in Augsburg, where he drew views for the publishing houses of a Martin Engelbrecht...
Category
18th Century New York - Landscape Prints
Materials
Etching
Venus Lamenting over the Death of Adonis
By Herman van Swanevelt
Located in Middletown, NY
c. 1654. Etching with engraving on thin laid paper with an early and large unidentified watermark with a sundial and a many-pointed star, and an unidentified collector's stamp in the...
Category
Mid-17th Century Old Masters New York - Landscape Prints
Materials
Handmade Paper, Engraving, Etching
Figurative Picasso Etching, 'Minotaure Endormi Contemplé Par Une Femme', 1933
By Pablo Picasso
Located in New York, NY
"Minotaure Endormi Contemplé Par Une Femme" (1933) is a striking and emotionally charged work by Pablo Picasso, capturing the artist’s complex engagement with mythology, surrealism, ...
Category
1930s Cubist New York - Landscape Prints
Materials
Laid Paper, Etching
$28,000 Sale Price
30% Off
Red Grooms Grand Central Terminal (signed and inscribed to famed estate atty)
By Red Grooms
Located in New York, NY
Red Grooms
Grand Central Terminal (signed and inscribed to renowned attorney), 1993
Offset lithograph poster (signed and inscribed in marker to Herbert Nass)
Signed, inscribed to Her...
Category
1990s Pop Art New York - Landscape Prints
Materials
Lithograph, Offset
Tom Blachford Porsche Targa Mid Century Modern Palm Springs
By Tom Blachford
Located in Brooklyn, NY
Limited Edition series of Classic a couple Porsche Targa within Palm Springs California. Mid Century Modern Design Architecture. Photography by Tom Blach...
Category
2010s American Modern New York - Landscape Prints
Materials
Archival Pigment
Narrow Street in Rouen (Petite Rue Nationale, a Rouen)
By Camille Pissarro
Located in New York, NY
Camille Pissarro (1830-1903), Narrow Street in Rouen (Petite Rue Nationale, a Rouen), etching, drypoint, maniere grise, aquatint, 1896, signed in pencil lower right, numbered (No 6) ...
Category
1890s Impressionist New York - Landscape Prints
Materials
Drypoint, Etching, Aquatint
Raymond Pettibon 'Illustration Without Tears' (vintage Raymond Pettibon poster)
By Raymond Pettibon
Located in NEW YORK, NY
Vintage Raymond Pettibon exhibition poster:
Raymond Pettibon 'Illustration Without Tears': Rare vintage Pettibon exhibit poster published by Regen Pr...
Category
1980s Pop Art New York - Landscape Prints
Materials
Lithograph, Offset
Market Square, Rothenburg, Germany
Located in Middletown, NY
Etching and drypoint on cream wove paper, 10 3/4 x 7 1/2 inches (270 x 190 mm), full margins. Signed, inscribed and titled in pencil, lower margin. In good condition with minor mat t...
Category
Early 20th Century Modern New York - Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
Roy Lichtenstein Mountain Village Pop Art Vintage
By (after) Roy Lichtenstein
Located in Brooklyn, NY
Mountain Village is a 1980 vintage blank greeting card, originally printed for the Guggenheim Museum. The card is framed in a white wood frame with a front profile of 1 inch and a si...
Category
1980s Pop Art New York - Landscape Prints
Materials
Offset
$200 Sale Price
20% Off
Divers at Jones Beach
By Jessica Brilli
Located in New York, NY
ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...
Category
2010s New York - Landscape Prints
Materials
Photographic Paper
Over Cape Cod
By Frank W. Benson
Located in New York, NY
"Over Cape Cod" is an etching created by Frank W. Benson in 1932. Benson only printed trial proofs of this plate - there is no edition. This impression is a first state of four. There are six impressions of the first state, three impressions of the second, four impressions of the third, and eight of the fourth state have been recorded. Signed in pencil in the lower left under the image. The image size is 7 15/16 x 14 7/8" (20.1 x 37.8 cm) and sheet size 11 9/16 x 18 3/8" (29.3 x 46.7 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
Mid-20th Century American Impressionist New York - Landscape Prints
Materials
Etching
Running Fences yellow
By Christo and Jeanne-Claude
Located in Boston, MA
Artist: Christo,
Title: Running Fences yellow
Series: Running Fences
Date: 1976
Medium: Offset Lithograph
Dimensions: 25.25" x 39.5"
Signature: Signed
Edition: 1000
Category
1970s Conceptual New York - Landscape Prints
Materials
Offset
Stewart Wheeler, Atlantic City (New Jersey)
Located in New York, NY
The little that is know about the painter and printmaker Stewart Wheeler indicates that most of his career was spent in Philadelphia, Pennsylvania. And...
Category
Mid-20th Century American Modern New York - Landscape Prints
Materials
Screen
Oh What a Lovely Day IV, Modern Lithograph by Linda Plotkin
By Linda Plotkin
Located in Long Island City, NY
Linda Plotkin, American (1938 - ) - Oh What a Lovely Day IV, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 6/100, Image Size: 18...
Category
1960s Modern New York - Landscape Prints
Materials
Lithograph
Loguivy le Soir (Loguivy at Evening)
By Henri Riviere
Located in New York, NY
Henri Rivière (French, 1864-1951), Loguivy le Soir (Loguivy at Evening), 1904,Plate 7 for Le Beau Pays de Bretagne. Published by Eugène Verneau, Paris. Color...
Category
Early 1900s Post-Impressionist New York - Landscape Prints
Materials
Lithograph
The Mill of Alphonse Daudet at Fontevieille, Lithograph after Vincent van Gogh
By (After) Vincent van Gogh
Located in Long Island City, NY
A lithograph from the "Vincent Van Gogh" portfolio with text by Oskar Hagen published by Marees-Gesellschaft in Munich 1919. The portfolio consisted of 15 lithographic reproductions...
Category
1910s Post-Impressionist New York - Landscape Prints
Materials
Lithograph
Lake Constance ; The Oberstadt at Bregenz with Lake Constance (the Bodensee) Bey
By (After) Joseph Mallord William Turner
Located in Middletown, NY
Lake Constance
c 1850.
Watercolor on cream wove paper mounted on thin card stock, 10 x 12 1/2 inches (255 x 320 mm), wide margins. Adhesive residue aro...
Category
Mid-19th Century Victorian New York - Landscape Prints
Materials
Watercolor
Wrapped Trees, Switzerland poster (Hand Signed by Christo and Jeanne-Claude)
By Christo and Jeanne-Claude
Located in New York, NY
Christo and Jeanne-Claude, Christo, Javacheff Christo
Wrapped Trees, Switzerland (Hand Signed by Christo and Jeanne-Claude), 1998
Offset lithograph poster (Hand Signed)
Signed Christ...
Category
1990s Pop Art New York - Landscape Prints
Materials
Offset, Lithograph
Flower Lined Home, Modern Lithograph by Guy Charon
By Guy Charon
Located in Long Island City, NY
Guy Charon, French (1927 - 2021) - Flower Lined Home, Year: circa 1975, Medium: Lithograph on Arches, signed, and numbered in pencil, Edition: 250, EA, Image Size: 22.75 x 18.25 ...
Category
1970s Modern New York - Landscape Prints
Materials
Lithograph
Horseshoe Cafe, American Western Art Lithograph by Duane Bryers
By Duane Bryers
Located in Long Island City, NY
Duane Bryers, American (1911 - 2012) - Horseshoe Cafe, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Size: 21 in. x 28 in. (53.34 cm x 71.12 cm...
Category
1980s American Realist New York - Landscape Prints
Materials
Lithograph
Low Country (South Carolina)
By Elizabeth Verner
Located in Middletown, NY
An enchanting Southern landscape by the mother of the Charleston Renaissance, Elizabeth O'Neill Verner(1883-1979)
Etching and drypoint on cream wove paper, 6 15/16 x 5 1/16 inches (175 x 128 mm), full margins. Signed, titled and numbered 72/100 in pencil, lower margin. Uniform age tone, minor surface soiling. A rich and inky impression of a magical southern landscape with figure tilling soil under Spanish moss covered oaks.
A native of Charleston, South Carolina...
Category
1930s American Modern New York - Landscape Prints
Materials
Etching, Drypoint
Canal with a large Boat and Bridge – after Rembrandt van Rijn
By Charles Amand Durand
Located in Middletown, NY
Heliogravure on cream laid paper, 3 1/4 x 4 1/4 inches (80 x118 mm), thread margins. In good condition with a soft vertical crease and minor uniform toning. Printed early 19th centur...
Category
17th Century Old Masters New York - Landscape Prints
Materials
Laid Paper, Photogravure
Illuminated Dendrology - Dimensional Forest
By Linda Westin
Located in New York, NY
ABOUT THIS ARTIST: Linda Westin, based in Stockholm, left photography and became a Ph.D. in neuroscience specialized in super-resolution fluorescence microscopy.
Then she turned bac...
Category
2010s New York - Landscape Prints
Materials
Photographic Paper
The Wrapped Reichstag at Night (Hand Signed by Christo)
By Christo
Located in New York, NY
Christo
The Wrapped Reichstag at Night (Hand Signed), 1993
Offset Lithograph
Hand signed by Christo on lower right front
40 × 25 1/2 inches
Unframed and affixed to matting (as it ha...
Category
1990s Pop Art New York - Landscape Prints
Materials
Lithograph, Offset
Nahan's Forty Winks
By Jiha Moon
Located in New York, NY
In her image- and color-saturated paintings and prints, Jiha Moon mashes up materials, motifs, and techniques to create dreamlike compositions, stuffed with Eastern and Western art historical and pop cultural references that challenge fixed notions of cultural identity and represent our information-overloaded world. Everything is fair game for Moon—she draws from sources high and low, real and virtual, ancient and contemporary, including 13th-century Taoist painting...
Category
21st Century and Contemporary Contemporary New York - Landscape Prints
Materials
Lithograph
Highflyers
Located in Brooklyn, NY
Very large advertising poster created by the Metropolitan Transportation Authority to promote public transit. In 2002, Colon created the "Highfliers" poster for the Metropolitan Tran...
Category
Early 2000s Contemporary New York - Landscape Prints
Materials
Offset
$250
Cat and Busybody
By Benton Murdoch Spruance
Located in Middletown, NY
A 1933 lithograph on cream wove paper 14 x 18 inches (354 x 452mm), full margins. Signed, titled, and numbered 17/33 in pencil, lower margin. Minor mat tone around the perimeter of t...
Category
1930s American Modern New York - Landscape Prints
Materials
Lithograph
Sunlight on Stone; Caudebec-en-Caux
By John Taylor Arms
Located in Middletown, NY
Etching on antique laid Japon paper, 14 1/2 x 7 5/8 inches ( 368 x 195 mm), full margins. Signed, dated and inscribed "Ed. 100 II" in pencil in the lower margin. One of 100 impressio...
Category
Mid-20th Century American Modern New York - Landscape Prints
Materials
Laid Paper, Etching, Handmade Paper
Blue Harmonica, American Western Art Lithograph by Duane Bryers
By Duane Bryers
Located in Long Island City, NY
Duane Bryers, American (1911 - 2012) - Blue Harmonica, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 17.5 x 22 in., Size: 21.5 in....
Category
1970s American Realist New York - Landscape Prints
Materials
Lithograph
The Church Tower and the Clock by David Hockney Brothers Grimm Fairy Tales
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of ‘Fundevogel’. This etching is from the Brothers Grimm tale of ‘Fundevoge...
Category
1960s New York - Landscape Prints
Materials
Etching, Aquatint
Steps to the Grand Canal, St. Mark's in the distance, Venice.
By Donald Shaw MacLaughlan
Located in Middletown, NY
A lovely view of Venice from the water.
Etching with drypoint on antique cream laid paper with a large figural watermark, signed in pencil, lower right. 14 1/4 x 11 inches (362 x 280...
Category
Early 20th Century American Modern New York - Landscape Prints
Materials
Laid Paper, Drypoint, Etching
Highway, Pop Art Screenprint by Clarence Holbrook Carter
By Clarence Holbrook Carter
Located in Long Island City, NY
Artist: Clarence Holbrook Carter, American (1904 - 2000)
Title: Highway
Year: 1979
Medium: Screenprint, signed and numbered in pencil
Edition: 200
Image Size: 30 x 22 inches
Paper Si...
Category
1970s Op Art New York - Landscape Prints
Materials
Screen
Une rue de Rouen
By Maxime Lalanne
Located in Middletown, NY
Copper plate etching with drypoint on cream laid paper with a partial heraldic watermark, 11 x 8 inches (280 x 204 mm), full margins. Toning and some discoloration along the left mar...
Category
Late 19th Century French School New York - Landscape Prints
Materials
Laid Paper, Etching, Drypoint
The Quebec and the Surveillante [an animated naval battle scene]
Located in Middletown, NY
Engraving with extensive handcoloring, on laid paper with a Fleur de Lys watermark, with margins. Plate 11 13/16 x 15 3/4 (300 x 400 mm); Sheet: 12 1/2 x 16 3/8 inches (317 x 415 mm)...
Category
Late 18th Century English School New York - Landscape Prints
Materials
Watercolor, Handmade Paper, Engraving, Laid Paper
![The Quebec and the Surveillante [an animated naval battle scene]](https://a.1stdibscdn.com/balthasar-friedrich-leizelt-prints-works-on-paper-the-quebec-and-the-surveillante-an-animated-naval-battle-scene-for-sale/a_19792/a_147281421719894824799/1567_1_master.jpg?width=240 "Balthasar Friedrich Leizelt - The Quebec and the Surveillante [an animated naval battle scene]")
Waiting, Pop Art Framed Offset Print by Will Barnet
By Will Barnet
Located in Long Island City, NY
Waiting from the Kent Bicentennial Portfolio
Will Barnet, American (1911–2012)
Date: 1975
Offset Lithograph (unsigned as issued)
Image Size: 11.25 x 11 inches
Size: 17 x 14 in. (43.1...
Category
1970s American Modern New York - Landscape Prints
Materials
Offset
Wrapped Coast - Little Bay Australia print Hand Signed Christo and Jeanne-Claude
By Christo and Jeanne-Claude
Located in New York, NY
Christo and Jeanne-Claude, Christo, Javacheff Christo
Wrapped Coast - Little Bay Australia (Hand Signed by Christo and Jeanne-Claude), 1969
Offset color lithograph (hand signed)
Bold...
Category
1960s Pop Art New York - Landscape Prints
Materials
Lithograph, Offset
Figura Hieratica, Surrealist Etching by Rufino Tamayo
By Rufino Tamayo
Located in Long Island City, NY
Portfolio: Rufino Tamayo 15 aguafuertes 1979
Date: 1979
Etching, signed and numbered in pencil
Edition of 61/99
Image Size: 20 x 28 inches
Size: 22 x 30 in. (55.88 x 76.2 cm)
Printer...
Category
1970s Surrealist New York - Landscape Prints
Materials
Etching
Paysage, Impressionist Lithograph after Pablo Picasso
By Pablo Picasso
Located in Long Island City, NY
A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Paysage". The original painting was completed in 1937. ...
Category
1980s Modern New York - Landscape Prints
Materials
Lithograph
Place de la Concorde, Paris
By Giuseppe De Nittis
Located in Middletown, NY
Paris: Gebbie & Co., 1895.
Photogravure and engraving on cream wove paper, 6 11/16 x 9 5/8 inches (169 x 244 mm), full margins. In good condition with minor toning and three scatter...
Category
Late 19th Century French School New York - Landscape Prints
Materials
Handmade Paper, Engraving, Photogravure
The Pavilion de Mademoiselle and Part of the Louvre
By Charles Meryon
Located in Middletown, NY
A fine and early state impression from an almost unparralled 19th century Parisian collection curated by Loys Delteil.
Etching, drypoint, and roulette on buff laid Japon paper, 5 7/16 x 9 13/16 inches (137 × 249 mm) full margins. In very good condition with light and unobtrusive scattered foxing. Some pencil inscriptions in the margins, recto, as well as the Alfred Beurdeley collection stamp (Lugt 421) in black ink in the lower left margin on the recto. There are some light scattered inscriptions in pencil on the verso, as well as a numerical stamp in blue ink, which we believe is the lot number from part III of a well-known series of sales of Beurdeley's collection organized by Loys Delteil. This portion of the sale of Beurdeley's massive collection focused on Modern Prints, and took place on May 19 – 20, 1920, in Paris. In regard to the content of the sale, Fritz Lugt states "Meryon's work included all the beautiful pieces about Paris." A rich and tonal impression.
[Delteil & Wright 9; Schneiderman 12].
A note on the provenance:
Alfred Beurdeley (1847-1919) was the son of one of the first antique dealers in Paris...
Category
Mid-19th Century French School New York - Landscape Prints
Materials
Handmade Paper, Laid Paper, Etching
The Youngest Stars
By Niko Christian
Located in New York, NY
ABOUT THIS ARTIST: Niko (aka c-nik) is a multidisciplinary artist, currently based on a pixel in a city that never sleeps, quietly working to create peace from chaos in surreal arcs ...
Category
2010s New York - Landscape Prints
Materials
Photographic Paper
Trojan Horse, Surrealist Lithograph by Wojtek Kowalczyk
Located in Long Island City, NY
Trojan Horse
Wojtek Kowalczyk, Polish (1960)
Date: 2005
Lithograph, signed in pencil
Size: 19.5 in. x 13.5 in. (49.53 cm x 34.29 cm)
Category
Early 2000s Surrealist New York - Landscape Prints
Materials
Lithograph
The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year .....
By Utagawa Yoshitora
Located in Middletown, NY
The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year of the Bunji Era (1185)
Tokyo c. 1830
Woodblock print (nishiki-e) with ink and hand-coloring in watercolor on handmade mulberry paper, 14 7/16 x 9 15/16 inches (367 x 252 mm), ōban tate-e, the full sheet. In good condition with some handling creases. Colors are fresh and extremely vibrant. The right panel from the triptych by Yoshitora depicting one of Japan's most storied naval battles. An impression of this work may be found in the permanent collection of the Honolulu Museum of Art.
The great naval battle of Dan-no-ura in 1185 was the final climax in a long series of bitter wars between two powerful families in feudal Japan...
Category
Early 19th Century Edo New York - Landscape Prints
Materials
Watercolor, Handmade Paper, Woodcut
A Base Ball Game
By Henry Sandham
Located in New York, NY
Goupilgravure (photogravure) was printed in Paris and published April 1, 1896, by Boussod Valadon & Co. Successors to Goupil & Co. Painted by Henry Sandham, 1894. "A BASEBALL GAME" depicts the 1894 "Temple Cup" game between the Baltimore Orioles and the New York Giants...
Category
Late 19th Century Naturalistic New York - Landscape Prints
Materials
Photogravure
The Last Supper, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 3/8 inches (203 x 137 mm), trimmed at the platemark. A fine impression with a Coat of Arms watermark. Second state, after the addition of the Frederick de Witt...
Category
16th Century Old Masters New York - Landscape Prints
Materials
Engraving, Laid Paper
San Francisco Basketball Court
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...
Category
2010s New York - Landscape Prints
Materials
Photographic Paper
Wandelaars II, Contemporary Mezzotint by Anne Dykmans
By Anne Dykmans
Located in Long Island City, NY
Anne Dykmans, Belgian (1952 - ) - Wandelaars II, Year: 2002, Medium: Mezzotint, signed, titled, numbered and dated in pencil, Edition: 50, Image Size: 2.5 x 3.5 inches, Frame Siz...
Category
Early 2000s Contemporary New York - Landscape Prints
Materials
Mezzotint
Valley Farm, American Realist Lithograph by Mel Hunter
By Mel Hunter
Located in Long Island City, NY
Mel Hunter, American (1927 - 2004) - Valley Farm, Year: 1976, Medium: Lithograph, signed in pencil, Size: 15 x 20 in. (38.1 x 50.8 cm)
Category
1970s American Realist New York - Landscape Prints
Materials
Lithograph
Shadows of Venice
By John Taylor Arms
Located in Middletown, NY
Etching and aquatint on antique laid paper, wide margins. Signed, dated and inscribed "Edition of 100" in pencil, lower margin. Second state (of 2)....
Category
Mid-20th Century American Modern New York - Landscape Prints
Materials
Laid Paper, Etching, Aquatint
Cloud Mural
Located in Brooklyn, NY
This grand mural unveils a mesmerizing Baroque-style etching that commands attention with its celestial drama. The expansive sky serves as a vast canvas, adorned with flowing circula...
Category
21st Century and Contemporary Renaissance New York - Landscape Prints
Materials
Plexiglass, Archival Ink
Neil Welliver at O'Farrel Gallery, 1988 offset lithograph poster landscape
By Neil Welliver
Located in New York, NY
Neil Welliver at O'Farrel Gallery poster, 1998
Offset lithograph
24 × 18 inches
Unframed
This offset lithograph poster was published on the occasion of Neil Welliver's exhibition at O'Farrell Gallery from July 17 to September 5, 1998. The depicted painting on the poster is Neil Welliver, Marsh Shadow, 1986.
Publisher
O'Farrell Gallery, Brunswick, Maine
Accompanied by Certificate of Guarantee issued by Alpha 137 Gallery
About Neil Welliver:
Neil Welliver (American, 1929-2005) is best known for his large-scale, vivid paintings and woodcuts of the remote Maine wilderness. Born in the small town of Millville, Pennsylvania, he first studied at the Philadelphia College of Art (1953), followed by Yale (1955), where Josef Albers and Burgoyne Diller were among his teachers. Their influence, as well as the rising popularity of Abstract Expressionism, is evident from Welliver’s early experimentations in abstraction, which include elements of color field painting, as well as the color theory of Albers, and the flattened, “allover” space of Pollock and de Kooning.
Welliver would go on to teach at Yale from the mid-1950s to the mid-1960s, by which time he had moved formally towards the representational, beginning to paint the landscape of Maine. In the late 1960s and early 70s he also produced scenes of nude bathers in streams, their bodies abstracted by the moving water. While continuing to work as the chair of the University of Pennsylvania graduate school (1966-1989), he moved permanently to Lincolnville, Maine, in 1970. Welliver lost his studio, home, and much of his work to a fire in 1975. The following year, his second wife and infant daughter died. Further tragedy came with the death of his college aged son in 1991. His artistic practice remained the mode through which he survived these hardships.
By the 1980s he was painting landscapes almost exclusively. The resulting body of work nods to many of Welliver’s early influences, as he utilizes natural repetitions and distortions to represent the innate abstraction of the natural world. These mature works are based on long plein-air studies, where Welliver would carry a 70-pound pack of painting supplies into remote landscapes, and sit for three hours at a time. He continued to paint the landscape surrounding his large property in Maine until his death in 2005.
Welliver was a member of the National Academy of Design, and received notable awards from the Guggenheim Foundation and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Museum of Fine Arts, Boston, among others.
- Courtesy of Alexandre Gallery
Category
1990s Realist New York - Landscape Prints
Materials
Lithograph, Offset
