New York - Delft and Faience

This collection of three antique Dutch Delft chargers showcases the craftsmanship of the 18th-century potteries in the city of Delft. Each charger is hand painted in a vibrant array ...

This outstanding pair of Dutch Delft blue and white tobacco jars were made circa 1770 to hold a type of tobacco named "DÜÎNKERKER." Made in the city of Delft circa 1770, the cobalt blue decoration on the jars is outstanding. Description: Framing the title of the jar is lovely floral decoration of leaves, small flowers, and scrolling vines. At the top of the floral decoration, we see a vase bursting with leaves and flowers. The covers are 20th century. Dimensions: 8.75" tall (11"with covers) x 7.25" diameter at widest point Condition: Excellent Price: $2,400 Provenance: One of the pair has the mark of The Blompot on the underside. The Blompot factory operated from 1654 until 1841. In addition, the Philadelphia Museum of Art has an almost identical tobacco jar made by a competing contemporary Dutch Delft factory. The museum notes the name on the jar, "DÜÎNKERKER," refers to a type of tobacco that was more commonly known as DÜÎNKERKEN, spelled with an "N" at the end. Duinkerken is a type of chewing tobacco. (For more details from the Philadelphia Museum of Art listing, see ** below). Background of Dutch Delft: The technique of making Delft was first described in writing by Gerrit Paape in "The Delft Pottery Maker," written in 1794 and dedicated to Lambertus Sanderus, the owner of De Porceleyne Claeuw (The Porcelain Claw). Delft faience began in the 17th century. Much of the most beautiful Delft was produced in the Dutch city of Delft. The Delft potters began to coat their pots thoroughly in a white tin glaze. They then began to cover the white tin glaze with a clear glaze, giving depth to the fired surface and smoothness to cobalt blues. Over time they created a good resemblance to porcelain. By circa 1650, the technical skills of the potters and painters were much improved, and Delft began its golden age. Background of 18th Century Tobacco Use in The Netherlands: Tobacco use in 18th century Holland was widespread and socially acceptable. It was commonly consumed through smoking in pipes. Pipe smoking became popular among all social classes, from the working class to the wealthy elite. Tobacco was not only enjoyed for its recreational purposes but also had a role in social rituals and gatherings. It was often smoked during social events, in coffeehouses, taverns, and at private gatherings. The Dutch Republic was known for its extensive trade networks, and tobacco was significant in this trade. The Dutch East India Company (VOC) was crucial in bringing tobacco from the colonies, such as Virginia in North America and Java in the East Indies. In addition, the VOC controlled much of the tobacco trade in Europe, contributing to the popularity and availability of tobacco in Holland. **The Philadelphia Museum of Art "Tobacco Jar and Cover 1764-1772 Made by De Porceleyne Schotel (The Porcelain Dish), Delft, Netherlands (1598–1791) Under Johannes van Duijn...

This hand-painted jar and cover from circa 1790 boasts beautiful Dutch Delft floral artwork. The intricate design features a stunning array of blooms and vines in deep and medium cobalt blue. The shoulders of the jar are adorned with lappets filled with flower heads, and its octagonal form is topped with a simple, deep blue knop. Dimensions: 12.75" tall x 6" at widest point x 4.75" across base Condition: Excellent with small edge frits invisibly restored Price: $1160 Background of Dutch Delft: The technique of making Delft was first described in writing by Gerrit Paape in "The Delft Pottery Maker," written in 1794 and dedicated to Lambertus Sanderus, the owner of De Porceleyne Claeuw (The Porcelain Claw). Delft faience began in the 17th century. Much of the most beautiful Delft was produced in the Dutch city...

This pair of small polychrome figures of recumbent cows was made in Delft, Holland, circa 1780. Each cow shows a spotted hide and brown forelock, eyes, horns, and tail. Each is deco...

We are pleased to offer this pair of Dutch Delft blue and white chargers decorated in the center with an image of a delicate vase filled with chrysanthemums and peonies. The design in the center of the charger is derived from Chinese decoration, where auspicious flowers were put in bamboo baskets as attractive interior decorative elements. The border of the charger is adorned with four floral panels, which alternate with four cobalt blue panels with fish-net patterns. The edge of each charger is painted with orange slip...

We are pleased to offer this early 18th-century Dutch Delft charger painted in cobalt blue with a scene showing a lady seated in a garden. The border is decorated with linked concen...

This blue and white charger was hand painted at De Porcelene Bijl* "The Axe" circa 1770. The center of the charger is filled with a lovely flowering plant. We see flowers in full blo...

This antique Dutch Delft charger is hand painted in a vibrant array of polychrome hues, including cobalt blue, green, yellow, iron red, ochre, and manganese purple. We see a beautifu...

This hand painted Dutch Delft plate features a lovely flower-filled vase painted with vibrant hues of lemon yellow, blue, iron red, and purple. The bright yellow blossom captures your attention. Stretching gracefully across the center are four delicate blue flowers, accompanied by a solitary iron red bloom, all elegantly framed by light green leaves on purple branches. The effect is beautiful. Circling the center is a band of yellow decorated with blue flowers and green leaves. The border is decorated with dashes of purple set...

This pair of Dutch Delft chargers in the "Theeboom" pattern shows a tea plant with a fan-shaped bouquet of leaves and flowers. The deep cobalt blue is fabulous! This is one of the ...

These Dutch pancake plates are adorned with a beautiful hand-painted scene in bold Imari colors of cobalt blue and iron red, enhanced by forest green and bright yellow, which replace...

French centerpiece vase with lid, from the Faiencerie Emile Tessier in Malicorne, all hand decorated by the artist Paul Lecomte, with cameos of hand-painted blu landscapes highlighte...

This beautiful blue and white Delftware charger features a vibrant garden scene that is hand-painted in just three shades of cobalt blue. In the central space, flowers emerge from r...

Plates Pair Delft Blue and White 18th Century Holland. A pair of beautiful large delft plates decorated with blue and white flowers made during the ...

From Normandy, rare extra-large Bavent French Majolica elephant. White glaze finish, two-tone brown woven blanket and ceremonial basket. This charmin...

Fabulous set of 4 French Quimper faience pottery dinner plates. Hardly ever used and in excellent vintage condition with almost no wear. 2 seats of the...

Queen Marie-Antoinette appointed Saint-Clément as a Royal Supplier for her Petit Trianon at Versailles. Here is an 18th-century Saint-Clément hand-painted creamware...

Fabulous Quimper Faience Teapot with the lid. Breton peasant woman in virtually unused condition. Can be parcel posted. More pieces to follow.

These hand-painted plates feature a bold zigzag pattern, a popular decoration in upscale Dutch Delft. The Bliksem "Lightning" pattern originated in Dutch Delft factories in the late...

Hand painted circa 1780, this eye-catching blue and white Delft charger is hand painted in shades of cobalt blue with black accents. ...

Fabulous set of 4 lunch plates with yellow glaze and 2 pairs of the Breton peasant men and women. Hardly used and shows no wear. In excellent vintage condition. Can be parcel posted....

The pair of jars with covers with old repairs and chips.