18th Century French Creamware Figure by Cyfflé at Saint Clément, Circa 1770

A set of five antique Dutch Delft dishes beautifully hand painted with manganese-based purple. The dishes show a peony plant in full bloom. The maker was Hugo Brouwer. Brouwer created the design, and each dish would have been hand-painted in his factory, The Dreye Porceleyne Flesschen, using a stencil of his design. Each dish is signed with Brouwer's H-B mark. Dimensions: diameter 9" Condition: Excellent Price: $600 for the 5 plates Background of Hugo Brouwer: Maker: Hugo Brouwer (active 1760–1788) at The Dreye Porceleyne Flesschen (The Thee Porcelain Bottles) factory. Ref: C.H. De Jonge...

Chinoiserie blue water in the foreground This Dutch Delft charger features a hand painted garden scene with large bright yellow flowers, green leaves, small iron red plum blossom f...

This antique Dutch Delft charger was hand painted in the 18th century, circa 1770. The center of this large Dutch Delft charger shows a lovely chinoiserie scene painted in vibrant p...

This outstanding pair of Dutch Delft blue and white tobacco jars were made circa 1770 to hold a type of tobacco named "DÜÎNKERKER." Made in the city of Delft circa 1770, the cobalt blue decoration on the jars is outstanding. Description: Framing the title of the jar is lovely floral decoration of leaves, small flowers, and scrolling vines. At the top of the floral decoration, we see a vase bursting with leaves and flowers. The covers are 20th century. Dimensions: 8.75" tall (11"with covers) x 7.25" diameter at widest point Condition: Excellent Price: $3,400 Provenance: One of the pair has the mark of The Blompot on the underside. The Blompot factory operated from 1654 until 1841. In addition, the Philadelphia Museum of Art has an almost identical tobacco jar made by a competing contemporary Dutch Delft factory. The museum notes the name on the jar, "DÜÎNKERKER," refers to a type of tobacco that was more commonly known as DÜÎNKERKEN, spelled with an "N" at the end. Duinkerken is a type of chewing tobacco. (For more details from the Philadelphia Museum of Art listing, see ** below). Background of Dutch Delft: The technique of making Delft was first described in writing by Gerrit Paape in "The Delft Pottery Maker," written in 1794 and dedicated to Lambertus Sanderus, the owner of De Porceleyne Claeuw (The Porcelain Claw). Delft faience began in the 17th century. Much of the most beautiful Delft was produced in the Dutch city of Delft. The Delft potters began to coat their pots thoroughly in a white tin glaze. They then began to cover the white tin glaze with a clear glaze, giving depth to the fired surface and smoothness to cobalt blues. Over time they created a good resemblance to porcelain. By circa 1650, the technical skills of the potters and painters were much improved, and Delft began its golden age. Background of 18th Century Tobacco Use in The Netherlands: Tobacco use in 18th century Holland was widespread and socially acceptable. It was commonly consumed through smoking in pipes. Pipe smoking became popular among all social classes, from the working class to the wealthy elite. Tobacco was not only enjoyed for its recreational purposes but also had a role in social rituals and gatherings. It was often smoked during social events, in coffeehouses, taverns, and at private gatherings. The Dutch Republic was known for its extensive trade networks, and tobacco was significant in this trade. The Dutch East India Company (VOC) was crucial in bringing tobacco from the colonies, such as Virginia in North America and Java in the East Indies. In addition, the VOC controlled much of the tobacco trade in Europe, contributing to the popularity and availability of tobacco in Holland. **The Philadelphia Museum of Art "Tobacco Jar and Cover 1764-1772 Made by De Porceleyne Schotel (The Porcelain Dish), Delft, Netherlands (1598–1791) Under Johannes van Duijn...

These colorful antique plates and matching serving platter were created in France circa 1920, by the Saint Clement factory. The hand painted Majolica service features 6 round plates and one charger, all having oyster shaped and lemon wedge motifs. Every piece is marked underfoot "St Clement France". The set is in excellent condition with rich colors in the green and yellow palette. The faience factory of Saint-Clement, 12 kms from Lunéville, was established in 1758 by Jacques Chambrette, who already owned another one in Lunéville. With this second factory he aimed at the higher segment of the market with prestigious objects. The factory received because of this a label as Royal Suplier for Marie-Antoinette's Trianon. After Jacques died in 1758, his son Gabriel became the new owner. Between 1759 and 1763 the factory was managed by Charles Loyal, Jacques Chambrette's son-in-law, Paul Louis Cyfflé and the architect Richard Mique, who owned half the factory in 1786. In the 18th century Saint-Clément produced domestic objects of ordinary earthenware, luxurious objects and decorative objects of fine earthenware (so-called "terre de pipe"). Between the first quarter of the 19th century and 1892 both current utensils of ordinary earthenware and fine earthenware are produced and decorative objects of grand and petit feu (Emile Gallé). In the second half of the 19th century the factory reproduced Louis XIV objects, among them objects with very unnatural forms, where they attempted to imitate the multicolored decorations of Strasbourg faience...

This shaving bowl in earthenware of Saint Clément, decor rooster, is an exceptional piece that testifies to the French craftsmanship of the early 20th century. The pottery of Saint C...

A large Danish (or Northern German) faience charger from circa 1780 in blue and white flower decor. The decoration is inspired by, or actually exact copies of the contemporary Chinese Qianlong dynasty porcelain that came to Europe during the "Florissant Period", second half of the 18th century. This 1750-1790 period was dominated a "blooming" inter-connected maritime trade between Hong Kong, China and Western Europe, with the Danes, Dutch, English and Swedes being the main merchant participants. Because the Chinese kept their unique porcelain recipe a deadly secret, the faience factories of Denmark, Germany, France, Sweden etc. decided to simply copy the Chinese decorations, this large charger being a fine example of the workmanship and tradition. An interesting fact, that in the early 1700 hundreds, the German Meissen Porcelain factory was the first to crack the secret Chinese porcelain manufacturing process, so Meissen enforced the death penalty...

These elegant, antique urns were created in Luneville, France, circa 1970. The tall ceramic vases stand on square bases over a bombe body decorated with ram head handles, and embelli...