Fine Art in Paris

A stunning copy of the Northern Renaissance masterpiece "Maddalena Dolente" by Quentin Matsys (1466-1530) which is in the collection of the Gemäldegalerie Berlin. Beautifully execut...

Oil on aluminium dibond "I’m interested in exploring boundaries of painting and reducing the medium to its essentials. - Color, Light and Form. Trying to give observers a place whe...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...

Pierre Bonnard's "La revue Blanche" poster, created in 1896, is considered a masterpiece of poster art. It is part of the "Maîtres de l'Affiche" collection, edited by Jules Chéret, a...

Pierre AMBROGIANI (1907-1985) Dancing Sailors, 1974 Original Lithograph (Gourdon Workshop) Signed with the artist's stamp On vellum Arches 38 x 28 cm (c. 14.9 x 11 in) Excellent co...

Cristallerie – Ewer with insects by Emile GALLE (1846-1904) A small gadrooned ewer in form of a nautilus known as "Cristallerie by Gallé", raised on a foot, with a pouring spout an...

Henri MATISSE Underwater life, 1954 Original lithograph Printed signature in the plate On light wove paper 31 x 24 cm (c. 12.5 x 10 in) REFRENCES : Published by San Lazzaro / XXèm...

Egon SCHIELE (after) Reclining Nude Twins Stone lithograph after a charcoal drawing of 1914 On vellum 50 x 64 cm (c. 19.7 x 25 inches) REFERENCES : The original drawing is part of...

Siebe Johannes Ten Cate (1858-1908) A View of Toledo Signed, located and dated lower left Watercolor on paper 35.5 x 55 cm irregularly shaped in good condition, some foxings in the ...

This painting, created during Zuccarelli's stay in England, represents the decisive moment when Macbeth, together with Banquo, meets the three witches who announce that he will be Ki...

Signs and Writings No. 3 is a monumental bronze sculpture by contemporary artist Martine Demal, dimensions including patinated brass base are 93 × 102 × 33 cm (36.6 × 40.2 × 13 in). ...

"Apollo" by Henri Bouchard (1875-1960) An Art Deco period masterpiece! Exceptional bronze sculpture with a golden-brown patina Signed " H. Bouchard " Unique piece This work personifies Apollo, god of the Arts. Represented here as Apollo Musagète, leader of the procession of muses and winner of the serpent Python. This subject was commissioned to adorn the entrance to the Palais de Chaillot in Paris, and whose monumental bronze is still exhibited there. To participate in the Venice Biennale in 1938, Henri Bouchard had reduced in 1937 the large Apollo of the Palais de Chaillot, which had not yet been installed. Vintage cast by Bisceglia (cast founder stamp) made during the artist's lifetime. Incised dedication below signature : " à mon cher ami E. Sandoz " This is a unique cast made for the sculptor Edouard-Marcel Sandoz (1881-1971). This cast was exhibited at the 1938 Venice Biennale. France 1937 height : 82 cm width : 45 cm depth : 30 cm weight : 31,2 kgs Stickers under the bronze cast : - Sticker mentioning that this cast has been exhibited at the Venice Biennale of 1938 under the number 354 ("Biennale Internaz. d'Arte Venezia – 1938 – XVI – 354"). - Sticker mentioning that this cast went through Italian customs ("ne – merci – dogana italiana – visitate - 9622") - Damaged Sticker mentioning the name ("A…") and the address ("25…") of the owner of the cast (maybe for the workshop "Atelier Henri Bouchard", 25 rue d’Yvettes, 75016 Paris). Provenance : - Edouard-Marcel Sandoz, Paris, according to the dedication. - Property from the Collection of Seymour Stein (entrepreneur and founder of Sire Records, famous American record label ; and avid collector of 19th and 20th century fine art...

Ink on paper Liu Ziyu is a Chinese artist born in 1978 who lives and works in Beijing, China. He was graduated in 2020 from from the Stroganov Moscow State Academy of Arts and Indus...

An charming 19th century dog painting depicting a mother dogue and her exuberant topsy turvy pups by the farmhouse barns or cowsheds , with a young child given them a fuss! Dating from ca 1860-70, the oil on canvas is unsigned, but bears on the verso a rather special stamp from colour and artists supplies merchant Paul Durand-Ruel (1831-1922). Paul Durand-Ruel is known as the legendary art dealer who launched, almost single handedly, the Impressionist movement. He represented Monet, Pissarro, Sisley, Renoir in his Paris, London and New York Galleries. Like his father Jean Marie Durand, Durand Ruel had started as both a merchant of art supplies, and dealer. Often, these two activities overlapped, as he would supply cash strapped artists who left paintings as security. Paul Durand Ruel was one of the first to discover Barbizon artist...

Oil on canvas

The 1967 original exhibition poster for Hans Hofmann's at the André Emmerich Gallery in New York is a vibrant and captivating visual representation of the renowned artist's abstract ...

Marc Chagall (1887-1985) Bouquet and the Eiffel Tower (Offering of Flowers, Paris), 1964 Original color lithograph (Mourlot workshop) Signed in pencil Artist's proof, numbered / 25 ...

Oil on its original canvas, arched in the upper part Trace of signature at the bottom center Provenance: - France, Private collection

Marc Chagall (1887-1985) The Bible, Jericho's Spies in the Moolight, 1960 Original lithograph (Mourlot Workshop) On paper 36 x 26.5 cm (c. 14.2 x 10.2 in) Second illustration on t...

Oil on canvas Karine Bartoli was born in 1971 in Ajaccio. She enrolled at the Ecole Nationale Superieure des Beaux Arts in Marseille where she graduated in 1997. Since then she has ...

Alexander Calder Balloons and Color Mosaic, 1971 Original Lithograph (4 color stones) Printed in Mourlot workshop On vellum 31 x 24 cm (c. 12,2 x 9,5 in) Edited by San Lazzaro in 1...

2074, 2022 by Salvatore Arnone From the ONE series Ink and acrylic on canvas Image size: 90 H x 90 W cm. Unframed Production time is 2 to 3 weeks. Unique Despite photography remains...

Pablo Picasso Chouette aux plumes (Owl with Feathers) Original ceramic of Picasso made of white earthenware clay, partially engraved, with colored engobe and glaze. Annoted "Edition...

Lithograph, 1963 Handsigned by the artist in pencil and numbered 43/75 Publisher : Nouveau Cercle parisien du Livre, Paris Printer : Mourlot, Paris Catalog : [Vallier 187 page 275] 38.00 cm. x 28.00 cm. 14.96 in. x 11.02 in. (paper) 30.00 cm. x 22.00 cm. 11.81 in. x 8.66 in. (image) On Arches vellum...

This poster printed in lithography is very rare, it comes from a limited edition of 500 copies for the promotion of their concert in Singapore. The Rolling Stones, this rock band that no longer needs to be introduced, composed of Mick Jagger, Keith Richards ,Charlie Watts & Ron Wood. Their image of rebellious bad boys, conveyed in the 1960s, is a major reference for the generations of rock musicians...

The circa 1950 original travel poster by Dedienne for Air Algérie is a significant piece that encapsulates the allure and exotic charm of Algeria as a premier travel destination. Cre...

An emblem of the Belle Époque's fascination with the exotic, this original 1890 poster by Jules Chéret—often called the father of the modern poster—captures the spirit of late 19th-c...

The pool n°3 is a photograph by French contemporary artist Camille Brasselet. This photograph is sold unframed as a print only. It is available in ...

These two royal portraits are a major historical testimony to the stay of the Comte d'Artois (the future Charles X) and his family in Edinburgh in 1796-1797. Given by the sitters to Lord Adam Gordon, the Governor of Edinburgh, and kept by family descent to this day, these two portraits provide us with a vivid and spontaneous image of the Duc d’Angoulême and his brother the Duc de Berry. Danloux, who had emigrated to London a few years before, demonstrate his full assimilation of the art of British portrait painters in the brilliant execution of these portraits. 1. Henri-Pierre Danloux, a portraitist in the revolutionary turmoil Born in Paris in 1753, Henri-Pierre Danloux was first a pupil of the painter Nicolas-Bernard Lépicié (1735 - 1784) and then, in 1773, of Joseph-Marie Vien (1716 - 1809), whom he followed to Rome when, at the end of 1775, Vien became Director of the Académie de France. In Rome he became friends with the painter Jacques-Louis David (1748 - 1825). Returning to France around 1782, he settled in Lyon for a few years before returning to Paris in 1785. One of his first portraits was commissioned by the Baroness d'Etigny, the widow of the former Intendant of the Provinces of Gascony, Bearn and Navarre Antoine Mégret d'Etigny (1719 – 1767). He then became close to his two sons, Mégret de Sérilly and Mégret d'Etigny, who in turn became his patrons. In 1787, this close relationship with the d'Etigny family was further strengthened by his marriage to Antoinette de Saint-Redan, a relative of Madame d'Etigny. After his marriage, he left for Rome and did not return to France until 1789. It was during the winter of 1790-1791 that he painted one of his masterpieces, the portrait of Baron de Besenval. Set in a twilight atmosphere, this portrait of an aristocrat who knows that his death is imminent symbolizes the disappearance of an erudite and refined society which would be swept away by the French Revolution. The Jacobin excesses led Danloux to emigrate to England in 1792; many members of his family-in-law who remained in France were guillotined on 10 May 1794. Danloux enjoyed great success as a portrait painter in England before returning to France in 1801. During his stay in England, Danloux was deeply under the influence of English portraitists: his colors became warmer (as shown by the portrait of the Duc d'Angoulême that we are presenting), and his execution broader. 2. Description of the two portraits and biographical details of the sitters The Duc d'Angoulême (1775-1844) was the eldest son of the Comte d'Artois, the younger brother of King Louis XVI (the future King Charles X), and his wife Marie-Thérèse of Savoie. He is shown here, in the freshness of his youth, wearing the uniform of colonel-general of the "Angoulême-Dragons" regiment. He is wearing the blue cordon of the Order of the Holy Spirit, which was awarded to him in 1787, and two decorations: the Cross of Saint-Louis and the Maltese Cross, as he was also Grand Prior of the Order of Malta. Born on 16 August 1775 in Versailles, Louis-Antoine d'Artois followed his parents into emigration on 16 July 1789. In 1792, he joined the émigrés’ army led by the Prince de Condé. After his stay in Edinburgh (which will be further discussed), he went to the court of the future King Louis XVIII, who was in exile at the time, and in 1799 married his first cousin Marie-Thérèse Charlotte of France, the daughter of Louis XVI and the sole survivor of the royal family. The couple had no descendants. He became Dauphin of France in 1824, upon the accession to the throne of his father but played only a minor political role, preferring his military position as Grand Admiral. Enlisted in Spain on the side of Ferdinand VII, he returned home crowned with glory after his victory at Trocadero in 1823. He reigned for a very short time at the abdication of Charles X in 1830, before relinquishing his rights in favor of his nephew Henri d'Artois, the Duc de Bordeaux. He then followed his father into exile and died on 3 June 1844 in Gorizia (now in Italy). His younger brother, the Duc de Berry, is shown in the uniform of the noble cavalry of the émigrés’ Army. He is wearing the blue cordon of the Order of the Holy Spirit, awarded to him in May 1789, and the Cross of Saint-Louis (partly hidden by his blue cordon). Born on 24 January 1778 in Versailles, Charles-Ferdinand d'Artois also followed his parents into emigration and joined the émigrés’ army in 1792. After his stay in Edinburgh, he remained in Great Britain, where he had an affair with Amy Brown...

Acrylic & marouflaged paper mounted on canvas Jean-Luc Veret is a French artist born in 1953 who lives & works between Paris & Corancy, France. He recognizes himself as a protean ar...

This 1917 original wartime propaganda poster, designed by Albert Besnard, was created to promote the Third National Defense Loan (3e Emprunt de la Défense Nationale) in France during World War I. As the war raged on, France needed financial support from its citizens to sustain military efforts, and posters like this played a crucial role in mobilizing the public to contribute to the war effort. The composition is rich with symbolism and emotion. At the forefront, a serene yet resolute woman, draped in blue and white, holds an innocent child while extending an olive branch—a universal sign of peace. Behind her, a winged allegorical figure of Victory, clad in dramatic red robes, brandishes a sword and urges forward action. This juxtaposition between maternal protection and military force highlights the dual message of the poster: peace can only be achieved through victory. The bold red typography reads: "SOUSCRIVEZ POUR HÂTER LA PAIX PAR LA VICTOIRE" ("Subscribe to hasten peace through victory"), emphasizing the patriotic duty of citizens to invest in war bonds as a means of securing France’s triumph and eventual peace. Created in the late phase of World War I, this poster reflects France’s determination and resilience. The use of dynamic lines, rich colors, and classical figures is characteristic of Besnard’s artistic style, blending Academic and Symbolist influences. This piece is not only a historical artifact but also a powerful example of propaganda art...

Raoul DUFY Still Life with White Pot and Pears, 1953 Original Lithograph with stencil watercolor With printed signature in the plate On Arches vellum 28 x 38 cm (c. 11 x 15 inch) E...

Ink, graphite, oil pastel and charcoal on Yupo paper 110 x 76 x 0.1 cm - Framed 116 x 82 x 4.5 cm

Andrée KARPELES Paris 1885 - Cannes 1956 View of a mountain in Sonarmag, Kashmir region, Himalayan Range About 1910 Oil on canvas Signed on the reverse on the stretcher Titled “...

Franz PRIKING Fantastic Horse (After the Storm), 1973 Original lithograph Handsigned in pencil Numbered / 120 On Arches vellum 76 x 54 cm (c. 31 x 21 in...

Hans HARTUNG Black and Yellow Composition Original Lithograph (Maeght / Arte workshop) Printed signature in the plate On paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Gam...

Beautiful poster by Abel Truchet for the Moulin Rouge dancers. Painter, draughtsman and poster artist, Louis Abel-Truchet (1857-1918) is, along wi...

Claude Monet (after) Woman with the Fan Exhibition poster printed in offset, with some color in lithograph and metallic ink Signature printed in the plate 119 x 84 cm (c. 48 x 34 in...

Henri PRIVAT-LIVEMONT (1861-1936) Art Nouveau Muse, 1900 Original lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 212 of ...

Untitled 22058 (Abstract painting) Oil on canvas — Unframed. This abstract oil painting showcases a compelling investigation into the visual language of oil. The artist explores the...

Edmond Suau (1871-1929) Une Académie, Standing man, oil on canvas signed lower left 88 x 70 cm In quite good condition, some damages - small lacks of painting - in the lower part, ...

This 1943 original wartime poster by illustrator C.C. Beall is a searing psychological appeal rendered in oil and urgency. Created during the height of World War II, the image confro...

Oil on canvas Mari Abramishvili is a Georgian artist born in 1998 who lives and works in Tbilisi, Georgia. She id self-taught painter and visual artist based in Tbilisi, Georgia, wh...

Two Ibis is a unique bronze sculpture by contemporary artist Chésade, dimensions are 25.5 × 38 × 21 cm (10 × 15 × 8.3 in). The sculpture is signed and comes with a certificate of au...

Le Corbusier Hand with Enigmatic Symbol, 1964 Original lithograph Printed signature in the plate On vellum 42.5 x 35.5 cm (c. 16.5 x 13.7 in) Edited by Forces-Vives (Paris) in 1964...

Il Trovatore, Chirico, Multiples, 1970's, Bronze, Sculpture, Surrealiste Il trovatore Ed. 250 pcs 1971 Bronze with silver patina H. 31 cm Signed and date...

Henry Ottmann (1877-1927) Bust-length portrait of a woman signed lower right pastel on paper 53 x 43 cm Framed 74 x 64 cm This bust portrait of a woman shows us another aspect o...

Henri-Louis Dupray (1841-1909) Studies of military horsemen, two signed drawings Pencil on paper The first one figuring a partial study of two horsemen : 10.8 x 16.5 cm, bears a mo...

Roman driver on his chariot by Emmanuel Fremiet (1824-1910) Bronze group with its original nuanced green patina signed on the base " E. Fremiet " cast by More France circa 1880 hei...

Oil on paper Francine Ledieu is a French artist born in 1931 who lives and works in Paris, France. In the 50s, she was a student of Maurice Rocher who specialized in Sacred art. In the ’80s, Francine was a student of Jean Bertholle from the Saint Roch Academy. The artist had personal exhibitions at Maison Mansart from 1989 to 1993 and at Étienne de Causans Gallery in 1997. In 1998 & 2009 she exhibited at La Petite Galerie. Francien Ledieu had three exhibitions at La Capitale Gallery in 2001, 2004, and 2007. She also showed her paintings at L’Oeil du Huit in 2011, 2013, 2016 & 2019. She participated in many group exhibitions as at Strasbourg Contemporary Art Fair in 2005. She exhibited also at Réalités Nouvelles in 2006, 2007, 2010 & 2011. She also worked in stained glass and mosaics in France. She achieved artworks in 1963 at Saint-Henri Pontoise chapel, Saint-Pierre des Louvrais church in Pontoise in 1969 & Mosaic in the same year at Jean Moulin...

Pablo PICASSO (after) Circus : Clown, Dog and Rabbit, 1974 Lithograph Unsigned On Japan paper 38.5 x 28.5 cm (c. 15.2 x 11.2 inches) INFORMATION : Lithograph based on drawings by P...

Workshop of Jan Brueghel the Younger (1601-1678) & Hendrick van Balen (Antwerp, 1575 – 1632) 17th century Antwerp School The Virgin and Child ...

Antoine Williams Zarra (1820-1892) was an international man of mystery. When not painting in the rural village of Barbizon and its environs, he was mo...

Rudolf Schlichter (1890-1955) Man sitting with a cigarette Black stone on paper Signed "R. Schlichter" at the bottom right 51 x 30 cm Small damages o...

Totems is a set of sculptures by French contemporary artist Frédérique Domergue. The sculptures are made with oxidized zinc and bronze leaves on aluminum, patina fixed with oak slats...

The Secret by Pierre-Félix FIX-MASSEAU (1869-1937) Sculpture in bronze with a gilded patina Signed on the side " Fix-Masseau " Cast by " Siot-Paris " (with the foundry mark) France...

Laurent Chéhere, a French photographer born in 1972 in Paris, makes images of flying houses and other dwellings that are informed by his wanderings in the hidden neighborhoods of Par...

Augustin BADER (active between 1830 and 1860) Oil on canvas 38 x 46 cm (51.5 x 59.5 cm with the frame) Signed lower left "Bader" Old stamp on the verso "Par Augustin Bader / à Fribur...

The 1956 lithography by Jean-Gabriel Domergue Ernestine est à peindre, part of the renowned La Parisienne portfolio, stands as an elegant representation of post-war French art and a ...

Vase with Sweet peas by DAUM A bud vase decorated with Sweet peas Blown-molded multilayer glass Acid-etched decoration in reserve and lightly wheel cut Hammered background Signed u...