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Frédérique DomergueTotems by Frédérique Domergue - Set of abstract metal sculptures, steel, bronze2022
2022
About the Item
Totems is a set of sculptures by French contemporary artist Frédérique Domergue. The sculptures are made with oxidized zinc and bronze leaves on aluminum, patina fixed with oak slats, polished steel, waxed bronze, oxidized steel and bronze, dimensions are 130 × 99 × 15 cm (51.2 × 38.9 × 5.9 in).
The sculpture is signed and numbered, it is part of a limited edition of 8 editions, and comes with a certificate of authenticity.
This piece can be purchased on a commission basis (production takes 10 to 12 weeks), and each totem can be purchased separately.
Working with materials and their relationship to experimental processes was something that Frédérique Domergue always had a taste for. Her initial inspiration for furniture design was this (wood and metal-framed). Through her primarily experimental practice, she was able to gain a thorough understanding of a wide range of metals. She gradually moved toward an essentially artistic approach due to her passion and attention to detail when applying the finishing touches.
As metallic sheen changes, her artworks are often continuously evolving, witness to time passing. In the manner, the artwork’s oxidation transforms it bit by bit, as if alive. Frédérique Domergue gets her inspiration from nature and the seaside. Her artworks evoke landscapes, skies and seas that are sometimes calm and tranquil other times stormy, dark and ablaze.
Frédérique Domergue
Fascinated by metal, Frédérique Domergue has developed a unique two-dimensional body of work that draws on both sculpture, through the use of relief, and painting, through the research of different colour shades obtained with oxidation. The artist uses thin sheets of metal applied on wood or aluminium panels. Through a patient process of polishing and oxidation she manages to confer astonishing warmth and sensuality on the metals. Frédérique Domergue finds her inspiration from nature and the seaside. “I have always liked the material – I had to touch it, knead it, transform it, see it evolve under my hand. I’ve always been fascinated by what I could achieve with it.’’
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