Paris - Prints and Multiples

Salvador DALI Iseult's Arrival, 1970 Original etching Handsigned in pencil Numbered edition of 75 copies On Japan paper 66.5 x 51 cm (c. 26.19 x 20.08 inch) REFERENCES : - Catalo...

The circa 1950 exhibition poster by Henri Matisse for Dessins et Sculptures at the Galerie Berggruen in Paris marks an important moment in modern art history. Printed by Mourlot Stud...

Lithograph Handsigned by the artist in pencil and annoted EA VII/XV 65.00 cm. x 48.00 cm. 25.59 in. x 18.9 in. (paper) 39.00 cm. x 39.00 cm. 15.35 in. x 15.35 in. (image) Annoted "...

Beautiful Italian travel poster for the city of Venice, the Basilica of San Marco and the Ducal Palace. The ENIT, the Italian national tourism agency, is in charge of the tourist pro...

Pablo Picasso (1881-1973) The Minotaur, 1967 Lithograph with stencil after a watercolor (Jacomet technique) Not signed Limited edition of 500 un-numbered copies On vellum 41.5 x 54...

Léonor FINI (1907-1996) Young lady Original etching, 1973 Hand signed in pencil Numbered /275 copies On Arches vellum size 56 x 38 cm (c. 22 x 15 in) Very good condition

Mordecai MOREH Cat and Mouse, 1982 Original etching Handsigned in pencil Numbered / 300 On vellum 9 x 21 cm (c. 4 x 8 inch) INFORMATION : This etching was created for the Greeting ...

This poster, very beautiful and very rare was realized in 1944, by the Americans for the liberation of Paris then occupied by the Nazis. Indeed we can appreciate this big French flag...

Lithograph, 1981 Handsigned by the artist in pencil and numbered 152/200 50.00 cm. x 65.00 cm. 19.69 in. x 25.59 in. (paper) 66.50 cm. x 81.50 cm. 26.18 in. x 32.09 in. (frame) Cor...

Joan Miro Surrealist Garden (Sculptures), c. 1974 Original lithograph Signed in the plate On Arches vellum, size 54 x 76 cm (c. 21 x 30 inch) REFERENCE : catalog raisonne "Miro lit...

The original 1964 Soviet poster by artist Viktor Semenovich Ivanov is a compelling piece of Cold War-era propaganda, encapsulating the spirit of international solidarity and the fight for global peace. This poster features a diverse group of men from various ethnic backgrounds, standing together with determined expressions and clenched fists, symbolizing unity and collective strength. The central figures in the poster are representative of different regions and ethnicities, including Africa, Latin America, Asia, and Europe. This imagery is a powerful testament to the Soviet Union's ideological commitment to anti-imperialism and support for liberation movements across the world. Each figure is portrayed with strong, resolute features, emphasizing their determination and solidarity in the global struggle for peace and justice. The background of the poster features a globe, further reinforcing the theme of internationalism. The choice of colors—predominantly red, blue, and white—aligns with the Soviet aesthetic and conveys a sense of urgency and patriotic fervor. The text at the top of the poster reads: "МИР НА ЗЕМЛЕ – ОТСТОИМ!" which translates to "WE WILL DEFEND PEACE ON EARTH!" in English. The bottom message reads: "СОЛИДАРНОСТЬ – ОРУЖИЕ ПОБЕДЫ!" which translates to "SOLIDARITY IS THE WEAPON OF VICTORY!" These slogans are clear calls to action, emphasizing the importance of unity and collective effort in the global struggle against oppression and war. This poster was produced during a significant period in the Cold War, a time marked by intense geopolitical tension between the Soviet Union and the Western bloc, led by the United States. The early 1960s saw several key events, including the Cuban Missile Crisis in 1962, which brought the world to the brink of nuclear war. In this context, Soviet propaganda emphasized peace and solidarity as central themes, positioning the USSR as a champion of global peace and anti-imperialism. Viktor Semenovich Ivanov was a renowned Soviet artist known for his work in propaganda posters. His art often focused on themes of patriotism, solidarity, and the promotion of socialist ideals. Ivanov's style is characterized by its bold, realistic depictions and powerful use of symbolism, aimed at inspiring and mobilizing the Soviet populace. The 1964 poster...

Marc CHAGALL Lovers with a Rooster Lithograph and stencil (Jacomet workshop) Printed signature in the plate Numbered /500 On vellum 65 x 54 cm (c. 26 x 21...

Paul RENOUARD Ballerinas Having a Rest - "Repos", 1893 Original etching Signed in pencil On Japan paper 32 x 48 cm (c. 12.5 x 19 inch) INFORMATION : Limited edition of 20 copies se...

The original Yardbirds concert poster designed by F. Bettencourt captures the energy of the late 1960s music scene, showcasing a lineup of iconic bands at the legendary Jim Salzer's ...

The 1972 travel poster designed by French artist Despierre for the SNCF (French National Railway Company) promoting tourism to the Loire Valley captures an important era in French travel culture. During the 1970s, there was a renewed focus on showcasing the natural beauty and cultural heritage of regions like the Loire Valley, which is renowned for its stunning landscapes, historic châteaux, and vineyards. At the time, SNCF was deeply invested in promoting rail travel as an accessible and comfortable way to explore France's picturesque regions, encouraging both domestic and international tourists to discover the country’s rich history. The Loire Valley, often referred to as the "Garden of France," was a prime destination, offering visitors a blend of historical landmarks such as Château de Chambord, Château de Chenonceau, and cultural experiences that included local wines and cuisine. Despierre’s collaboration with SNCF reflects the French tradition of integrating fine art into commercial advertising, blending both functionality and aesthetics. Travel posters from this era were designed not only to inform but to inspire a sense of wanderlust, often romanticizing the experience of train travel and the destinations themselves. By highlighting a region as picturesque and historically significant as the Loire Valley, the SNCF poster campaign sought to tap into France’s rich cultural identity while also promoting tourism infrastructure. This 1972 poster...

In the golden age of glamorous air travel, artist Jean Picart le Doux crafted a masterpiece that not only encapsulates the elegance and sophistication of an era but also pays homage to Air France's commitment to making France accessible to the world. Titled "France Air France," this 1956 original travel poster is a timeless representation of the allure of French travel. Air France, a pioneering force in the aviation industry, commissioned Picart le Doux to create a visual masterpiece that would not only promote the airline but also embody the spirit of French sophistication. Jean Picart le Doux, born in Paris in 1902, was a renowned French artist celebrated for his contributions to the field of tapestry, ceramics, and graphic arts. His artistic flair and distinctive style made him a sought-after figure in the mid-20th century. Picart le Doux's ability to blend traditional artistic elements with modern aesthetics is evident in "France Air France," where he skillfully captures the essence of both travel and national pride. As a piece of travel memorabilia...

Yan visage 1963 Ed. 139/300 pcs Red earthenware clay, engobe decoration, black H. 27 cm Numbered, engraved and stamped underside : Edition Picasso, 139/300,...

The original lithograph by Pablo Picasso, titled "Hommage à René Char," stands as a testament to the artist's enduring creativity and his homage to the esteemed French poet René Char...

Step into the alluring world of vintage poster art, where Leonetto Cappiello's 1933 masterpiece, "Baudin La Cuisinière des Cuisinières" (Baudin, the Cook of Cooks), invites us to cel...

Paul KLEE (after) Analysis of Various Evils Lithograph and stencil (Jacomet process) Printed signature in the plate On canson vellum 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : Thi...

Very beautiful original poster of Pablo Picasso ( 1881- 1973 ) for an exhibition at the National Museum of Modern Art On the occasion of Pablo Picasso's ninetieth birthday, the Natio...

Auguste RODIN (after) Lovers, 1897 Etching enhanced with watercolor On vellum 42.5 x 31 cm (c. 16.7 x 12.2 inches) Edition limited to 125 copies, send with the certificate of authen...

Bernard Villemot's 1968 poster for SNCF, inviting exploration of the French Riviera by trains and coaches, emerges as a visual masterpiece, transcending th...

"Adultery", 1990 Large original serigraphy printed on fabric, very rare and limited Edition of 30 Artist Proof signed hand by the artist in black ink and accompanied by its certificate of authenticity. Number: EA - 30 EA (30 Artist Proof ) Dimensions of the serigraphy : 140 x 140 cm Very good condition. Imposing and important highly illustrated monograph, with a lively layout, of one of the best-selling French artists on the international contemporary art market. A colorful and highly circumscribed painting, inspired by comics, graphics and popular art, and anchored in rock’n’roll imagery since 1977. The art market confirms that Robert Combas is the most successful living French artist with Pierre Soulages. During the last two years, the value of his works has multiplied by 5 , proof with the last Artcurial auction sale from December 4th 2019. With its carefully surrounded black shapes, its faces out of a comic strip and its bright colors, this work which treats adultery with derision corresponds well to the criteria of Free Figuration, a movement, born in 1979, around this Lyonnais artist and and his cronies. Casually appropriating advertising images, comics, science fiction as well as great works in the history of classical art, these artists break with the seriousness of the time. It is in Epinal style illustration and imagery that one must look for the missing link to understand the art of Combas. Robert COMBAS has been pursuing a unique approach since the 1980s. His eccentric and powerful representations of the world make this genius one of the emblematic figures of French contemporary art. The artist's work is now the subject of numerous retrospectives and institutional exhibitions. The enthusiasm of collectors becomes more important with each new public sale and its rating climbs which confirms the sustainable nature of the art of Robert COMBAS. He brought at the dawn of the 80s a new figurative painting. Present on the artistic scene since 1979 he is the creator of a movement that the artist Ben called the Free Figuration, movement comprising: Rémi Blanchard...

Emile BOIZOT Paris, Luxembourg Garden - 1920 Original woodcut Handsigned in pencil Numbered /165 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind...

The 1981 original illustrated book titled "Beauregard" represents a remarkable collaboration between two artistic giants: Zao Wou-Ki, the renowned Chinese-French painter and printmaker, and Philippe Jaccottet, the celebrated Swiss poet. This limited edition work is numbered 105 out of 120 on vélin d’Arches paper and is notable for its blend of literary and visual artistry. Zao Wou-Ki: The Artist Zao Wou-Ki (1920–2013) was a master of lyrical abstraction, combining Eastern calligraphic traditions with Western modernist movements. His work often evokes a sense of fluidity and balance between abstract landscapes and inner emotional states. By the time of this collaboration, Zao Wou-Ki had already established himself as a leading figure in the international art world, particularly known for his prints and engravings, which brought his dynamic style to the intimate scale of the book. In "Beauregard", Zao Wou-Ki contributed five gravures, showcasing his expertise in etching and aquatint techniques. These illustrations are not mere visual accompaniments to the text; they are integral to the book’s atmosphere, echoing the lyrical and reflective tone of Jaccottet’s poetry. The frontispiece of the book, which is signed by the artist, is particularly significant, as it captures the essence of Zao Wou-Ki’s abstract landscape motifs—inviting the reader to enter a meditative space where visual and poetic imagery merge. Philippe Jaccottet: The Poet Philippe Jaccottet (1925–2021) is revered for his quiet yet profound explorations of nature, existence, and the passage of time. His poetry often reflects a deep connection to the natural world, where landscape and language intertwine to evoke a sense of mystery and transcendence. Jaccottet’s work is known for its subtlety, clarity, and philosophical depth, qualities that make it an ideal complement to Zao Wou-Ki’s art. "Beauregard" is a poetic reflection, likely inspired by Jaccottet’s experiences and contemplations in nature, resonating with the themes of beauty, perception, and the fleeting moments of life. The collaboration with Zao Wou-Ki enhances the reader’s experience, as the abstract gravures create an emotional and visual resonance with the poetry, leading to a rich, multi-sensory engagement with the text. Production and Printing This finely crafted edition was printed with meticulous attention to detail. The typography was handled by Robert Blanchet, a noted French typographer, ensuring that the text’s presentation matched the elegance of Jaccottet’s poetry and Zao Wou-Ki’s artwork. The gravures were printed by the esteemed Lacourière et Frélaut workshop, renowned for its work with prominent artists of the 20th century. The atelier’s mastery in printing delicate and complex etchings allowed Zao Wou-Ki’s artwork to come alive on the page, preserving the depth and texture of his original plates. Rarity and Collectibility This edition of "Beauregard" is extremely rare, with only 120 copies printed on vélin d’Arches paper, a high-quality, smooth paper often used for fine art prints and luxury books...

Very beautiful poster of Dorothea Fischer-Nosbisch in 1966 representing Marilyn Monroe. Fischer-Nosbisch truly embraces the psychedelic vibes of the ‘60s in this design for the Germa...

This circa 1950 original poster by Albert Brénet was designed for the Compagnie des Bateaux à Vapeur du Nord, highlighting maritime trade and passenger travel between Algeria and Tun...

Engraving, 1996 Handsigned by the artist in pencil 23.50 cm. x 16.50 cm. 9.25 in. x 6.5 in. (paper) 16.70 cm. x 13.00 cm. 6.57 in. x 5.12 in. (image) This small etching is chara...

Salvador DALI Surrealist Boat (Vaisseau fantome), 1969 Original etching Handsigned in pencil Numbered /200 on Rives BFK vellum 58 x 45 cm (c. 23 x 18 in) REFERENCE : - Catalog rai...

Pierre TAL-COAT Abstract Composition Original vintage lithograph poster On paper 62 x 48 cm (c. 25 x 19 in) Edited for the artist exhibition at Maeght Gallery in 1956 Excellent co...

Beautiful poster of Cezard for the colonial exhibition of 1906. This exhibition took place in Paris at the Grand Palais des Champs Élysées. The colonial exhibitions try to answer thi...

Engraving, 2019 61.00 cm. x 56.00 cm. 24.02 in. x 22.05 in. (paper) 30.00 cm. x 30.00 cm. 11.81 in. x 11.81 in. (image) The Fractal series illustrates the invisible networks of o...

This vintage advertising poster promotes Continental's durable "fortes toiles" (strong fabrics) tire, emphasizing its strength and suitability for heavy, fast vehicles. The design is...

Lithograph, 1971 Edition : 24/50 Publisher : Broder (Paris) Printer : Mourlot (Paris) Catalog : [Maeght 815] 35.50 cm. x 50.00 cm. 13.98 in. x 19.69 in. (paper) 33.00 cm. x 48.00 cm...

Around 1900, a beautifully crafted poster was designed by the renowned French illustrator Chéri Hérouard, promoting A. Bichot & Cie, a respected wine house in Beaune, Burgundy. Titled Vins de Bourgogne et de Bordeaux, the poster embodies the artistic and commercial spirit of the Belle Époque, capturing both the elegance of wine culture and the artisanal craftsmanship of French poster art during this vibrant period. The image is a lively and colorful depiction, filled with charm and historical references. At the heart of the poster, an older man dressed in traditional medieval garb sits comfortably on a wooden chair, enjoying a glass of wine poured by a playful court jester. The jester, adorned in vibrant reds and greens, contrasts sharply with the older man’s more somber and scholarly appearance. This contrast suggests a blend of wit and wisdom, reflecting the dynamic character of French wine and the cultural tradition of savoring both pleasure and knowledge. The design is not only visually engaging but also rich in symbolic elements. Scattered books and scrolls at the older man’s feet hint at knowledge and history, invoking the deep tradition of winemaking in Burgundy and Bordeaux. The careful balance between the whimsical jester and the contemplative elder evokes both pleasure and reverence, mirroring the way fine wine was (and still is) celebrated and respected in French culture. The grapevine motif framing the scene enhances the connection to wine, grounding the image in its subject matter. Hérouard’s skill in illustration is evident in the intricate details of the figures and objects. From the curling vine leaves to the worn pages of the books, every element has been carefully rendered. The color palette, dominated by earthy tones with splashes of vibrant reds and greens, conveys the warmth and richness of the wine-producing regions of Bourgogne and Bordeaux, further reinforcing the poster's celebratory tone. To the right of the image, the elegant typography reads A. Bichot & Cie, proudly announcing that the wine house was founded in 1831 in Beaune, one of the centers of Burgundy’s prestigious wine industry. The mention of Grands Vins des Hospices de Beaune further emphasizes the poster’s focus on promoting the finest wines from this historic region. The combination of stylized fonts and classic imagery positions A. Bichot as a trusted name in the wine world, blending tradition with sophistication. Chéri Hérouard, the artist behind this work, was one of France’s most accomplished illustrators of the early 20th century. He is best known for his long career as an illustrator for La Vie Parisienne, a popular French magazine that featured sophisticated and often provocative illustrations. Hérouard’s versatility as an artist allowed him to move seamlessly between erotic art, magazine illustration, and more commercial commissions like this one. His ability to imbue his work with both elegance and a touch of humor made him a beloved figure in the art world of his time. Born in 1881 as Chéri-Louis-Marie-Aime Haumé, Hérouard took on his mother’s maiden name after the death of his father. He began his artistic career in the early 1900s, quickly gaining recognition for his distinctive style. Though most of his work was published in magazines, Hérouard also created posters, advertisements, and book illustrations. His work often combined lush, decorative elements with finely detailed figures, making him a perfect fit for projects that required both artistry and commercial appeal, such as this A. Bichot & Cie poster. The Vins de Bourgogne et de Bordeaux poster...

Camille HILAIRE The Washerwoman Original lithograph Handsigned in pencil On Vellum 40 x 30 cm (c. 16 x 12 in) Excellent condition

James Rosenquist An Intrinsic Existence, 1975 Original lithograph (Printed in Mourlot workshop) Unsigned On vellum 31 x 24 cm Edited by San Lazarro, 1975 Excellent condition

Egon SCHIELE (after) Reclining Nude Twins Stone lithograph after a charcoal drawing of 1914 On vellum 50 x 64 cm (c. 19.7 x 25 inches) REFERENCES : The original drawing is part of...

A very beautiful poster, made by Hans Peter Wilhelm Arp, known as Jean Arp ( 1886-1966 ). He is a German painter, sculptor and poet naturalized French. Co-founder of the Dada movement in Zurich in 1916, he was then close to Surrealism. Exposure - Surrealism - Dada Gallery La Hune...

Françoise GILOT (1921) Portrait of a woman, 1951 Original lithograph On Marais vellum 28 x 22.5 cm (c. 11 x 9 inches) REFERENCES : Catalog raisonne "Stone Echoes, Original Prints b...

Mark TOBEY (1890-1976) Light Choreography, 1976 Original color screenprint Signed with the artist's stamp Numbered / 77 copies On Auvergne vellum 64.5 x 50.5 cm INFORMATION: Authen...

Paul César Helleu Elegant Woman Profile, 1913 Original Etching Printed signature On vellum 26 x 20 cm (c. 10.5 x 8 inch) Very good condition, light defects at the edge of the sheet

Egon SCHIELE (after) Reclining Nude, Left Leg Raised Stone lithograph after a charcoal drawing of 1914 Printed signature in the plate On vellum 50 x 64 cm (c. 19.7 x 25 inches) R...

1973 Original poster made by Victor Vasarely for the exhibition Folklore Planétaire. Victor Vasarely was a Hungarian-French artist, who is widely accepted as a "grandfather" and lead...

Once again, a splendid poster made by Bernard Villemot 🇫🇷 (1911-1989), in 1954 to promote tourism in the South West of France and more particularly, the Basque coast. The works of ...

Jean Dubuffet's 1950 exhibition poster for "La Métromanie ou les dessous de la capitale" at Galerie Nina Dausset is a remarkable work of art that testifies to the French artist's tal...

Very nice poster made by Konrad Klapheck in 1983 to promote the Davis Cup. Konrad Klapheck 🇩🇪 born February 10, 1935 in Düsseldorf, is a German painter, close to surrealism and so...

Beautiful original poster by Roger Broders for the PLM railroads and the village of Cornillon. Roger Broders is one of the most prolific poster artists of the 1930s: his work is inse...

The 1968 original poster for the "24 Heures du Mans" race, featuring photography by André Delourmel, captures the essence of one of the most iconic endurance racing events in the wor...

The circa 1950 original travel poster by Dedienne for Air Algérie is a significant piece that encapsulates the allure and exotic charm of Algeria as a premier travel destination. Cre...

Marie LAURENCIN Two Girls with Horses and Dog (1928) Stone Lithograph Printed in Atelier Mourlot Printed signature in the plate On China paper 31 x 42 c...

Lithograph, 1981 Handsigned by the artist in pencil and numbered 29/75 50.00 cm. x 64.70 cm. 19.69 in. x 25.47 in. (paper) 29.50 cm. x 39.50 cm. 11.61 in. x 15.55 in. (image) LCD4393

Beautiful poster by Abel Truchet for the Moulin Rouge dancers. Painter, draughtsman and poster artist, Louis Abel-Truchet (1857-1918) is, along wi...

Exhibition poster after Max ERNST featuring an image of playing cards HIgh-quality lithograph printed in Mourlot workshop in 1964 Created for the exhibition "Le Surréalisme, Sources...

Since 1940, and throughout the war, many foreign volunteers chose to work in Germany, whether for ideological reasons or, more often, for wages or even the release of close prisoners. But from March 1942 onwards, the Nazi government launched a vast policy designed to bring about an influx of labor on its soil. Indeed, due to the ever-increasing need for men in the army, the mines, industry and agriculture lacked the manpower to support the war effort. As a prime target for this search, Vichy France...

Lars BO The Departure of The Horserider (Le Rêve de Jean Valjean 1/8), 1975 Original etching Handsigned in pencil On vellum, 35,5 x 45 cm (c. 13,9 x 17,7 inch) Edition limited to 10...

Georges BRAQUE Bouquet of flowers, 1961 Original lithograph in six colors (Mourlot workshop) Printed signature in the plate On vellum 34 x 26 cm (c. 13 x 10 inch) REFERENCE : Catal...