Paris - Tapestries

19th century tapestry Manufacture royal d'Aubusson - n° 1173 Thanks to our Restoration-Conservation workshop and also Our know-how, we are pleased to present to you works of art...

19th century Aubusson tapestry hunting scene - N° 1205 Thanks to our Restoration-Conservation workshop and also Our know-how, we are pleased to present to you works of art in fa...

This magnificent rug, having benefited from a deep cleaning and also hand-lined in 100% linen fabric by our artisan workshop, is now ready to adorn your interior ! Located a stone's...

Located a stone's throw from the Eiffel Tower in Paris, we are a French family business specializing in the purchase, sale, expertise, cleaning, restoration and conservation of tapes...

Tapestry signed by the Manufacture des Bruxelles, End of the 18th century, Beginning of the 19th century, Wool and silk, King DAVID playing the Harp in a garden with fountains and o...

A stone's throw from the Eiffel Tower We are a family business specializing in the purchase, sale and expertise of old, modern and contemporary tapestries, rugs, kilims and textiles....

A deux pas de la Tour Eiffel Nous sommes une entreprise familiale spécialisée dans l'achat, la vente et la location de voitures. expertise de tapisseries, tapis, kilims et textiles a...

A very beautiful tapestry 18th century Aubusson represent children's game dancing in the village, the colors are very fresh in the blue and green Thanks to our Restoration-Conserv...

specialized in the Purchase, Sale, Traditional Cleaning, Restoration - Conservation, Expertise - Estimation of Old and also Contemporary Tapestries, Carpets, Kilims and Textiles. We ...

Artist: Manufacture Aubusson Epoque: 19th century Style: Napoleon III Condition: Perfect condition Material: Wool Width: 57 cm Height: 57 cm Depth: 0.3 cm Located a stone's throw fr...

This tapestry has been cleaned, checked and doubled in our artisan workshop In the taste Nicolas Lancret Epoque: 19th century Condition: Perfect condition Material: Wool & Silk Width...

A stone's throw from the Eiffel Tower We are a family business specializing in the purchase, sale and expertise of old, modern and contemporary tapestries, rugs, kilims and textiles....

1072 - Modern tapestry around 1980 (the rooster). Handmade. with very pretty colors and signed Fourmier.

712 - oriental printed textil.

Robert Bouquillon was successively a student of the École des beaux-arts de Douai from 1940 to 1942, of the École nationale supérieure des Beaux-Arts de Paris from 1943 to 1945 where...

Aubusson tapestry - Berger Mouton - XIX E. century mille fleures gothic. Thanks to our Restoration-Conservation workshop and also Our know-how, we are pleased to present to you wo...

Located a stone's throw from the Eiffel Tower in Paris, we are a French family business specializing in the purchase, sale, expertise, cleaning, restoration and conservation of tapes...

Aubusson Tapestry, The Scene of the Birth of Jesus Christ - 2m24x1m72, No. 1045 Cleaned and Lined by our Artisan Workshop Era: 19th century Condition: Perfect condition Material: Woo...

A very pretty tapestry with fresh colors and in very good condition of 19th century - N ° 1244 Thanks to our Restoration-Conservation workshop and also Our know-how, we are plea...

Rita of Cascia, born Margherita Ferri Lotti - Mancini (1381 – 22 May 1457), was an Italian widow and Augustinian nun venerated as a saint in the Roman Catholic Church. After Rita's husband died, she joined an Augustinian community of religious sisters, where she was known both for practicing mortification of the flesh[1] and for the efficacy of her prayers. Various miracles are attributed to her intercession, and she is often portrayed with a bleeding wound on her forehead, which is understood to indicate a partial stigmata. Pope Leo XIII...

This tapestry has already been cleaned, revised and doubled in our artisan workshop Period: 19th century Condition: Perfect condition Material: Wool & Silk Width: 208 cm Height: 240 ...

A late 19th century French Aubusson tapestry panel, romantic scene ready to hang.

Manufacturer: Manufacture Des Bruxelles Epoque: 18th century Style: Haute époque-Renaissance-Louis XIII- Biblical Condition: perfect condition (some small 19th century restoration ha...

Modern tapestry of the 20th century realized by M.C.Bertrand, in perfect condition of conservation. Negotiable price and free delivery. Dimension: 175 cm x 100 cm.

a very nice pair of 19th century Aubusson tapestry in very good general condition . Thanks to our Restoration-Conservation workshop and also Our know-how, we are pleased to present ...

sublime floral tapestry of XX th century - n° 1191 Thanks to our Restoration-Conservation workshop and also Our know-how, we are pleased to present to you works of art in fabric su...

826 - 19th century tapestry door.

Located a stone's throw from the Eiffel Tower in Paris, we are a French family business specializing in the purchase, sale, expertise, cleaning, restoration and conservation of tapes...

A stone's throw from the Eiffel Tower We are a family business specializing in the purchase, sale and expertise of old, modern and contemporary tapestries, rugs, kilims and textiles....

1081 - These antique wall tapestries were hand-woven in France, circa 1850. Called "Portière", Portiere tapestries are tall, slender wall hangi...

Tapestry from the Royal Aubusson Manufactory Verdure 18th Century L 260xh177, No. 1436 Period: 18th century Condition: Perfect condition Material: Wool & Silk Width: 2m60 Height: 1...

1008 - luxurious 20th century Aubusson tapestry with a beautiful romantic design representing the exterior of the village with characters and beautiful colors, extremely finely hand-...

Tapestry of the 20th century in perfect condition of conservation. Negotiable price and free delivery. Dimension: 150 x 75 cm.

1048 - 17th century Tapestry village festival. Thanks to our Restoration-Conservation workshop and also Our know-how, we are pleased to present to you works of art in fabric such as...

1014 - beautiful French antique needlepoint tapestry (romantic).

The game of bowls would have been created in Gaul. Balls were first made of clay, stone, then wood and finally steel, but, after the “bouleurs” of the Middle Ages, the golden age of ...

Aubusson tapestry 19th century petanque game scene - N° 1332 Close to the Eiffel Tower, We are a family business specialized in the purchase, sale and expertise of tapestries, carpe...

Very pretty tapestry of 18th century royal manufacture of Aubusson. Thanks to our Restoration-Conservation workshop and also our know-how, we are pl...

Period: 19th century Style: Other Style Condition: Perfect condition Length: 2m40 Width: 1m70 "Au Petit point" Rug of the royal manufacture of Aubusson of the 19th century. Represe...

P.A. EKMAN “Lady and the Buccaneers in the Tropics” Modern tapestry circa 1950 woven by the Hamot house in Aubusson signature “P.A. EKMAN” and monogram “HA” L: 301 cm x H: 183 cm A ...

Aubusson Tapestry Bakery Scene - 18th Century Thanks to our Restoration-Conservation workshop and also Our know-how, we are pleased to present to you works of art in fabric such as ...

Macramé wall tapestry made in Spain in the 1970s. One-of-a-kind piece. Hand-crafted with different textures and materials, creating original patterns and reliefs. Perfect condition. ...

1082 - These antique wall tapestries were hand woven in France, circa 1850. Called "Portière", the Portière tapestries are tall, slender wall h...

Tapestry brussels, 19th century a very fine tapestry with pretty exceptional colors Measures: 1m65 x 0m70.    

1013 - luxurious 20th century Aubusson tapestry with a beautiful romantic design.

236 - 19th century tapestry from the felletin manufacture signed.     

Modern tapestry of the 20th century in perfect condition of conservation. Negotiable price and free delivery. Dimension: 50 cm x 72 cm.

Brussels tapestry handwoven in the 18th century. Representation of a wolf attacking a horse. Contour of flowers and ornaments. Oval shape. Reinforcement by a fabric on the back of t...

Déjeuner de Soleil, Aubusson tapestry, Made by Ateliers Maison Pinton, from Émile Gilioli. Wool, H 163 x L 127 cm / H 64.1 x W 50 in. Limited Edition of 6, Signed on the bottom left ...

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

Maïlys Seydoux-Dumas, Fructidor, Wool Tapestry, Néolice, 2022 A wool woven tapestry figuring a tree on a green soil on a golden background. Signed on t...

Maïlys Seydoux-Dumas, Eastern ecstasy, wool tapestry, Néolice, 2021 A wool woven tapestry figuring flowers, masks, starfishes on a pink table. Woven in...

Maïlys Seydoux-Dumas, Family reunion, Wool Tapestry, Néolice, 2021 A wool woven tapestry figuring various objects on a pink table on a blue background...

Maïlys Seydoux-Dumas, Vendémiaire, Wool Tapestry, Néolice, 2023 A wool woven tapestry figuring a golden tree and red, blue, brown objects on a beige background. Signed on the lower...

Sans Titre, Aubusson tapestry, Made by Ateliers Maison Pinton, from Pierre Dmitrienko. Wool, H 203 x L 173 cm / H 79.9 x W 70 in. Limited Edition of ...

Maïlys Seydoux-Dumas, To Henri Rousseau, Wool Tapestry, Néolice, 2021 A wool woven tapestry figuring various objects, starfishes, mask on a black groun...

Maïlys Seydoux-Dumas, Beacon, Wool Tapestry, Néolice, 2021 A wool woven tapestry figuring various objects on a turquoise and dark background. Woven in sixteen colors. Signed on the lower right. Numbered EA1/8 from an edition of 8. Néolice, Felletin, France, 2021. The sixth of a suite of seven works composing « The star’s journey ». With a poem by Haïm Kern on the back. BEACON « In love with a deep-sea...

Maïlys Seydoux-Dumas, Topologie d'un rêve en blanc, Wool Tapestry, Robert Four, 2023 A black and white wool woven tapestry figuring an artist workshop with various objects displayed...

Les Fleurs du Mal, Aubusson tapestry, Made by Ateliers Maison Pinton, from Mathieu Matégot. Wool, H 160 x L 250 cm / H 62,9 x W 98,4 in. Limited Edition of 6, signed. For over 150 y...

Maïlys Seydoux-Dumas, Dark Pink Planet, wool tapestry, Néolice, 2021 A wool woven tapestry figuring various objects, plants, sculptures, shellfishes, on a...