Portugal - Office Chairs and Desk Chairs

Designed by Osvaldo Borsani for Tecno in the 1970s, this swivel office chair consists of a green plastic shell covered in green fabric on the seat and back, together with an aluminiu...

A classic leather office chair in Chateau blue. This stately chair has a smooth leather interior and exterior and is accented with nailhead trim accents. It rests on a 5 prong base. ...

Vintage Italian brown leather and chrome armchairs, 1980s, set of five.

A Victorian Style Maple , Black Leather and Brass Nail Studded Rolling, 360 degree revolving and tilting Office Chair. Adjustable seat height. Measures 24.5" in width, 24" in depth...

The versatile and comfortable P40 lounge chair was designed by Osvaldo Borsani in 1955 for Tecno. The chair can be adjusted into over 400 positions; the back can be reclined in diffe...

Armchair in patinated leather made by Danish Cabinetmaker in 1930s. Great original condition.

Red Osvaldo Borsani Revolving Office Chair Produced by Tecno in Italy circa 1970 Plastic seat on aluminum frame with caster wheels. Perfect for a small desk.  

Darwin added wheels to the office chair in 19th century. In the 1970s ergonomics was added to design criteria. Today, it is the key element for whom sp...

Office chair Bount with solid wood structure upholstered and covered with camel leather. Swivel desk chair with blackened iron base. Also available wi...

Armchair model 3758 A in original red indian leather and mahogany base. Model designed in 1927 for the Danish Museum of Decorative Art, produced by Rud Rasmussen in the 1940’s. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Kaare Klint, Harkær, pg. 28-30. Dansk Møbelkunst Gennem 40 Aar: 1927-1936, Jalk, pg. 169. Danish Chairs, Oda, pg. 22-23. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Rare yellow Modus office chair with armrests and adjustable height, designed by Osvaldo Borsani and produced for Tecno 1970.

Office chair by Ico Parisi for MIM, circa 1960s. Aluminum base with curved plywood back and newly upholstered leather seat. Multiple quantity available - Priced individually.