Santa Fe

John Paul Caponigro. Available in four sizes, please inquire for further information. A form of environmental art in virtual space, John Paul Caponigro’s works are about the nature of perception and perception of nature. A pioneer among visual artists working with digital media, we are thrilled now to welcome John Paul into our roster of other pioneering artists represented by Obscura Gallery. John Paul grew up in an artistic family. His father, another Obscura Gallery artist Paul Caponigro, is a black-and-white fine art photographer and his mother, Eleanor Caponigro, is a painter and graphic designer. They introduced John Paul to countless musicians, writers, dealers, curators, photographers, and artists including Ansel Adams and Georgia O’Keefe all of whom had a profound effect on his own artistic career. John Paul went on to become the first digital printing instructor at Maine Media Workshops, Santa Fe Workshops, Palm Beach Photographic Center, and Rocky Mountain School...

“Declaration” was inspired by my return to international travel in 2022. Just as life had changed with the impact of Covid, my photography work shifted from elements of magic realism...

"Sad Woman/Distant Man" illustrates Holly Roberts' shift from over-painting photographs to constructing photo-based images on top of abstract paintings. By combining the precision of photography with the expression of painting, Roberts marries objectivity with subjectivity, thus paralleling the dichotomy of human experience. Like much of Roberts' contemporary work, "Sad Woman/Distant Man" is a psychoanalytic interpretation of human experience, particularly unrequited love—A woman stares longingly at a disinterested man. The couple is composed of photographs of appendages both modern and medieval in execution, alluding to the immutability of unrequited love as a motif in art and literature. The work's underlying abstract painting figuratively functions as the uninterpretable gulf between the two lovers...

Antique Horse Study "Heads, Hooves and Rump, 1838" Wouterus Verschuur (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

framed, oil on panel For Kurt Meer, the images reflect a general sense of place, rather than a specific location. Water, sky and land are like mantras repeated over and over where ...

oil on panel MARTHA MANS A master realist painter, she was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Student’s League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor...

Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

Colin Jones. The Who, on tour Manchester, 1966. Archival pigment ink print. Signed by artist print verso. 16 x 20" paper size. Colin Jones (1936-2021) was one of the most celebrate...

This painting is bright and cheery and the jewel-tone colors are superb. "Jour d'Orage, La Garde (Var) (Stormy Day) 1921" Louis Pastour (France, 1876-1...

“Declaration” was inspired by my return to international travel in 2022. Just as life had changed with the impact of Covid, my photography work shifted from elements of magic realism...

A lyrical mixed media painting featuring large butterflies and a very small quail. Media used include acrylic paint, Japanese paper and collage elements. The painting is varnished w...

A lyrical mixed media painting several birds carrying wreaths. Media used include acrylic paint, Japanese paper and collage elements. The painting is varnished with glazes of acryli...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Bulldog and Frog France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portr...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

Colin Jones. Coal-searchers on a slagheap, Sunderland, England 1962. Gelatin silver print. Signed by artist print verso. 16 x 20" paper size. Colin Jones (1936-2021) was one of the...

Colin Jones. A coal merchant’s shop, Benwell, Newcastle Upon Tyne, England, 1963. Signed by artist print verso. 16 x 20" paper size. Colin Jones (1936-2021) was one of the most cel...

"Pink Burro, Brown Burro" is a fanciful mixed media painting featuring collage and acrylic paint. Two colorful burros stand in an iconic New Mexican landscape in lush colors. Many ...

Colin Jones. Railway Lines, Gateshead, Newcastle Upon Tyne, North East England 1963. Gelatin silver print. Signed by artist print verso. 16 x 20" paper size. Colin Jones (1936-2021...

Colin Jones. Children playing in front of a Corner Shop, Benwell Newcastle Upon Tyne, England 1963. Gelatin silver print. Signed by artist print verso. 16 x 20" paper size. Colin J...

Colin Jones. The Wall of the Tobacco and Alcohol Dock, off Wapping High Street, London 1962. Gelatin silver print. Signed by artist print verso. 16 x 20" paper size. Colin Jones (1...

"In the Desert, Pink Sky" is a fanciful mixed media painting featuring collage and acrylic paint. A 50s housewife and a burro stand in an iconic New Mexican landscape in lush colors...

Edward Sheriff Curtis, Girl and Jar, San Ildefonso. Portfolio 17. Vintage photogravure on Holland van Gelder paper. (Native American portraiture, Southwest photography...

Kurt Markus, Olga and the Cowboys Little Bear Ranch, Montana, 1994. gelatin silver print Signed print recto.

Kurt Markus, Christy Turlington, El Salvador, 1998. gelatin silver print Signed print recto.

Alfred Stieglitz. Wet Day on the Boulevard (Paris), from Picturesque Bits of New York and Other Studies. Camera Notes. 1897. Vintage photogravure. 6 x 11.25".

"A Wall Won't Stop Us" is a monotype featuring reduction woodcut and silkscreened elements. The print belongs to a series that captures Simpsons' mos...

"Mops" Antique Dog Portrait of a Seated Pug Norbert Schrödl (Vienna, 1842-1912) Oil on canvas, lined, signed and dated lower left Norbert Schrö...

"Subtle Was Rarely An Option" is a lithograph with chine-collé elements exemplifying Calvert's exploration of the "...conversations that develop between everyday objects of comfort ...

Drawing of Fontainebleau Forest Barbizon, France Pierre Auguste Brunet Houard (1829 - 1922) 19th century Pencil, colored pencil, gouache, paper 8 x 4 1/2 (16 3/8 x 12 1/4 frame) inc...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

Paul Caponigro. Rock Wall, West Hartford, CT, 1958. 16 x 20" paper size. Gelatin silver print.

Tom Baril. Woolworth Building, 1997, New York City. Photogravure published in 21st Journal of Contemporary Photography Vol. II, 1999

oil on panel MARTHA MANS A master realist painter, she was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Student’s League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor...

Kurt Markus, Olga and the Cowboys Little Bear Ranch, Montana, 1994. gelatin silver print Signed print recto.

Blue,White,Indigo, navy 40 x 80" oil painting on canvas Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Paul Caponigro. Cloud and Tree, Clonfert Co., Galway, Ireland. 1967. 11 x 14" paper size. Gelatin silver print. [mushroom]

Lucky, 2023 is a recent archival pigment ink print by Maggie Taylor. All prints are signed and numbered by Maggie Taylor. Maggie Taylor's digital creations are emblematic, afterima...

Paul Caponigro. Frosted Window, Ipswich, MA, 1960. 16 x 20" paper size. Gelatin silver print.

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

Untitled RTP is a 2009 lithograph by Guy Dill. Guy Dill beautifully captures the flowing motion of abstract objects in his prints, paintings, and sculpture. Untitled RTP is signed by...

This mid-century inspired daybed / couch in cherry was originally designed as a guest bed for a little person but it has since been built for a variety of homes and projects. It is i...

Squash is a 1991 serigraph printed by Donald Sultan from a larger series entitled, "Fruits and Flowers". Donald Sultan created the eight piece portfolio "Fruits and Flowers" between ...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport, and are unforgettable. Taylor's images are built, layer by layer and object by object, through a...

Robert Zakanitch was born in Elizabeth, New Jersey, and now lives and works in New York City. Zakanitch began exhibiting in the late 1960s with Color Field paintings, but he first achieved real note as one of the founders of the Pattern and Decoration movement in the mid 1970s. When Zakanitch took up decorative imagery, he had been working as a color field abstractionist faithful to the Minimalist grid as the structural system of his painting. Once into decoration, he retained both his color sophistication and his respect for structure but translated the latter into a free, often organic floral motif rendered in a painterly fashion. In 1975, Robert Zakanitch met Miriam Schapiro during a term of guest teaching at the University of California in San Diego, and early the following year in New York the two painters organized the Pattern and Decoration Artists. The group held their first meeting in a SoHo loft...

Paul Caponigro. Stonehenge Overview, Wiltshire, England, 1967. 16 x 20" paper size. Gelatin silver print.

Paul Caponigro. Fungus, Ipswich, MA. 1960. 11 x 14" paper size. Gelatin silver print. [mushroom]

Senza Titolo Mosaico is a 2010 lithograph with mosaic elements by Mimmo Paladino. Senza Titolo Mosaico is from an edition of 25 plus artist and printers proofs. Senza Titolo is signe...

BRIGITTE CARNOCHAN. Bowl of peaches and grapes, 2020. Archival pigment ink print. Edition of 3.

Kurt Markus, Cindy Crawford, Kay Madden, New York City, 1991. gelatin silver print Signed print recto.

Cy DeCosse, Argentine Cactus, 2012. Platinum palladium print. Signed, editioned, titled and dated on print verso. Signed on print recto. Edition of 30.

William Albert Allard, Lone Rider, Texas, 1974, 20 x 30", archival pigmenti ink print {cowboy]

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport and are unforgettable. Taylor's images are built, layer by layer and object by object, through a ...

Kurt Markus, Bert Anlell, Bell Ranch, New Mexico, 1983. gelatin silver print Signed print recto.

Kurt Markus, Christy Turlington, 1994. gelatin silver print Signed print recto.

Mixed media painting on canvas.

Mixed media painting on canvas.

Daniel Pailes-Friedman artist statement Painting is a meditative process. It begins with preparing a canvas and ends when there is nothing left to resolve. A composition starts w...

Daniel Pailes-Friedman artist statement Painting is a meditative process. It begins with preparing a canvas and ends when there is nothing left to resolve. A composition starts w...