Santa Fe

photo-eye Gallery is very excited to share new work from represented artist Maggie Taylor. After completing her prodigious series of illustrations for Lewis Carroll's Through the Loo...

Almost daily between 1993 and 2004, Alejandro Cartagena would commute on a suburban bus from Monterrey to the suburban city of Juarez and back. Working at his family’s restaurant, he...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

Covid Vanitas: The Pandemic Still Lifes On the first day of quarantine I began photographing the people-less quiet of a home and studio in isolation. The still lifes are a visual j...

New 2015 Storms Release The Earth is an ever-changing ecosystem. It existed well before we were here and will hopefully be here well beyond the time we leave it. It’s real, at tim...

Diptych Fused Glass created in a kiln. method Relatively simple materials. Beginning with float (recycled window) or plate glass, pieces are cut and arranged with hand-cut glass s...

Maggie Taylor creates evocative single-scene narratives in her whimsical and often elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objec...

“The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, sch...

Born in 1939 in Louisville Kentucky, David Gibson is primarily a self-taught photographer. Years of developing and refining his photographic technique have afforded him much recognition, especially for his panoramic landscapes of Texas and the Four Corners region. Gibson's luminous black-and-white landscapes demonstrate a remarkable sensitivity to light and mood. Dramatic clouds, imminent storms and an occasional lighting strike...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can live more than 2,500 years, and their massive, water-storing trunks can grow to more than one hundred feet in circumference. They also serve as a renewable source of food, fiber, and fuel, as well as a focus of spiritual life. But now, suddenly, the largest baobabs are dying off , literally collapsing under their own weight. Scientists believe these ancient giants are being dehydrated by drought and higher temperatures, likely the result of climate change. Photographer Beth Moon, already responsible for some of the most indelible images of Africa’s oldest and largest baobabs, has undertaken a new photographic pilgrimage to bear witness to this environmental catastrophe and document the baobabs that still survive. In this oversize volume, she presents breathtaking new duotone tree portraits of the baobabs of Madagascar, Senegal, and South Africa. She also recounts her eventful journey to visit these fantastic trees in a moving diaristic text studded with color travel photos.

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

“The creation of a thousand forests is in one acorn...” Ralph Waldo Emerson In the dirt. This is where life begins. The journey starts in darkness. Trees often inspire the gaze u...

Mixed Media collage on Paper As Seen at Art On Paper 2024 at The Mannix Project East Hampton NY Pier 36 NYC Comes with white mat & black frame 24"X20" FRAMED. Purchase individually ...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Edition 5 of 45 Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains high...

Dobrowner presents landscapes with sublime complexity – imagery poised between permanence and flux, his images at once capturing seemingly eternal geological formations and the ever-...

Spode Blue Italian with Lime, limited edition, archival pigment ink photograph Eating is a physical need, but meals are a social ritual. Utilizing ...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

In “American Motel Signs” Steve Fitch crisscrossed the United States documenting the colorful dynamic, advertisements inviting weary traveler to park their car and pack it in for the...

Amazed by the quality and expression of a wall painting in the town square of Kumbaya, Carl Moore began photographing street art during his first visit to Ecuador. Moore's images ser...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

At nearly the same time that photography was invented, the practice of Spiritualism was being born in the "burned-over district" of New York. Central to its belief was the practice o...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

The hovering installations featured in this ongoing series of photographs are inspired by self-organizing, "emergent" systems in nature such as termite mounds, swarming locusts, scho...

Pauline Ziegen oil, gold leaf, mixed media on panel coral, pink, white gold, teal, aqua, rust, navy, blue Pauline Ziegen’s earliest landscape paintings were painted outdoors in Kans...

Artist Statement For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both i...

From the Vanishing Vernacular series. Vanishing Vernacular features a selection of color works by photographer Steve Fitch focusing primarily on the distinctive, idiosyncratic, and ...

Works of Fire When I look into the night sky I am awestruck by the darkness that is the universe. As the sparse light of the stars descends, I am entangled in a state of wonder, sea...

Hooded Pitcher (back) is from Beth Moon's series The Savage Garden. Printed in rich platinum/palladium, these intricate and formal portraits depict the delicate but dangerous nature ...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

*22x30" editions and 24x36" editions are platinum prints. Editions with a width of 60" or greater are archival pigment prints* Baobabs are one of Africa’s natural wonders: they can ...

Michael Kenna is a master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential amon...

Hand Built and glazed ceramic. Safe for outdoors. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating wheel thrown ve...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

Vanessa Marsh is an American artist living and working in California. Her series The Sun Beneath the Sky reflects upon the nature of light, atmosphere, geology and time. Layers of pa...

In 1834, William Henry Fox Talbot (1800–1877) saw that silver salts darkened in the sun and invented a photographic process he called “photogenic drawing” — in which images were made...

Stella Jae Mondlicht 2024 Oil on canvas Size: 23.62 x 31.49 inches (60 x 80 cm) Signed by hand COA provided #KidsBedRoom #Cute #Moon #Calming #Soothing #Bunny #Rabbit #Sleepy #Hare ...

Staging Pictures: Early Polaroids focuses on Stivers' working Polaroid prints, shot with a Hasselblad Polaroid back for instant proofing of lighting and composition of his subjects. ...

Those Kabuki players you see in my photographs are not with the mainstream Kabuki companies in Tokyo. They are with localized small groups located in various parts of Japan. They are...

Antique Lawa Woman’s Ikat Skirt Cloth, Thailand The Lawa people are a relatively small animist/Buddhist ethnic group (est. pop 17,000) living in the mountainous region of northern T...

Putting aside his usual black and white palette, Hiroshi Watanabe uses color in his attempt to tell an unbiased story of North Korean culture and everyday life in "Ideology in Paradi...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

All photographs are platinum/palladium prints. These metals are hand coated on 100% rag cotton water color paper with natural deckled edges and contact printed. Since platinum, like ...

Blue, Navy, calm, reflection, nature, mountains, sky. 31 x 41" oil on canvas, maple frame Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil ...

Mountains and nature have long been places of peace and refuge. During this pandemic, due to lockdown and quarantine, they have been denied to us. There are few emotions about places...

Domestic Vacations: The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous f...

Greg Mac Gregor's artwork incorporates official, declassified photographs from the Los Alamos National Laboratory Photographic Archives produced in the early 1950s at the Nevada Test...

In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unse...

acrylic, mixed media on canvas My paintings explore the themes of light, atmosphere, and nature. The brushstrokes and saturated hues in my work aim to convey a sense of energy, move...

Antique Man's Ceremonial Head Cloth (Iket Kepala), South Sumatra Malay people, Palembang region A beautifully subtle weft ikat ceremonial head cloth with elaborate silk chain-stitch...

Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...

In a world entrenched in the societal division and ecological turmoil, it can be refreshing to step back and enjoy the quiet beauty of the natural world. Dallas photographer David H....

9 x 12 inch images, matted at 16 x 20 inches, limited edition of 5, starting at $1,200 12 x 16 inch images matted at 20 x 24 inches, limited edition of 5, starting at $1,600 Each suc...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

mixed media From Wikipedia, the free encyclopedia Melissa Zink Born 1932 Kansas City, Missouri Died 2009 (aged 76–77) Taos, New Mexico Nationality American Occupation(s) Artist, Sculptor Melissa Zink (1932-2009) was an American artist. An active member of the Taos, New Mexico art scene, she blended storytelling with sculpture, and described the enchantment of books and the imaginary worlds they evoked as the focus of her work.[1] Critics lauded her as a "late bloomer" because she only began to exhibit and sell her multi-media works of ceramics, cast bronze, and collage, when she was in her forties.[2] She became known for her "three-dimensional stories" and "dream-like dioramas" in clay, interior scenes that blend whimsy with surrealism.[2][1] Later she cast large bronze statues of human figures embossed with texts drawn from dictionaries and illuminated manuscripts.[2] In 2001 she won a Governor's Award for Excellence in the Arts from the state of New Mexico.[3] In 2021, one of her works featured in a special exhibit at the New Mexico Museum of Art entitled, "Southwest Rising: Contemporary Art and the Legacy of Elaine Horwich," which featured a group of artists in the 1970s and 1980s who together launched a movement described as "new Western art" or "Southwest pop".[4] Education and career Melissa Zink was born in Kansas City, Missouri. She attended the Emma Willard School, Swarthmore College, the University of Chicago, and the Kansas City Art Institute.[5] She later admitted that her professors' efforts to push her and her peers towards abstract expressionism during the 1950s deterred her from pursuing a career in art.[2] Instead she worked for many years by designing picture frames and operating an embroidery and craft shop while continuing to paint and experiment with various media in her free time.[6] In her forties, she married Nelson Zink, who encouraged her to pursue her artistic ambitions. The owner of the Parks Gallery in Taos, which represented her for many years, described her works as aiming to replicate through multi-media art the "book experience, that altered state of consciousness we enter when engrossed in a book."[7] Though known primarily for her clay dioramas and bronze figural sculptures, in later years she also created multi-media, collage wall hangings that incorporated fabrics and painted elements.[1] In 2000 Zink represented New Mexico at an exhibit of women artists called "From the States" held at Washington, D.C.'s National Museum of Women in the Arts.[1] In 2006 the Harwood Museum of Art in Taos staged an exhibition on her work.[8] In 2009, following her death, the Taos Art Museum and Fechin House staged a memorial exhibition entitled, "Melissa Zink: Her Singular World."[9] She featured among leading women artists in the book Exposures: Women & Their Art by Betty Ann Brown...

Known for her whimsical and intuitive style, Taylor uses digital technology to build evocative photomontages of what she terms 'dreamlike worlds inhabited by everyday objects.' Insp...

Anonymous Women: Domestic Demise In the latest narratives, “Domestic Demise,” the woman becomes the victim of domestic disasters. Her activities, obsessions and objects are overwhel...

Adrift is a project that uses a visual language as a means of polar comparison. By pairing photographs of Antarctic icebergs and empty In~upiat Eskimo hunting cabins, it offers a res...