Santa Fe

French Academic Study of a Hand Circa 1900 Oil on Cardboard 13 3/8 x 8 3/8 (19 1/8 x 14 1/8 frame) inches Signed lower left "M. Granet" A very finely...

Mid 20th century Yao Group embroidered pants The muted earth tones of the patterns on these embroidered pants are typical of the work done by the ...

Blue,White,Indigo, navy, sage, green 37 x 62" oil painting on canvas Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Early 20th century wool apron (pangden), Western Tibet In original condition, four panels woven on a back-strap loom, stitched together and worn as an apron among the Tibetans of th...

Patty deGrandpre’s “New Mexico, Sometimes it Snows in the Desert” is a 10.75 x 14 inch unique abstract mixed media print represented on 13.25 x 16.5 inch Awagami Kozo thin white paper embracing both digital printmaking, creative photography, and collage. A screen of deconstructed black, pastel green, and orange clouds sit above and blend within two black and white images of a snow covered New Mexico landscape. A negative provides contrast in the mirrored desert image that is placed on the bottom half of this whimsical depiction of a Southwest panorama. A small orange Pueblo style...

Drawing of Putti with Anchor Jean-Jacques le Barbier l'Ainé (1738-1826) Black pencil on paper Signed and dated lower left "...1822. 12 years l waiting" Considering that the anchor ...

red taupe beige green orange rust white blue Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique properties o...

24 x 36" acrylic and cold wax on a framed canvas.

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his piece...

Martha Mans lavender gray white blue green yellow peach brown framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor...

Hand Built and glazed ceramic. Free standing, safe for outdoors. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating ...

Book Matched Walnut wood Wood, Stone, metals. It’s all about the materials. That simple thought keeps me grounded in the moment. It’s how I stay focused on my art and approach to ...

Hand Built and glazed ceramic. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating wheel thrown vessels. After several...

'Spider Monkey #3, Los Angeles, CA, 2011' is a limited-edition photograph by contemporary artist Brad Wilson from the ‘Affinity’ series which features studio portraits of wild animal...

Girl with Blue Face, 48 X 36 X 1.5 This large scale painting of a woman's face hints at Picasso. Both technically accomplished and classically approached, the thick gestural brushstrokes add a fragmented & tactile character to the canvas. The cool palette makes it easy to live with and makes it perfect for any room. This comes stretched and ready to hang. Message me for shipping quote About the artist: James Koskinas, born in Terre Haute...

Navy, yellow blue Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew u...

I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the best parts of why we all come to New Mexico: the light, the color...

"Portrait of Nathalie" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 5/8 x 3 1/2 (16 1/2 x 15 1/4 frame) inches Emin Abbasov is classica...

"Barque sur la Seine (Boat on the Seine)" Raymond Thibesart (France, 1874-1968) Circa 1920s Pastel on Paper Studio stamp and INV Nbr. 1710RT 12.6 x 9.5 (16 3/4 x 13 3/4 frame) inches...

"Portrait of The Sage" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 1/2 (16 x 14 1/2 frame) inches Emin Abbasov is classically ...

Patty deGrandpre’s “I Can’t See Much from Here” is a 14.5 x 11 inch unique print represented on 20 x 16 inch Awagami Bamboo paper embracing both traditional printmaking techniques an...

Patty deGrandpre’s “The Complements 1” is a unique abstract 1.75 x 10 inch polychromatic inkjet print on 11 x 14 inch rag paper with a band of varied stripes in saturated complementa...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Mastiff C France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portraits. ...

Purple, orange, green, sage, lilac, yellow, rust, peach, salmon 13 x 13" oil painting on canvas with frame. Inspired by the drama of nature and light, Cynthia creates abstracted land...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Patty deGrandpre’s “Get it While it Lasts” is an unique abstract inkjet print representing Nine 3 x 3 inch warm sepia “snapshots” depicting various landscapes including trees, ocean’...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 25. Paper size is 36"h x 82"w with an image size of 20"h x 66"w. Rob...

acrylic, sumi ink on canvas, framed in maple Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured su...

"Portrait of Zola" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 7/8 (16 1/2 x 15 3/8 frame) inches Emin Abbasov is classically ...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consume like spices, foods, coffee, wine, etc. This process creates an intimacy with my material. The laborious un-twining of the threads is an act of rewinding time. A going back to 'origin'. The threads become the lines I draw with. I embed these threads into beeswax-coated MDF panels to create varying experiences of landscape. The viewer, as I am, is either experiencing it up close or from a distance; zoomed in or zoomed out. Katey Berry...

Hand Built and glazed ceramic. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating wheel thrown vessels. After several...

Red white beige khaki orange brown rust maroon black Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique pro...

Patty deGrandpre’s “Walking the Causeway to Marblehead Neck (tough summer feet)” is a contemporary 31 x 40 x 1 inch digital inkjet print on aluminum representing the coastline of the New England town of Marblehead, Massachusetts. This unique one of a kind piece is an abstract depiction of a lighthouse, a beach chaise...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she began working in encaustic in 2001. Mary grew up ...

acrylic, paintstik on canvas Thomas Slate uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surface. He starts...

Art is and has always been at the very center of my life. In creating I find communication and connection with others that surpasses any barrier or boundary. Through imagery, I can c...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

Martha Mans lavender gray white blue green yellow peach brown orange framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor Society, Montana Watercolor Society and the Adirondacks National and the San Diego Watercolor Society to name a few. She has been awarded signature membership into the American Watercolor Society and the National Watercolor Society. Over her career as an artist she has had the privilege of being able to work with many painting groups and institutions: Instructor of painting at the Jade Fong Watercolor Workshops in Carmel, California Instructor at La Romita School of Art in Umbria, Italy Instructor at Montfacon in Limoux, France Charles Russell Art Auction in Great Falls, Montana, 10 years National Arts Club in New York Salmagundi Club in New York National Academy of Design in New York American Watercolor Society, New York, Signature Member National Watercolor Society, California, Signature Member National Arts Club, New York
 Pennsylvania Watercolor Society Western Federation of Watercolor Florida Watercolor Society, convention show juror and instructor Baltimore Watercolor Society Las Posada Painting Group, annual workshop, Green Valley, Arizona Rocky Mountain National Art Exhibition Adirondacks Watercolor Exhibition San Diego Watercolor Society New Mexico Watercolor Society Pikes Peak Watercolor Society Tokyu Gallery Exhibitions, Tokyo, Japan William and Mary College, Williamsburg, VA Summer children’s Art Program Ranchland’s Artist’s Gathering, Nature Conservancy’s Medano/Zapata Ranch, San Luis Valley, Colorado Sheridan College/Spear-O-Wigwam Sheridan Wyoming, Artist’s Gathering Brinton Museum, Big Horn Wyoming, Sheridan College show and small works show Palmer Land Trust, Colorado Springs, CO, First Place Art and Purchase award two years. Ghost Ranch Art Workshops Director, Abiquiu, New Mexico Arts For The Parks annual Exhibition and Traveling Show Taos New Mexico Art...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

Patty deGrandpre’s “Broken Television 311” is a vivid 5 x 5 inch abstract unique inkjet digital print with bright blues, yellow, and reds surrounding a contrasting bar of black. The ...

Cropped and deconstructed images of a two typewriters, a fence, a distant suburban landscape, and the lower half of three mannequins donning flowered coats are represented on 14 x 11...

Drawing of Putti in the Clouds Jean-Jacques le Barbier l'Ainé (France, 1738-1826) Black pencil on paper Signed and dated lower left "Le Barbier L'ainé 1816" 10 1/4 x 12 1/4 inches ...

James Koskinas_ Not framed. Does not need to be framed. This large scale painting of a head hints at Picasso. Both technically accomplished and classically approached, the thick gestural brushstrokes add a fragmented & tactile character to the canvas. Warm palette juxtaposed against cool gray background. This comes stretched and ready to hang. Message me for shipping quote About the artist: James Koskinas, born in Terre Haute...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

acrylic, oil paintstik on canvas blue gray black Thomas has taken the influences of the flora of Chinese ink drawings. He translates those ideas into spontaneous modern abstractions...

Art is and has always been at the very center of my life. In creating I find communication and connection with others that surpasses any barrier or boundary. Through imagery, I can c...

Art is and has always been at the very center of my life. In creating I find communication and connection with others that surpasses any barrier or boundary. Through imagery, I can c...

Patty deGrandpre’s “Delivered to the Wrong House” is a 14.5 x 11 inch mixed media unique print represented on 20 x 16 inch Awagami Bamboo paper embracing both traditional printmaking...

Hand Built and glazed ceramic. Free standing, two pieces (sphere and stand). My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused ...

mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surfac...

The experience of nature and daily life feed my work. The materials I use are from the natural world: beeswax and cotton thread. The threads are untwined and dyed with things I consu...

digitally manipulated image printed and adhered to canvas, framed I document the essence of the landscape everyday. I am interested in those untouched views of our landscape - the b...

Dinghies Two 10.0 x 81.0 x 1.0, 5.0 lbs Oil Paint Hand signed by artist Description: An original, contemporary oil painting by Carol Tippit Woolworth...

Patty deGrandpre’s “Doomsday” is a unique abstract 3.5 x 10 inch inkjet print on 8.5 x 11 photo paper in black and white that incorporates a picture taken of a broken television scre...

Cropped and deconstructed images of a Kauai beachfront, palm trees and a pair of roosters are represented on 14 x 11 inch Yupo translucent paper in Patty deGrandpre’s contemporary abstract mixed media print titled “Two Roosters Running Amok on Poipu Beach”. This one of kind piece pays homage to this notorious Kauai beach and the roosters and chickens that have become so familiar to the Hawaiian Islands. DeGrandpre thoughtfully combines and layers block printing ink and digital inkjet in hues of blue, orange, yellow, red, and gray. A screen of clouds provides both contrast and texture within the distinct fields of vivid color and the pair of red roosters to create this graphic interpretation of a tropical Hawaiian landscape...

acrylic, mixed media on canvas Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich t...

acrylic, ink on canvas Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surface. He translates those idea...