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Cherry On Top, limited edition photograph, archival, signed and numbered
By JP Terlizzi
Located in Sante Fe, NM
Cherry On Top, limited edition photograph, archival, signed and numbered
Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and ho...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Common Thread, Counting Sheep, limited edition photograph, archival photograph
By JP Terlizzi
Located in Sante Fe, NM
Common Thread, Counting Sheep, limited edition photograph, archival photograph
Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia a...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Counting Sheep, limited edition photograph, archival photograph, signed
By JP Terlizzi
Located in Sante Fe, NM
Counting Sheep, limited edition photograph, archival photograph, signed
Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and how...
Category
2010s Santa Fe
Materials
Archival Pigment
Forbidden Fruit, limited edition photograph, archival photograph, signed
By JP Terlizzi
Located in Sante Fe, NM
Forbidden Fruit, limited edition photograph, archival photograph, signed
Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and ho...
Category
2010s Santa Fe
Materials
Archival Pigment
Finger Food, limited edition, archival pigment ink photograph, signed + numbered
By JP Terlizzi
Located in Sante Fe, NM
Finger Food, limited edition, archival pigment ink photograph, signed + numbered
Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia...
Category
2010s Santa Fe
Materials
Archival Pigment
High Tea, limited edition photograph, archival ink, signed and numbered
By JP Terlizzi
Located in Sante Fe, NM
High Tea, limited edition photograph, archival ink, signed and numbered
Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and how...
Category
2010s Santa Fe
Materials
Archival Pigment
A Fish Out of Water, limited edition photograph, archival ink, signed
By JP Terlizzi
Located in Sante Fe, NM
A Fish Out of Water, limited edition photograph, archival ink, signed
Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and how ...
Category
2010s Santa Fe
Materials
Archival Pigment
A Perfect Pearing, limited edition photograph, archival ink, signed and numbered
By JP Terlizzi
Located in Sante Fe, NM
A Perfect Pearing, limited edition photograph, archival ink, signed and numbered
Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Beat It, limited edition photograph, archival ink, signed and numbered
By JP Terlizzi
Located in Sante Fe, NM
Beat It, limited edition photograph, archival ink, signed and numbered
Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia and how...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Above the Curve, limited edition photograph, archival ink, signed and numbered
By JP Terlizzi
Located in Sante Fe, NM
Above the Curve, limited edition photograph, archival ink, signed and numbered
Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia...
Category
2010s Santa Fe
Materials
Archival Pigment
Asparagus in Bloom, limited edition photograph, archival ink, signed
By JP Terlizzi
Located in Sante Fe, NM
Asparagus in Bloom, limited edition photograph, archival ink, signed and numbered
Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgi...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Bending the Rule, limited edition photograph, archival ink, signed and numbered
By JP Terlizzi
Located in Sante Fe, NM
Bending the Rule, limited edition photograph, archival ink, signed and numbered
Holding Arabesque is an inward reflection that investigates our relationship with food and nostalgia...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Wales
By Pentti Sammallahti
Located in Sante Fe, NM
Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...
Category
1990s Santa Fe
Materials
Silver Gelatin
Pentre Ifan, Wales
By Pentti Sammallahti
Located in Sante Fe, NM
Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...
Category
1990s Santa Fe
Materials
Silver Gelatin
Eckerøy, Norway (rocks and birds)
By Pentti Sammallahti
Located in Sante Fe, NM
Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...
Category
1990s Santa Fe
Materials
Silver Gelatin
Ty Newydd, Wales
By Pentti Sammallahti
Located in Sante Fe, NM
Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...
Category
1990s Santa Fe
Materials
Silver Gelatin
Pen Yr Osedd, Wales
By Pentti Sammallahti
Located in Sante Fe, NM
Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...
Category
1990s Santa Fe
Materials
Silver Gelatin
Llech y Dribedd, Wales
By Pentti Sammallahti
Located in Sante Fe, NM
Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...
Category
1990s Santa Fe
Materials
Silver Gelatin
Kihti, Finland (Dark tide)
By Pentti Sammallahti
Located in Sante Fe, NM
Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...
Category
1970s Contemporary Santa Fe
Materials
Silver Gelatin
Luxor, Egypt (Man climbing up the mainmast of a ship)
By Pentti Sammallahti
Located in Sante Fe, NM
Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...
Category
Early 2000s Santa Fe
Materials
Silver Gelatin
Varanasi, India
By Pentti Sammallahti
Located in Sante Fe, NM
Finnish photographer Pentti Sammallahti depicts nature, eroded and broken down by civilization, but does not put man and the environment in opposite camps. He sees an equal relations...
Category
1990s Santa Fe
Materials
Silver Gelatin
Brake, unique photograph on silk with sumi ink brushwork
By Chaco Terada
Located in Sante Fe, NM
Brake, unique photograph on silk with sumi ink brushwork
Chaco Terada's relationship with photo-eye dates back about 15 years. Over this period I have thoroughly enjoyed getting to ...
Category
2010s Abstract Impressionist Santa Fe
Materials
Silk, Archival Ink, Sumi Ink
Dead Pine, Low Show, White Mountains, Arizona
By Kate Breakey
Located in Sante Fe, NM
Kate Breakey's artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual a...
Category
2010s Santa Fe
Materials
Gold Leaf
Flock Box
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Photographic Paper
Heavy Lifting
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Photographic Paper
Hocus Pocus
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Photographic Paper
Abracadabra
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Photographic Paper
Navigating
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Photographic Paper
Shiprock No. 5
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Zion No. 6
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Zion No. 59
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Zion No. 1
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Lake Blanche No. 4
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Mt. Nebo No. 5
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Grandeur to Olympus No. 872
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Grandeur to Olympus No. 868
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Mt. Olympus No. 3
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded by; remembering the rst time we saw one, and
the people we visited them with. This gave us all a larger
sense of where we locate home.
During our recent pandemic, home shrunk to the walls that
surrounded us. Real experiences became mediated through
computers and the Internet – but something felt lost: a living
connection with things bigger than ourselves. But we kept
our memories – waiting to be triggered by a photograph or
reminder of the mountains that could bring back that sense
of the sublime. Mountains and nature have long been places
of peace and refuge. There are few emotions about places for
which adequate single words exist. At the beginning of the
eighteenth century, the word sublime arose to describe the
feelings that the natural world can evoke in us.
At home, on my kitchen table, I have been trying to capture
something of that sublime in bits of plastic. Using geographical
data from the Internet, I used my 3D printer to make the memories
of those mountains tangible. With a small fog machine, I
create atmospheres and clouds. Sunlight through a window
illuminates some, while others were lit with a variety of sources
including ber optic lights used for microscopy.
For me, these images evoke the place I call home; and remind me
that it is our memories that make a place special.
At Home in the West was created as a companion to Yosemite:
Seeking Sublime, which premiered at photo-eye Gallery in
November 2020. In December of that year, work from that series
was invited to the Art of Staying at Home; Artists in the Time of
Corona exhibition at the Bibliotheca Alexandrina in Egypt, where
I was the only U.S. artist from eight countries included. Additional
works from that series will soon be exhibited at the Krakow
Triennial in Poland and at the Earth Photo...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Dead Horse Point No. 36c
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Capitol Reef/Factory Butte No. 89
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Capitol Reef Mesa No. 1
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Bryce No. 70
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Bryce No. 26
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Antelope Island No. 779
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Antelope Island No. 766
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Santa Fe
Materials
Archival Pigment
Timpanogos Back No. 4
By Edward Bateman
Located in Sante Fe, NM
For those of us who live in the West, mountains are more than
just landmarks; they dene a sense of home. We have memories
associated with our mountains; those we grew up
surrounded b...
Category
2010s Contemporary Santa Fe
Materials
Archival Pigment
Too Much Fun
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
Widener Estate
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
Aiming for a Brighter Future
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
New York, Uprising
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
Summer Soaring
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
Cricket Club
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
Paris Flip
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
Blind Mother Listens to Child
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
Silhouette Swing
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
Swingin' Sisters
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
Out of the Blue
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
Holding Pattern
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
Forward Leap
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
Child's Play
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
D.C. Photography School
Located in Sante Fe, NM
The implied act of opening the boxes, releases the energy of the occupants, allowing
them to take flight. The people and objects confined within, through the simple act of
unfolding,...
Category
2010s Constructivist Santa Fe
Materials
Silver Gelatin
