Santa Fe

Our world is immersed in light, but its physical essence is chemical. Digital photographic processes can record that illumination, but they cannot touch the wet, chemical essence whi...

Our world is immersed in light, but its physical essence is chemical. Digital photographic processes can record that illumination, but they cannot touch the wet, chemical essence whi...

Our world is immersed in light, but its physical essence is chemical. Digital photographic processes can record that illumination, but they cannot touch the wet, chemical essence whi...

Using landscape photography to reflect on broader notions of culture, the passage of time, and the construction of perception, photographers Mark Klett and Byron Wolfe spent five years exploring the Grand Canyon for their most recent project, Reconstructing the View. The team's landscape photographs are based on the practice of rephotography, in which they identify sites of historic photographs and make new photographs of those precise locations. Klett and Wolfe referenced a wealth of images of the canyon, ranging from historical photographs and drawings by William Bell and William Henry Holmes...

Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting condi...

Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting condi...

Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting condi...

Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting condi...

Photographer Mark Klett is best known for cool, impersonal images of desert landscapes in the American Southwest, taken from a similar vantage points and under similar lighting condi...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, an...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, an...

Our world is immersed in light, but its physical essence is chemical. Digital photographic processes can record that illumination, but they cannot touch the wet, chemical essence whi...

Maggie Taylor creates evocative single-scene narratives in her whimsical and elaborate photomontages. Working intuitively, Taylor combines 19th Century photographs, found objects, an...

Spectacled Owl#2, St. Louis, MO, 2012 is a color photograph and is signed and numbered Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of capti...

Tiger #9, Los Angeles, CA, 2016, is a color photograph and is signed and numbered Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive b...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Maggie Taylor creates what she calls “dreamlike worlds inhabited by everyday objects.” To make her intricate compositions, Taylor collages a variety of images using digital technology. She begins with small pastel drawings to use as backgrounds, then scans each additional element into the computer and combines them using Photoshop, arranging figures much in the same way she creates still lifes in the studio. Finding inspiration in 19th-century photographs, taxidermy specimens, mounted insects...

Maggie Taylor creates what she calls “dreamlike worlds inhabited by everyday objects.” To make her intricate compositions, Taylor collages a variety of images using digital technology. She begins with small pastel drawings to use as backgrounds, then scans each additional element into the computer and combines them using Photoshop, arranging figures much in the same way she creates still lifes in the studio. Finding inspiration in 19th-century photographs, taxidermy specimens, mounted insects...

Planet Macallan 121, limited edition color photograph, signed and numbered. For much of my adult life, photography has provided me a forum to communicate my past & present, my humo...

Planet Macallan 101, limited edition color photograph, signed and numbered For much of my adult life, photography has provided me a forum to communicate my past & present, my humor...

Planet Glenfiddich 125, limited edition color photograph, signed and numbered For much of my adult life, photography has provided me a forum to communicate my past & present, my hu...

Planet Glenfiddich 1743, limited edition color photograph, signed and numbered For much of my adult life, photography has provided me a forum to communicate my past & present, my h...

Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores th...

Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores th...

Influenced by late nineteenth-century expeditionary photographers such as Timothy O'Sullivan, who documented the "unexplored" territories of the West, Mark Klett visually explores th...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop...

Planet Aberlour 5, limited edition color photograph, signed and numbered. For much of my adult life, photography has provided me a forum to communicate my past & present, my humor ...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Michael Kenna is master of contemporary photography. Known for clean compositions, long exposures and minimalist aesthetics, Kenna’s signature style remains highly influential among ...

Maggie Taylor creates what she calls “dreamlike worlds inhabited by everyday objects.” To make her intricate compositions, Taylor collages a variety of images using digital technolog...

Maggie Taylor creates what she calls “dreamlike worlds inhabited by everyday objects.” To make her intricate compositions, Taylor collages a variety of images using digital technolog...

Maggie Taylor creates what she calls “dreamlike worlds inhabited by everyday objects.” To make her intricate compositions, Taylor collages a variety of images using digital technolog...

Somewhere within and without, attempts to subtly shift and deconstruct the ways in which we engage with space, time and perception in the aftermath of trauma, such as the birth of a ...

Somewhere within and without, attempts to subtly shift and deconstruct the ways in which we engage with space, time and perception in the aftermath of trauma, such as the birth of a ...

I am interested in describing loss and fragility through familiar objects. Ideas of impermanence have always been with me as my parents were refugees from Europe. My mother grew up i...

In The Breathless Zoo, Rachel Poliquin writes “Taxidermy is deeply marked by human longing,” revealing our hopes and dreams about our place in the natural world. Natural history dior...

In The Breathless Zoo, Rachel Poliquin writes “Taxidermy is deeply marked by human longing,” revealing our hopes and dreams about our place in the natural world. Natural history dior...

This photograph is representative of two related series of mine that deal with humanity's impact on and relationship with the earth. This relationship is not sustainable. Lately, I have begun to dream of our tortured earth with the remains of our hubris drifting through space, mined to extinction. This work is an attempt to tear through the ugliness of the world we have made, through the blindness of our voracious appetite to the vastness beyond, where beauty cares not for our perception of it. As Robinson Jeffers wrote: “The beauty of things was born before eyes and sufficient to itself; the heartbreaking beauty/ Will remain when there is no heart to break for it.” -- William Lesch

Construction Sites are areas of rapid change to the environment. Forest, farms, old structures or empty lots are converted to new buildings with larg...

Salt is the commonest of common things. Essential as it is to human lives, salt finds its place in countless metaphors. As a mineral in the world, it has a sort of life of its own. L...

Breathers (After Alzheimer's) is an emotional typology of Pacific Northwest trees and their relationship to the developing landscape of my mother in-law’s early-onset Alzheimer’s Dis...

Salt is the commonest of common things. Essential as it is to human lives, salt finds its place in countless metaphors. As a mineral in the world, it has a sort of life of its own. L...

Breathers (After Alzheimer's) is an emotional typology of Pacific Northwest trees and their relationship to the developing landscape of my mother in-law’s early-onset Alzheimer’s Dis...

My work investigates the atmosphere of place through chance-based approaches to photography. I am interested in the mysterious space between the camera lens and outside world, and ho...

In the 1980s when I was in medical school there were 500,000 people with dementia in this country. Now there are nearly 6 million people and that number will triple by mid-century. T...

In our increasingly intrusive electronic culture, how do we delineate the boundaries between public and private? "No Man's Land: Views From a Surveillance State" is a body of work th...

I am a storyteller. I have always been fascinated by multiple interpretations, double exposures, and the ambiguities that arise depending on which character is telling the story. M...

This series of images reflects a time when I was caring for my mother, who was rapidly declining into dementia, in my home. Each morning before the long day...

Photographer David Paul Bayles focuses on landscapes where the needs of forests and human pursuits often collide, sometimes coexist and on occasion find harmony. Some of his projects...

Photographer David Paul Bayles focuses on landscapes where the needs of forests and human pursuits often collide, sometimes coexist and on occasion find harmony. Some of his projects...