South Carolina - Art

Taken during the famous Rolling Stones "Beggars Banquet" album cover shoot in 1968. Signed by the photographer. Limited Edition of 15.

Abbie Gibson's "La Marche" is a large scale contemporary horse painting in elegant neutral colors. Abbie Gibson draws inspiration from the majestic horse, delving into the ethereal ...

Keith Richards and Ronnie Wood on the lear jet in 1979 during the New Barbarians tour. Signed and titled by Henry Diltz

Bob Dylan plays with the Grateful Dead in Oakland, CA. 1987. Photograph is signed limited Edition by photographer. Edition of 50.

The Grateful Dead on the corner of Haight and Ashbury St, San Francisco, CA. 1967. Signed and numbered by photographer Herb Greene

Black and white portrait of a mountain gorilla in Rwanda Intimate, up-close portrait of a mountain gorilla in Rwanda Exceptional Creatures is a limited edition print series documen...

This pin-up image is rooted in time-honored photographic celebrations of beauty. With a genre that has been endlessly explored, the goal is to be imaginative and original. The lighth...

A lone female lioness is featured in this profile portrait Elegant black and white portrait of a single lioness in the Maasai Mara Exceptional Creatures is a limited edition print ...

Light on the sand dunes in Sossusvlei, Namibia, with one mysterious pocket of shadow The dunes created valleys and peaks and delicate compositions of light and dark The print serie...

An ethereal image of two lions at dusk In the Mara, two lions are at rest at dusk in this surreal scene Exceptional Creatures is a limited edition print series documenting the mos...

Led Zeppelin standing in front of their tour plane "Starship" in 1973. Photograph taken at JFK airport before heading to Pittsburgh, PA. Signed by photographer.

Robert Plant of Led Zeppelin looks at Sunset Strip from a balcony at the "Riot House" (the former Continental Hyatt House). 1975

Black and white contemporary abstract painting by Christopher Rico - ink on Yupo paper. Offered unframed. For this black and white series of paintings, Rico uses oversized calligraphy brushes on Yupo paper. He lays out long sheets on the floor and masks off dimensions for what would become separate sheets. Many of the eventual works were painted together as one in order to preserve single and repetitive strokes that materialized as part of his daily meditations. This physical meditation resulted in artifacts of gesture allowing subconscious imagery to emerge freely as though they were born from the depths--where a physical entity’s relationship to gravity and environment is different than for lifeforms on the surface. Abstract art, abstract painting, abstraction, gestural abstraction, gestural painting, black and white, black and white painting, work on paper, yupo paper, black ink, painting, monochrome, monochromatic art...

Anton Schutz, 'U.S. Chamber of Commerce', etching, edition not stated, 1928. Signed in pencil. Annotated 'U.S. Chamber of Commerce S/516', in another hand, in the bottom right margin. A fine, richly-inked impression, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 3/4 to 2 3/8 inches), in excellent condition. Image size 9 7/8 x 7 7/8 inches; sheet size 14 1/8 x 11 5/8 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Etcher, painter, and architect, Anton Schutz was born in Germany in 1894. He studied at the University of Munich, earning a double degree in mechanical engineering...

Awe-inspiring photograph of elephants walking with Kilimanjaro in the distance A herd of elephants of all sizes walk across the dry planes of Amboseli and head towards Kilimanjaro ...

Ethereal portrait of a leopard in a tree with the backdrop of dense foliage A leopard perches high in a tree looking at something unseen to the left against the flora of East Afric...

Beautiful female lion at rest in the tall grass of her home in the Maasai Mara A lion rests in the tall grass of the Maasai Mara, home to an incredible population of big cats Excep...

Inspiring portrait of longboarders racing to catch the same wave Longboarders race to catch a wave, creating an impressive aerial composition The print series Swell: Endless Blue t...

Two white horses running in a line along a snowy tundra Awe-inspiring photograph of the horses of Iceland as they instinctively navigate the incredible landscape around them Set a...

From a limited edition of 5 archival photographs Signed and numbered by artist Aaron Knight. Image: 18×27 inches/46×69 cm Art-ID: CN0_005654 Aaron Knight is an American vis...

A pride of this many lions is a rare, unbelievable sight A pride of lions of all shapes and sizes rests on a rocky outcrop in this incredible black and white photograph Exceptional...

A waterfall hidden from plain sight in a canyon tucked away in the American West The American West is home to more beauty than one can ever comprehend Explore the National Parks an...

A lioness makes eye contact with the camera in this vivid portrait Portrait of a female lioness making eye contact with the camera Exceptional Creatures is a limited edition print ...

An ethereal white horse running over volcanic black sand in this surreal moment Against the black volcanic sand, this white horse's divine coat appears all the more otherworldly S...

A gorilla in the Virunga Massif lovingly embraces her baby A female gorilla embracing her young shares the universal element of motherhood Exceptional Creatures is a limited editi...

El Capitan's scale is hard to comprehend; in this angle you can feel its majesty A view of El Capitan with the sun hitting its face with a ravine flowing in the foreground Through ...

A large pride of eight lions of all sizes rests in the grass of the Maasai Mara A large pride of lions in Kenya is featured in this unreal capture of big cat life in the Maasai Mara...

This pin-up image is rooted in time-honored photographic celebrations of statuesque feminine beauty. It also provides a contemporary aesthetic to portray the subject as confident and...

Building on the tradition of black and white nude photography, Aaron Knight employs a technique that uses faint hints of color throughout the image to impart either warm or cool tone...

Purple Flower One Printed on Archival pigment paper. Signed and numbered by photographer. Limited Edition

Three white horses gallop forward with the waterfall Skogafoss behind them Surreal color image of three white horses underneath one of the most famous waterfalls in the world in Ice...

From a limited edition of 6 archival photographs Signed and numbered by artist Aaron Knight. Image: 24×36 inches/61×91 cm Art-ID: TAL_9551 Aaron Knight is an American visual...

Mick Jagger of The Rolling Stones by iconic photographer, Baron Wolman, Taken on the set of "Performance" in London, September 1968. One copy available 11x14” hand printed silver ge...

This pin-up image is rooted in time-honored photographic celebrations of feminine beauty. With a genre that has been endlessly explored, the goal is to be imaginative and original. T...

Three all white horses charging through the glacial water of Iceland This surreal image reveals how Icelandic horses are used to the challenging territory of their native homeland ...

Artist Commentary: It all starts with Linnie Rose Oswald. She was my Great-Grandmother, the eighth of Elnore Rose's nine children. (All but one were girls.) During the 1920s she operated her own business and posed for a photo beside the laundry's vehicle. Family stories tell of a feisty red-headed woman with a will of iron, a temper, and a very strong work ethic who drove down the middle of Huntington, West Virginia's city streets as if she owned them. In all likelihood, Linnie needed these qualities. Being a female business woman in this era had to be hard! She would have gotten the right to vote around then. Later, Linnie owned almost a block of town and rented apartments. I remember her from the days when managing her apartments was problematic. Linnie lived to be ninety-six years old but dementia took her years beforehand. I was in college when she died in a nursing home in Kentucky. The last time I saw her, she wasn't aware of the visit. Her mind was elsewhere ... talking about the clothes she was making and the quilts she would stitch. What a woman! Keywords: art quilt, textile, paint Artist Biography: Susan Lenz...

Clouds around a rock formation in Monument Valley, Utah A fleeting moment sharing the beauty of the landscape within the American West Explore the National Parks and the Western Un...

Six wild horses moving swiftly across the shores of Sable Island In this first of its kind aerial drone shot, a band of wild horses runs across the empty shores of Sable Island The...

A lone white polar beat against a blank, serene, minimal backdrop of white Like no place else on Earth, the existence of polar bears within the Arctic regi...

Beautiful, minimal, and serene image of trees against a snowscape The calm and composed feeling of this image, taken in Yellowstone, reveals the elegant beauty of mother nature Ex...

Two mountain gorillas in the surreal, verdant jungles of the Virunga Massif Mountain gorillas are some of the most otherworldly animals on Earth Exceptional Creatures is a limited ...

Beth Ganz, 'Humphrey's Peak, Arizona', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Humphreys Peak (Hopi: Aaloosaktukwi, Navajo: Dookʼoʼoosłííd) is the highest natural point and the second most prominent peak after Mount Graham in the U.S. state of Arizona, with an elevation of 12,637 feet (3,852 m) and is located within the Kachina Peaks Wilderness in the Coconino National Forest, about 11 miles (17.7 km) north of Flagstaff, Arizona. Humphreys Peak is the highest of a group of dormant volcanic peaks known as the San Francisco Peaks. Humphreys Peak was named in about 1870 for General Andrew A. Humphreys, a U.S. Army officer who was a Union general during the American Civil War and who later became Chief of Engineers of the United States Army Corps of Engineers. The San Francisco Peaks are a sacred place for Hopi, Navajo, Havasupai, Zuni, Apache, and other Native American tribes. A place of sacred shrines and ancestral dwellings, The Peaks are associated with emergence, deities, ancestors, life-giving moisture, and spiritual ceremony and are still actively utilized today. Numerous medicinal herbs and other plants used in traditional ceremonies and to treat ailments are found at several levels of the Peaks. The plants are said to have place-specific energies—that is, they must come from these sacred sites to fulfill their proper function. To the Hopi, the Peaks are Nuvatukaovi, “The Place of Snow on the Very Top,” home for half the year to the ancestral kachina spirits who live among the clouds around the summit. When properly honored through song and ceremony, it is believed that the kachinas will bring gentle rains to thirsty crops. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Beth Ganz, 'Adam's Peak, Sri Lanka', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. Archivally sleeved, unmatted. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Adam's Peak is a 2,243 m (7,359 ft) tall conical mountain located in the southern reaches of the Central Highlands of Sri Lanka. Revered as a holy site by Buddhists, Hindus, Muslims, and Christians, it is well known for the Sri Pada, "sacred footprint," a 1.8 m (5 ft 11 in) rock formation near the summit, which in the Buddhist tradition is held to be the footprint of the Buddha, in Hindu tradition that of Hanuman or Shiva, i.e., "Mountain of Shiva's Light." Some Muslims and Christians in Sri Lanka ascribe it to where Adam, the first ancestor, set foot as he was exiled from the Garden of Eden. The legends of Adam are connected to the idea that Sri Lanka was the original Eden, and in the Muslim tradition, Adam was 60 cubits tall. A shrine to Saman, a Buddhist "deity" (seekers who have devoted their lives to spiritual values are deified by Sri Lankan Buddhists) charged with protecting the mountaintop, can be found near the footprint. A bell lies on top of the temple, and tradition holds that pilgrims ring it as many times as they have achieved the pilgrimage to the top of the peak. Sri Pada is first mentioned (as Samanthakuta) in the Deepawamsa, the earliest Pali chronicle, (4th century), and also in the 5th-century register Mahawamsa, where it is stated that the Buddha visited the mountain peak. The log Rajavaliya records that King Valagamba (1st century BCE) had taken refuge in the forests of Adam's Peak against invaders from India, and later returned to Anuradhapura. The Mahawamsa again mentions the visit of King Vijayabahu I (1058–1114) to the mountain. The famous Chinese pilgrim and Buddhist traveler Fa Hien stayed in Sri Lanka in 411–12 CE and mentions Sri Pada. The Italian merchant Marco Polo in his Travels of 1298 CE, noted that Adam's Peak was an important place of pilgrimage. The Arab traveler Ibn Battuta climbed to the summit, which he called Sarandīb, in 1344 CE. In his description, he mentions a stairway and iron stanchions with chains to aid pilgrims in the climb. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Portrait of an ethereal, white Camargue horse, looking into its expressive eyes Portrait of a Camargue horse making eye contact with the viewer with its bold, expressive dark eyes w...

Bold and beautiful white Camargue horse rearing up in the South of France Surreal portrait of an all white Camargue horse rearing up against the background of the sea The award-win...

This pin-up image is rooted in time-honored photographic celebrations of statuesque feminine beauty. It also provides a contemporary aesthetic to portray the subject as confident and...

Three white horses charging towards the camera in water against white backdrop Three white horses charge towards the camera with water spraying up around them against the opaque wh...

Trio of all white horses charge towards the camera in this fantastic moment White horses charge towards the camera in Camargue surrounded by tones and textures of grey and off-white...

White horses run together through the water of Camargue in the South of France The white horses of Camargue run together through the shallow waters, their nearly glowing coats frame...

In a blur of motion, white horses gallop towards something out of frame A herd of white horses gallops across the South of France, where they live in harmony with the Camargue land...

An epic, dream-like snowy tundra in Iceland hit by the sun The light of Iceland is like nowhere else on Earth; even the coldest of scenes appears warm and enlightened. Set against ...

Black & white portrait of a brown bear in the creek against dense foliage A large brown bear in the Alaskan backcountry focuses on something out of sight Each year, brown bears des...

"Henry Diltz and Neil Young were walking around his ranch one morning and stopped in one of his little barns to look at some guitars. Neil's little dog, Harte followed. It looked so ...

"Lifeguard Stand 2" Archival Pigment photograph Edition of 10 Signed and Editioned by photographer

Portrait of a brown bear looking over his shoulder at the creek's edge Epic portrait of a lone brown bear at the edge of the creek in Alaska Each year, brown bears descend on a rem...

Two polar bears walking on the sea ice with the unreal backdrop of a glacier and mountains with low-lying clouds above Dreamlike capture of two polar bears walking below a mountain The limited edition print series Northern Dreams is a tribute to one of the most spectacular places Drew has ever been: the Arctic. From animals with transcendent appeal, like polar bears, to glaciers fashioned over thousands of years, the Arctic region is minimal and stark yet completely spectacular. Offered in a limited edition, these works are printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. Through a fashion-inspired lens, photographer and filmmaker Drew Doggett tells extraordinary stories of diverse cultures, animals, places, and communities. He has received over 130 prestigious international awards and has had his artwork featured in many publications, such as Conde Nast Traveler, Architectural Digest, Forbes, Bloomberg, Fortune, The Daily Mail, and Outside Magazine. His photographic work can be found in public collections globally, notably the Smithsonian African Art Museum (DC), as well as in hundreds of corporate and private collections in over 20 countries around the world, including that of Alec Baldwin, Gloria Steinem, Nicole Ari Parker, Eric Church...

Lone polar bear walking at water's edge looking at something in the distance Surreal image of a polar bear walking at the water's edge The limited edition print series Northern Dreams is a tribute to one of the most spectacular places Drew has ever been: the Arctic. From animals with transcendent appeal, like polar bears, to glaciers fashioned over thousands of years, the Arctic region is minimal and stark yet completely spectacular. Offered in a limited edition, these works are printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. Through a fashion-inspired lens, photographer and filmmaker Drew Doggett tells extraordinary stories of diverse cultures, animals, places, and communities. He has received over 130 prestigious international awards and has had his artwork featured in many publications, such as Conde Nast Traveler, Architectural Digest, Forbes, Bloomberg, Fortune, The Daily Mail, and Outside Magazine. His photographic work can be found in public collections globally, notably the Smithsonian African Art Museum (DC), as well as in hundreds of corporate and private collections in over 20 countries around the world, including that of Alec Baldwin, Gloria Steinem, Nicole Ari Parker, Eric Church...

A polar bear resting at water's edge peacefully all but disappears into the backdrop of the Arctic's pristine landscape Elegant, lone polar bear peacefully resting at water's edge with eyes closed The limited edition print series Northern Dreams is a tribute to one of the most spectacular places Drew has ever been: the Arctic. From animals with transcendent appeal, like polar bears, to glaciers fashioned over thousands of years, the Arctic region is minimal and stark yet completely spectacular. Offered in a limited edition, these works are printed on Hahnemühle FineArt Baryta paper, which sets the standard for image definition and color depth. Each print includes an embossed certificate of authenticity and is signed and numbered. All images are printed in-house on Hahnemuhle Fine Art Baryta paper and come with a Certificate of Authenticity. For your convenience, all images are printed with a 3” paper border; this is not included in the listed sizes. Through a fashion-inspired lens, photographer and filmmaker Drew Doggett tells extraordinary stories of diverse cultures, animals, places, and communities. He has received over 130 prestigious international awards and has had his artwork featured in many publications, such as Conde Nast Traveler, Architectural Digest, Forbes, Bloomberg, Fortune, The Daily Mail, and Outside Magazine. His photographic work can be found in public collections globally, notably the Smithsonian African Art Museum (DC), as well as in hundreds of corporate and private collections in over 20 countries around the world, including that of Alec Baldwin, Gloria Steinem, Nicole Ari Parker, Eric Church...