South Carolina - Art

Hans Bellmer, Untitled (Two Nudes), engraving and drypoint, 1971, edition 99. Signed and numbered '94/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet wit...

Keith Richards on stage, Rolling Stones U.S. 1972 Tour “Some of my most outrageous nights– I can only believe actually happened because of corroborating evidence. No wonder I’m famo...

The beautifully soft sand dunes of Namibia form their own private city A large swath of curvaceous sand dunes forming a wall The print series Dunes: Landscapes Evolving documents t...

Max Weber, 'Seated Figure", woodcut, edition not stated, 1919-20, Rubenstein 17. Signed in pencil. A fine impression on cream Japan paper; the full sheet with margins (2 to 3 1/8 in...

James Allen, 'The Connectors', 1934, etching, edition not stated, Ryan 66. Signed in pencil. A superb, richly-inked impression, on handmade, cream laid paper, with margins (1/2 to 1...

Abbie Gibson's large scale contemporary horse painting, "Between Two Worlds" is inspired by the horse and ethereal qualities surrounding the animal, while focusing on the subjects of...

"Belle" The delicate nature of this equestrian portrait reveals the classic yet otherworldly appeal of the Camargue horses as a single white horse appears in contrast against the na...

"""Nonguta and the Tree"" A Samburu woman stands against an Acacia tree in this fashion-inspired image In this fashion-inspired image, a Samburu woman named Nonguta relaxes in her...

Dolly Parton photographed in New York City in September, 1976. Estate Stamped by photographer David Gahr.

Surreal image of the Arctic landscape filled with natural textures and beautiful forms Organic snow formations against a dark sky with whispy clouds The limited edition print serie...

A sand dune in Namibia with a pattern of ripples in it from the wind A delicate texture appears where the wind whips the sand dunes. This ornate pattern will disappear when the wind...

This photograph unapologetically celebrates the sensual and aesthetic elements of the feminine form. Knight’s poolside photography blends confident, inspirational women with warm, ...

Two giraffes walk across the plains with Kilimanjaro in the backdrop and dense cloud cover Exceptional Creatures is a limited edition print series documenting the most extraordinary...

"Endless Dream" Although the horses are calm and collected, the powerful waterfall Skógafoss pounds thousands of gallons of water into the pool they stand in. The conditions to crea...

Jerry Garcia sitting next to the "Dead End" sign at Woodstock Music Festival. Woodstock, NY. 1969 Photograph signed by the late photographer Jim Marsh...

"Desert Rising" The lone tree in the foreground helps you understand the immense scale of the sand dunes of Sossusvlei. The print series Dunes: Landscapes Evolving documents the m...

"Monolith" Two peaks against a dune of snow with a flat-white backdrop. The limited edition print series Northern Dreams is a tribute to one of the most spectacular places Drew ha...

Hans Bellmer, Les Marionettes I, etching with hand coloring, 1969, edition 150. Signed and annotated 'HC' in pencil. A fine impression on brown Roma hand-made laid paper; the full sheet with margins (1 to 2 5/8 inches), in excellent condition. Archivally sleeved, unmatted. Image size 11 13/16 x 11 1/8 inches; sheet size 15 5/8 x 13 1/4 inches. A 'Hors Commerce' impression. From a suite of 11 etchings created by Bellmer to illustrate 'On the Marionette Theatre...

Surf Imsouane. Morocco 2018 Signed by photographer Limited Edition photograph Available in various sizes and prices. Framing additional and o...

"Ray of Light" In this award-winning image, a young Rendille woman named Mindisayo basks in the sun. The print series Desert Song: Compositions of Kenya exhibits classic, timeles...

I have painted around the edges of the canvas should you decide to display this work unframed. :: Painting :: Contemporary :: This piece comes with an official certificate of authent...

Building on the tradition of black and white nude photography, Aaron Knight employs a technique that uses faint hints of color throughout the image to impart either warm or cool tone...

David Bowie with Mick Ronson “Taken on the train up to Aberdeen, Scotland for the first gig of David’s final Ziggy tour, 15 May 1973. "Of all my limited e...

"Adorned" This fashion-inspired, award-winning black and white profile portrait of a young Rendille woman shows the delicate yet bold ornamentation that her remote tribal community ...

"""Pride of Tsavo"" Black and white image of a lone elephant throwing dirt on his back to keep cool Elephants throw dirt onto their backs to help them cool off amid the unrelenting...

Black and white contemporary abstract painting by Christopher Rico - ink on Yupo paper. Offered unframed. For this black and white series of paintings, Rico uses oversized calligraphy brushes on Yupo paper. He lays out long sheets on the floor and masks off dimensions for what would become separate sheets. Many of the eventual works were painted together as one in order to preserve single and repetitive strokes that materialized as part of his daily meditations. This physical meditation resulted in artifacts of gesture allowing subconscious imagery to emerge freely as though they were born from the depths--where a physical entity’s relationship to gravity and environment is different than for lifeforms on the surface. Abstract art, abstract painting, abstraction, gestural abstraction, gestural painting, black and white, black and white painting, work on paper, yupo paper, black ink, painting, monochrome, monochromatic art...

"""Profile in Dress I"" Fashion-inspired portrait of a dark horse against a dark backdrop with a bridle Composition of a dark horse with bridle photographed against a black backdro...

"""Pride of the Samburu"" Black and white portrait of the front of a young Samburu warrior holding a spear A detailed portrait of a Samburu warrior with his spear, ready for the da...

Keith Richards "Patience Please for a Drug Free America" 1972 "Exile on Main Street" Tour. Limited Edition. Signed by photographer.

"""Opal"" Surreal capture of a polar bear walking towards the camera with her head down Close-up, intimate portrait of a polar bear walking towards the camera set against a surreal...

"Etched in Stone" This best-selling, award-winning image features the defined musculature of an all white-horse against a black backdrop. The print series Equus: Light & Form focus...

Robert Riggs, 'Children's Ward', 2-color lithograph, c. 1940, edition c. 50, Beall 11, Bassham 76. Signed, titled, and numbered '14' in pencil. Signed in the stone, lower right. A su...

Lithograph of original painting. printed on heavy matte paper. signed by the artist.

Taken in Woodstock, NY in 1968. One of the most iconic photographs of Bob Dylan.

"Epic portrait of a beautiful, dark Friesian horse with a flowing mane Black and white portrait of a Friesian horse against a white background This powerful global series explores...

'I'll Be What I Choose: Vanity of Ambition', color lithograph, 1949, edition 40, Fine and Looney 281. Signed, titled, and numbered '23/40' in pencil. Initialed in the stone, lower ri...

Leon Bibel, 'Abstract Boats', color serigraph, 1938, edition 12. Signed, dated, and numbered ' /12' in pencil. A fine, painterly impression, with fresh colors, on buff wove paper; t...

Neutral Desert I, Original Contemporary Abstract Landscape Painting 12" x 9" (HxW) Oil on Canvas Paper A modern take on an impressionist landscape, this oil painting by artist April Moffatt is nearly abstract, almost a color field painting. The canvas is filled with large swaths of blue, peach, and grays with undertones of green, purple, and blue. The composition is given further dimension with lines of ochre and hints of black. A simple and neutral contemporary painting...

"Ethereal Friesian horse running with his mane flowing behind him Fashion-inspired black and white image of a Friesian horse against an off-white backdrop with a flowing mane This ...

Photograph of Jerry Garcia in 1978 at the Pyramids in Egypt. The Grateful Dead played 2 shows in Giza, Egypt on September 15 & 16th. Signed and numbered by photographer. #21/25

Bob Dylan with the Grateful Dead backstage at the Oakland Coliseum, CA. This photograph is part of a edition of only 13. Signed by photographer Limited Edition photograph.

Artist Commentary: During the spring of 2011, Columbia fiber and installation artist Susan Lenz spent a mere two hours along South Carolina’s coastline coll...

Jan Charles Vondrous, 'Piazzetta, Venice', color etching, 1930. Signed, dated, and titled in pencil. Signed and dated in the plate, lower right. A fine impression, on cream, laid pap...

"In March 1969, talented music writer Stanley Booth and I visited Macon, Georgia and Muscle Shoals, Alabama, on assignment for Rolling Stone. Among other southern music royalty, we hung out with Phil Walden of Redwal Music, the Macon music company Phil started with Otis Redding. At Redwal we were taken into the recording studio where we were introduced to the Allman Brothers; the band was in the studio rehearsing. This was very, very early in the career of the Allman Brothers; the band had only recently been shaped into its new form by Walden. From left to right: Berry Oakley, Duane Allman...

Panacea Pour l’âme #14, Abstract Blue & Orange Acrylic Painting, 2012 28" x 22" x 1.5" (HxWxD) Unframed, but comes "cloth-edged" (black) and ready to display with hanging wire Arti...

Neil Young in back of Limo after purchasing his Gretsch "White Falcon" guitar in the West Village of NYC. 1970. 30x40 inch is a Edition of 25. Signed and numbered by photographer

Horses in Mongolia by Anne Menke.

I have painted around the edges of the canvas should you decide not to frame this work. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity s...

George Elbert Burr, 'Old Cedars – New Mexico', etching, 1920, edition 40, Seeber 218. Signed and annotated '(c) George Elbert Burr Del. et Imp.' in pencil. ...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

Ernst Haeckel, 'Art Forms in Nature' (Plate 79 - Basiliscus), offset lithograph, 1899. Signed and titled in typeset, upper left. Titled 'Tafel 79 — Basi...

Incredible portrait of a mountain gorilla against dense jungle foliage In this extraordinary moment, a mountain gorilla stands epically atop a rock formation, with the dense jungle ...

"""Phantom"" Otherworldly capture of an iceberg in black and white Unique photograph of an iceberg in the Weddell Sea amidst a dark background of sky and sea, creating an abstract,...

"Eclipse" Large group of fledgling penguins and two adult king penguins with white chests Two adult king penguins with white chests appear vibrantly amongst the fledglings in this ...

Claire Mahl Moore, 'Court' also 'The Authorities', woodcut, 1936, edition 5. Signed 'Mahl' and titled in pencil. A fine, richly-inked impression, on ...

David Bowie with Mick Ronson and the Spiders during the filming Jean Genie. 1972 Signed by the late Mick Rock Edition #14/50

William Thon, 'Upper Tuscany', a two-sided watercolor, c. 1955. Signed, lower right; titled verso. A fine, expressionist work, with fresh colors, on cream watercolor paper; the image...

Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 V. Inscribed 'J. F. note paper', in pencil, in the artist’s hand; with the Feininger estate stamp and catalog no. 'W 859' in pencil. Annotated 'W.290 V state 3609' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/4 inches; sheet size 10 x 7 5/16 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; NY, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public. Still, he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...