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South Carolina - Landscape Drawings and Watercolors

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Item Ships From: South Carolina
St. Ives Harbor, Cornwall, England — British Post-Impressionism
By Hayley Lever
Located in Myrtle Beach, SC
An early 20th-century Hayley Lever watercolor depicting fishing boats docked at the St. Ives Harbor, Cornwall, England. A fine, spontaneous rendering on watercolor paper, with fresh ...
Category

Early 1900s Impressionist South Carolina - Landscape Drawings and Watercolors

Materials

Watercolor

'Storm Clouds (Arizona)' — Early 20th-Century American Impressionism
By Albert Groll
Located in Myrtle Beach, SC
Albert Lorey Groll, 'Storm Clouds (Arizona)', graphite on paper, c. 1914. Signed in pencil, in the image, lower left. A fine spontaneous rendering on heavy buff, wove paper, with margins (1 1/2 to 2 inches); slight toning at the sheet edges, in good condition. With a pen and ink landscape drawing, verso. Image size 7 5/8 x 10 inches; sheet size 10 3/4 x 13 5/8 inches. Matted to museum standards, unframed. Provenance: Ex. collection Kennedy Galleries, New York. ABOUT THE ARTIST Albert Lorey Groll (1866-1910) was born in New York in 1866, the son of a pharmacist immigrant from Darmstadt, Germany. During his early years, he traveled to Europe to study at the Royal Academy of Fine Arts in Munich under Nicholas Gysis and Ludwig von Löfftz. He further pursued his studies in London and at the Royal Academy of Fine Arts in Antwerp, Belgium. Groll returned to New York in 1895 and moved from figure to landscape painting while expanding his interests to printmaking. In 1904 Groll made the first of several trips to the American Southwest, traveling to Arizona with ethnographer Stewart Culin of the Brooklyn Museum. Later he went to New Mexico with his friend, the artist and illustrator William Robinson Leigh (see our 1stDibs listing no. LU53239015112 ). He focused on impressionistic scenes of Native American lands. The Laguna Pueblo people admired Groll's paintings, honoring him with the name "Chief Bald Head Eagle Eye." Groll kept a studio in the Gainsborough Studios in Manhattan and won several awards for his work in Arizona and New York, including the Salmagundi Club Shaw Prize in 1904 and a gold medal at the Pennsylvania Academy of Fine Arts in 1906. He was also awarded the George Inness gold medal from the National Academy of Design in 1912 for his painting of Lake Louise in the Canadian Rockies. In 1910 he was elected into the National Academy of Design and, in 1919, an associate member of the Taos Society...
Category

1910s American Impressionist South Carolina - Landscape Drawings and Watercolors

Materials

Pencil

St. Austrell, Cornwall, England
By Hayley Lever
Located in Myrtle Beach, SC
A turn of the century view of the town of St. Austrell, Cornwall, in the morning mist of southern England. A beautifully subtle work, in muted earth tones, on buff wove drawing paper...
Category

Early 1900s Impressionist South Carolina - Landscape Drawings and Watercolors

Materials

Watercolor

"East Gloucester, Massachusetts' — Cape Ann Regionalism
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever, 'East Gloucester, Massachusetts', watercolor, c. 1930. Signed 'HL' in pencil, lower left. A fine, spontaneous watercolor with fresh colors on off-white watercolor paper...
Category

1930s Impressionist South Carolina - Landscape Drawings and Watercolors

Materials

Watercolor

'St. Astruell, England' — British Post-Impressionism
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever, 'St. Astruell, England', watercolor, 1910. Signed in pencil, lower right. Titled and dated on the original inside mat. A fine spontaneous work, with fresh colors, on cr...
Category

1930s Post-Impressionist South Carolina - Landscape Drawings and Watercolors

Materials

Watercolor

'Cape Ann Harbor View' — Mid-Century Modernist Watercolor
By Nathaniel Dirk
Located in Myrtle Beach, SC
Nathaniel Dirk, 'Cape Ann Harbor View', vintage watercolor on watercolor paper, 1948. A fine, spontaneous rendering, with fresh, undiminished colors, in very good condition; the arti...
Category

Mid-20th Century Modern South Carolina - Landscape Drawings and Watercolors

Materials

Watercolor

Upper Tuscany — Mid-century expressionism
By William Thon
Located in Myrtle Beach, SC
William Thon, 'Upper Tuscany', a two-sided watercolor, c. 1955. Signed, lower right; titled verso. A fine, expressionist work, with fresh colors, on cream watercolor paper; the image...
Category

1950s American Modern South Carolina - Landscape Drawings and Watercolors

Materials

Watercolor

'Fenway Park, Boston' — New England Post-Impressionism
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever 'Fenway Park, Boston', watercolor, c. 1920. Signed and titled in pencil, lower left. A fine, spontaneous work, with fresh, undiminished colors...
Category

1920s Impressionist South Carolina - Landscape Drawings and Watercolors

Materials

Watercolor

'Meeting Hall, Rockport' — Mid-Century Modernist Watercolor
By Nathaniel Dirk
Located in Myrtle Beach, SC
A fine spontaneous rendering in watercolor, with fresh colors, on watercolor paper. Signed lower right, with the artist's notation verso H 12, indicating his 12rd work of 1950. A mid...
Category

Mid-20th Century Modern South Carolina - Landscape Drawings and Watercolors

Materials

Watercolor

'Gloucester' — Mid-Century Modernist Watercolor
By Nathaniel Dirk
Located in Myrtle Beach, SC
Nathaniel Dirk, Untitled (Gloucester), watercolor, with fresh colors, on watercolor paper; in fine, original condition, with the artist's tack holes (barely visible) at the sheet edg...
Category

Mid-20th Century Modern South Carolina - Landscape Drawings and Watercolors

Materials

Watercolor

'After the Storm' — Coastal Brittany, Post-Impressionism
By Hayley Lever
Located in Myrtle Beach, SC
Hayley Lever, 'After the Storm', also 'Sunny Afternoon', watercolor on watercolor paper, the full sheet, the image extending to the sheet edges; in very good condition. Signed 'Hayle...
Category

Early 1900s Impressionist South Carolina - Landscape Drawings and Watercolors

Materials

Watercolor

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San Francisco moorings, a late 19th century double-sided pencil sketch by Raymond Dabb Yelland (American, 1848 - 1900), 1987. Signed "R.D. Yelland" lower right. Dated "87" lower left. Drawing on both sides of paper. Wood frame. Image size, 8.5"H x 12"L. A master marine painter, Yelland painted in Gloucester Harbor. He sailed to San Francisco in 1874 to take a teaching position in art at Mills College in Oakland. From 1877 to 1894, he taught at the California School of Design. He was a decisive influence on a younger generation of California artists. Full Bio: Raymond Dabb Yelland was born in London, England on February 2, 1848. At the age of three, he immigrated with his family to New York City where he was raised and attended public schools. By the age of twelve, he had settled on art as a career. He was born as Raymond Dabb, but due to the negative connotation of his name, his mother's maiden name, Yelland, was added. After serving under Sheridan in the Federal Army during the Civil War, Yelland attended Pennington Seminary in New Jersey. He studied art at the National Academy of Design from 1869 to 1871 with Page and Brevoort, and then taught at the Academy for one year. With his new bride, he sailed around the Horn in 1874 to San Francisco where he would assume the position of an art instructor at Mills College in Oakland. In 1877, he traveled to England, and later continued his studies in Paris with Luc Oliver Merson. Upon his return to California, Yelland became assistant director of the San Francisco School of Design, and in 1888, assumed its directorship. While at that school, he also taught at the University of California, Berkeley, for many years. His many pupils included Homer Davenport, Alexander Harrison...
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Previously Available Items
'Corinthian Yacht Club, Marblehead, Mass' — New England Post-Impressionism
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever 'Corinthian Yacht Club, Marblehead, Mass.', watercolor, c. 1925. Signed in pencil, lower right. Titled in pencil, verso. A fine, spontaneous watercolor, with fresh color...
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Madronas in Bloom — 1930s American realism
Located in Myrtle Beach, SC
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'Hyde Park, England, 1904' — British Impressionism
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever 'Hyde Park, London, England, 1904', watercolor, 1904. Signed 'HL' in pencil, lower right. Titled and dated in pencil, in the bottom left margin....
Category

Early 1900s Impressionist South Carolina - Landscape Drawings and Watercolors

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East Gloucester, Massachusetts — 1930's watercolor
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever 'East Gloucester, Massachusetts', watercolor, c. 1930. Signed 'HL' in pencil, lower left. A fine, spontaneous watercolor, with fresh, undiminished colors, on off-white w...
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1930s Impressionist South Carolina - Landscape Drawings and Watercolors

Materials

Watercolor

In The Woods
By William Thon
Located in Myrtle Beach, SC
William Thon, 'In The Woods', watercolor, c. 1990. Signed, lower right; titled verso. A fine, painterly work, on off-white, wove watercolor paper, the ima...
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Devonshire, England
By Hayley Lever
Located in Myrtle Beach, SC
A fine, atmospheric, 'plein air' rendering, with fresh colors, on cream watercolor paper; the sheet with 1/4 inch margins, trimmed by the artist; original brown paper hinge remains o...
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English Farmhouse
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever 'English Farmhouse', watercolor and conté crayon, 1910. Signed 'HL' in pencil, lower right. A fine, spontaneous rendering in watercolor ...
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1910s Impressionist South Carolina - Landscape Drawings and Watercolors

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'Corinthian Yacht Club, Marblehead, Mass' — 1920s New England Impressionism
By Hayley Lever
Located in Myrtle Beach, SC
Hailey Lever 'Corinthian Yacht Club, Marblehead, Mass.', watercolor, c. 1925. Signed in pencil, lower right. Titled in pencil, verso. A fine, spontaneous watercolor, with fresh color...
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1920s Impressionist South Carolina - Landscape Drawings and Watercolors

Materials

Watercolor

Chatham Square
Located in Myrtle Beach, SC
'Chatham Square'; watercolor, color pencil, India ink, and scratchwork; 1955. Signed and annotated '© 1955' in ink, lower left. Titled 'Chatham Square' in pencil, verso. An atmospheric, mixed-media, aerial cityscape of mid-century Manhattan, with fresh colors, on heavy watercolor paper; the full sheet with the image extending to the sheet edges, in good condition. Chatham Square is a historic intersection in Manhattan's Chinatown, New York City. The square lies at the confluence of eight streets: the Bowery, Doyers Street, East Broadway, St. James Place, Mott Street, Oliver Street, Worth Street, and Park Row. The small park in the center of the square is known as both Kimlau Square and Lin Ze Xu Square. Painter, muralist, and teacher, Stuyvesant (Stuart) Van Veen was born in New York City in 1910. He studied at the Pennsylvania Academy of Fine Arts under Daniel Garber, the National Academy of Design under David Karfunkel, the Art Students League under Thomas Hart Benton, and at the New York School of Industrial Art and Columbia University. Prolific and notably active in the art world throughout his career, Van Veen was a member of the American Watercolor Society, the National Society for Painters Casein, the National Society of Mural Painters, the Artists’ Equity Association, the National Institute of Arts and Letters, the American Artists Congress, the Artists League of America and the Mural Artists Guild. His numerous exhibitions include: the Carnegie Institute, 1929, 1943; the Art Institute of Chicago, 1930-1946; the Society of Independent Artists, 1930; the Pennsylvania Academy of Fine Arts Annual, 1930, 1933-34, 1938; the Pennsylvania Academy of Fine Arts Annual, 1940, 1941, 1943; Boston Museum of Fine Arts, 1929, 1936; Brooklyn Museum, 1929, 1936; St. Louis Art Museum, 1929, 1936, 1939, 1943; Minnesota Institute of Art, 1929, 1936, 1939; Whitney Museum of American Art, 1935-40; Museum of Modern Art, 1934, 1937, 1939; Corcoran Gallery of Art, 1935-36, 1939, 1941; Cincinnati Art Museum, 1936-49; Syracuse Museum of Fine Art, 1939; National Gallery of Art, 1942, 1944; National Academy of Design 1965-69; American Academy of Arts and Letters, 1961 (Childe Hassam purchase award); American Society of Contemporary Artists, 1966 (Nelson Whitehead Prize); and the “New York City WPA” at Parsons School of Design, 1977. Van Veen created more than 30 murals in public buildings, many commissioned by the WPA, including paintings for Riverside Memorial Chapel, New York; Fordham Hospital, New York; the Labor Building, Washington, DC; the United States Post Office, Pittsburgh, 1937; the New York World’s Fair, 1938; and the Wright-Paterson Air Force Base, 1945. One of his best-known works is a series of seven murals in celebration of the Brooklyn Dodgers, a series that still exists in the lobbies of the Ebbets Field...
Category

1950s American Modern South Carolina - Landscape Drawings and Watercolors

Materials

India Ink, Watercolor, Color Pencil

Exe River and Landscape, Devon, England
By Hayley Lever
Located in Myrtle Beach, SC
An early 20th-century impressionist landscape of the River Exe, Devon, England, in early Spring. Watercolor, with fresh colors, on off-white watercolor paper, with 3/8 inch margins....
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The Cockle Gatherers
By Hayley Lever
Located in Myrtle Beach, SC
Hayley Lever, 'The Cockle Gatherers', 1904, watercolor with fresh colors, in the original Clayton Liberatore Gallery mat, in excellent condition (never framed). Signed 'Hayley Lever'...
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Early 1900s Impressionist South Carolina - Landscape Drawings and Watercolors

Materials

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Farmhouse, Devonshire, England
By Hayley Lever
Located in Myrtle Beach, SC
A turn of the century rendering of an old farmhouse in Devonshire, England, by renowned watercolorist Haley Lever. A fine spontaneous work, with strong, fresh colors, on off-white w...
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Early 1900s Post-Impressionist South Carolina - Landscape Drawings and Watercolors

Materials

Watercolor

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