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Item Ships From: South Coast
"The Sun Shines All Over", Vintage Geometric Abstract Landscape Screen Print
By Xiu-ping Liao
Located in Soquel, CA
"The Sun Shines All Over", a bold minimalist vintage abstract landscape print by the renowned printmaker Shiou-ping Liao (Taiwanese, b.1936). A perfectly circular, high voltage rainb...
Category
1960s Abstract Geometric South Coast - Landscape Prints
Materials
Paper, Mixed Media, Lithograph
"Early Summer Horse Fair" from 53 Stations of the Tokaido
By Utagawa Hiroshige (Ando Hiroshige)
Located in Soquel, CA
"Early Summer Horse Fair" from 53 Stations of the Tokaido
Woodblock print of a group of horses, originally by Hiroshige (Ando) Utagawa (Japanese, 1797 - 1858). Several groups of hor...
Category
1830s Edo South Coast - Landscape Prints
Materials
Rice Paper, Woodcut
"Nurnberg" Woodcut Print of the Old City by A. Thomas style of Lyonel Feininger
Located in Soquel, CA
The image shows an abstract, black and white block print in the style of Lyonel Feininger of what appears to be a streetscape in Nuremberg, Germany. The style is reminiscent of early...
Category
1960s Bauhaus South Coast - Landscape Prints
Materials
Woodcut
"By the Canal" Limited Edition Lithograph on Archival Paper
Located in Soquel, CA
"By the Canal" Limited Edition Lithograph on Archival Paper
Vibrant lithograph of a red-headed woman near a canal by Michael Leu (Taiwanese, b. 1950). The woman is holding a bouquet of tulips. Nearby, a bicycle is parked alongside the canal. There is a bridge over the canal, connecting to a small town in the distance. This piece is whimsical, bold, and expressive.
Numbered "31/198" in the lower left corner.
Signed and dated "Michal Leu 95" in the lower right corner.
Presented in a black aluminum frame with a white mat.
Frame size: 32.75"H x 27.25"W
Image size: 24"H x 19"W
Born in Taipei, Taiwan, Michael Leu (b. 1950) studied fine art and design in his home town in the late 1960s and learned printmaking techniques at Otis Parsons...
Category
1990s Expressionist South Coast - Landscape Prints
Materials
Ink, Archival Paper, Lithograph
Illustrations From The Book of Job - "The Fire of God is Fallen From Heaven"
By William Blake
Located in Soquel, CA
"Illustrations of the Book of Job" Engraving "The Fire of God is Fallen From Heaven...And the Lord said unto Satan Behold All that he hath is in thy Power"
Engraving, third printing...
Category
1870s Symbolist South Coast - Landscape Prints
Materials
Handmade Paper, Engraving
"The Colors of Spring" Contemporary Impressionist Floral Serigraph
By Maria Bertrán
Located in Laguna Beach, CA
"The Colors of Spring" is an beautiful 94 color hand pulled serigraph created from the oil painted from life in the artists Laguna Beach studio by Maria Bertran. This Contemporary Im...
Category
2010s Post-Impressionist South Coast - Landscape Prints
Materials
Screen
"Afternoon Glow" Colorful Serigraph of Lahaina Harbor, Maui
By John Cosby
Located in Laguna Beach, CA
This 90 color hand pulled serigraph exhibits all of the subtle brushwork, light, and color that the artist is known for. "Afternoon Glow" is signed by the artist in an edition of 240...
Category
2010s American Impressionist South Coast - Landscape Prints
Materials
Screen
"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100
By Carol Summers
Located in Soquel, CA
"Casa Marquez" Original Woodblock Print, Signed and Numbered 93/100
Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a closeup on a large stone building, with a landscape reflected in the windows. The building has carved ornamentation in a classical style. There is a bright red sunset in the background behind the building. The title refers to the author Gabriel García Márquez.
Signed "Carol Summers" in the lower right corner.
Numbered and titled "93/100 Casa Marquez" in the upper right corner.
Presented in a silver colored aluminum frame.
Frame size: 19.25"H x 23.25"W
Paper size: 16"H x 20"W
Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented.
In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother.
From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum.
In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category
1980s Contemporary South Coast - Landscape Prints
Materials
Ink, Handmade Paper, Woodcut
"Afternoon Glow" Colorful Serigraph of Lahaina Harbor, Maui
By John Cosby
Located in Laguna Beach, CA
This 90 color hand pulled serigraph exhibits all of the subtle brushwork, light, and color that the artist is known for. "Afternoon Glow" is signed by the artist in an edition of 240 including Proofs, and this beautiful harbor scene is bathed in glowing light, with rich blues, greens, and grays.
As a painter Cosby travels extensively painting what he sees and feels. Bold use of color and an energetic brush stroke combined with the truth of the place is what you will see and feel when viewing a painting by Cosby.
Born in Hollywood California in 1955, Cosby was raised in the west. At an early age he began to draw and paint and was lucky enough to have been inspired by a grandmother who was an oil painter. "She would give me the paint, some brushes and a scrap of canvas and set me off to paint. This early experience took the fear out of creating a painting," said Cosby.
Cosby started traveling at an early age. At 18 he was chosen as an advance man for the Executive Branch of the US Government, served under two Presidents and traveled the world. He met many interesting people and saw many things but what most interested him were the great works of art he encountered. "They haunted me and helped set the course for my career as a painter". After leaving the White House, Cosby rebuilt an old classic sailing sloop designed by Nathaniel Herrishoff. With a friend (who had dreams of being a writer) set sail up and down the eastern seaboard in the inland waterway for 3 years. Thus he began his art career.
"Doing drawings of anything that moved me, things began to sell and my course was set," said Cosby.
Upon his return to the California, Cosby began painting the sea and landscape of coastal California. With a strong gallery response, his success as a painter quickly followed.
Cosby currently resides and maintains a studio in San Clemente CA. He works on location around the world and is represented by some of the finest galleries. Cosby was a founding board member of the prestigious “Laguna Plein Air Painters Association”, a Signature member of both Pleinair Painters of America and The California Art Club. He has served as an officer of these groups to help further the cause of Art. Cosby was also a founder of the Laguna Beach Plein Air Painting Invitational that was held at the Laguna Art Museum for thirteen years and is now in it's 18th year.
With his bold contemporary style Cosby has captured the imagination of some very important collectors. His work can be found in many private, public and corporate collections around the world. Cosby is recognized internationally.
List of Awards and Recent Exhibitions
2016 The Irvine Museum Summer Exhibition "A Summer Idyll"
2015 Commissioned by Big Canyon Country Club to paint a major painting
2015 Accepted into The Irvine Museum Permanent Collection
2015 Group Show “The Wild Side” Catalina Island Conservancy show
2014 The Fredrick Weisman Museum "On Location in Malibu" A CAC Show
2014 The Cape Cod Museum of Art "Looking East" a PAPA Show
2014 The Irvine Museum "Sunlight and Shadow/ The Tradition of Pleinair Painting...
Category
2010s American Impressionist South Coast - Landscape Prints
Materials
Screen
"Laguna Vista" Contemporary Impressionist Serigraph of Laguna Beach
By Maria Bertrán
Located in Laguna Beach, CA
"Laguna Vista" is an beautiful hand pulled serigraph created from the oil painted on location in Laguna Beach, California by Maria Bertran. This Contemporary Impressionist painting c...
Category
2010s Post-Impressionist South Coast - Landscape Prints
Materials
Screen
Desert Spring Landscape
By Laurie Bender
Located in Soquel, CA
Vivid large scale giclee print, 27/95, titled Desert Spring 1996 by Laurie Bender (American, b. 1953). Displayed double linen mat and whitewashed wood frame. Signed lower right and n...
Category
1990s American Impressionist South Coast - Landscape Prints
Materials
Paper, Giclée
St. Stephen's Cathedral in Vienna - Hand Colored Cityscape Lithograph
By Luigi Kasimir
Located in Soquel, CA
Detailed and dramatic hand-colored etching by Luigi Kasimir (Austrian, 1881-1962). St. Stephen's cathedral towers above the streets of Vienna, with people going about their daily bus...
Category
1920s Photorealist South Coast - Landscape Prints
Materials
Paper, Watercolor, Lithograph
"Morning By The Bay" Colorful Harbor Street Scene In Old San Juan Serigraph
By Tom Swimm
Located in Laguna Beach, CA
"Morning By The Bay" features a colorful street scene leading to the sparkling Caribbean sea, and is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pull...
Category
2010s American Realist South Coast - Landscape Prints
Materials
Screen
Vintage Floral Study Etching Titled "Weeds" by Marina Payot
Located in Soquel, CA
Vintage Floral study etching titled "Weeds" by Marina Payot (American, 20th century), 1983. Titled, signed, and dated lower edge. Artists Proof designation. Unframed. Image: 11.75"H ...
Category
1980s American Impressionist South Coast - Landscape Prints
Materials
Paper, Printer's Ink
Church of San Pietro In Banchi, Italy - 1908 Original Etching
Located in Soquel, CA
Church of San Pietro In Banchi, Italy - 1908 Original Etching
Original 1908 etching of the church of San Pietro Banchi in Genoa, Italy by George Walter Chandler (American, 1866-1928...
Category
Early 1900s Post-Impressionist South Coast - Landscape Prints
Materials
Laid Paper, Etching
"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper
By Toyohara Kunichika
Located in Soquel, CA
"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper
Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple.
Mat size: 16"H x 20"W
Paper size: 14.75"H x 9.88"W
Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...
Category
1880s Edo South Coast - Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Bowling on the Green (from the Bicentennial Pageant of George Washington)
By Childe Hassam
Located in Soquel, CA
Bowling on the Green (from the Bicentennial Pageant of George Washington)
'Bowling on the Green', by printmaker Frederick Childe Hassam, depicts George Washington and friends lawn b...
Category
1930s American Impressionist South Coast - Landscape Prints
Materials
Ink, Etching, Laid Paper
Birds on Branches - Lithograph in Ink on Paper - Edition of 75
Located in Soquel, CA
Birds on Branches - Lithograph in Ink on Paper - Edition of 75
Delicate and detailed lithograph of birds by Fugi Nakamizo (Japanese/American, 1889-1950)...
Category
Early 20th Century Impressionist South Coast - Landscape Prints
Materials
Paper, Ink, Lithograph
Festival Procession Of A Daimyo - Original Woodblock Print
Located in Soquel, CA
Procession Of A Daimyo - Original Woodblock Print
Original woodblock print depicting the procession of a Daimyo. Ten Japanese soldiers are seen as they aid in transporting the Daimy...
Category
Late 18th Century Edo South Coast - Landscape Prints
Materials
Ink, Wood Panel, Rice Paper
"Harbor Rainbow" Colorful Boat With Deep Blue Water Reflections Serigraph
By Tom Swimm
Located in Laguna Beach, CA
"Harbor Rainbow" with rippling water reflections of the blue boat floating in the sea is a quintessential example of Tom Swimm's enhanced realism. This colorful hand pulled 90 color ...
Category
2010s American Realist South Coast - Landscape Prints
Materials
Screen
Reds and Black August 20, 2020
By Donald Sultan
Located in Calabasas, CA
Artist: Donald Sultan
Title: Reds and Black August 20, 2020
Year: 2020
Medium: Silkscreen with enamel inks, flocking, and tarlike texture on Rising 4-ply Museum Board
Sheet: 44 x 84...
Category
2010s Contemporary South Coast - Landscape Prints
Materials
Screen
Beethovens Residence at Mödling Colored Etching by Henry Goering
Located in Soquel, CA
Beethovens Residence at Mödling - Vintage Colored Etching by Henry Goering WWII
Hand colored etching of the Christof House (the Yard of Christ) by Henry...
Category
1920s American Impressionist South Coast - Landscape Prints
Materials
Paper, Ink, Etching
"Ocean's Edge" - Giclee Print on Watercolor Paper
Located in Soquel, CA
"Ocean's Edge" - Giclee Print on Watercolor Paper
Giclee print of the Oceans Edge by California artist Jan Bearse (American, 20th Century). Colorful buoys are the focal point, with...
Category
20th Century American Impressionist South Coast - Landscape Prints
Materials
Paper, Watercolor, Giclée
"Doorway To The Garden" Contemporary Impressionist Serigraph of Provence
By Maria Bertrán
Located in Laguna Beach, CA
"Doorway To The Garden" is an beautiful hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting captures...
Category
2010s Post-Impressionist South Coast - Landscape Prints
Materials
Screen
"Bord de Fleuve" Impressionist Landscape of Riverside Paris, Lithograph on Paper
Located in Soquel, CA
"Bord de Fleuve" Impressionist Landscape of Riverside Paris, Lithograph on Paper (#86/90)
A stone arch bridge spans the Seine in this Paris landscape by French artist, Jacques Voyet...
Category
20th Century Impressionist South Coast - Landscape Prints
Materials
Paper, Printer's Ink, Lithograph
Rare Hand Colored "Cabane Des Hold" - 1st Ed "Description de l’Univers" C. 1683
By Alain Manesson Mallet
Located in Soquel, CA
Rare Engraving "Cabane Des Hold, Terres Artiques, Fig CII," 1st edition "Description de l’Univers, page 281
This rare image depicts the Willem Barentsz expedition of 1597 to Novaya Zemlya, Russia. The engraving, with later hand-coloring, shows the cabin and ship of the Dutch arctic expedition of Barentsz on Novaya Zemlya (Nova Zembla), with the party being attacked (and in some cases apparently eaten) by bears and wolves. Dutch explorer, Willem Barentsz, reached the west coast of Novaya Zemlya in 1594, and in a subsequent expedition of 1596 rounded the northern point and wintered on the northeast coast. Barentsz died during the expedition, and may have been buried on the northern island.
This artwork is a page from a book by 17th century cartographer and engineer, Allain Manesson Mallet (French, 1630-1706), "Description de L'Univers, contenant les differents systêmes du monde, les cartes générals et particulières de la géographie ancienne et modern." Paris: Denys Thierry, 1683.
Presented in an cream colored mat.
Text on verso shown in images.
Mat Size: 11.5"H x 9.07"W
Paper Size: 8.25"H x 5.44"W
Image Size: 5.63"H x 3.75"W
Alain Manesson Mallet (French, 1630-1706) was a 17th century cartographer and military engineer. He started his career as a musketeer in the army of Louis XIV, became a Sergeant-Major in the artillery and an Inspector of Fortifications. He later served under Alfonso VI, King of Portugal...
Category
1680s Realist South Coast - Landscape Prints
Materials
Paper, Ink, Gouache
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
By Utagawa Hiroshige
Located in Soquel, CA
Shin-machi Bridge at Hodogaya - Japanese Woodcut Print on Rice Paper
Woodblock print of travelers on a bridge by Utagawa Hiroshige (Japanese, 1797-185...
Category
1850s Impressionist South Coast - Landscape Prints
Materials
Rice Paper, Woodcut
Abstracted Lithograph of The Louve Museum with E.M Pei Pyramids
By Bu King
Located in Soquel, CA
Abstract Lithograph of The Louve with E.M. Pei Glass Pyramids
Limited edition lithograph of an abstracted urban landscape, with fractured yellow and green color fields, by Bu King (...
Category
Late 20th Century Analytic Cubist South Coast - Landscape Prints
Materials
Paper, Ink, Aquatint, Lithograph
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
By Keisai Eisen
Located in Soquel, CA
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...
Category
Early 19th Century Edo South Coast - Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Villa Bocquet Paris Street and Cafe Scene by Thomas Pradzynski
By Thomas Pradzynski
Located in Soquel, CA
Thomas Pradzynski
1951–2007
Internationally renowned Modern Realist, Thomas Pradzynski painted street scenes of cities throughout the world, but was inspired and captured the mood, t...
Category
Early 2000s French School South Coast - Landscape Prints
Materials
Screen
"Drowsy Bums" - Mid Century Figurative San Francisco Dock Landscape
By John Stoll
Located in Soquel, CA
Figurative landscape capturing dock workers' afternoon break by John Theodore Edward Stoll (b. Germany; 1889, d. California; 1974). Signed "John Stoll" lower right. Titled "Drowsy Bu...
Category
1940s American Impressionist South Coast - Landscape Prints
Materials
Paper, Printer's Ink, Etching
"Weather Eye" - 1989 Lithograph on Paper
By Deborah Rumer
Located in Soquel, CA
"Weather Eye" - 1989 Lithograph on Paper
1989 Lithograph on paper titled "Weather Eye" by Deborah Rumer (American, 20th Century). A windowsill is the focal point, as the viewer look...
Category
1980s Expressionist South Coast - Landscape Prints
Materials
Paper, Ink, Lithograph
"The Bridge over the Seine Near Argenteuil" Oil Reproduction after Claude Monet
By (after) Claude Monet
Located in Pasadena, CA
This framed reproduction of Claude Monet's immensely popular painting, “The Bridge Over The Seine Near Argenteuil,” comes with a certificate of authenticity on the back and is numbered 1102, making it interesting for several reasons.
The artagraphic process used to produce this work in a limited edition of 2900 is considered the state-of-the-art in art reproduction and the most respectful approach to reproducing a painting by a master. In three steps, this technique creates a 3D replica of an original oil painting's color and surface texture. Colors are scanned with a digital laser and then printed separately using oil-based inks on a single sheet. A mold is created from the original painting to reproduce its surface texture and bas-relief brushstrokes. Unlike lithographs and serigraphs, there is a palpable material and relief if you run your fingers over the surface.
At the Impressionist group's first exhibition in 1874, Claude Monet demonstrated his deep interest in the motif by working on seven depictions of the Argenteuil bridge and four of the railroad bridge upstream. The artwork depicts Monet's immediate impressions of the scene rather than offering detailed realism. In these series, moored sailboats occupy the foreground, while the fluidity of the river melts harmoniously with the geometrically contrasted presence of the bridge and its imposing pillars. Monet manipulates his palette and complementary color schemes to create the illusion of light and movement through small, separate, and visible brushstrokes, making it one of the artist's most recognizable signatures. The painting displays a diversity of styles, with some elements more solid, having strong and distinct lines and structured forms defined by firm contours, while the water and the sky in the background give off an impression of moving space, floating, and ripples.
An original painting of the series can be seen at Musée d'Orsay in Paris, France...
Category
Late 19th Century Impressionist South Coast - Landscape Prints
Materials
Ink, Oil
"Road To Sault" Contemporary Impressionist Serigraph of Provence, France
By Maria Bertrán
Located in Laguna Beach, CA
"Road To Sault" is an beautiful 95 color hand pulled serigraph created from the oil painted on location in Provence by Maria Bertran. This Contemporary I...
Category
2010s Post-Impressionist South Coast - Landscape Prints
Materials
Screen
Headland IV - Etching by Gordon Cook on Japanese Paper
By Gordon Cook
Located in Soquel, CA
Headland IV by Gordon Cook (American, 1927-1985). 1963. Signed on verso "gordon cook/ Headland IV 1963."
Detailed etching based on a natural shore scene by Gordon Cook. Printed on ...
Category
1960s American Impressionist South Coast - Landscape Prints
Materials
Laid Paper, Etching
Two Actors - Japanese Woodblock by Chikanobu Yoshu
By Toyohara Chikanobu
Located in Soquel, CA
Two Actors - Japanese Woodblock by Toyohara Chikanobu (豊原周延, 1838–1912), better known to his contemporaries as Yōshū Chikanobu (楊洲周延).
Colorful and expressive court scene. Two actors...
Category
1890s Edo South Coast - Landscape Prints
Materials
Ink, Rice Paper, Woodcut
Royal Hotel - New Orleans 1920s Depression Art Lithograph in Ink on Paper
Located in Soquel, CA
Royal Hotel - New Orleans 1920s Depression Art Lithograph in Ink on Paper
Dramatic street scene with a man wearing a trench coat and hat by Robert J We...
Category
Late 20th Century American Modern South Coast - Landscape Prints
Materials
Paper, Lithograph
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
1820s Edo South Coast - Landscape Prints
Materials
Ink, Rice Paper, Woodcut
"Poles" Minimalist Abstract Lithograph on Paper
By Arnold Mesches
Located in Soquel, CA
"Poles" Minimalist Abstract Lithograph on Paper
Bold abstracted lithograph by Arnold Mesches (American, 1923-2016). Negative space is filled in wi...
Category
1960s Minimalist South Coast - Landscape Prints
Materials
Paper, Ink, Lithograph
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
By Utagawa Hiroshige
Located in Soquel, CA
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Bright woodblock print by Utagawa Hiroshige (Japanese, 1797-1858). In this scene, two dancers with swords and fans are facing each other, in the center of a courtyard. There are spectators surrounding them, including nobles in black clothing on a balcony.
Presented in a new off-white mat with foamcore backing.
Mat size: 16"H x 20"W
Paper size: 9.63"H x 14.5W"
Utagawa Hiroshige (1797-1858, sometimes called Ando Hiroshige) was the second of the two great masters of the Japanese landscape woodblock print...
Category
1830s Edo South Coast - Landscape Prints
Materials
Ink, Rice Paper, Woodcut
24x18 Pillars of Creation James Webb Telescope Space Photography NASA Poster
Located in Los Angeles, CA
The WEBB imagery is of the most important imagery every taken.
Archival museum quality poster print
Premium Gloss
Framing options available
NASA’s James Webb Space Telescope’s mid...
Category
21st Century and Contemporary American Modern South Coast - Landscape Prints
Materials
Archival Ink, Archival Pigment
Kiyomi Barrier & Seiken Temple Near Okitsu- Japanese Woodcut Print on Rice Paper
By Utagawa Hiroshige
Located in Soquel, CA
Kiyomi Barrier & Seiken Temple Near Okitsu - Japanese Woodcut Print on Rice Paper
Woodblock print of boats in a harbor by Utagawa Hiroshige (Japanese, 1797-1858). Originally publish...
Category
1850s Impressionist South Coast - Landscape Prints
Materials
Rice Paper, Woodcut
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
By Toyohara Chikanobu
Located in Soquel, CA
"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu
Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912).
This is the r...
Category
1890s French School South Coast - Landscape Prints
Materials
Ink, Rice Paper, Woodcut
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
By Carol Summers
Located in Soquel, CA
"Grave of Santa Anna's Leg" Original Woodblock Print, Signed Artist's Proof
Boldly colored woodblock print by Carol Summers (American, 1925-2016). This piece is a segment of a grave, with a headstone that has a skull and cross. There are two bright green plants flanking the headstone. Below the headstone and plants, there is a large arched blue shape, with a crescent moon and stars. A red leg, bent at the knee, cuts across the blue arch.
Signed "Carol Summers" along the right edge of the blue shape.
Numbered and titled "A/P Grave of Sant Anna's Leg" along the left edge of the blue shape.
Presented in a silver colored aluminum frame.
Frame size: 32.245"H x 27.25"W
Paper size: 29.75"H x 24.5"W
Carol Summers (1925-2016) has worked as an artist throughout the second half of the 20th century and into the first years of the next, outliving most of his mid-century modernist peers. Initially trained as a painter, Summers was drawn to color woodcuts around 1950 and it became his specialty thereafter. Over the years he has developed a process and style that is both innovative and readily recognizable. His art is known for it’s large scale, saturated fields of bold color, semi-abstract treatment of landscapes from around the world and a luminescent quality achieved through a printmaking process he invented.
In a career that has extended over half a century, Summers has hand-pulled approximately 245 woodcuts in editions that have typically run from 25 to 100 in number. His talent was both inherited and learned. Born in 1925 in Kingston, a small town in upstate New York, Summers was raised in nearby Woodstock with his older sister, Mary. His parents were both artists who had met in art school in St. Louis. During the Great Depression, when Carol was growing up, his father supported the family as a medical illustrator until he could return to painting. His mother was a watercolorist and also quite knowledgeable about the different kinds of papers used for various kinds of painting. Many years later, Summers would paint or print on thinly textured paper originally collected by his mother.
From 1948 to 1951, Carol Summers trained in the classical fine and studio arts at Bard College and at the Art Students League of New York. He studied painting with Steven Hirsh and printmaking with Louis Schanker. He admired the shapes and colors favored by early modernists Paul Klee (Sw: 1879-1940) and Matt Phillips (Am: b.1927- ). After graduating, Summers quit working as a part-time carpenter and cabinetmaker (which had supported his schooling and living expenses) to focus fulltime on art. That same year, an early abstract, Bridge No. 1 was selected for a Purchase Prize in a competition sponsored by the Brooklyn Museum.
In 1952, his work (Cathedral, Construction and Icarus) was shown the first time at the Museum of Modern Art in New York City in an exhibition of American woodcuts...
Category
1980s Contemporary South Coast - Landscape Prints
Materials
Ink, Handmade Paper, Woodcut
South Ridge Series #66, Abstract Landscape
By Katherine Chang Liu
Located in Soquel, CA
A beautiful abstracted landscape, mixed media print and painting, in soft pastel hues by California artist Katherine Chang Liu (American, 20th-century). Signed and dated "Katherine C...
Category
1980s Abstract Expressionist South Coast - Landscape Prints
Materials
Ink, Oil, Archival Paper, Etching
French Forest Landscape Lithograph "Bord de la Forêt et Maisons Sous la Neig"
By Bernard Gantner
Located in Soquel, CA
Quiet winter scene on a frozen lake by listed artist Bernard Gantner (France, b. 1928). Presented in a rustic wood frame. Signed and numbered in pencil: edition number "149/275" lowe...
Category
1980s Impressionist South Coast - Landscape Prints
Materials
Paper, Ink, Lithograph
Washington At Pohick Church - 1932 Etching On Paper
By Ernest David Roth
Located in Soquel, CA
Washington At Pohick Church - 1932 Etching On Paper
1932 black and white etching depicting George Washington at Pohick Church by Ernest David Roth (German, 1879-1964). George Washin...
Category
1930s American Impressionist South Coast - Landscape Prints
Materials
Laid Paper, Etching
"The Covered Wagon" On the Oregon Trail Prairie Schooner Horseman and Cattle
Located in Soquel, CA
"The Covered Wagon" On the Oregon Trail Prairie Schooner and Cattle
Facsimile in oil or silk screen Oil print by Gilbert Ross Tonge (American, 1883 - 1970...
Category
1940s American Impressionist South Coast - Landscape Prints
Materials
Oil, Illustration Board, Screen
"Afternoon Glow" Colorful Serigraph of Lahaina Harbor, Maui
By John Cosby
Located in Laguna Beach, CA
This 90 color hand pulled serigraph exhibits all of the subtle brushwork, light, and color that the artist is known for. "Afternoon Glow" is signed by the artist in an edition of 240...
Category
2010s American Impressionist South Coast - Landscape Prints
Materials
Screen
Lone Boat At Dusk - Serigraph Print
Located in Soquel, CA
Lone Boat At Dusk - Serigraph Print
Original serigraph depicting a landscape scene with contrasts of black, blue and green. Hues of blue make up the ...
Category
1970s Contemporary South Coast - Landscape Prints
Materials
Paper, Ink
Washington Assumes Command - Etching on Paper
Located in Soquel, CA
Washington Assumes Command - Etching in Ink on Paper
Historical engraving by Ralph Ludwig Boyer (American, 1879-1952). George Washington is shown holding a sword, with an army stand...
Category
1930s Impressionist South Coast - Landscape Prints
Materials
Paper, Drypoint, Lithograph
Wine and Childhood Aliments
By Raoul Dufy
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy
Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category
1930s Post-Impressionist South Coast - Landscape Prints
Materials
Lithograph
"Home from the Fair" Wagon and Horses Print on Canvas
Located in Soquel, CA
"Home from the Fair" Wagon and Horses Print on Canvas
Colorful print on canvas with additional oil brush strokes for detail by Texas artist Jack Terry (American, Born 1952). Limited hand signed edition of 108/250 hand embellished canvas prints.
Hand signed in gold pen lower right "Jack Terry 108/250"
Also signed in print "Jack Terry 1988"
Ink Stamp on Canvas "Jack Terry hand Painted Canvas Print"
Brass plaque center on linen "Home From the Fair"
Image, 16"H x 20"W
Frame, 24"H x 28"W x 2.5"D
Jack Terry’s paintings evoke emotion in the viewer encompassing subject matter, use of color, mood and grace of light. He is one of the most collected artists of our time.
Jack was born in the west Texas town of Sweetwater in 1952 and began his art career as a young child, winning his first of many awards at the age of nine. A fourth-generation Texan, he credits much of his inspiration to his maternal Grandfather, Bill Mason, a rancher who cowboyed on some of the last cattle drives of the west and his paternal Grandmother, Etna Terry, who began painting late in life and welcomed young Jack to participate in the fun. Six-time world champion Cowboy Larry Mahan has said of Jack, “Terry captures the West the way it was and the way it should be. He is one of the finest artists of our day and a pretty good cowhand to boot…”.
A graduate of the University of Texas, Jack studied studio art, anatomy, design and journalism while displaying his paintings in various galleries throughout the state. Upon graduation, he began painting full-time, taking every opportunity to day-work on various ranches in search of inspiration, new subject matter and authenticity.
In 1976, at the young age of 24, Jack Terry was named Bicentennial Artist in Texas. He was honored with a one-man show in the state Capitol Rotunda. His portrait of President Lyndon Johnson was commissioned for publication on the Texas Bicentennial Calendar that same year.
In 1999, Harvest House Publishers invited Jack to write and illustrate his first book. “The Great Trail Ride”, a collection of 14 inspirational short stories. The great success of that first title led to eight more books which sold over one million copies.
In 2008 First Lady Laura Bush invited Jack to the White House for the Holiday Celebration. He painted a Christmas tree ornament representing the state of Texas.
In 2010 the United States Army commissioned a painting honoring the First Air Calvary Division and the brave men and women who have served from the historic beginning of the U.S. Calvary, Viet Nam and the Middle East. Limited edition reproductions were signed by Jack, Medal of Honor Recipient Bruce Crandall from the Viet Nam War, and General Dick Cody, Vice Chief of Staff, U.S. Army. Jack responded about this special occasion in 2010, “After months of research, flying time and researching films and most importantly sitting at the same table with these heroes whose commitment, loyalty and sacrifice to our great nation have made this the most meaningful painting I have ever done”.
Jack Terry’s paintings hang in prominent collections throughout the country. The King Ranch...
Category
1980s American Impressionist South Coast - Landscape Prints
Materials
Canvas, Printer's Ink, Oil
"Nane - Qagyuhl" Native American in Grizzly Costume - Photogravure Print
By Edward Curtis
Located in Soquel, CA
"Nane - Qagyuhl" Native American in Grizzly Costume - Photogravure Print
Photogravure of a Native American man from a photo by Edward Sheriff Curtis (American, 1868-1952). The man i...
Category
Early 20th Century Photorealist South Coast - Landscape Prints
Materials
Paper, Ink
Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper
By Utagawa Hiroshige
Located in Soquel, CA
Stage 48 of the 53 Stages of the Tokaido - Japanese Woodblock on Rice Paper
Woodblock print of clothing vendors by Utagawa Hiroshige (Japanese, 1797-1858). Originally printed in 183...
Category
1830s Impressionist South Coast - Landscape Prints
Materials
Rice Paper, Woodcut
"Blue Lagoon", Whimsical Beach Landscape with Figure, Lizard, Volcanoes & Planes
Located in Soquel, CA
Whimsical and vivacious limited editions screen-print on paper depicting a smiling nude figure lounging on a beach next to a fantastical orange and purple striped iguana, with volcanos erupting in the distance and several airplanes flying through the night sky by Phoebe Cole...
Category
1980s Surrealist South Coast - Landscape Prints
Materials
Paper, Ink, Screen
"Coast July No. 2" - Multi Layer Landscape Screenprint (9 of 23)
By Dorr Bothwell
Located in Soquel, CA
Titled in lower left corner ("Coast July No. 2")
Numbered lower center ("9/23")
Signed and dated twice in lower right, once inside the artwork, once below ("Bothwell '63" and "Dorr Bothwell '63")
Presented in a cream colored mat with foamcore backing.
Mat size: 24"H x 28"W
Paper size: 20"H x 26"W
Dorris Hodgson Bothwell (American, 1902–2000), known as Dorr, was born in San Francisco, California, on May 3, 1902. The Bothwell family moved to San Diego in 1911, where they became friends and neighbors with the artists Anna and Albert Valentien. Dorr began her art studies with Anna in 1916 at the age of 14. In the early 1920s, Dorr returned to San Francisco to study at the California School of Fine Arts, then studied at the University of Oregon, in Eugene, and the Rudolph Schaeffer School of Design, which was founded in San Francisco, 1926.
After receiving a modest inheritance, Dorr traveled to American Samoa in 1928, where she remained for two years and produced many works of art in a wide variety of mediums. Some of these were successfully shown at the Fine Arts Gallery of San Diego and the Beaux Gallery in San Francisco, allowing her to spend time in England, France, and Germany.
Returning to San Diego in 1931, Dorr became involved, once more, with the San Diego art community and exhibited with the San Diego Moderns...
Category
1960s Modern South Coast - Landscape Prints
Materials
Paper, Ink, Screen
30x20 Pillars of Creation James Webb Telescope Space Photography NASA Photo Art
Located in Los Angeles, CA
The WEBB imagery is of the most important imagery every taken.
The finest museum quality WEBB images avialable.
Printed on archival paper using archival inks.
Framing options avail...
Category
21st Century and Contemporary American Modern South Coast - Landscape Prints
Materials
Archival Ink, Archival Pigment
