Items Similar to Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Want more images or videos?
Request additional images or videos from the seller
1 of 12
Utagawa HiroshigeSumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Printc. 1834
c. 1834
About the Item
Sumiyoshi: Dengaku dance performed during an Onda ceremony - Woodblock Print
Bright woodblock print by Utagawa Hiroshige (Japanese, 1797-1858). In this scene, two dancers with swords and fans are facing each other, in the center of a courtyard. There are spectators surrounding them, including nobles in black clothing on a balcony.
Presented in a new off-white mat with foamcore backing.
Mat size: 16"H x 20"W
Paper size: 9.63"H x 14.5W"
Utagawa Hiroshige (1797-1858, sometimes called Ando Hiroshige) was the second of the two great masters of the Japanese landscape woodblock print, after Hokusai. He is particularly known for his scenes featuring snow and rain, which feauture in many of his best and most famous images, and which has led to his becoming know as "the artist of rain, snow and mist".
He was born (with the name Ando Tokutaro) in Edo (the name of Tokyo at that point in time), and originally was intended to follow the career of his father, a fire-watchman. After his parents' death in 1809, the orphan Hiroshige gravitated toward the art world, an inclination which had been encouraged by his father.
In 1811, he became a pupil of the woodblock artist Toyohiro, who had been a fellow-pupil with the great woodblock master Tokokuni under Toyoharu (all of the Utagawa school, the latter being the founder). In 1812 he was formally adopted into the Utagawa school, with the name Utagawa Hiroshige. He continued to hold his post as a fire-watchman, though, until 1823.
His early prints from the period 1818-1830 were initially book illustrations, and later mostly actor prints and bijin-ga, all in the classic Utagawa school style, created by such masters of the Utagawa school as Toyokuni.
In the early 1830's, he started to discover himself as an artist, starting on the landscapes which became his forte, and changing his signature to Ichiyusai (sometimes Ichiryusai). His first landscape series was in 1829 or 1830, entitled Eight Famous Views of Omi, followed by a ten-print series Famous Places of the Eastern Capital, which in addition to showing the influence of Hokusai, also marked the first revelations of Hiroshige's true genius.
In 1832 he made his first journey down the Tokaido highway, which resulting in his first great artistic success, the original Fifty-Three Stations of the Tokaido, a series which catapulted him to contemporary fame and success. This series is is now also universally held among the greatest of all Japanese landscape prints, and one of the two best series he ever did.
For the next twenty years, he continued to produce large numbers of landscape and other series, but principally landscapes, on a large number of different themes.
Chief among them are a large number of other Tokaido series, among them so-called Gyosho Tokaido, the Reisho Tokaido and the Upright Tokaido. Hiroshige returned to the theme of the 53 stations again and again, producing a total of (by various countings) between 16 and 19 editions in all.
Two of the best series on this theme are the so-called "Gyosho Tokaido" (~1840, named after the cursive style of calligraphy used in the title cartouches, literally 'grass style') and the Reisho Tokaido (1848-1854, named after the scribes' style of calligraphy), although the latter is rare, since the blocks for it were destroyed in a fire when only a few prints had been made. Also found fairly often, and of some artistic note, is the so-called Upright Tokaido (1855, in which the print is oriented in portrait mode (or tateban), not landscape (or yokoban), as are the other three series above).
A more complete list of the various print series of Hiroshige, with references to the lists of titles and descriptions of individual prints is in The Colour Prints of Hiroshige by Edward F. Strange.
He lived his entire life in Edo, until his death from cholera at the age of 62 in 1858.
His life is best summed up by Edward F. Strange: "Outside his own little circle of friends and customers Hiroshige was a man of small importance in Japan. The cultured classes knew him not; and it is only since his work has begun to gain its great and growing reputation in Europe and America, that he is beginning to be appreciated in his own country."
- Creator:
- Creation Year:c. 1834
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)Depth: 0.25 in (6.35 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Ink is vibrant. Some tonal ageing to paper. Some isolated areas of staining.
- Gallery Location:Soquel, CA
- Reference Number:
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1986
1stDibs seller since 2014
2,514 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Soquel, CA
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock PrintBy Keisai EisenLocated in Soquel, CAMitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...Category
Early 19th Century Edo Figurative Prints
MaterialsWoodcut, Rice Paper, Ink
- "Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paperBy Toyohara KunichikaLocated in Soquel, CA"Enshoku Sanju-roku Kasen" (Thirty-six Enchanting Flowers) Woodblock on paper Elegant woodblock print by Toyohara Kunuchika (Japanese, 1835-1900). Three women are in talking with each other inside, while a man waits outside holding a bag of some kind. The colors in this piece are rich and saturated, primarily blues, greens, and purple. Mat size: 16"H x 20"W Paper size: 14.75"H x 9.88"W Born in 1835, Toyohara Kunichika grew up in the Kyobashi district of Edo in the midst of merchants and artisans. In 1848, at age 13, he was accepted as an apprentice into the studio of Utagawa Kunisada I...Category
1880s Edo Figurative Prints
MaterialsInk, Rice Paper, Woodcut
- Kiyomizu Temple, Scenes of Famous Places along Tôkaidô Road - Woodblock on PaperBy Utagawa Hiroshige IILocated in Soquel, CAKiyomizu Temple, Scenes of Famous Places along Tôkaidô Road - Woodblock on Paper Full Title: Kyoto: Kiyomizu Temple (Kyô Kiyomizudera), from the series Scenes of Famous Places along...Category
1860s Edo Landscape Prints
MaterialsInk, Rice Paper, Woodcut
- Narihira's Journey to the East - Japanese Woodblock on Paper by Kikugawa EizanBy Kikugawa EizanLocated in Soquel, CANarihira's Journey to the East - Japanese Woodblock on Paper Original 19th century Japanese woodcut print depicting Narihira's journey to the East by a follower of Utamaru, Kikugaw...Category
Early 19th Century Edo Figurative Prints
MaterialsWoodcut, Rice Paper, Ink
- "Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa ToyokuniLocated in Soquel, CA"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae. The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs. The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...Category
1820s Edo Figurative Prints
MaterialsInk, Rice Paper, Woodcut
- "First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu YoshuBy Toyohara ChikanobuLocated in Soquel, CA"First Horse Day, 1896" - Chiyoda Palace - Japanese Woodblock by Chikanobu Yoshu Colorful and expressive court scne by Toyohara Chikanobu,"Yoshu" (Japanese, 1838-1912). This is the r...Category
1890s Edo Figurative Prints
MaterialsRice Paper, Ink, Woodcut
You May Also Like
- Beauties on the Beach with view of Mount FujiBy Yoshu ChikanobuLocated in Burbank, CAShichirigahama, Sagami Province. A beauty in the foreground waves to her young companions, who run towards her on the beach. The beauty at left wears a western-style golden ring. We ...Category
1890s Edo Landscape Prints
MaterialsHandmade Paper, Mulberry Paper, Woodcut
- The Battle of Dan-no-ura in Yashima, Nagato Province in the First Year .....By Utagawa YoshitoraLocated in Middletown, NYThe Battle of Dan-no-ura in Yashima, Nagato Province in the First Year of the Bunji Era (1185) Tokyo c. 1830 Woodblock print (nishiki-e) with ink and hand-coloring in watercolor on handmade mulberry paper, 14 7/16 x 9 15/16 inches (367 x 252 mm), ōban tate-e, the full sheet. In good condition with some handling creases. Colors are fresh and extremely vibrant. The right panel from the triptych by Yoshitora depicting one of Japan's most storied naval battles. An impression of this work may be found in the permanent collection of the Honolulu Museum of Art. The great naval battle of Dan-no-ura in 1185 was the final climax in a long series of bitter wars between two powerful families in feudal Japan...Category
Early 19th Century Edo Figurative Prints
MaterialsHandmade Paper, Watercolor, Woodcut
- Toshogu ShrineLocated in Middletown, NYIn image of the Tokugawa family paying homage to Tosho-gu Shrine in Nikko. Tokyo: Matsuki Heikichi, 1896 Woodcut in ink with embossing and hand-coloring in watercolor on handmade m...Category
Late 19th Century Edo Figurative Prints
MaterialsHandmade Paper, Watercolor, Woodcut
- Japanese Beauty Admiring Kirifuri WaterfallBy Yoshu ChikanobuLocated in Burbank, CAA beauty turns to admire the Kirifuri Waterfall in Nikko Province. She holds the handle of an umbrella and wears fashionable clothing that is beautifully printed. This series pairs f...Category
1890s Edo Landscape Prints
MaterialsWoodcut, Handmade Paper, Mulberry Paper
- Nihon Embankment in Yoshiwara Japanese Woodblock PrintBy Utagawa Hiroshige (Ando Hiroshige)Located in Houston, TXWoodblock print from the Edo period. The print was apart of a series that Hiroshige did titled, "One Hundred Famous Views of Edo". The woodblock print is printed on rice paper. The p...Category
1850s Edo Figurative Prints
MaterialsWoodcut
- Saruwaka-machi District and Kinryûzan Temple Seen from MatsuchiyamaBy Utagawa Hiroshige (Ando Hiroshige)Located in Houston, TXThree women in the Saruwaka-machi District with a view of Kinryûzan Temple seen from the famous landmark Matsuchiyama. The woodblock print is from the series "Famous Places in Edo". ...Category
1850s Edo Figurative Prints
MaterialsWoodcut
