Stockholm - Side Tables

Occasional table model 2168 designed by Josef Frank for Svenskt Tenn, Sweden. 1950s. Walnut and marble. Josef Frank’s occasional table “model 2168” is one of his rarer models. Its beautifully carved, turned legs...

Presenting The Bedside Table by Wannberg, an innovative creation crafted from surplus offset wood obtained during The Floating Bed production, ensuring the optimal use of resources....

Side table designed by Jens Harald Quistgaard, Denmark. 1950s. Teak. Exquisite woodwork and a beautifully shaped, removable tray surface that can function as a bowl characterise th...

Coffee table designed by Frode Holm for Illums Bolighus, Denmark. 1950's. Rosewood. Measurements: H: 56 cm/ 22'' L: 121 cm/ 4' W: 61 c...

Occasional table, anonymous, Sweden. 1940s. Mahogany. Dimensions: H: 60.5 cm / 23 3/4" W: 60 cm / 23 1/2" D: 30 cm / 11 3/4"

Side table designed by Jens Quistgaard, Denmark, 1950s Teak. Exquisite woodwork and a beautifully shaped, removable tray surface that can function as a bowl characterise this Danis...

Very rare and early mid century example of the iconic "B12" side console table in black stained wood and chromed tubular steel base by Marcel Breuer for Thonet Germany, 1930s. In goo...

Side table designed by Jens Harald Quistgaard, Denmark, 1950s. Teak. Exquisite woodwork and a beautifully shaped, removable tray surface that can function as a bowl characterise th...

Desk designed by Peter Hvidt and Orla Mölgaard Nielsen for Söfborg Möbelfabrik, Denmark, 1950s. Teak. This desk designed by Peter Hvidt and Orla Mölgaard-Nielsen is a staple design...

Pair of bedside tables, anonymous for DUX, Sweden, 1960s. Cane, rattan, teak and metal. The colonial-style combination of cane, rattan, and teak makes this Scandinavian bedside tab...

Lovely rosewood side table by Severin Hansen with a wicker basket drawer. Great for storage and creating a great silhouette. Severin Hansen’s characteristic diagonal, seamless joiner...

Elm veneer and beech. Stamped Karl Mathsson Värnamo. Measure: H: 41.5 cm / 16 1/3’’ L: 65 cm / 2’ 1 1/2’’ W: 43 cm / 1’ 5’’.  

The Yareta Aluminum Stool in Orange with Blue rubber feet, designed by Erik Olovsson, is a vibrant fusion of sculptural playfulness and industrial precision. The stool features a sol...

Side table designed by Anti Hakkarainen for Taidetakomo Hakkarainen, Finland 1949. Stone mosaic top, forged iron base. Measurements: H: 49.5...

Kalmar pine. Measures: H 94 cm/ 1' 1" W 41-87 cm/ 1' 4"- 2' 10 1/8" D 26 cm/ 10 1/8".  

Beautiful, innovative side table by Josef Frank, made in mahogany. The upper section has a drawer with a brass handle. Lovely sculpted feet and rims framing the table tops.

pair of side tables designed by Kai Kristiansen. Produced in Denmark by Aksel Kjaersgaard during the 1950s. Made from rosewood with nice grain. Beautifully detailed with angled corne...

Occasional table in Karelian and flame birch. Designed by Bruno Mathsson in 1936 for his fathers furniture company Firma Karl Mathsson. This table is dated 1974.       

A beautiful stained wood coffee table in baroque style, made in England for Swedish luxury warehouse Nordiska Kompaniet / NK, Stockholm. Mid-1900s, labeled. Normal signs of age and...

Great pair of side tables / bedside tables produced in Sweden by Säffle Möbelfabrik, designed by Yngvar Sandström, 1960s.  

Lovely small side table with three slender legs. The table top is made in the shape of a palette, with inlays of eight kinds of wood with their names, also as inlays, inside.

Leaf shaped side table model "Rytm" designed by Yngve Ekström. Produced in Tranås Sweden during the 1950s. Black lacquered beech legs and table top of rosewood. Good vintage conditio...

Pair of cool side tables by Uno and Östen Kristiansson. Sleek, square steel legs fitted neatly into the rosewood table tops.

Side table model "Annika" designed by Bruno Mathsson. Produced in Värnamo, Sweden by Firma Karl Mathsson in 1973. Table top in burl birch and legs from laminated birch. Good vintage ...

Swedish modern sofa table produced by Nordiska Kompaniet. According to the NK ledger the table is titled "Bord B 642" and was done on December 13,...

Side table model "Annika" designed by Bruno Mathsson. Produced in Värnamo, Sweden by Firma Karl Mathsson in 1971. Table top in ash and legs from laminated birch. Good vintage conditi...

An occasional table with marble top. Designed by Josef Frank for Firma Svenskt Tenn, 1940s-1950s.

Bedside table model 914 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany veneer and brass handle. Josef Frank’s elegant bedside table model 914 with sophisticated brass handles is one of Svenskt Tenn’s timeless classics. It works very well combined with modern or antique pieces. The overall simplicity of form and use of luxurious wood are characteristic of Josef Frank. L: 65 cm W: 40 cm H: 55 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...

Side table in elmwood produced in Sjöbo by Bertil Johansson, Sweden, 1960s.

Planted firmly on the ground, the Lefanto table stands as a homage to elephants. By balancing mass with curves, this side table explores how the monumental force of these majestic be...

Rare and early side / bedside table designed and manufactured by Hans-Agne Jakobsson in Sweden, ca 1950s. Made from teak, with acrylic insert on the drawer. Metal legs with original...

Occasional table designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany. Measurements: H: 60 cm/ 23 1/2'' Length when extened: 104 cm/ 3' 5'' D: 54 cm/ 21 1/2''   Jose...

Occasional table “The Egyptian table”, designed by Mogens Lassen for Rud Rasmussen, Denmark. 1935. Mahogany, foldable frame and top with raised edg...

Side table, anonymous, 1940s. Lacquered wood, textile, and glass. H: 56 cm W: 56 cm D: 41.5 cm

The first piece that Diaform started with. 3L stands for 3 Legged and is a side table that has gone through several iterations. The 3L displays a stricter language, but summarizes a ...

Presenting The Bedside Table by Wannberg, an innovative creation crafted from surplus offset wood obtained during The Floating Bed production, ensuring the optimal use of resources....

Planted firmly on the ground, the Lefanto table stands as a homage to elephants. By balancing mass with curves, this side table explores how the monumental force of these majestic be...

Side table designed by Jens Quistgaard, Denmark, 1950s. Teak. H: 44 cm Diameter: 55.5 cm

Side table, anonymous, Sweden, 1960s. Rosewood with metal frame and legs. Dimensions: L: 63 cm/ 2' 3/4" D: 39.5 cm/ 1' 3 1/2" H: 46 cm/ 1' 6"

Table Annika designed by Bruno Mathsson for Karl Mathsson, Sweden. 1936. Elm top and birch legs. Measurements: H: 65 cm / 2' 2" D: 95 cm / 3' 1 7/8" This round “Annika” occasional table was manufactured in 1967 and designed in 1936; it is made of birch with a smooth Oregon pine top. Bruno Mathsson created various iterations of his “Annika” model — they come in three shapes with different wood combinations and various heights. They can be round with three legs, square with four legs, or rectangular with six legs, allowing exciting and contrasting combinations when grouped. While the design aesthetic is delicate, the table is very well-made because of the strong plywood. Bruno Mathsson’s love for nature pervades all his designs — he frequently slept outside in the forest or his garden on a specially designed foldable bed. His furniture shapes, particularly the legs, bring bull's horns or insects to mind. Mathsson was one of the most important Swedish designers of the 20th century. He was a contemporary of Alvar Aalto and Marcel Breuer, all of whom had already experimented with bent plywood during the 1930s. Karl Mathsson, Bruno Mathsson's father, was the fifth generation in a family of master cabinet makers. He owned a furniture manufacturing company that produced the earlier pieces; later, they founded "Mathsson International”. The stamp indicates the manufacturing date and, sometimes, the design date. Bruno Mathsson often gave his furniture Swedish woman...