Sweden - Art

Abstract expressionism/symbolism.

Abstract expressionism/symbolism.

The final print of Sam Francis. L’étoile (SF-364) 1995. Museum glass anti-reflective. Artwork size : 127 x 78,5 cm Frame size : 147x98x4 cm Edition 6/50 artist blindstamp signature. Stamped by the Publisher. Artist's Proofs: 8 ex. Sam Francis Archive Number: SF-364. Free shipment worldwide. Publisher: The Litho Shop, Santa Monica. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

Here we have a painting by Swiss Artist Ernst Suter, most of his creations are sculptures so this is a rare find. Ernst Suter grew up in a bourgeois family in the city of Basel. Even before he had received his high school diploma, he had to leave the canton school because of his participation in a student revolt. He then did an apprenticeship as a sculptor with Jakob Probst, with whom he had a lifelong friendship. In 1923 he went to Paris to continue his studies. There his first teacher was Henri Bouchard...

Abstract expressionism/symbolism. Scribble

Ron and Mariette, Diptych From the "Ibiza" Series Archival Pigment Print with a 1.57-inch white border. Overall size: 62.99 in. H x 94.4 in. W Individual Image Size: 62.99 in. H x 47...

Publisher GKM. Unframed. Edition of 150 ex. Signed by the artist. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day...

Abstract expressionism/symbolism. Acrylic paint, paper, velvet textile applique on digital printed silk textile

Abstract/Symbol expressionism

Abstract expressionism/symbolism

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

Abstract expressionism/symbolism

Edition of 200 ex. Free shipment worldwide. Acquired directly from the artist. Recycled plastic. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism and pop art in humoristic sculptures that at first sight may seem “kitschy”. However, closer familiarity with his works reveals their role as a creative antidote to the overproduction and overconsumption of our society. With his cloned animals William Sweetlove calls for greater ecological awareness and urges us to reflect on the consequences of the climate change challengeing humanity. His cloned dogs wear boots since the sea level rises and the penguins carry water bottles since we are runnig out of drinking water. William Sweetlove has had exhibitions at art fairs, galleries and museums all over the world. His works are found in several private art collections. He has also participated in different art manifestations worldwide together with the Italian Cracking Art...

Ivan Bergdahl was born in 1929 in Säbrå. He lived most of his life in Gådeå outside Härnösand in Sweden, and he is best known for his fine landscape pain...

Mannerism, derived from the Italian term "maneria," which simply means "style," was an artistic movement that emerged in the later years of the Italian High Renaissance, around 1520, and extended into the early 17th century. It is often referred to as the "stylish style" due to its emphasis on self-conscious artifice rather than realistic depiction. Historians debate whether Mannerism should be classified as a style, a movement, or a period. In contrast to the harmonious ideals embraced by renowned artists such as Raphael, Michelangelo, and Leonardo da Vinci, Mannerist painters took a step further and created compositions that were almost bizarre. They introduced fresh color schemes, elongated proportions, and exaggerated anatomy of figures, portraying them in convoluted and serpentine poses. These artists skillfully exhibited their techniques and abilities, aiming to evoke a sense of sophisticated elegance. Among the notable Mannerist painters are Jacopo da Pontormo, Bronzino, Lavinia Fontana...

Anders Ek (Born 1952) Sweden Water Reflections (Hompage Monet) painted 1994 canvas 19.68 x 25.19 inches (50 x 64 cm) frame 20.27 x 25.78 inches (51.5 x 65.5 cm) signed Anders Ek oi...

Publisher GKM. Edition of 50 ex Free shipment worldwide. Signed, dated, titled and numbered. The work of Antonio de Felipe is a constant source of fascination and surprises. It is ...

A magnificent Winter Landscape by the Swedish artist Anton Genberg (1862-1939). In this painting from 1912, we see the characteristic features that made ...

Hjalmar Sandberg (1847-1888) Sweden Harvest Time, 1876 oil on canvas canvas size 14.96 x 18.11 inches (38 x 46 cm) frame 18.70 x 25.59 inches (47.5 ...

Signed/Numbered 3/8 ex. Silver plated bronze. Acquired directly from the artist. Free shipment worldwide. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism and pop art in humoristic sculptures that at first sight may seem “kitschy”. However, closer familiarity with his works reveals their role as a creative antidote to the overproduction and overconsumption of our society. With his cloned animals William Sweetlove calls for greater ecological awareness and urges us to reflect on the consequences of the climate change challengeing humanity. His cloned dogs wear boots since the sea level rises and the penguins carry water bottles since we are runnig out of drinking water. William Sweetlove has had exhibitions at art fairs, galleries and museums all over the world. His works are found in several private art collections. He has also participated in different art manifestations worldwide together with the Italian Cracking Art Group. The community of Borås acquired the sculpture “Cloned Frogs on Gala Dress...

This is an oil sketch for the famous painting "Gustavus II Adolphus before the Battle of Lützen" today in the Göteborgs Konstmuseum's collection. There is something special with an ...

Abstract expressionism

Free shipment worldwide. Acquired directly from the artist. Painted on the sides. No frame needed. The work of Antonio de Felipe is a constant source of fascination and surprises. ...

Abstract expressionism/symbolism

Abstract expressionism/symbolism

Publisher GKM. Unframed. Edition of 150 ex. Signed by the artist. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and da...

Pop, Naïve

La femme dans l’arbre de l’été. Publisher GKM. Unframed. Edition of 30 ex. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the founders of the COBRA group, ...

Folklore/expressionism

David Teniers the Younger (1610-1690) Follower of A Peasant Removing a Plaster: The Sense of Touch signed T on the table oil on panel panel size 7,20 x 5,55 inches (18,3 x 14,4 cm)...

Numbered 23 out of a limited edition 100 ex. 3 layers of gold color. Signed by the artist on the base. Free shipment worldwide. Acquired directly from the artist. Recycled plastic. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism and pop art in humoristic sculptures that at first sight may seem “kitschy”. However, closer familiarity with his works reveals their role as a creative antidote to the overproduction and overconsumption of our society. With his cloned animals William Sweetlove calls for greater ecological awareness and urges us to reflect on the consequences of the climate change challengeing humanity. His cloned dogs wear boots since the sea level rises and the penguins carry water bottles since we are runnig out of drinking water. William Sweetlove has had exhibitions at art fairs, galleries and museums all over the world. His works are found in several private art collections. He has also participated in different art manifestations worldwide together with the Italian Cracking Art...

Size; 85x60cm Mixed media; laquer paint, ink, acrylic,papaer applications on paper Mounting; framing by artist optional, additional cost. Completed 2020-08

Abstract expressionism/symbolism

Envol des oiseaux. Publisher GKM. Unframed. Edition of 30 ex. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the founders of the COBRA group, has passed aw...

Abstract expressionism/symbolism

Jacob Ochtervelt (Workshop) The Grape Seller There are two known versions of this subject. This is a reduced variant of Ochtervelt's signed and dat...

Abstract Expressionism

Abstract Expressionism

Signed and numbered by the artist. Unframed. Edition: 150 ex. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day, b...

Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep, Cows and a Goat in a Landscape oil on relined canvas canvas size 56 x 53 cm frame i...

Complicité Created 1998, engraving. Publisher GKM. Unframed. Edition of 60 ex. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the founders of the COBRA gro...

Original sculpture 1/8 ex. Signed and numbered by the artist and stamped Bocquel fondeur. Acquired directly from the artist. Free shipment worldwide. Arman wrote, “The bow on the ...

Artwork size: 34 x 47 cm. Frame size: 53 x 65 cm. Free shipment worldwide. Signed and dated. Acquired directly from the artist. Corneille, one of the founders of the COBRA group, ha...

Johan Wilhelm Palmstruch (1770-1811) Sweden Title: A Bear hand-coloured print early 1800s print dimensions approx 4.33 x 7.08 inches (11 x 18 cm) frame 11.81 x 15.74 inches (30 ...

Tête pensive. Created 1998, engraving. Publisher GKM. Unframed. Edition of 60 ex. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the founders of the COBRA ...

Erik Jerken (1898-1947) Sweden Title: City Canal With Boats oil on canvas signed Jerke frame size 28.74 x 25.59 inches (73 x 65 cm) canvas size 21.65 x 17.71 inches (55 x 45 cm) Provenance: Private collection Sweden Erik Jerken, born June 17, 1898, in Stockholm, died October 27, 1947, in Stockholm. He was a Swedish painter, graphic artist, illustrator known under the signature Jerke. Jerken studied at the Technical School 1916–1918, Althin's painting school 1918 and the Academy of Fine Arts 1918–1923. In addition to decoration work for Högalid Church, Stockholm City Hall...

Pink surprise. Signed and numbered by the artist. Unframed. Edition: 150 ex. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between n...

Corneille. Irruption du chat. Created 1998, engraving. Publisher GKM. Unframed. Edition of 80 ex. Signed, dated and numbered. Free shipment worldwide. Corneille, one of the found...

Caleb Althin (1866-1919) The Man Who Stole the Magic Horn Caleb Althin studied at the Academy of Fine Arts in Stockholm 1885–1894 with a few years break for studies abroad in decor...

Stèle aux Dollars. Accumulation of US dollar bills in polyester. Edition of 30 ex. Artwork size: 30x80x6 cm. (Size with base 45x82x6 cm) [Archives Durand Ruel 2089] Arman explor...

Abstract Expressionism

Johan Wilhelm Palmstruch (1770-1811) Sweden Title: A Wolf hand-coloured print early 1800s print dimensions approx 4.33 x 7.08 inches (11 x 18 cm) frame 11.81 x 15.74 inches (30 ...

Abstract Expressionism

Gentlemen prefer them blondes and pop artists as well. Silkscreen and acrylic on canvas Artwork size: 75 x 75 x 3 cm. Frame size: 87 x 86 x 5 cm. Acquired directly from the artist...

Signed, titled and dated on the back. Acquired directly from the artist. Painted on the sides. No frame needed. Free shipment worldwide Working on a variety of perceptual levels, P...

Publisher GKM. Edition of 200 ex. Unframed. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

Carpet in wool Edition of 125 ex. Certificate enclosed signed and numbered by the artist. Corneille, one of the founders of the COBRA group, has passed away. He died in Paris on Sun...

Size; 47x69cm Mixed media; Ink, chalk and velvet applications on paper. Mounting; framing by artist optional, additional cost. Completed 2020-08