Sweden Decorative Bowls

19th century Swedish folk Art wooden bowl dated 1862 Signed LOS A stunning antique organic wooden bowl with lovely patina You can see the use of time. The bowl has ownershipmarking ...

A beautiful and unique hand thrown stoneware bowl, with amazing glaze. Made by Raija Tuumi at Arabia, Finland, 1960s. Excellent condition. Incised signature "RT" and "ARABIA". Ceramic artist Raija Tuumi (1923–2016) represents a generation of artists who, after the war, helped make Finland’s art industry internationally famous. The ceramic artists and their visibility at international exhibitions played a significant role in putting Finnish art on the world map. Raised in Kiukais in Satakunta, Finland, Raija Tuumi first discovered artistic expression through weaving. However local potters, raised her interest in an alternative material. After many different phases in her life Tuumi ended up studying in Ateneum’s ceramics department between 1946 and 1949, during which she found her own strong style. The students’ training included periods in workshops in Finland, where she encountered potters’ large dough and butter milk pots and other dishes that inspired Tuumi to work on large sculptural objects. Tuumi studied in the ceramics department along side with other ceramisist, including Ulla Procopé, Annikki Hovisaari, Dorrit Flinckenberg, Vuokko Eskolin...

Set of 4 Mid-Century Pewter Dishes in the Shape of Playing Card Symbols by Just Andersen, Denmark Stamped Just, Denmark, 2630, 2631, 2632, 2633 Just Andersen’s pewter pieces are hig...

A large turquoise Midcentury Swedish bowl in stoneware by Rörstrand, designed by Carl-Harry Stålhane at Rörstrand. The bowl is 19,5 cm in diameter and in mint condition. Carl-Harry ...

This is a significant and exceptionally sought-after WMF Ikora art deco dinanderie bowl, is manufactured by Württembergische Metallwarenfabrik (WMF) in Germany during the 1920s to 19...

Mona Morales Schildt is regarded as one of Sweden's most talented glass designers. Her objects can be seen in museums and art galleries all over the world. Her work always holds an e...

An exceptional large rare oval shaped 18th century primitive Swedish carved wooden knot bowl. Shows a dry textured finish showing a stunning aged patina. A truly remarkable piece. Th...

A very stylish mid-century modern four acacia wood bowls. Designed and handmade in Mozambique. Whether displayed as standalone art pieces or used practically to hold candy, nuts,deco...

Really big primitive wooden bowl from Sweden, made in 1832 . It’s heavy patinated over the years and it has a lovely patina, maker marks on the ...

Rare Swedish antique bowl from the late 1700s. This wooden bowl is oval with a large carved handle on the side, a very unusual detail hardly ever seen on bowls like this. It is made ...

A set of 2 beautiful footed bowls with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gu...

A serving dish in faience designed by Stig Lindberg at Gustavsbergs Studio in Stockholm, it is 31.5 x 10.5 cm (12.6" x 4.2") in diameter. It´s in excellent condition. This vase is pa...

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1962. Great condition. Incised signa...

19th Century Swedish Folk Art wooden bowl dated 1869 Signed PSSAEDAP. A stunning antique organic wooden bowl with lovely patina and original paint...

Set of two antique and unique organic wooden bowls. With highly appealing patina, with traces of use. Produced in Sweden, 19th century. These bowls where very important for many fam...

An antique and unique organic wooden bowl. With highly appealing patina, faded painting on the bowl makes this a unique and desirable piece. Produced in...

These pieces of ceramics were made in Sweden 1980s for Design huset and designed by one of the great ceramic’s designers from Sweden, Carl-Harry Stålhane....

A beautiful stoneware art deco bowl with crackle glaze. Details in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. Great condition. ...

A pair of candlesticks with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1930s. Good condition but...

Beautiful “Devil’s Cradle” bowl by Timo Sarpaneva, made in thick glass quality in an organic, rounded form. Two holes close to the edge. Frosted surface.

A set of two beautiful 'Våga' bowls. Stoneware with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Swedish Grace. Great condition. Impressed wi...

A beautiful stoneware bowl with blue glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden. In production 1958-1962. Great condition, only a few light scratches. Impressed wit...

A beautiful art deco bowl designed by Just Andersen in 1920s and produced by his own company in Denmark. Made from Disko metal (an alloy of different metals invented by Just Andersen...

Four planters with two dishes of model Planta designed by Wilhelm Kåge ay Gustavsberg. The larger once are 13 x 13 cm and 11 cm high (5.2" x 5.2" x 4.4")...

Large tray designed by Torsten Johansson. Made by Formträ AB in Sweden during the 1950s. Made from laminated rosewood. very good vintage condition with light age related wear and pat...

A large and spectacular lidded bowl with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at ...

An large antique and unique organic wooden bowl. With highly appealing patina, with traces of use. This one in a unique blue painted color thats be...

These pieces of ceramic bottles were made in Sweden 1980s for Design Huset and designed by one of the great ceramic’s designers from Sweden, Carl-Harry Stålhane. There is a stunning nice colored 1980s look and still that grace of Swedish midcentury pottery...

A lovely blue bowl designed by Carl-Harry Stålhane at Rörstrand, the bowl is 14 x 11 cm in diameter. It is in excellent condition and marked as 1st quality. Carl-Harry Stålhane is ...

A lidded bowl designed by Hertha Bengtson at Rörstrand. It is 6 cm (2.4") high and 10 cm (4") in diameter. It is marked as 2nd quality but I cannot see why because it is in excellent...

Swedish Wood Bowl circa 1830 With a grey smooth patina that only can be created over time. Residues from original paint. Owner's mark 'EB' engraved...

Unusually large antique mortar from Sweden. The mortar is made by hand in stone and is solid and heavy. Made in Sweden around 1880. Good vintage condition with traces of use. There i...

Very rare six Scandinavian Modern small unique bowls in beautiful ox-blood and blue glaze by Friedl Holzer-Kjellberg for Arabia. Friedl Holzer-Kjellberg, 1905-1993, was a Finnish ce...

Rare Swedish Öland Limestone Spitting Cup from the Early 1800s Patina and wear is whats really build character in this piece. Time and stone truly come together in this remarkable i...

A unique hand painted bowl designed by Carl-Harry Stålhane at Rörstrand in 1943, it is 37,5 cm (15") in diameter and about 5 cm (2") high. The bowl is in excellent condition except f...

Early 20th century Swedish Grace / Art Deco cast iron urn by Olof Hult for Nafveqvarn. ca 1930s Sweden.

Rare large Swedish decorative mid century ceramic / stoneware "Rubus" dish / bowl by Gunnar Nylund for Rörstrand Sweden, 1950s. In good original condition and signed by the artist. ...

A large brown ceramic bowl designed by Carl-Harry Stålhane at Rörstrand, the bowl is 18.5 cm (7.4") in diameter. It is in excellent condition except from some minor scratches and mar...

Decorative stoneware bowl, model Våga / Wave, designed by Wilhelm Kåge for Gustavsberg. Scandinavian Modern 1950s. This bowl is a part of a series with different sizes and shapes,...

This burl made in Sweden with precision handcraft gives a nice edition to any living room with intention to give an organic simple, but jet complex look. The signs of the wood struct...

A beautiful and rare stoneware bowl with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Excellent condition. Incised signature 'G.N.' and makers mark 'R' ...

This burl made in Sweden 1962 with precision handcraft gives a nice edition to any living room with intention to give an organic simple, but jet complex look. The signs of the wood s...

Elegant Royal Copenhagen crackle glazed bowl with gilded banding on the base. Designed by THORKILD OLSEN (1890-1973) for ROYAL COPENHAGEN. Made in D...

A beautiful stoneware bowl with amazing glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1969. Great condition. A small brown firing spot...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1969. Great condition. A dark spot in...

A beautiful and unique hand thrown stoneware bowl, with amazing glaze. Made by Liisa Hallamaa at Arabia, Finland, 1960s. Excellent condition. Incised signature "LH" and "ARABIA". Liisa Kaarina Hallamaa was a Finnish ceramist. She graduated from the ceramics department of the Central School of Art and Industry in 1949. She started working at Arabia as early as 1945 and worked as an artist in its art department from 1957 to 1971. Her work was characterised by large vases and vases. The materials used were chamotte and stoneware. He also worked as an assistant to Aune Siimes...

Unique cast red painted iron decorative leaf platter. A platter possibly a prototype, made of cast iron. The design originates from a model in cast brass plate that was exhibited at ...

A lovely serving dish in shape of a leaf in faience designed by Stig Lindberg at Gustavsberg Studio, it´s 31,5 x 11 cm. It´s close to mint condition. It´s marked with the Stig Lindbe...

A lovely yellow bowl designed by Pia Rönndahl at Rörstrand in the 1980s. The bowl is 7 cm (2.8") high and about 14,5 cm (5.8") in diameter and in excellent condition except from some...

A beautiful small stoneware art deco bowl with crackle glaze. Foot and mouth detailed in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 193...

A beautiful stoneware bowl with amazing glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1975. Great condition. Incised signature 'Fribe...

A beautiful stoneware art deco bowl with crackle glaze. Foot and mouth detailed in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. G...

A beautiful 'Swedish Modern' stoneware footed bowl with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg in Sweden, 1930s. Great condition. Stamped 'Gustavsberg / CARRAR...

A stunning large, black bowl with handles, made by Thomas Hellström for Nittsjö, Sweden, marked "Handmade THO". It has glazed, flower-like details in the bottom with blue and white d...

A lovely mid-century bowl in ceramics with a glaze in a purple, brown, blue-toned glaze from Rörstrand, Sweden, designed by Carl-Harry Stålhane. The bowl is marked as 2nd quality and...

Set of 2 beautiful 'Våga' bowls. Stoneware with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. 'Swedish Modern'. Excellent condition. Stamped 'Gusta...

A beautiful platter designed by Stig Lindberg at Gustavsbergs Studio in Stockholm, it is 30.5 cm (12.2") in diameter. It has a black/brown color an...