Switzerland - Figurative Paintings

“Sounds Of The Sea” is a romantic painting of a woman listening to the sounds of a seashell, which takes me back to childhood memories of the whispering sea and a whole range of asso...

Work on cardboard Golden wooden frame 53 x 48 x 3.5 cm

Louis TOFFOLI (1928 - 1999) Brodeuse Signed lower right Oil on canvas 55 x 38,1 cm 78 x 60 cm (Framed) Louis TOFFOLI was born in Trieste, in Italy in 1907. After graduatin...

Work on paper

Work on paper

Work on canvas Wooden frame 22 x 22 x 3 cm Work with monogram E. MK

Work on canvas Molded frame in wood and beige plaster 82 x 71 x 5 cm

Born in 1944 in the canton of Fribourg, Gilbert Pauli currently lives in Geneva, where he devotes himself to painting and sculpture, a passion he developed from his childhood. His fa...

Antonio Segui 38 x 46 cm Distraido Oil on Canvas Signed and Dated on the back Antonio Segui Biography Born in Córdoba, Argentina in 1934, Antonio Seguí currently lives and works in Paris. He studied at the San Fernando Academy in Madrid, Spain as well as the Ecole des Beaux-Arts in Paris, France. His first solo exhibition was in Argentina at age 23. Antonio Seguí is one of the most internationally renowned Argentinian artists. He began his artistic endeavors at a young age after leaving Argentina to travel the world and study art. His journeys through Latin America, Europe and Africa exposed him to new ideas and encouraged his culturally diverse approach to art. Influenced by artists like Fernand Leger and Diego Rivera, Seguí’s work is generally satirical, critiquing society and human nature. In a pre-computer age, the artist created a vocabulary that is now being explored by a new generation of artists through comics and Manga, yet his visual language and social commentaries remain poignant, both symbolically and literally. Throughout his career, Seguí has developed a fascination for urban life, creating in his work the idea of the “everyman.” The city movement, the fast pace at which life happens and the people who live in these urban spaces are some of the elements that constitute the world depicted in his paintings. It is a prototypical realm inhabited by speedy automatons that take immutable routes leading nowhere. Up close, each figure is an individual, walking down dark alleys, pointing, waving and emerging from potholes. But from a distance, the individuals morph into complex patterns swallowed up in a labyrinth of buildings and cookie-cutter trees. Utilizing cubist techniques, Seguí’s repeated elements give shape to the cities causing planes to vibrate between line and color. Numerous perspectives unfold with each vibration and reflect the many angles of life of the urban man. Always in action, the little figures trample, tip-toe, dodge and advance through Seguí’s imaginary metropolis of life. His work is representated on a series of narratives and criticisms reflected on paintings that show many little men, dressed in 20's style clothes. He uses his own recourse based on comic strip characters, texts, arrows and various signs, juxtaposed onto the figures that resemble comic strip style language. Seguí’s work is collected and exhibited worldwide in places such as the MoMA, New York; Art Museum of the Americas, Washington, D.C.; Frissiras Museum, Athens, Greece; Museo de Arte Moderno de Buenos Aires, Argentina; Museum der Moderne Salzburg, Austria; Museum of Modern Art Dubrovnik, Croatia; and Museo Tamayo, Mexico City, Mexico. The Musée National d´Art Moderne, Paris organized a retrospective of his works on paper in 2005. A monograph on the artist by Daniel Abadie was published in 2010 by Hazan. Antonio Segui Resumé 1995 Art Miami '95, USA. S. Zannettacci, Geneva, Switzerland Marwan Hoss, Paris, France Gallerie du Cirque Divers, Belgium Le Moulin du Roc, France Fundacao C. Gulbenkaian, Portugal Gallerie J. Rubeiz, Beirut, Liban 1994 F. Santos, Portugal E. Franck Gallery, Belgium 1993 Galleria San Carlo, Milan, Italy Galería I. Vega, Puerto Rico Winance-Sabbe, Belgium FIAC, Paris, France 1992 Casa Rosada, Buenos Aires, Argentina Espace Julio Gonzales...

Work on canvas Golden wooden frame 58 x 72 x 5 cm

Work on canvas

Work on cardboard Molded frame in wood and gilded plaster 52.5 x 60.5 x 7 cm

Work on canvas Golden wooden frame 48 x 29 x 3 cm

Work on canvas Golden molded wooden frame 60 x 72.5 x 5.5 cm

Work on canvas Golden wooden frame 59.5 x 69 x 2.5 cm

M. CHAT Untitled Painting mounted on canvas Signed Dimensions : 120 x 120 cm including frame Framed painting Avec certificat Discreet and unobtrusive, Monsieur Chat or M. Chat has been working on the streets since he was 15. His anonymity was broken in 2007 when he was caught painting his famous symbol – the cat. The man behind the mask was revealed to be Thoma Vuille, but he didn’t allow himself to be disturbed by this. Instead, he continued to exacerbate the already crystallized curiosity around the urban graphics of his increasingly present symbol. The shadow of his anonymous existence dispersed upon being shined on, but in the end, he realized that he and his alter ego are one and the same person, so he learned to drop the mask and raise his name alongside the signature of his alter ego. Believing in the idea and repeating it continuously over time, the artist got to the point where he was able to shape those around him in a way that, ultimately, the image he projects outwards is reflected back at him at times when he starts to entertain his own doubts about it. Throughout the World Born in Boudry, in the canton of Neuchâtel, Switzerland, Chat began roaming the streets around 1987. He studied at the Institute of visual Arts of Orléans, graduating in 2001. In 1997, during one of the workshops, the grinning cat was born. In his, now omnipresent symbol, the culture of the neighborhood meets the never-ending optimism of the artist, making a combination that is easily recognizable and widely famous. His dream of uniting human beings, different as they might be, is now possible. That single unifying subject has been found, and he’s ever since on a mission of spreading that subject throughout the world. It was this kind of contagious optimism that nudged the film-maker Chris Marker into approaching the artist, and eventually making a documentary about him in 2004. Reflecting on France’s state after the 9/11, Marker used the phenomenon of the Chat’s cat to explore the sad feelings of the people, but to share some optimism as well. The attention was not focused on the artist, for once, as we do not need to know his personal history to be able to feel something upon seeing his work. In fact, the state of mind, or an attitude, or a philosophical aspiration, is represented through an image. Behind that image lies all the simplicity of a smile painted on a wall, and all the power that comes with it. Vuille keeps the drawing simple and the line clear. On the first sight, the cat looks like a logo. However, it can’t be reduced to a logo, as it’s so much more than that. Belonging to street art, it’s a character with a strong identity and many variations. A character that achieves a symbolic dimension through its simplicity. A Dispute with RATP – Let Art Be Free Street art is highly unpredictable – where one sees inspirational pieces, others see the destruction of property. The artist had been previously arrested on brush in hand by the Police Municipal of Orléans in 2007. The Régie autonome des transports Parisian demanded 1,800 euros in damages, stating that Vuille had, without prior authorization, drawn inscriptions, signs or drawings, in the case of Cat Heads on the walls of the Châtelet-Les Halles station during its renovation in May 2014. Due to some contradictories, Vuille’s lawyer raised the invalidity of the notice of the artist, stating that he and his client were not completely sure what they were accused of. The court found the nullity of the summons, and the RATP finally asked one euro in damages, an amount incomparable to their previous requests. The whole thing turned out to be nothing more than a bad memory for Monsieur Chat, stating that he was not a criminal, but an artist. He also explained that his intention was to humanize a transit corridor, which was gray. All he did was putting some color on it, sharing happy feelings with all who passed nearby. Discreet and unobtrusive, Monsieur Chat or M. Chat has been working on the streets since he was 15. His anonymity was broken in 2007 when he was caught painting his famous symbol – the cat. The man behind the mask was revealed to be Thoma Vuille, but he didn’t allow himself to be disturbed by this. Instead, he continued to exacerbate the already crystallized curiosity around the urban graphics of his increasingly present symbol. The shadow of his anonymous existence dispersed upon being shined on, but in the end, he realized that he and his alter ego are one and the same person, so he learned to drop the mask and raise his name alongside the signature of his alter ego. Believing in the idea and repeating it continuously over time, the artist got to the point where he was able to shape those around him in a way that, ultimately, the image he projects outwards is reflected back at him at times when he starts to entertain his own doubts about it. city english cookies video Monsieur Chat – Siesta à Paris, 2016 (Left) / Sky With Dufy, 2016 (Right), image courtesy of Galerie Brugier-Rigail Throughout the World Born in Boudry, in the canton of Neuchâtel, Switzerland, Chat began roaming the streets around 1987. He studied at the Institute of visual Arts of Orléans, graduating in 2001. In 1997, during one of the workshops, the grinning cat was born. In his, now omnipresent symbol, the culture of the neighborhood meets the never-ending optimism of the artist, making a combination that is easily recognizable and widely famous. His dream of uniting human beings, different as they might be, is now possible. That single unifying subject has been found, and he’s ever since on a mission of spreading that subject throughout the world. It was this kind of contagious optimism that nudged the film-maker Chris Marker into approaching the artist, and eventually making a documentary about him in 2004. Reflecting on France’s state after the 9/11, Marker used the phenomenon of the Chat’s cat to explore the sad feelings of the people, but to share some optimism as well. The attention was not focused on the artist, for once, as we do not need to know his personal history to be able to feel something upon seeing his work. In fact, the state of mind, or an attitude, or a philosophical aspiration, is represented through an image. Behind that image lies all the simplicity of a smile painted on a wall, and all the power that comes with it. Vuille keeps the drawing simple and the line clear. On the first sight, the cat looks like a logo. However, it can’t be reduced to a logo, as it’s so much more than that. Belonging to street art, it’s a character with a strong identity and many variations. A character that achieves a symbolic dimension through its simplicity. The simplicity of the smile painted on a wall represents the state of mind page france french Monsieur Chat – Le Masque...

Scott Campbell is known throughout the world as being one of the most talented hands in the world of tattooing. He owns and operates the legendary Saved Tattoo in Williamsburg, Brooklyn, whose client list includes New York's art and design elite, fashion designers such as Marc Jacobs, and a long roster of celebrities including Heath Ledger...

Karen Shahverdyan „Speed“ 70 X 100 cm, oil on canvas

Karen Shahverdyan „Torero“ 130 X 180cm, oil on canvas

Karen Shahverdyan „Toros“ 180 X 130cm, oil on canvas

Karen Shahverdyan „Flamingo“ 120 X 80, acryl, oil on canvas

Karen Shahverdyan „Mountains“ 80 X 100cm, oil on canvas

Karen Shahverdyan „Winter balance“ 90 X 110cm, oil on canvas

Karen Shahverdyan „Eleven“ 129 X 147cm, oil on canvas

Karen Shahverdyan „Storm“ 90 X 110cm, oil on canvas

Karen Shahverdyan „Candy bomber“, Diptychon, 160 X 120cm, oil on canvas,

Karen Shahverdyan „Attack“, 110 X 130cm, oil on canvas

ELIXIER, Oil on Canvas, 80 X 100cm

Karen Shahverdyan „Smart water“ 170 X 120cm acryl, oil on canvas

Erik MADIGAN HECK (*1983, United States) Harut and Marut, 2016 Oil and acrylic on canvas 273 x 120 cm (107 1/2 x 47 1/4 in.) Unique Signed by the artist Originally from Excelsior, M...

6 panel painting from Scott Campbell.